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Theatre Pop

An In-Depth Interview with Georgina White on Her Unique Sonic Journey and Artistic Versatility

Georgina White took time away from her versatile artistic career to share how she discovered and refined her unique sonic identity, one that beautifully melds old-school soul with a diverse range of influences—from classical to folk and jazz. The conversation reveals the eclectic nature of Georgina’s music but also her profound connection to her artistic roots and the personal evolution that shapes her craft. From early influences watching her mother perform opera, to her own experiences on the West End stage and her explorations during the pandemic, Georgina’s career is a testament to perseverance and artistic amalgamation. Her narrative offers a fascinating glimpse into how her multifaceted career in music and acting intertwines and influences her creative output and performance style.

Georgina White, welcome to A&R Factory! Your artistic identity appears as fascinating as your eclectic imbued with old-school soul discography. Your sonic signature resonates with a rare authenticity; did finding your characteristic tone come easily to you? 

Hi Amelia! That’s a great question and thank you, that’s a huge compliment… I spent a long time searching for my authenticity and sonic sound; I now believe I always had it within me but it’s taken years of playing various roles, singing in so many different styles throughout my career and using all this experience to create my own authentic sound.

As you said, my style is certainly eclectic – I’ve always sang from the soul but with classical influences from my opera singing mum and folk playing grandparents. Add some sultry jazz/blues, theatrical playfulness and a powerful belt and there’s my signature tone!

You clearly thrive in the spotlight, when did your creative desires start to shape your reality? 

I spent a lot of my childhood watching mum on stage being an absolute vocal powerhouse. I was mesmerised; it was vibrant, exciting and empowering. I knew I had to follow suit – not in opera but performing in many different ways. I was cast in a West End show when I was 15 and it all took off from there.  I started writing a lot of my own material during the pandemic when I escaped to my home studio for peace of mind.

You’ve succeeded in your acting and music career; how do you find these disciplines and talents influence each other? 

They’ve always been incredibly intertwined; I’ve worked consistently as an actor/ musician in theatre since graduating from RADA so it’s influenced the way I think. Words come to me easier over music. I can understand what’s going on in my life a lot more when there’s background music playing!

When acting, I will always do a vocal warm-up before a performance to ensure my voice has its true range and sometimes I’ll sing my lines in practice to find colour and flavour.

Does your ability to embody a wide range of characters as an actress help you to bring your lyrical characters to life more vividly?

Definitely. Each song I now release feels like it’s performed by a different character; a contrasting layer. But they all add together to create something whole. Me.

You’re well on your way to becoming revered in London’s live music scene after performing at Toulouse Lautrec Jazz Club and the Moustache Bar in Dalston, what can your fans expect from your live performances? 

They can expect a very eclectic set! Originals from the heart accompanied by a live band or me on keys. Cover mash-ups going from blues to rock that will make you want to bop and (depending on the show) a variety of musical theatre characters that will make you laugh and cry. I also play sax and bassoon!

You’ve also been quite a hit on the airwaves since releasing your debut single in 2021. In your opinion, what is it about your sound which speaks to a wide audience? 

I sing from the soul and I say it as it is, so hopefully that. I’ve also been around a while, faced a lot of rejection and really worked my ass off. I’ve had 2 number 1s in the UK Chart of Gold with my soul covers which has been a dream come true.

I’ve been told I’m good at atmospheric storytelling and I like to play with vocal styles and tones so hopefully the audience is kept engaged. My more peaceful music has been described as therapeutic too.

I think, perhaps, they don’t know what I’ll do next… Nor do I sometimes! I work with my talented and experienced producers at Creative and Dreams Music Network to figure out what the next step is.

Looking forward, how do you envision the next chapter of your artistic journey? 

I’m so incredibly grateful for everything I’ve achieved and experienced so far. I’m looking forward to more growth as an artist; more writing, experimenting and understanding myself and what I want to say. Being brave. Oh, and an album is on its way!

I’ve been playing at festivals this Summer (Old Town Live is next on 27th July) and I have more theatre coming up later this year too (that I can’t talk about yet!). I’ll be working towards a solo tour of the UK and hopefully internationally too.

Can your fans look forward to more new music from you this year?

Absolutely. I’ve got ready recorded singles up my sleeve, it’s now all about timing. I’ve been on the road for 9 months with theatre productions so having a little rest before it all takes off again! Thank you so much for listening!

Listen to Georgina White’s latest single, LOVE, on Spotify now.

Interview by Amelia Vandergast

PleasePrettyLea has released her dark theatre-pop ballad, ‘Ohheycide’

The darkly delectable princess of ethereal RnB pop PleasePrettyLea has returned with her latest single, ‘Ohheycide’; she’s lost none the arcane air that left us hooked on her preceding singles.

This time, she was daring enough to explore the complexities of suicidal ideation in her deeply conceptual music video. Starting with the lyrics ‘I wish you’d save me but you’re the one that breaks me’ captures the desperation that surfaces when someone tears you apart while you’re internally screaming for them to fix you. As the single moves through its stormy and shadowed progressions, there’s a visceral upsurge of the adrenaline that kicks in when rage starts to join apathy and debasing self-scrutiny.

Ohheycide is a stunning avant-garde vignette of the avenues our minds can take us down as we spiral down a depressive hole. It is the antithesis to plastic pop that always feels the need to follow a redemption story. Ohheycide compassionately tells you that on some days there’s scarcely anything but darkness, but that doesn’t mean that you don’t deserve a tomorrow.

The official music video is due for release on July 14th. You can check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast