Browsing Tag

trip-hop

Starleen alchemised the key to self-liberty in their electronic alt-pop salve for the soul, Let Me Go

Posted on 23 May 2024
Starleen

Starleen’s latest single, Let Me Go, marks a must-read chapter in the San Antonio duo’s career, showcasing a transcendent synthesis of alt-electronica, trip-hop, soul, and pop, which elevates the listener into a state of auditory bliss and liberty.

From the outset, the track envelopes you in a cocoon of lush dream pop, slowly intertwining with elements of serene yet visceral avant-garde trip-hop to deliver a fusionist sound that is as revolutionary as it is ethereally beguiling. Once the single reaches its full rhythmic momentum, the backbone of Let Me Go becomes its robust and fiery backbeat, which propels the track forward, complemented by layers of sonorous synths that build a crescendo of sound, mimicking the uplifting process of self-liberation.

The masterful production sets the stage for the vocal mettle of Starleen Holmes, whose voice shifts effortlessly between crystalline harmonies and powerful outpours of emotion, matching the sonic complexity crafted by Zachary Holmes, whose production skills shine luminously throughout the track. Each note and beat in Let Me Go is skilfully placed, leaving the listener wide open to the message of the sanctity of freedom; especially when that freedom is by your own hand.

The official music video accompanying the sanctifying ritual of a release mirrors the song’s themes of freedom and self-discovery and is likely to add another accolade to Starleen’s collection of music video awards.

Stream Let Me Go on all major platforms, including Spotify, from May 23rd.

Review by Amelia Vandergast

Locian became the architect of art-rock therapy with his sophomore single, Power

Posted on 10 May 2024

Artistic intensity is tempered by the dialectical quiescence in the stormily tender confluence of art-rock and trip-hop in the sophomore single, Power, from Sydney’s most promising breakthrough artist, Locian.

Aching reverberations course through the lush architecture of the syncopated progressions, providing the ultimate juxtaposition of discomfort and ease to pay a fitting tribute to the complex interplay of ennui and self-imposed affliction. Locian’s vocals, caressing with each whispered breath, provide the ultimate permission to surrender to the therapeutic virtues of this flawlessly poignant release.

By building into a corrosive industrial electronica sequence towards the outro, which becomes a sonic visualisation of the disorientating soul-tearing nature of self-destructive internal narratives, Locian ensured that Power hit with maximum impact.

If your introspection is more torturous than waterboarding, break free from the poisoned rumination through the resounding philosophy within Power; it’s far cheaper than therapy.

Power will be available to stream on all major platforms, including SoundCloud from May 10th.

Review by Amelia Vandergast

Brikcs shattered boundaries and entered innovation’s nirvana with ‘King’

Posted on 17 April 2024

Brikcs, a visionary from the ethereal edges of music’s evolving landscape, delivered a profound auditory experience in his latest single, King. With a foundation laid by a Mogwai-meets-Portishead neo-classic intro of eloquent keys and phantasmically distorted vocal notes, the track boldly transitions into the dark territories of trap. If you went down the rabbit hole and instead of finding wonderland you entered innovation’s nirvana and met your demons, your trip would come a close visceral second to hitting play on King.

The artistic juxtaposition in King — between harsh, ensnaring bars and the enduring non-lexical harmonies that echo the transcendent terrain of Sigur Rós — crafts a captivating portal to an aural realm defined by authenticity. The single thrives on a blend of ornate classical notes and reverberating electronic effects, creating an installation of unparalleled emotional intensity.

The lyrical assertion of autonomy challenges listeners to disintegrate preconceived labels with every bar dropped. Acting as a nod to how the world attempts to shape us into archetypes, Brikcs resists them all, violently shaking them into the ether of this masterpiece.

Brikcs, an Icelandic multi-instrumentalist now based in Copenhagen, eschews easy classification, melding the raw energy of underground clubs with the refined grandeur of opera houses. King encapsulates his complex musical journey through haunting pianos, ethereal vocals, cerebral rap, and an electro-orchestral crescendo.

Accompanied by an experimental short film, directed by Vasco Alexandre and shot at ARKEN Museum of Modern Art, the track is not only a music release but a cinematic event, currently making waves in film festivals worldwide.

