Browsing Tag

UK Pop Punk

Spotlight Feature: Bradley Peck extolled the virtue of living in the moment in the vibe-driven jangle pop-punk earworm, the most of tonight

Bradley Peck

Bradley Peck has once again proven his versatility and flair for tapping into the zeitgeist with his latest single, the most of tonight. Shifting gears from his earlier stylings, the Southend-On-Sea solo artist ventured over unchartered pop-punk territory to deliver an irresistibly infectious synthesis of euphoria and introspection.

In collaboration with Roman Styx, who mixed and mastered the track, Peck balanced genre-bending innovation with catchy quintessential pop-punk energy to strike the ultimate equilibrium. The earworm pulls you into its upbeat, vibe-driven universe with the jangle-pop guitar melodies which give the track an indie edge while the pop-punk undercurrent pulsates energy into the meticulously adrenalizing summer anthem.

Peck’s vocals, which never come close to slipping away from harmonised euphony, even in the sharp Blink-182 reminiscent cadences in the verses, become the ultimate vessel for advocation of seizing the day as they simultaneously evoke nostalgia for hedonistic days gone by and allow you to look through the rose-tinted glasses of youthful abandon.

Whether single transports you to the carefree days of youth or a recent memory worth holding onto, there’s no escaping the feel-good momentum perpetuated in the release that is all hooks and no breaks.

Bradley Peck Said

“I wanted to make a chill summer track that makes the listener feel young again; something everyone can relate to and feel some nostalgia with. The idea came to me after sinking a few, sitting back, looking at the night sky, and thinking how lucky we are to exist in this epoch. I wanted to convey that living in the moment is what life is all about; when the track started pulling together, I found myself experimenting with a brand-new genre for me. I’m so excited for this song to hit the airwaves!” 

the most of tonight will be available to stream on all major platforms from September 6th. Find your preferred way to listen and connect with Bradley Peck via this link.

Review by Amelia Vandergast

The UK pop-punk powerhouse Project Revise is in ‘Free Fall’ in their latest music video

Fans of Thrice, Glassjaw, and Reuben won’t be able to resist the hooks which punch with 00s emo volition in the latest single from the UK pop-punk powerhouse of a trio, Project Revise.

The ragged with rancour basslines wrap their snarls around the cacophonously tight drum fills beneath the nostalgically crunchy guitars as the vocal lines mainline antagonised adrenaline into Free Fall. There are high-octane hits, and there are releases that make you wonder if the instruments were plugged into nuclear reactors instead of amps, Project Revise is well and truly in the latter camp with Free Fall, and they’ve been there ever since they crashed into the scene in 2017 and started snagging accolades left, right, and centre.

They’ve been lauded by Kerrang, shot music videos with the Bowling for Soup frontman, Jaret Reddick, landed themselves on editorial playlists, and received endless BBC Introducing airplay. If they keep on releasing hits in the same vein as Free Fall, we’re pretty sure their career highlights will become infinitely more incandescent.

Watch the official music video for Free Fall on YouTube or add the track to your pop-punk playlists on Spotify.

Review by Amelia Vandergast

The emerging outfit, Hound, is spectre hunting in their debut post-hardcore-meets-pop-punk hit, Ghost in the Grey

Here to prove that emo isn’t a phase is the antagonistically enticing up-and-coming outfit, Hound, with their nostalgia-driven post-hardcore anthem, Ghost in the Grey.

The debut single is – almost – enough to tempt you to chop your hair into a side fringe and whip out the checked sweatbands, skinny jeans, and studded belts. Failing that, you’ll get to relive the glory days when Hawthorne Heights, Dashboard Confessional and Senses Fail reigned supreme in the alternative music charts, and it only felt like your internal sanity was failing instead of society as a whole.

Describing themselves as five 30-somethings with dodgy knees and broken dreams scarcely does their heavy pop-punk/emo mashup justice, especially with the sharp hooks, tight instrumentals and choruses that you will want to scream as though you’re performing your own exorcism. But it just goes to show how committed the powerhouse is to providing an escape from modern maladies and melancholy by creating pretension-less atmospheres in their music and at their live shows.

Ghost in the Grey riled up the airwaves after its debut on August 21. Stream it on Spotify.

 

Review by Amelia Vandergast

Back to the Point brought mindful maturity to pop-punk with their single, YOU!

Just like Neutral Milk Hotel, Back to the Point, make it effortless to fall in love with their punchy sound and quaintly sweet charisma – especially based on their indie power-pop hit, YOU!

The track instantly affirmed that I haven’t left my pop-punk days far behind me for the way I got suckered in by the emotional vulnerability that is cleverly paired against less-than-archetypal instrumentals that bring everything from jangle-pop angular guitars to frenetically chopped synths into the anthemically sugared mix.

Lyrically, YOU! wraps itself around themes of self-acceptance and coming to peace with the past while exploring others’ apprehension and fear around authenticity and ridicule. Quite honestly, my soul needed to hear this matured evolution of the genre. Back to the Point has exactly what it takes to put Suffolk on the pop-punk map.

YOU! is now available to stream on Spotify.

UK Pop Punk Bites Back in Her Burden’s latest single, Way Too Good for Me

Her Burden

Way Too Good for Me is the latest punchy, alt-rock track from the prodigal pop-punk artist, Her Burden. Any fans of On the Rope by Rocket from the Crypt will undoubtedly find themselves equally as energised by the tumultuously choppy rhythms and snarled lyricism.

With the vocals bordering on pop-punk theatrics and the sweet humility in the lyrics, it is impossible not to get wrapped up in this high-octane hit which will officially release on December 3rd. Way Too Good for Me is one of the rare tracks that is actually worthy of being called an earworm. By default, Her Burden is easily one of the best pop-punk powerhouses the UK has heard in the last decade. Get them on your radar.

The single will be available to stream via SoundCloud. For more info on the unreckonable alt-rock rogues, head over to their official website.

Review by Amelia Vandergast

TROUBLESHOOT lets us into his meta introspection with his latest single, ‘Inside My Head’.

TROUBLESHOOT

TROUBLESHOOT is set to release their visceral pop-punk anthem, Inside My Head; the York-based solo artist sells himself as the upbeat Lewis Capaldi and undersells his lyrical ingenuity in the process.

Taking influence from classic 00s pop-punk, TROUBLESHOOT allows his over-driven guitar tones to ring with apathy in the verses, when the chorus hits, you’ll get that sweet euphoric release as the track finds a clever way to remind you that you’re jealous of people whose lives are just as mundane as everyone else’s.

We are all drinking the Pepsi or Coke version of suffering, the answer? TROUBLESHOOT prescribes escaping into your head and creating metaphysic realities where the constraints of the physical world don’t carry on dragging you down.

Any fans of Jimmy Eat World, Blink 182 or All Time Low won’t want to miss out on this provokingly cathartic single.

You can check out TROUBLESHOOT via SoundCloud.

Review by Amelia Vandergast