Browsing Tag

Spoken Word

Go Metric USA entered a new alt-folk chapter with the archaic reverie in ‘Old Books No One Remembers’

The scent of bibliosmia drifts throughout the poetry of the anachronistic reverie in Old Books No One Remembers by the irreplicable artist, Go Metric USA. You almost get the sense that you will stumble into Oscar Wilde between the chapters of the beguiling alt-folk progressions which resound as though they have been conjured, not created in the formulaic fashion through which most modern music unravels.

The traditional folk instrumentation gives the single an authentically organic aura which sends sparks through the imagination when working in synergy with the abstract whispers of narrative enchantment. Old Books No One Remembers is a single that bores into the soul, tantalising it gently with timbres that will stir the most primal facets of your being.

This unique blend emerges from the heart of the Texas independent and experimental music community, from an artist which revels in exploring the space between spoken word and jangle music, resulting in a confluence of folk traditions, adventurous soundscapes and masterful songwriting.

Old Books No One Remembers is the perfect introduction to Go Metric USA and their ability to create matrimony between the past and present while ensuring the memories of their sound endures long after the final note.

Old Books No One Remembers was officially released on June 2nd; stream the single on Soundcloud and YouTube.

Review by Amelia Vandergast

Manchester’s LIVO Navigated the Duality of Pride and Pain with her Debut Spoken Word Single, Queer Joy

Having already proven her mettle in the Manchester spoken word scene and received plaudits from Guy Garvey and Tony Walsh, LIVO has spread ‘Queer Joy’ in her debut single, which puts a serene backdrop of 90s hip-hop nostalgia behind her wordplay that permeates the soul.

Tenderly vulnerable yet assertively euphoric candour lies at the core of Queer Joy, which celebrates the experience of living authentically and unapologetically hedonistically outside of the heteronormative hegemony and living vicariously.

Eloquently hitting a few raw nerves through the lyrical vignette which also touches on the most painful aspects of navigating a society which may have progressed in recent decades but still makes it difficult for queer people to find pride, in spite of the vibrant pageantry of Pride flags and events, Queer Joy leaves you sinking into LIVO’s presence, hanging off every syllable so articulately delivered.

Together with producer and composer Stanley Penrose, LIVO made an affecting debut with Queer Joy, which dropped ahead of her debut LP, The Age of Joy.

Queer Joy was officially released on April 12; stream the single on Spotify.

Review by Amelia Vandergast

KAotik waxed lyrical on the tragedy of wasted potential in his old-school hip-hop track, Fascinate

KAotik (AKA Bruce Reign) kept old-school hip-hop fresh with his latest track, Fascinate, which strips the instrumentals right back to their fundamentals, allowing his killer canter to take the spotlight in the mid-tempo release.

Following a mellow, almost transcendentally toned intro, the spoken-word verses wax lyrical on everything from the tragedy of wasted potential to accepting fate without consigning yourself to it. By finding plenty of room to assert wordplay, clever cultural references and his ethos on putting lyrics to the forefront of his productions, the Washington-born, Laurel MD-residing artist of Nigerian descent used Fascinate to not only do what the single says on the titular tin, but to inspire, and he hit a home run in doing so.

If KRS One, Rakim, Big Daddy Kane, and Black Thought feature heavily on your playlists, make room for this profound hit.

Stream Fascinate on SoundCloud.

Review by Amelia Vandergast

trueandtrue dialled up the rancour with their seductively clever post-hardcore single, Blindfold

trueandtrue

After a prelude of grungy no-wave with a spoken-word delivery of deadpan poetry, the latest single, Blindfold, from the post-hardcore outfit, trueandtrue, dials up the rancorous momentum that hits with the same impact as some of the most seminally unforgettable singles from Alexisonfire and At the Drive-In. The visceralism is one thing, the seductive way the instrumentals overlay their progressively exhilarant melodicism between the stripped-back interludes and tumultuous crescendos is another entirely.

Blindfold will officially release on November 10th ahead of the forthcoming debut EP, Back Into the Quiet. If the rest of the EP shares the intricately clever juggernautic volatility of Blindfold, trueandtrue has exactly what it takes to hold dominion over the post-hardcore scene.