King was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Yodashe is a spectral siren in her avant-garde electronica track, EASTER

Posted on 3 April 2024

Yodashe, an avant-garde firebrand will leave you eating out of the tones of her spectral vocal presence as she weaves a tapestry of sound that transcends the ordinary in her single EASTER.

She didn’t need any further testaments to her ingenuity at this stage in her rapidly ascending career, but in EASTER, she became an undeniable contender for the accolade of one of the most prodigal names in electronica. While others are content riding on the coattails of Trip-Hop pioneers, Yodashe uses glitchy elements as one facet in her richly layered sonic synthesis.

In EASTER, Yodashe’s production skills shine through the complex blend of massive beats, trance-esque phasers and indietronica trappings, creating a hauntingly panoramic soundscape. Her introspective vocals weave through the music, creating a sense of intimacy that contrasts with the grandeur of the electronic backdrop. This juxtaposition is the heart of the track, a dance between the colossal and the vulnerable.

As the less-than-archetypal rhythmic progressions storm through you, playing havoc with your rhythmic pulses, until you are left wantonly desperate for the next hook to ensnare you into the ebb and flow this production that is as disorientating as it is exhilarating.

For those seeking a track that defies convention and delivers a profound sonic experience, EASTER by the London-based artist, producer, and Redbull Music Academy alumni is an essential listen.

Stream the EASTER EP on Spotify now.

Review by Amelia Vandergast

Ami Leigh’s Dark Soul was reinvented in the shadows of the G185TARR Death by TripHop Remix

Posted on 22 March 2024

G185TARR’s remix of Ami Leigh’s debut single, ‘Dark Soul‘, is a masterful reinvention that amplifies the original’s raw innovation and emotional depth. This collaboration, a long-awaited fusion of talents, brings a new dimension to the track, infusing it with a darker, more enigmatic edge.

Ami Leigh, a multifaceted musician from County Durham, UK, originally captivated audiences with ‘Dark Soul’ in March 2019. The track, known for its candid confessions and intimate revelations, showcased her ability to weave personal narratives into compelling musical tapestries. In this remix, G185TARR, a producer with a discerning ear for unique soundscapes, has skilfully reimagined the song, maintaining its core while introducing a beguiling Trip-Hop flair.

The ‘Death By TripHop Remix’ elevates the original’s beguile to the nth degree. It retains the affecting shimmers of the angular cutting guitar strings while allowing Ami Leigh’s direct vocal lines to pierce through the veil of the Trip-Hop-ed production. The remix adds swathes of style to the substance that Ami Leigh is quickly becoming renowned for.

With vocal lines that ache in the same vein as Mazzy Star and an artful approach to songwriting, Ami Leigh pushes the boundaries of alt-indie into dark new territories. This remix, rhythmically bolstered and erratically arcane, is a stunning ode to the panache of Trip Hop. It’s a track that resonates with those whose souls are married to the shadows, inviting them into the disquiet turbulence of a sound that is both haunting and profoundly contemplative.

Stream the official music video for the G185TARR Death by TripHop Remix of Dark Soul on YouTube now.

Review by Amelia Vandergast

Alvinos Zavlis delivered sensually dark catharsis with his moody pop meets dark trip-hop mash-up, I Shouldn’t

Posted on 19 February 2024

The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.

Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.

The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.

In his own words:

“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”

For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.

Review by Amelia Vandergast

NÍNIVE – Aleluya: Celestial Permission to Shed the Weight of Emptiness

Posted on 9 February 2024

After making one of the strongest debuts of 2023, the Ecuadorian Alt-Pop conduit of cinematic experimentalism, NÍNIVE, has returned to the airwaves with her sophomore single, Aleluya, created in collaboration with the world-renowned producer, Enrique Gonzalez Müller.

There’s not just something in the ethereal atmosphere of Aleluya; the intricate complexities within the explorative instrumentals as they oscillate, glitch and melodiously flow are dynamite to the rhythmic senses as they create a beguiling platform for NÍNIVE’s celestial vocal timbre.

As the deeply confessional single professes the weight of internal emptiness, the transcendence within the production is permission to free yourself from that feeling and let light and colour into your soul through resilience, love and awareness of inner beauty. The sonic meditation is the ultimate antidote to the agony of our current era, which makes it so hard to find meaning and fulfilment. We can’t wait to hear what the superlative songstress constructs next.

Aleluya was officially released on February 2nd; stream the single on Spotify.

