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Blog Showcasing Singer Songwriter Talent

Rich Freed – Peace of Mind: An Indie Pop Rock Liberation from Introspective Oblivion

Rich Freed

Rich Freed’s latest single Peace of Mind is a compelling narrative of internal conflict, wrapped in the nostalgic warmth of 90s Britpop influences. His style, in this track, reminiscent of icons like Oasis and the Stone Roses, injects a potent mix of indie pop-rock and a bluesy undertone into the bustling modern music scene.

The track pulses with an augmented, atmospheric production that escalates until it bursts into exhilaration in the stadium-ready choruses. The rhythm carries the confident swagger of Britpop while infusing it with a fresh, intoxicating energy that seems to speak directly to the soul. It’s more than just an earworm; it’s an electrifyingly vindicating sonic exploration of the human condition.

Lyrically, Freed offers lines that listeners will want to etch into their memories as he muses on the universality of self-doubt and introspection, making it relatable on a fundamentally human level. Every verse delivers a tattoo-worthy mantra, backed by an aura of bluesy rock n’ roll that transforms this high-octane anthem into a cathartic experience.

For anyone who’s ever felt at odds with themselves, Rich Freed’s “Peace of Mind” offers not just solace but a liberating, rhythmic release. It’s an anthem for the introspective, for those who seek peace in the chaos of their own thoughts.

Peace of Mind will be available to stream on all major platforms, including YouTube, from April 26th.

Review by Amelia Vandergast

Max Norton outshined the constellations in his latest expansive indie-rock release, Comet

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Max Norton catapulted onto the indie rock scene once again with his latest seminal single, ‘Comets’. The resounding echo of college radio days mingles the discordant charm of Sonic Youth with the raw punch of 60s garage rock. Each chorus hits with a barrage of anthemic hooks, delivering an impact so potent it feels like a blissful demise—there are far worse ways to go.

The triumph of ‘Comets’ lies not only in its sticky-sweet, charismatic vocals but also in its meticulous production. With minimalist touches that amplify rather than overshadow, the production allows Norton’s authentic talent to radiate. It’s as if he’s outshone every constellation, creating a vintage-toned earworm that rewards listeners with each serendipitous chord.

Behind the scenes, Max Norton’s rich experience as a multi-instrumentalist and his decade-long career as a professional drummer deeply inform this track. The euphoric tension built within the rhythmic framework of the release crescendos in choruses that are so compelling that they demand to be heard live.

Moreover, ‘Comets’ not only showcases Norton’s instrumental and vocal talents but also his unbridled romanticism and lyrical depth. This stellar slice of classic songwriting proves a masterful amalgam of his diverse influences, from Otis Redding to Courtney Barnett, making it an indispensable addition to any rock enthusiast’s playlist.

Check out the official video for Comets on YouTube.

Review by Amelia Vandergast

Chill Hop meets RnB Dream Pop in Eth4n’s emotion-driven release, Daisy

Driven by emotion and experimental innovation, the standout single, Daisy, from Eth4n’s debut EP, Inerrata, is a hazily melodic installation of aural hypnosis that demands you submit to the catharsis from the first note.

With saturated in delay guitars giving the seminal release a vintage tape deck recording feel and the mellow electronic elements rounding out the RnB dream pop/chill hop hybrid instrumentals, Daisy unravels as an intoxicatingly artful release.

By borrowing the serene dream pop timbres of AIKA’s vocal harmonies, the bitter-sweet exploration of how affection gives us a temporary lust for life strikes all the right evocative chords, especially when Eth4n’s effect-laden pseudo-trap vocals enter the mix and inject swathes of dynamism into the vignette of tentative idiosyncratic affection.

The Australian-born, London-based experimentalist may pull inspiration from the likes of Frank Ocean and JPEGMafia, but rather than assimilating their styles, he runs with the influence into brand-new sonic territory that you’ll be compelled to join him in every time you need sanctuary.

Stream Eth4n’s Inerrata EP on Spotify now.

Review by Amelia Vandergast

Kentucky penned a patriotic rock-licked love letter with ‘America, The Beautiful’

Kentucky’s latest single, America, The Beautiful, is a soul-imbued tribute to the multifaceted allure of the United States, delivered with a rock ‘n’ roll heart that pulses with a distinct Americana twang.