The Norwegian post-hardcore powerhouse said:

“Blindfold is a catchy yet energetic song that has continually grown during recording and production. Here, instrumentals and vocals go hand in hand to guide you through an emotionally charged lyric about getting people or situations right up your throat. From emotional lines like ‘How do I keep up when it’s empathy I lack?’ to the aggressive chorus ‘Drown me in your words,’ you are taken through the narrator’s emotions and mood swings.

Stream Blindfold on Spotify, and follow the band on Facebook and Instagram to stay up to date with the drop of the EP.

Review by Amelia Vandergast

Massive Cranes grooved with the bumps in the night with their macabre release, Monsters

Massive Cranes went beyond proving all monsters wear human skin with their latest chillingly raw single, which pulled the masks from the most nefarious entities in the UK and revealed them as Tories. Jacob Rees Mogg won’t approve of this message, but everyone left disenfranchised by their reign of late-stage capitalism will revel in the vindication so piquantly delivered.

If Massive Cranes don’t reach the same heights as John Cooper Clarke with their gritty expositions of reality in the UK, it will add to the long list of injustices covered in this sonically macabre, lyrically mesmerising release which doesn’t shy away from the darkest facets of our contemporary reality. It meets them face-on with a sardonic grin.

The sinisterly deep synth lines against the unearthly backbeat in Monsters create the perfect atmosphere for spoken word laments to sink into as they speak on battles with malady, futility, and ennui. We couldn’t be more obsessed with this track if we tried.

Monsters was officially released on November 10; stream it on SoundCloud.  

Review by Amelia Vandergast

Queen LaBelle played with fire in her boundary-transcending spoken-word hip-hop release, Risky Behaviour

Poetry may have been a dying artform before the release of Queen LaBelle’s LP, For the Kings and Queens Spoken Word; following the drop, you can consider the format viscerally reincarnated.

The standout single, Risky Behaviour, featuring bars from Jarren Benton which flow as smoothly as the conviction that bleeds from Nas’ verses, is the perfect introduction to Queen LaBelle’s wordplay which fuses to the exotic instrumentals and snappy hip-hop beats to deliver a striking blow of mesmerism with every spoken word declaration.

Throughout her artistic journey, Queen Labelle has performed alongside icons including Dr Cornel West, inspired courage in trauma survivors by sharing her own stories and providing positive healing affirmations, published collections of poetry, and, on this album, worked with Grammy Award-winning producers, including My Guy Mars (Snoop Dogg, Jay-Z, Nipsey). While some pioneers are worth following for their artistry alone, others inspire devotion through dedication to bettering an increasingly bitter world in the same creative breath. Consider LaBelle an icon of the latter camp.

Risky Behaviour was officially released on October 6; stream it on Spotify.

Review by Amelia Vandergast

A Deep Dive into Queen LaBelle’s ‘For the Kings and Queens Spoken Word’

Join us for an exclusive interview with the remarkable music artist Queen LaBelle as she takes us on a journey through her captivating biography, the creative process behind her latest album, the exciting merchandise promotion for October, and the symbolism behind her album cover art.

Can you share a bit about your background and artistic journey, including some of the memorable moments you’ve experienced? 

I was born in Los Angeles, but I was taken from my parents at three months old and was appointed to be raised by one of my maternal aunts living in New York. I grew up in Brooklyn. I had anger management issues due to my circumstances and I turned to dance and drama classes to help me express my emotions in a healthier way. I then developed a passion for writing, and it led me into the world of poetry and spoken word.

I faced some identity issues growing up as multiracial and I faced various traumas but writing helped me make sense of it all and provided a means for me to voice my story.

I returned to Los Angeles to live as an adult. One of the most memorable milestones on my artistic journey was when I opened for Dr. Cornel West at UCLA. The atmosphere that day was filled with bubbling energy, with Dr. West himself enthusiastically celebrating my performance. He was genuinely overjoyed, jumping with excitement as if he was watching his favorite artist perform at a concert. After my performance, he gave me a warm, heartfelt hug. The crowd also erupted into a spirited standing ovation.

Receiving such high praise from a respected figure was an immense honor. It served as a powerful reminder of the potential of words to inspire unity and positive change. Dr. Cornel West’s enthusiasm encouraged me to continue creating pieces that explore the injustices faced by Black people and the ways we can uplift one another. My poems also touch on topics related to love, relationships, sex, abuse, and sexual harassment in the workplace.

