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Sasha Sky found her place in a niche of style and grace with her indie RnB single, Outside of Us

Sasha Sky, a seraphically sublime soulstress emerging from County Durham, reached the epitome of sophistication with her indie RnB release, ‘Outside of Us’. As her lines weave through organically magnetic harmonies that embed the emotions of the lyrics into the listener’s psyche, the melodies carry just as much ease with their mellifluous loungey gentility.

With warm, distinctively embellished textures and intricately stacked layers that don’t merely sum to a whole but open a panorama of soulful experience, the track invites you to immerse in the colour and sincerity of its composition, grooving against your emotional impulses and leaving a lasting mark.

This single stands in stark contrast to the modern charts’ disregard for genuine grace as it vindicates the romantically scorned, showcasing Sasha as the embodiment of the refinement she portrays in her music.

Since beginning her music career during the 2021 lockdown, Sasha has drawn upon her lifelong love for music, songwriting, and poetry, a venture emboldened by her studies in Performing Arts and Music at New College Durham. This background honed her ability to weave sonic narratives that speak directly to the soul. As the crowning point of her career so far, Outside of Us is the perfect opportunity to introduce yourself to a superlative voice in contemporary indie RnB.

Outside of Us was officially released on November 7th and is now available to stream on all major platforms, including Spotify and SoundCloud.

Review by Amelia Vandergast

JC Call lit up the airwaves with the neon RnB synthpop grooves in his single, confident

San Diego’s own JC Call is defining his space in the pop landscape with his fusions of synth-pop and RnB. At 19, the self-taught artist is already a force in music production, having immersed himself in EQs since he was just 12, making his latest track, all the more of an impressive feat.

‘confident’ is as much a manifesto of personal resilience as it is a musical innovation. With strobing neon synths and kinetic grooves, the track demands physical and emotional movement, tapping directly into the listener’s rhythmic pulses. His vivid blend of modernised synth-pop and soul-stirring R&B is both canvas and narrative, painting a vivid tableau of introspective vulnerability.

His voice, an instrument wielded with the precision of a seasoned storyteller, navigates through the emotional core of the track which reflects the desire for emotional safety, resonating with universal truth and echoing the sentiments of anyone who has faced turmoil in this tumultuous world while seeking sanctuary within an external soul.

As JC Call prepares to unveil his debut album by the year’s end, ‘confident’ stands as a bold prelude to his journey.

confident was officially released on November 13; check out the single on all major streaming platforms, including Apple Music and YouTube.

Review by Amelia Vandergast

Emmett McGrath revisited 70s folk-pop with visual lyricism and achingly panoramic sonics in ‘Outlaw’

Cali singer-songwriter Emmett McGrath is a testament to the power of lyrical storytelling in his latest single, Outlaw. The orchestrally embellished 70s folk pop vignette is driven by Elton John-esque piano keys which let you feel the heart in every note and enlightened by McGrath’s intensely evocative harmonies that put him in the same league as Cat Stevens.

With lyrics as poignantly poetic as Paul Simon and Bob Dylan, it’s impossible not to feel like you’ve found a diamond in the rough with Outlaw; the way it sweeps you up in the tenderly orchestrated panorama as it traces the steps of a woman on the run towards refuge is a cinematic triumph.

Between his visual lyricism, ability to pay homage to the greats while staying true to his sonic blueprint and the lush reverberations of his sepia-tinged compositions, there’s no denying that Emmett McGrath has one of the most impactful voices in modern folk-pop.

Outlaw was officially released on November 2nd and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Chris J Hudson – What Do You Wanna Do ft MoskoStar1: A Game of Hearts and RnB Harmony

In What Do You Wanna Do, the two legends in their own right Chris J Hudson and MoskoStar1 create a velvet-touched sonic seduction that resonates with lyrical vulnerability and soulful bravado.

Born from Chris J Hudson’s creative evolution—from Phoenix indie band frontman in Thunderbird to an LA-based solo visionary—the track is a testament to his commitment to making music that embodies heart and soul. His influences, spanning from Prince’s experimental genius to the groove of Timbaland and the emotive depth of Joni Mitchell, are distilled into this bilingual RnB gem that bridges borders and musical backgrounds.