Review by Amelia Vandergast

Maze Of Afflictions launched a tumultuous Electro House juggernaut with ‘Step Outside The Silence (89Keys Remix)’

Posted on 31 January 2024

Maze of Afflictions’ latest Electro House offering, Step Outside the Silence, is a tempestuous and ground-breaking track that redefines the boundaries of electronica. It’s a sonic odyssey that demands attention and captivates the listener from the first beat to the last.

The track begins with an electrifying energy, taking glitchy motifs and elevating them to a monumental level. The result is a tumultuous juggernaut of sound that is both overwhelming and utterly irresistible. Maze of Afflictions demonstrates a masterful understanding of the genre, pushing the limits of Electro House while paying homage to the heavy trip-hop tracks and industrial sounds of acts like Celldweller.

The unexpected and brilliantly executed rap interludes are a broadside that transforms the entire dynamic of the song while adding a raw, gritty edge that complements the electronic backdrop perfectly. This fusion of genres is seamless, creating a track that is as innovative as it is infectious.

The track’s volatile yet cathartic progression is a rollercoaster of sound that is impossible to experience just once. While electrifying nature makes it a seductive and sublime journey through sound. The Atlanta-based producer has created a piece that is superlative in every sense, from its intricate production to its powerful delivery.

Step Outside the Silence showcases Maze of Afflictions’ exceptional talent and unique vision, marking them as a force to be reckoned with in the EDM scene.

Step Outside The Silence (89Keys Remix) will drop on the 31st of January; stream it on SoundCloud.

Review by Amelia Vandergast

Skimo followed the muse of dystopia into their most scintillating release to date, Let It Fly, ft Ash

Posted on 11 January 2024

Skimo’s seminal single, Let It Fly, featuring the hauntingly introspective vocals of Ash, is a mesmerising journey into the depths of EBM. Taken from the LP, Connected Memory, the single begins with a cascade of shimmering reverb, wrapping around the striking non-lexical vocals of Ash. This introduction draws listeners into a world where darkness and mechanical synthetics mercilessly construct a platform around the raw vulnerability within Ash’s vocals.

The electronic beats, meticulously crafted, ensure a deep immersion into Skimo’s artistic vision allowing Let It Fly to unravel as a narrative painted in sound; a vignette which portrays the relentlessness of our evolving for the worse climate. The track resonates with a sense of harbingering urgency, which filters from the progressions into a trepidation shared with the listener. The result is a piece that not only captivates but also invites them to delve deeper into the themes Skimo explores. For any electronica fans who want their eyes wide open to the world, to lock horns with the chaos, the Connected Memory LP is as essential as they come.

Stream the Connected Memory LP in full on Spotify.

Review by Amelia Vandergast

rp.scheno – Nothing’s Changed: A Sonic Odyssey of Ethereal Electronica

Posted on 21 December 2023

Few artists manage to captivate and intrigue as effectively as rp.scheno. His latest single, Nothing’s Changed, is a testament to his unique ability to blend soulful electronica into a dreamy, almost otherworldly soundscape. Born in New York and now based in Atlanta, GA, rp.scheno’s international background in language and history seeps into his music, creating a tapestry of sounds that are as globally conscious as they are innovative.

Nothing’s Changed is a masterful blend of deep bass and horn stabs that filter through the track, creating a rich, immersive experience. The song is built around glitchy motifs that add a futuristic edge, yet it remains grounded in authenticity. This balance is a hallmark of rp.scheno’s style is particularly evident in his debut EP, heatseeker.net, where he explores a myriad of electronic genres with distinctive flair.

What sets this track apart is the intoxicating juxtaposition of its elements. The ethereal soft colours worked into the production provide a stark contrast to the impassioned confessionalism within the lyricism. It’s a bold move that pays off, offering listeners a multi-layered auditory experience.

rp.scheno’s approach to music production is refreshingly unique. Eschewing traditional instruments and percussive elements, he opts for self-designed or newly warped sounds. This innovative spirit is palpable in Nothing’s Changed, where every beat and synth line feels meticulously crafted and purposeful.

With his unique blend of Y2K sounds, hyperpop beats, and digital spaciness, rp.scheno is not just an artist to watch; he’s a musical innovator leading the charge into a new era of electronica.

Nothing’s Changed hit the airwaves on November 30; stream it on YouTube.

Review by Amelia Vandergast