Your latest album, “For the Kings and Queens Spoken Word,” is generating a lot of buzz. Could you tell us about the creative process behind it and how it blends spoken word with hip-hop? What sets it apart from traditional spoken word?

When creating this album, I aimed to take spoken word to a whole new level by infusing it with the dynamic energy of hip-hop. Unlike traditional spoken word, which is often presented acapella or with minimal instrumental backing, I decided to add vibrant hip-hop beats and components to give the work more life while still maintaining the softer voice and slower tempo of reciting poetry.

The creative process was a unique blend of crafting powerful spoken word pieces that carried a strong message, while also weaving in the rhythmic and engaging elements of hip-hop. It allowed me to tell stories, share experiences, and evoke emotions in a way that traditional spoken word alone couldn’t.

What sets this album apart is the fusion of spoken word and hip-hop. It’s like a bridge connecting two powerful forms of expression. It takes the raw, honest, and inspirational aspects of spoken word and pairs them with the engaging and rhythmic beats of hip-hop. This fusion breathes new life into spoken word, inviting listeners to experience poetry in a fresh and vibrant way. It’s about breaking boundaries, transcending traditional genres, and resonating with a diverse audience in a unique and powerful manner.

Lastly, the album also features tracks produced by Grammy Award Winning Producers, such as, My Guy Mars, who has produced for T.I, Snoop Dogg, Nipsey Hussle, Jay-Z, and many more. There are also features from legendary artists, such as Cappadonna from the Wu-Tang Clan.

I also have to give special thanks to Thirty Dark Zero Records / Rob Hayes for being the Executive Producer and a featured artist on the album.

Your merchandise store is offering a fantastic 50% discount for October. Can you give us a sneak peek into the range of merchandise available and the inspiration behind the designs?

Absolutely! I wanted to make sure everyone has the opportunity to enjoy my merchandise at an affordable price.

The store currently features five collections, each with a unique inspiration:

  1. **Queen LaBelle Merch Fan Collection:** This collection draws inspiration from my album cover art. Here, you can find a unisex hoodie and tee featuring Queen LaBelle’s album art, symbolizing courage. Elevate your style with our hat, express yourself with stickers, and carry your essentials in our tote. It’s an opportunity to celebrate your truth with us and share your story.
  2. **Kidnapping Your Brain Collection:** Inspired by one of my singles, this collection offers a variety of options, including hoodies, sweatshirts, tees, and mugs. Don’t forget to grab a sticker to express your love for my music in style.
  3. **For the Kings Collection:** Experience royalty with this collection, inspired by one of my singles. Choose from tees, hoodies, mugs, sweatshirts, or stickers and embrace a regal vibe in style.
  4. **For the Queens Collection:** Indulge in our ‘For the Queens’ collection, inspired by another of my singles. Discover options including totes, hoodies, mugs, sweatshirts, stickers, and tees. It’s an opportunity to embrace your inner queen with style and grace.
  5. **Self Love Collection:** This collection is inspired by yet another single of mine. It’s all about empowering self-love. You’ll find notebooks, tees, totes, hoodies, hats, mugs, and stickers to embrace self-love in every aspect of your life. This collection even offers a tee for pets, because who said self love is only for humans?

To take advantage of this exclusive offer, visit my website at www.queenlabellemerch.com and use the discount code “ALBUMPARTY” during checkout. It’s a limited-time opportunity to grab a piece of my merchandise collection and carry a bit of inspiration with you.

Let’s talk about the album cover art. What inspired the design, and how does it complement the overall message and theme of your album?

The cover art features a woman in a pose reminiscent of Jesus on the cross, holding swords. This striking image represents vulnerability, the courage to share my own personal story, and the determination to highlight the issues in our society that demand change. It’s a visual representation of the strength and determination it takes to confront these issues head-on.

The cover art complements the overall message and theme of my album by conveying the idea that true courage lies in vulnerability and in raising one’s voice to address the critical issues of our time. It symbolizes a commitment to standing up for what’s right and pushing for change, even in the face of adversity.