The love letter captures the sweeping landscapes and rich cultural tapestry of the USA, offering listeners a sonic road trip across its vast expanse with pop culture pitstops along the way. With an approach that will resonate with fans of Bruce Springsteen and Guns n Roses alike, Kentucky weaves a narrative rich with patriotic pride, crafting a soundtrack that is both a celebration and a reflection.

The production melds classic rock influences with a nuanced Americana style, making it an essential addition for those who adorn their playlists with heartland rock. Despite the stripped and simplistic instrumental arrangement, there is no lack of depth. Each acoustic guitar-led progression strikes a resonant chord, echoing with rich, cathartic timbres under Kentucky’s gravelly vocal delivery that resonates with an aura of sincerity.

America, The Beautiful invites listeners to feel the pride and beauty of the American spirit. Its release, which stirred enough emotion to briefly face a ban on TikTok, underscores its impactful message and the poignant exploration of American identity that Kentucky so masterfully encapsulates in this acoustic rock anthem.

America, The Beautiful was officially released on April 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Ellie Irwin explored the agony of unmet expectations in her timeless folk single, Pill That Won’t Go Down

Pill That Won’t Go Down” by Ellie Irwin is a heart-wrenching exposition of coming to terms with a breakup where it was impossible to meet expectations. The single explores the intersections between contemporary folk and the styles of Joni Mitchell and James Taylor while winding in elements of alt-country through the acoustic guitar strings.

This track doesn’t just strike a chord; it is enough to reshape your idea of contemporary relationships, where we’re as disposable as everything else in our throwaway economy, where novelty trumps loyalty, regardless of the memories you throw away, the scars you carve into souls, and the distrust you leave in the minds of people you allowed into your world only to show them the door out of it.

Ellie Irwin’s vocal performance efficaciously encapsulates the aura of melancholy without the emotions overbearing the delicately balanced performance that will stay with you long after the final lyrical reprise of ‘the pill that won’t go down’. For anyone who has been there before, Ellie offers not just solace but a cathartic release, her music acting as a mirror to the soul’s more sombre realities.

For fans of innovative, thought-provoking folk, Ellie Irwin offers a profound exploration of heartache and the human condition. Her music serves as a critical commentary on the disposable nature of modern relationships, delivered through a blend of singer-songwriter finesse that echoes the timeless classics, yet with a twist of rawness and originality.

Pill That Won’t Go Down was officially released on April 12th; stream the single on Spotify and Apple Music.

Review by Amelia Vandergast

Raven Ives scribed dark poetry through her artful alt-pop installation, Reprieve

With her standout single, Reprieve, the self-sustained DIY artist Raven Ives delves into an introspective journey, channelling her creative vulnerability into a brooding synthesis of trip-hop, dark pop, and a touch of neo-classical ambience.

Reprieve pulsates with a lifeblood of nuanced emotions, each beat and lyric paving a path deep into the heart’s recesses. This single is a testament to Violet’s refusal to blend into the pop milieu, avoiding the pitfalls of sonic assimilation with a bold, unyielding voice. Her approach to music, deeply rooted in emotional and artistic exploration, avoids direct comparisons. Yet, if one were to draw a parallel, her poetic lyricism and the evocative depth of her compositions might nod to the likes of PJ Harvey, marking Raven Ives as a standout voice in this artistic generation.

The track itself serves as a canvas, painting a sombre and tender narrative of isolation that resonates universally. Here, Raven Ives manages to capture a universal sentiment—the profound sense of inner desolation that pervades even the most crowded spaces. The music sweeps across this landscape of a shattered psyche with elegance and a raw, piercing clarity.

Stream Reprieve with the rest of Raven Ives’ EP, Dancing Shadows, on Spotify.

Review by Amelia Vandergast

Meet the ultimate aural debonair in Emanuel Edner’s artfully slick pop hit, My Dear

If The Last Dinner Party added one more guest, based on the zanily baroque theatrics in the title single, My Dear, from his debut EP, Emanuel Edner would be the guest of honour.

Edner, who deserves to go down in history as the ultimate aural debonair, created the ultimate equilibrium between dark and twisted musical theatre and a slick electro-pop aesthetic that would be equally at home in the Kraftwerk discography.