The single pulses with smoky Latin guitar tones and jazzy sax lines, underscored by melodious keys, that bring a nostalgic warmth straight from the 80s and 90s RnB playbook. It’s a quintessentially smooth yet fiery RnB-Soul fusion, reflecting Hudson’s belief that music should mirror what’s in the soul, not just provide easy pleasure. The track’s groove feels like a game of chess in the arena of love, where the object of desire holds all the proverbial cards, leaving the protagonist grappling with the pain of ambiguous longing.

Hudson’s artistry, defined by a mission to spread love and mindfulness, is undeniably at the heart of this sultry release. It’s an aural aphrodisiac designed to sweep listeners off their feet—while slyly reminding us that love often leaves us at its mercy.

What Do You Wanna Do is now available to stream on YouTube.

Review by Amelia Vandergast

Joshua Wales – Don’t Worry: Sublimely Seraphic Indie Folk

If The National veered into acoustic indie folk territory and took a few leaves from Cigarettes After Sex’s intimately expansive book, the result would echo the same affectingly tender alchemy which drifts through Joshua Wales’ latest single, Don’t Worry.

The indie folk singer-songwriter’s sombrely honeyed, low-timbered vocal register subdues you into the melodious sentimentality of the acoustic guitar-driven single, which sees quiescent swells of orchestral strings brush past the plaintively warm guitar notes.

With “Don’t worry, we’ve got all the time in the world” reprising throughout the sublimely seraphic release, listeners are reminded that pace is the trick as Joshua Wales issues a reminder to his frenetically minded younger self.

The reflectively sonorous score features in Joshua Wales’ discography as a standalone entity and as the opening title single to his debut EP which you will need little convincing to devour in full after bearing witness to the introspective magnetism in the opening salvo.

Stream Joshua Wales’ latest single, Don’t Worry, on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Organic Art Folk Serenity Unravels through Matt John Henderson’s ‘Gethsemane’

With his latest single, Gethsemane, the Ambient Avant-Gardist Matt John Henderson nestled into the niche of sonic expressionists with the ability to render catharsis into your rhythmic pulses while intellectually stimulating your mind.

The cinematically quiescent piece uses organic textures and tones to imbue the production in folksy seraphic warmth; his equally as honeyed and honed hushed vocal tones effortlessly complement the minimalist yet intricately eloquent instrumental stylings which pair jazz nuances with artfully delicate motifs that wouldn’t be out of place in Thom Yorke’s remit.

As a precursor to the critically acclaimed artist’s eagerly anticipated album, Lapse in Stillness, Gethsemane is an introspectively entrancing teaser of the serenity which is set to soon follow. The artist’s ability to invite his audience to lose themselves and live between the layers of his sound is second to none; it’s only a matter of time before his name becomes a staple on every editorial ambient playlist on Spotify.

Gethsemane was officially released on November 1st; stream the single on Spotify now.

Review by Amelia Vandergast

Kevin Walsh invites listeners into a sonic expanse of theatrical romanticism with his latest single, Ruby

Kevin Walsh’s latest single ‘Ruby’ resonates with a cinematic alchemy akin to the poignant melodies of Leonard Cohen’s ‘Hallelujah’. Orchestrally carved and piano-driven, the production underscores the Cork native’s virtuoso tenor octave range, which has led to the anticipation of him being hailed as a soon-to-be marvel of the West End. The minor-key ballad, delivered through Walsh’s emotive voice, serves not only to showcase his impressive vocal range but also invites listeners into a sonic expanse of theatrical romanticism.

Opening with the disarmingly simple contemplation of modern communication, the single spirals into a soundscape that captures the essence of lost love and longing. The elegiac piano by Dylan Howe, along with Maria Ryan’s string compositions, harmonises eloquently with Walsh’s classically trained vocals. This orchestration, arranged by Aine Delaney and peppered with Sarah Hickey’s background harmonies, encapsulates the nostalgic heartache that imbues the track.

Inspired by the likes of Tom Waits and Randy Newman, Walsh offers a plaintive plea for reconnection which will leave you choking back the tears. Drawing from the acclaimed music video for his reworking of Meat Loaf’s ‘Not a Dry Eye in the House’, which depicts young lovers torn apart, ‘Ruby’ carries forward this narrative of separation and the relentless pursuit of faded dreams.

