Browsing Tag

the strokes

Mikey Mosher – ‘Tell Me!’: A Scuzzy Slice of DIY Indie Garage Rock Romanticism

Posted on 9 December 2024

If Fidlar and The Strokes met in a garagey middle ground and took a few production and vocal cues from John Grant, the result would reverberate in the same deliciously scuzzy vein as the latest self-written, produced and recorded single, ‘Tell Me!’ by the Chicago-based DIY musician and visual artist, Mikey Mosher.

With the only other hands brought to this single and self-shot and directed music video being Joseph at Freeman Mastering, it’s safe to say that Mikey Mosher has honed his multi-faceted talents enough to emerge as a master of all sonic trades.

The aesthetic of the release is perfectly complemented by the warm, saturation-rich visuals, which hark back to the DIY videos which reigned supreme in the era of indie sleaze; now that Gen Z is determined to live through the epoch they missed the first time around, Mikey Mosher is well-placed to make major waves throughout the US and beyond.

If you can’t get enough of the haplessly hopeless romanticism in ‘Tell Me!’, keep Mikey Mosher on your radar to stay posted on his new album, Atlantis, which is due to drop in early 2025.

The official music video for ‘Tell Me!’ dropped on November 26th; stream it on YouTube now.

Review by Amelia Vandergast

The Wrong Party is ‘California Bound’ in their glimmer of indie garage rock nostalgia

Posted on 14 September 2024

The Southern Kentucky/Northern Tennessee fourpiece, The Wrong Party, delivered an irresistible invitation to revisit epochs of rock via an unchartered route with their third single, California Bound.

With nods to everyone from The Strokes, Pavement, Placebo and Iggy and the Stooges in the honeyed with vintage hues production which also teases the distortion of 90s Seattle grunge and grooves through bluesy psychedelic guitar licks, California Bound is pornography to sonic nostalgists.

The way the influences and eclectic stylings enmesh in the garage-rock-esque release is an undeniable attestation to the band’s unique vision and mission to make up for the shortfall in real and raw rock in the past few decades. If you would rather get a lobotomy than listen to Highly Suspect or Royal Blood, The Wrong Party, fronted by Matt McNew, is made for your playlists.

California Bound hit the airwaves on September 1st; stream the single on Spotify now.

Review by Amelia Vandergast

James Sebastian electrified rock n roll reverence in ‘Looking for a Sign’

Posted on 10 May 2024
James Sebastian

James Sebastian’s latest single, Looking for a Sign, erupts with the fervour of rock’s golden age, packing an electrifying punch that makes it clear he’s owning the proverbial stage. As a prodigal son of rock ‘n’ roll, Sebastian channels the spirit of iconic acts from The New York Dolls to The Strokes to The Beach Boys, yet his sound remains unapologetically rebellious and tantalisingly original.

Looking for a Sign insists you get swept up in its compelling hooks and Sebastian’s natural frontman charisma, reminiscent of a cult leader’s magnetism. This track roars through speakers with an energy so raw and a production so slick, that it’s akin to witnessing the exhilarating James Sebastian live experience.

Rather than attempting to reinvent the rock ‘n’ roll wheel, Sebastian tunes into a deep reverence for the genre, projecting it through a release that radiates defiance to its core. The track exemplifies liberation, embracing the craziest facets of one’s character and running wild with them. It’s a celebration of individuality, crafted with a keen awareness of rock’s historical context but driven by a modern, fierce pulse.

Looking for a Sign captures the essence of Sebastian’s growth as an artist—confident and poised to deliver high-energy performances that resonate across generations. His journey from vibrant live shows across the UK, including iconic venues like The Cavern and The Macbeth, to a burgeoning streaming presence, underscores a trajectory filled with promise and rock ‘n’ roll heart.

Looking for a Sign will be available to stream on all major platforms from May 10th via this link.