This powerful imagery is meant to resonate with listeners, inviting them to join in the journey of self-discovery and social change that the album explores. It’s a visual representation of the bravery it takes to be honest and open about our experiences and to call for transformation in our society.

As an artist, what do you want your audience to take away from “For the Kings and Queens Spoken Word”? Any messages or themes that are particularly close to your heart?

I want my listeners to find inspiration and empowerment.

Ultimately, I want my audience to feel moved and motivated by the spoken word and poetry in this album. I hope it sparks conversations, encourages self-reflection, and stirs a desire for positive change in our society. It’s a call to action, a celebration of unity, and an exploration of the strength that can be found in vulnerability.

Lastly, can you share any upcoming projects or collaborations that your fans can look forward to in the near future?

In the near future, my fans can look forward to an exciting project that will enhance the spoken word experience of listening to my poetry.

I’m planning to create videos for every track on the album. These videos will provide a visual dimension to the spoken word experience, adding another layer of depth and meaning to each piece. It’s a way to bring my words to life, further engaging the audience and allowing them to immerse themselves fully in the stories and messages I convey through my work.

I believe that this project will be a unique and captivating way to connect with my fans and continue to share the themes and stories that are close to my heart. I can’t wait for everyone to experience the spoken word in a whole new way through these upcoming videos.

Learn more about Queen LaBelle here.

Jaeya poured the perfect sonic summer cocktail in her genre-fluid hit, 510

Taken from her seminal retrowave hip-hop EP, BAYANI, the up-and-coming artist, Jaeya’s slick with sublime style standout single, 510, is a melodic cruise through ingenuity and gripping grooves that will hold your rhythmic pulses like a vice.

Her sun-kissed amalgamation of RnB pop vox and tropic hip-hop beats unravels as the perfect sonic summer cocktail that you can savour time after time to devour her witty wordplay and the introspection that allows her bars to hit so resonantly hard.

Even at a young age, the Bay Area Filipinx artist’s creativity knows relatively few bounds; she’s made herself known in Cali and beyond for her songwriting and emcee skills. Her debut EP flawlessly exhibits her cultural contribution to the music industry, and her ability to fuse urban genres until they’re an intoxicating pool of refreshingly curve-transcending bliss.

Stream 510 on Spotify now.

Review by Amelia Vandergast

Norway’s most experimental post-hardcore outfit, trueandtrue, is viciously rapturous in  ‘This is the Last Time’

To orchestrate their latest installation of intellectually crafted post-hardcore visceralism, the Norway-residing four-piece, trueandtrue, enlisted vocalist Tobias Osland (HAMMOK / SLØTFACE) to drive up the decibels in their heaviest single to date.

After a rancorous prelude that delivers all the frenetic chaos you would expect from any self-respecting post-hardcore release, This is the Last Time utilises stripped-back melodic increments with spoken with vindicating words verses to make the cataclysmic crescendos all the more viciously rapturous.

By finding the perfect balance between evocative lyrical triggers and experimental explorations that stamp down their ensnaring sonic signature that has more teeth than a whale shark, trueandtrue stayed true to the form of their moniker in their third release. We can’t wait to hear what follows.

This is the Last Time hit the airwaves on August 18th; stream it on Spotify.

Review by Amelia Vandergast

McKay versed indie-folk-punk poetry in their latest sardonically scintillating single, Bad Liar

McKay

Bridging the sonic gap between Neutral Milk Hotel, Mumford and Sons, and Bob Dylan is the confessionally exhilarant indie folk single, Bad Liar, from the storytelling four-piece, McKay.

While the vocal melodies prove all too well that McKay know how to hit their harmonised vocal notes with euphonic precision and honed cadence, Bad Liar favours the visceralism of raw spoken word expression, allowing the meta lyrics to hit harder than a candid meteor from space.

With each progression, the single drifts from different eras of folk, while the harmonica timbre will throw you right back to the 70s, the folk-punk energy and massive indie folk choruses fast-forward through the decades at breakneck speed.

The Nashville-hailing outfit may be best known for their passionate performances during live shows, but thankfully, for all of us across the pond, their insightful lyricism and dynamic presence resonate just as well on record.

Bad Liar will hit the airwaves on August 1st; stream it on SoundCloud and follow the affably rogue outfit via Instagram and TikTok.

Review by Amelia Vandergast