The release of ‘Ruby’ on November 8th, available on Bandcamp and major streaming platforms, promises to be a touching addition to the modern orchestral pop landscape. Kevin Walsh’s narrative ambition stretches further still, as he plans to weave these themes into an EP that aims to culminate in a full musical film.

As Walsh prepares for an intimate performance at Al Spailpin Fanach, Cork, on November 13th, his journey—from a non-verbal autistic child finding his voice in music to a chart-topping theatrical performer—continues to be an inspiring testament to the power of persistence and the arts.

Review by Amelia Vandergast

SonicFluxx Interview: Cosmic Inspiration and Artistic Evolution on Florida’s East Coast

In this A&R Factory interview, we speak with SonicFluxx, an artist shaped by a childhood amid the unique cultural and natural landscapes of Florida’s East Coast. SonicFluxx shares how experiences such as witnessing shuttle launches, growing up near Disney World, and being surrounded by 80s and 90s pop icons like Depeche Mode, Madonna, and Pet Shop Boys influenced his sound and vision. He reflects on his path from DJing to full-time music production in Los Angeles, alongside the challenges of adapting to social media in the modern music world. With new music on the horizon, SonicFluxx reveals a vision dedicated to using music as a healing force, ready to connect with listeners globally.

SonicFluxx, welcome to A&R Factory! Thanks for sitting down with us to discuss your career and your future ambitions. We’d love to know how your upbringing on Florida’s East Coast, among such iconic figures, influenced your sonic signature. 

Growing up in Central Florida in the 80’s and 90’s was a special time in our American history and I feel lucky to have experienced many things that most didn’t during that era.  Growing up next to Disney World taught me that music holds messages and meaning and that music can be the language that unites all.

I watched the Space Shuttle program firsthand and watched many shuttle launches from my backyard.  I learned at a young age that there was more than this world we are on and I found love in the stars and the universe.  I questioned my existence of this planet at a pretty young age and what my role was.  I grew up living five minutes from the beach – walking through the sand and understanding the concept that a speck of sand doesn’t make much, but a whole bunch of it creates a beautiful beach.

When you grow up and live in such a magical and inspirational place, I think it tends and fuels the creative fire within and ignites the spark that so many musicians and artists before me have experienced.

What was it about Depeche Mode, Madonna, and Pet Shop Boys that inspired you to light your own creative spark? 

I found deep inspiration with these three artists particularly because through their music, I learned that songs can have a message to invoke positive change in society.  Many artists feel a duty to use their voice as a platform to invoke political, cultural and societal change in the world and this is also what I wanted out of my own music and songwriting.  Aligning with the same beliefs as an artist also made me feel connected to the artist themselves in a way and I found this connection to be very special.

How has your relationship with music changed over the years?

I was born in a Southern Baptist Church, so I grew up singing traditional hymns on Sundays. I grew up extremely sheltered from what is called secular media in the religious tone.  My introduction to pop and dance music did not occur until my rebellious teen era, in which I would spend hours in FYE at the mall and listen to CDs.  I consumed every bit of pop culture I could at this point in my life.  I connected with dance music in a spiritual way that spiritual music never gave me.

I began to study and analyze what made a great song at this age.  I would have a knack for knowing what songs on an album would be the next single before it was released.  I turned this talent into songwriting.  I was a DJ in my early 20s and began producing remixes myself with Sony Acid Music Studio on a laptop I rented from Rent-A-Center.

I am a self-proclaimed pop and dance music lover.  I took pride in sharing new tracks with people and seeing their reactions when they loved it.  After many years of no music interaction other than consumption, I quit my job, quit college and moved to Los Angeles to pursue a music career full time.  I find myself enjoying creating music more than I enjoy listening to it myself.  However, don’t get me wrong, I still stan for a few artists new music!

Creatively, what came most easily to you, and what did you have to work hard to hone?

Melodies, hooks and songwriting came the easiest.  Most of my songs have been written in about three days – one song I wrote in 15 minutes.  I have a knack for hearing a beat and immediately hearing a melody in my head.  Then words come after that.  It’s a chaotic process I will admit, but it works for me.