Review by Amelia Vandergast

Emotional Chaos Unravels in the Melancholy of Magenta Wave’s Indie Rock Allegory, Why Am I In Love With You

Posted on 17 April 2024
https://open.spotify.com/track/1kbTkPiLgjpTiFwNDS5Tpc?si=cb1e686e10284868

Magenta Wave’s latest single, “Why Am I In Love With You,” vocally tears at the heartstrings with a fervency akin to Thom Yorke and Frightened Rabbit’s Scott Hutchinson. This track is an atom bomb of melancholy that flips the usual narrative of romanticism upside down. It melodically implores listeners to explore the agony of falling in love when your relationship with yourself is on unsteady ground.

With the guitars sonically visualising the disorientation of losing control under another’s influence, and the rhythm section driving this tormented vignette forward, the vocals find an achingly affecting hallowed ground to project their agony over. The soaring, vintage-toned guitar solos resonate like a battle cry from a scarred soul, marking Magenta Wave’s unparalleled ability to shake up the indie rock scene with their ingenuity and sincerity.

This piece is the second single from their upcoming EP, “Sold My Soul,” mastered by Ed Brooks, known for his work with Pearl Jam and Death Cab for Cutie. It is an essential listen for anyone who still finds sanctuary in the candour and inhibition of indie rock.

Magenta Wave, having become legends in Bellingham, WA, before moving to Seattle, continues to blend alternative, indie, and psychedelic rock in their unique sound, making “Why Am I In Love With You” a poignant reflection on love and self-discovery

Why Am I In Love With You was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Messy Mike – Things Are Crazy: An Alt-Indie Remedy to the Malady of Modernity.

Posted on 21 March 2024

Messy Mike used the cinematic sheen of neo-doo-wop to add transcendent melodic ascendence to his vintage-toned alt-indie rock allegory of how darkness permeates the psyches of us all – regardless of how hard we endeavour to push away the shadows of ennui.

Things Are Crazy goes beyond unravelling as a sonic sign of the times, the kaleidoscopically colourful release that will be a hit with any fans of The Strokes goes one strident step further to deliver vindication and salvation in the same rhythmic breath.

Regardless of how much we know that this dystopia dogs us all, that doesn’t get in the way of bringing our sanity into question; if you can relate, Things Are Crazy will give you all the answers you’re looking for; sift through the layered instrumentals, gentle acoustics and sweeping organs and hone in on the soulfully caressing vocal lines for a remedy to the malady of modernity.

Stream Things Are Crazy on Spotify now.

Review by Amelia Vandergast

Anxious affection resounds in The Good Neighbors’ synth-swathed synthesis of alt-pop and indie-rock, Room for You

Posted on 4 March 2024

The Good Neighbors borrowed a cup of earmilk from The Strokes for their latest single, Room for You, before pouring it into a synth-swathed production that eclipses the contemporary indie synthwave trend.

After moving away from their syntheses of alt-rock and punk, The Good Neighbors aligned their creative ambitions with their passion for painting across the alt-pop and indie-rock spectrum. Room for You not only exhibits the duo’s softer side; you can FEEL the authenticity, soul and delicious devil-may-care approach to constraint-less fusionism. The seminal single is uninhibited expression in scintillatingly melodic motion.

The jazzy neo-pop middle eight extends the experimentalism to the nth degree to assert the Buffalo, NY-hailing duo as genre fusionists that are a cut above the rest as they regale a vignette of anxious affection and explore the neuroscience of expanding our minds to accommodate people capable of turning our world’s upside down. Hit play and meet your new aural addiction.

Room for You will hit the airwaves on March 1st. Stream the single on Spotify.

Review by Amelia Vandergast

Leah Nawy has unleashed her iconic indie pop rock playlist staple, Friend of Mine

Posted on 3 January 2024

We’ve been obsessed with the NYC pop rock pioneer Leah Nawy ever since sinking into her lusciously groove-pocketed debut single, NUISANCE, which has racked up over 46k streams on Spotify alone since its release in 2023. In the opening verses of her sophomore single, Friend of Mine, the singer-songwriter, producer, and multi-instrumentalist exhibited a softer and more vulnerable side in her confessional release which alludes to how opening yourself up to people is only priming for the scars that will be left when you inevitably part ways.