As the track progresses, the synth-swathed groove pockets deepen with the licks of funk and modernised blues, refusing to fit within the parameters of pigeonholes in the process. Yet, it is the Stockholm-born singer-songwriter’s charismatic character which refuses to leave the centre stage that becomes the standout source of magnetism within My Dear, which takes a Machiavellian devil may care approach to mourning a breakup.

It’s impossible not to get caught up in the feverish zealous retro-futuristic energy within My Dear; Emanuel Edner isn’t a talent you would want to underestimate.

Stream the MY DEAR EP in full via Spotify.

Review by Amelia Vandergast

Seßler/Zeeb packed a lyrical plea for compassion in a pop-rock ballad with ‘If No One’

The superlatively soulful German pop duo, Seßler/Zeeb, sprinkled swathes of (Ziggy) stardust into the production of their 70s folk singer-songwriter-tinged rock-pop ballad, If No One, which implores the listener not to discard humanity and compassion in an era which is becoming increasingly hard to bear.

Over the gentle major piano keys, the lyrics find a way of directly engaging you, pulling you into the plea to bolster the strength of humanity by one act of kindness at a time. The reprise of “if no one really cares” affirms that feeling as though you’re all alone in your plights is one of the most devastating shots to the heart of the human condition. The duo’s handling of this tender subject matter stands as a testament to their ability to evoke emotion with their provokingly pure approach to classic pop songwriting.

Between the lyrical messaging, which will leave you questioning what you can do for someone else today, and the upbeat tones which carry the timbres of the gospel choir in the chorus until it’s time for the guitar solo to inject the release with euphonic zeal, If No One will stay with you, long after the final note has faded.

If No One was officially released on April 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Brikcs shattered boundaries and entered innovation’s nirvana with ‘King’

Brikcs, a visionary from the ethereal edges of music’s evolving landscape, delivered a profound auditory experience in his latest single, King. With a foundation laid by a Mogwai-meets-Portishead neo-classic intro of eloquent keys and phantasmically distorted vocal notes, the track boldly transitions into the dark territories of trap. If you went down the rabbit hole and instead of finding wonderland you entered innovation’s nirvana and met your demons, your trip would come a close visceral second to hitting play on King.

The artistic juxtaposition in King — between harsh, ensnaring bars and the enduring non-lexical harmonies that echo the transcendent terrain of Sigur Rós — crafts a captivating portal to an aural realm defined by authenticity. The single thrives on a blend of ornate classical notes and reverberating electronic effects, creating an installation of unparalleled emotional intensity.

The lyrical assertion of autonomy challenges listeners to disintegrate preconceived labels with every bar dropped. Acting as a nod to how the world attempts to shape us into archetypes, Brikcs resists them all, violently shaking them into the ether of this masterpiece.

Brikcs, an Icelandic multi-instrumentalist now based in Copenhagen, eschews easy classification, melding the raw energy of underground clubs with the refined grandeur of opera houses. King encapsulates his complex musical journey through haunting pianos, ethereal vocals, cerebral rap, and an electro-orchestral crescendo.

Accompanied by an experimental short film, directed by Vasco Alexandre and shot at ARKEN Museum of Modern Art, the track is not only a music release but a cinematic event, currently making waves in film festivals worldwide.

King was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Manchester soul sensation, Tsana lit the ignition of self-liberation with her single, All of Me

With her standout single, All of Me, Manchester’s Tsana, rewrote the time-old tale of giving your all in a relationship and receiving only regret in return and reached the epitome of class in the process. Even though emotions run red-hot in the deep groove pockets of the authentic RnB installation, there’s no room for self-pity in the ignition of self-liberation, which feeds into her signature ‘street-soul’ style.

Knowing it is all too easy to slip into a cascade of self-doubt when someone refuses to affirm your worth, Tsana became the ultimate role model for anyone who knows how bittersweet to come away from a relationship scathed by unappreciation.

The Manchester-based soulstress, riding high in her ‘grown woman era’ following a hiatus which saw her bring new life into the world, was a firebrand before her break from the studio and stages, with her latest EP, Lovehood, she’s not just in her element, she’s setting the UK soul scene alight with her cognizant cultivated aura. By finding the ultimate equilibrium between confident sophistication and hell-hath-no-fury unreckonable energy, she’s the best Manchester has to offer in 2024.

All of Me is available to stream on Spotify.

Review by Amelia Vandergast