Browsing Tag

Thrice

Vice Club is a red-hot new flame in the alt-rock fire with their seminal single, Call It What You Want

From the underbelly of New York’s gritty music scene, the NYC icons of innovative immorality, Vice Club have unleashed ‘Call It What You Want’; a track that’s drenched in the raw, visceral energy of grunge, infused with the kinetic seduction of Deftones’ breakdowns, and tinged with the raw emotionality of Silverchair and Thrice.

Rather than play it safe with the vocal performance, Vice Club transgressed expectation with the chameleonic execution by experimenting with pseudo-trap cadences and pop hooks around the gruff deliverances of ennui, creating an alchemically dynamic track with swathes of cross-over appeal. The soaring, intuitively technical guitar solo assures that even rock traditionalists can take something from the evocatively heightened anthem.

Every motif and progression is a testament to Vice Club’s determination to become the architects of a brand-new alt-rock wave and ensure their sound goes untainted by anyone else’s touch. Their DIY philosophy extended from the writing into the recording and production; swathing every aspect in their unique soundprint that will undoubtedly leave an army of alt music fans kneeling at their hedonic altar.

Call It What You Want was officially released on May 31; stream the single on YouTube.

Review by Amelia Vandergast

The UK pop-punk powerhouse Project Revise is in ‘Free Fall’ in their latest music video

Fans of Thrice, Glassjaw, and Reuben won’t be able to resist the hooks which punch with 00s emo volition in the latest single from the UK pop-punk powerhouse of a trio, Project Revise.

The ragged with rancour basslines wrap their snarls around the cacophonously tight drum fills beneath the nostalgically crunchy guitars as the vocal lines mainline antagonised adrenaline into Free Fall. There are high-octane hits, and there are releases that make you wonder if the instruments were plugged into nuclear reactors instead of amps, Project Revise is well and truly in the latter camp with Free Fall, and they’ve been there ever since they crashed into the scene in 2017 and started snagging accolades left, right, and centre.

They’ve been lauded by Kerrang, shot music videos with the Bowling for Soup frontman, Jaret Reddick, landed themselves on editorial playlists, and received endless BBC Introducing airplay. If they keep on releasing hits in the same vein as Free Fall, we’re pretty sure their career highlights will become infinitely more incandescent.

Watch the official music video for Free Fall on YouTube or add the track to your pop-punk playlists on Spotify.

Review by Amelia Vandergast

Get acquainted with La Roma’s sonic sophomore single ‘Strangers’

After a successful debut with their single, ‘So Long, Adieu’, in 2020 Alt-Rock artist, La Roma, delivered their evocatively iron-wrought single ‘Strangers’ which captures the agony of social tethers tearing.

With sharp lyrics which reflect commonly thought but rarely spoken sentiments such as ‘what have I done to disturb you, it’s like I no longer fill the void in your day’, your soul’s capacity to feel will be well and truly be tested. If Strangers was released in 2019 it would be a raw hard-hitting release, but as it dropped in January 2021, while plenty of people were locked away in their rooms re-evaluating their relationships, it’s overwhelmingly resonant.

Any fans of Thrice, All Time Low, Taking Back Sunday and Jimmy Eat World will definitely want La Roma on their radar. Their nuanced take on Hard Rock comes complete with cuttingly angular guitars, intense percussion, viscerally restraint-less vocals and the sense that La Roma is going to take the scene by storm once COVID has finished destroying it.

Strangers is now available to stream via Spotify.

Review by Amelia Vandergast

Colors In Mind Reach Music Peaks

If you draw a Venn diagram of exploratory music, where the intersection between technical metal, progressive and post-rock occurs you won’t find a whole lot of bands, but you will find Colors in Mind. With their latest release, Yugen Peaks they build their sound on a wonderfully fluid post-rock template, one that eschews the 4/4 signature and rigid verse-chorus ethic of traditional rock and instead wanders its own musical journey, often lingering in one lush musical landscape before flitting through more minimal territory, languishing in gentle, bucolic beauty and then climbing dramatic peaks.

It isn’t hard to see this approach as a modern day progressive classical music, the instruments may have been updated from the traditional format but the symphonic nature of the music is obvious to all. And l it tells its story as much through symphonic sound as it does the lyrics, it maybe be a less obvious, less direct method, but it is no less heart tugging, emotive and effective. It is music of the heart and soul, requiring total immersion. Whilst most music contains its own user manual amongst its beats and notes, one that tells the listener exactly how to interpret the message, this is more about osmosis, a vibe to be soaked up and ingested.