When there’s little to separate realism and pessimism after life experiences have taught you that optimism is the outlook of the naïve, sentiments which unravel with the same pensive sting as the lyrics in Friend of Mine are inevitable. Yet, by the time the track reaches the midway mark, it transcends into a soulful power ballad before metamorphosising into an indie rock anthem for the disenfranchised but tenacious despite the bruises masses.

By bursting the bubblegum pop bubble with spikes of cultivated indie rock, the melancholy within Friend of Mine adopted a brand-new ferocity as an attestation to how you can reflect on your shortcomings without falling into a trap of self-pity. With a voice as indomitable as Lady Gaga fused with a cutting-edge indie pop rock signature sound, she’s a rare artist whose work merits her being referred to as an icon. We can’t wait to hear what follows.

Friend of Mine was officially released on December 22. Stream it on Spotify.

Review by Amelia Vandergast

Crux sharpened their socially conscious knife in their garage rock protest ‘Dreamseller’

Posted on 1 December 2023

For their latest ensnaring alt-rock synthesis, Dreamseller, Newcastle’s breakthrough act, Crux, took a break from touring the Seattle sound through mutative prog-rock instrumental arrangements and left plenty of room to explore garage rock nuances, noted through The Strokes-esque vocal delivery which adds an element of precariousness to the deadpan croons Alex Turner wishes he could execute with such devil may care finesse.

As the basslines stab and roll through the electrifyingly vintage production, the angular guitar lines carve through the atmosphere and the percussion consistently works to the singular aim of adding an element of tension to the single that will pull you back in time after time. The magnetism within the refreshing distinction and creative confidence which sees the release swathed in swagger is far too addictive to quit.

Since emerging in 2019, Crux’s name has become synonymous with their fiercely uncompromising style and their ability to sharpen their grungy prog-rock signature with a socially conscious edge. With Dreamseller, the outfit revamped their sound and scathed at the commodification of musicians and the industry which sees no value within art, unless it can be exploited at the expense of the artist.

Dreamseller was officially released on November 24; stream it on Spotify.

Review by Amelia Vandergast

Jake Kulak leaves nostalgia in the past with his stadium-filling Garage Rock/00s Indie Amalgam, Caution Tape

Posted on 24 February 2023

Garage rock and 00s indie converged in the latest radio-ready single from the breakthrough artist Jake Kulak & the Modern Vandals, who will undoubtedly reach even greater heights in their already accoladed career when this riff-soaked euphonic masterpiece hits the airwaves.

Attaching the word masterpiece to a review may sound like a hyperbolic stretch, but there’s no exaggerating the infectious energy in the vintage angular guitar melodies that pop even harder than when the Strokes hit the fretboard.

Caution Tape is the perfect introduction to Kulak’s signature stadium-filling guitar chops, which flood the track around the lyrics that lick resonance into the mix by alluding to the lengths we go to in a bid to evade stagnation.

So far in his career, the Connecticut-hailing artist has toured across the states and beyond, tearing up stages in Norway and Sydney, and picked up multiple awards and nominations along the way. On the basis of Caution Tape, it is all too easy to see why.

Caution Tape will officially release on February 24th. Hear it on SoundCloud.

Review by Amelia Vandergast

Wacko Fest presents: “This Is Fine.”

Posted on 26 November 2022

Wacko Fest is a project with a truly one-of-a-kind sound and style. What makes the artistry of this musical act so special is that it all started in a very serendipitous way, just from friends having fun and jamming together. The spontaneity at the heart of Wack Fest is still a huge and vital component of this release and a really good example of why their formula is so exciting and always connects with people. Wacko Fest’s most recent work, “This Is Fine,” drops on November 25th, 2022. This is a great introduction to the band’s music and a fantastic example of the broad scope that fuels its artistic endeavours overall.

This release is highly recommended to fans of jangly, melodic and energetic indie rock.

Find out more about Wack Fest: http://www.wackofest.com/