Half of my lyrics aren’t even written down anywhere because songs are written so quickly.  ‘Nomad’, for example, was half written and I made up the rest of the lyrics in the studio on the spot.  My songs come from my life, my struggles and my heartache – it’s pretty easy to spill out currently.

What is challenging for me is creating social media content.  I am not good at picture taking, not quick to take pictures in settings and I find creating and thinking of social content does not come easy at all.  I am from the MySpace generation, so the new era of social media has definitely been the biggest challenge to overcome for me.

You mentioned a period of depression after focusing on your vocation as an astronomer; do you believe a lack of creative output is to blame for a lot of existential suffering in others?

Short answer: yes.  I believe that many people do not use the right side of their brain enough and invoke creativity in their lives.  I love that book reading and crocheting has made comebacks these days.  I think more people need to find that creative output to truly find peace.  As a child, we use this side of our brain so naturally and it’s a beautiful thing.  When we lose our sense of imagination and wonder, we can lose who we are and where we are going – Walt Disney taught me that and I still firmly believe in it.

Could you tell us more about your vision for your music going forward and any new directions you are exploring in your artistic journey?

When I started my music career full time, I said that if my music reached just one person and helped them, I’ve done my job.  Music is healing.  Music can be your remedy, as I sing in my song ‘Remedy’, which is a love letter to all my fans.  I have achieved this and now my goal is to take the same concept but go worldwide.

I am always writing new music and do have new music ready to go and am planning to release a deluxe edition of the album around February 2025.

Stream SonicFluxx on Spotify and discover more about the artist via their official website.

Interview by Amelia Vandergast

Heed the confessionally celestial call of Seafarers’ latest hit indie chamber pop single, Televangelists

Seafarers, the innovative six-piece led by Matthew Herd, took ethereal indie chamber pop into a celestial realm with their latest single, ‘Televangelists’, which nestles into their third studio LP, Another State; the track envelops listeners in an arcane aura, inviting them to explore the band’s poetic universe.

Herd’s transition from solitary songwriting to a more collaborative approach shines through the mellifluous stream of lyrical parables that punctuate this release. The candidly poignant lines strike all the right chords with their perception-widening introspection and intimate confessions. Each lyric is an opportunity for connection, offering a profound glimpse into the psyche of a group that has drawn acclaim across the globe since its inception in 2018.

The seamless fusion of Florence and the Machine-esque indie rock and chamber pop creates a lush soundscape that amplifies the track’s thematic weight. Herd’s collaboration with extraordinary vocalist Elanor Moss, whom he credits with broadening his creative horizons, adds almost depth to the composition which is affecting on every conceivable level.

Televangelists is available to stream as part of Seafarers’ third LP, Another State, via Spotify.

Review by Amelia Vandergast

Folk troubadour Adam Foster purged the poison of deception with ‘Charming Lies’

In his latest single ‘Charming Lies’, Adam Foster captured the quintessence of folk within a powerful narrative that treads the line between Johnny Cash’s vignette-casting storytelling and Bob Dylan’s lyrical genius.

The candid Americana allegory critiques the deceit of snakes in suits, driven by insatiable greed and a penchant for indoctrinating the working classes into inequality. Foster’s voice weaves this narrative into a sepia-toned melody that feels like it has been directly lifted from an old-school tape deck, drenched in warm, nostalgic delay.

Having been a fixture in the music scene since his teens, Adam Foster has been perfecting his craft in various venues across the United States. Throughout the years, he’s flitted between rock, blues, folk, and country influences, drawing inspiration from legends like the Rolling Stones and the Doors, ensuring his sonic signature is far from counterfeited.

His discography spans from his solo acoustic debut in 2004 to his upcoming LP, Neon Nashville Nights, which promises a mix of originals and covers recorded with the live energy of a Nashville and polished with studio fidelity.

Charming Lies sets the tone for what’s to come and marks a moment of maturity in Foster’s career. This single positions him as a true folk troubadour whose stories resonate with authenticity and introspection. If this track is any indication, someone will need to make room for him in the Nashville Hall of Fame.

The official music video for Charming Lies will premiere on November 1st; stream it on YouTube and follow Adam Foster to keep up to date with news of his new LP, Neon Nashville Nights, via Instagram.

Review by Amelia Vandergast