Browsing Tag

soul

Spotlight Feature: MIKE37 morphed pain into power in his soul-driven summer hip-hop anthem, PAGE OF THE DIARY

In contemporary hip hop, few releases capture the raw, dualistic essence of the emotional experience as viscerally as MIKE37’s latest single, PAGE OF THE DIARY. The narrative arc is powerfully constructed by an artist who simultaneously stands as a soul conduit and visionary beatmaker.

PAGE OF THE DIARY is an affecting aural reflection of the darkest hours before dawn, rendered into sound by MIKE37’s innovative spirit. The track ensues from a vivid vignette of melancholy before the beats morph—almost imperceptibly at first—into a high-energy, euphoric celebration of resilience.

MIKE37’s ability to straddle the emotional spectrum is on full display, encapsulating the listener in a journey from introspective sorrow to a triumphant, beat-driven high. The nostalgia-infused hip-hop beats lay a solid foundation, while MIKE37’s soul-enriched harmonies and sharp lyrical delivery cut through the mix, making each verse a testament to his creative charisma and his capacity to connect.

After the self-produced single was mastered by Alex Gordon at Abbey Road Studios, the quality of the sound engineering is palpable. Each sonic element is meticulously crafted, allowing MIKE37’s introspective yet bold lyrical thematics to shine against the sun-bleached melodies and dynamically shifting beats.

Fans of Tyler, The Creator, Kendrick Lamar, and BADBADNOTGOOD will find familiar comfort in MIKE37’s discography, yet there’s an undeniably unique twist to his music that sets it apart.

PAGE OF THE DIARY is as much of a visceral feel-good fix as it is a fundamental lesson in expression. MIKE37’s chameleonic creativity is on full display in the quintessential hip-hop anthem of the summer. Cancel the self-pity party for one and play it on repeat.

MIKE37 Said

“PAGE OF THE DIARY initiates as an introspective narrative of a dark chapter; it transplants the listener into the story to share the relatable emotions before the beat switches through a flux of energy and euphoria.”

PAGE OF THE DIARY will be available to stream on all major platforms, including Spotify and SoundCloud, from August 9th.

Stay up to date with the latest releases from MIKE37 as he gears up for the launch of his debut LP on Facebook and Instagram.

Review by Amelia Vandergast

Spotlight Feature: The LA Prog RnB supercluster of creatives, No False Ego, is all about the vibes in their authenticity-advocating debut single, We Are the Soul

In their debut single, We Are the Soul, LA’s Prog RnB collective No False Ego introduces themselves with a resonant proclamation of authenticity, amplified through an exploratively diverse sonic expanse. The blend of jazzy saxophones, indie guitar licks, and fluid genre transitions are undeniable attestations to how No False Ego is leading by example with their unique vision.

Fronted by the ethereal vocals of Kassandra, the track weaves through groove pockets of dreamy reverie, underpinned by a rich tapestry of sounds that reflect the band’s ethos of genuine self-expression. The production, crafted in the Big Bad Band Studios and finely tuned by Camilo Cedeno and Ronnie Silos, underscores a polished, heartfelt debut that promises so much for the future of the collective.

With a backbone of seasoned musicians including Steve Murillo on sax and keys, Carter on bass, Corey Scimenes on guitar, and Roach on drums, No False Ego is a veritable supercluster of creative minds with a clear message everyone should heed: embrace your authentic self, ditch the façade, and revel in the power of unfeigned originality.

As they prepare to broaden their horizons beyond the LA scene with upcoming releases, including the anticipated single Sunshine and a forthcoming EP, No False Ego is poised to uplift and empower a wider audience with their heartfelt vibrations and innovative sonic signature.

Stream We Are the Soul on Spotify now.

Stay up to date with news of the sophomore release by following No False Ego on Instagram and TikTok.

Review by Amelia Vandergast

Sink into the solace of Nesta Stephan’s future-forward neo-soul single, (don’t) Call me

Gabon-born, London-based artist, Nesta Stephan, didn’t just reach the crowning point of her career (so far) with her latest single, (don’t) Call me; she set a new reflectively candid standard while constructing a new trajectory in the evolution of RnB.

The half-French, half-Gabonese artist’s journey from global traveller to singer-songwriter shines through her work; her latest single, which is no exception, initiates with arcane gospel choir-esque harmonies that set a reverent tone, which is quickly juxtaposed with the intimacy of a voicemail message playing in the celestial outro.

As the track progresses, minor key melodies emerge under Stephan’s meditatively ethereal vocals, which paint a vivid portrait of isolation and abandonment. Stephan’s lyrics are a raw exposition of her inner world, addressing the tough theme of finding faith after maternal abandonment. Rather than succumbing to despair, the track radiates hope and compassion through its future-forward blend of afrobeat and neo-soul RnB, signalling a journey of reaching the other side of pain.

(don’t) Call me is the ultimate attestation of how plausible it is to reinvent yourself, regardless of what you’ve been through if you look outwards with empathy and inwards with self-regard.

(don’t) Call me was officially released on July 19; stream the single on Spotify now.

Follow Nesta Stephan on Instagram and Facebook to stay up to date with her latest releases.

Review by Amelia Vandergast

Audric Pinder revived RnB’s golden era with ‘The Moment I Laid Eyes on You’

Audric Pinder’s latest single, ‘The Moment I Laid Eyes on You,’ is a veritable aural rapture for RnB fans weary of the genre’s modern iterations that often assimilate and echo the vibes of Frank Ocean and The Weeknd. Pinder separates himself from the crowd with his distinct blend of honeyed harmonies and diehard romanticism. His production chops shine as he infuses salacious soul into every beat while ensuring the purity of his sound remains undiluted.

The track is a euphonic meditation on love’s ability to elevate us above the mundane material world. It offers a refreshing escape into the arms of romance, where every harmony is an avenue of affection to explore. The backing vocals perfectly complement the main lines, amplifying the arcane energy of the single, which embodies the deep reverie of falling irresistibly in love.

Instrumentally, ‘The Moment I Laid Eyes on You’ is a respectful nod to the soul-stirring rhythms of the 80s and 90s RnB, a period revered for its rich, emotive layers while Pinder’s vocal arrangements offer innovation for anyone craving originality in their RnB repertoire.

The Moment I Laid Eyes on You is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

DemiMa challenged extroverts and vindicated introverts in her transcendently dynamic slice of soul, Be Alone

DemiMa’s latest seminal single, Be Alone is the ultimate sonic paradox; it chills as it soothes as the dark, glitchy and syncopated beats carve a curve-surpassing edge into the production and cast a shadow over the serotonin-infused warmth of the South West London-based South African artist’s euphonic with enlightenment harmonies.

Knowing there’s a pervasive aversion to solitude, which consequently inhibits us from the growth only self-awareness can nurture, DemiMa became a transcendently dynamic voice of reason as she challenged extroverts and vindicated introverts in the single which progressively builds towards a climax of sheer illumination.

Be Alone, taken from her latest album, Duality Pt 1 Chaos, is the perfect introduction to her unique sonic identity, constructed through a synthesis of electronic soul and an experimental take on her aural ancestral roots. Her ethereal alternative sound has resonated with fans across the globe, as evidenced by her traction on platforms like BBC Radio 1, MTV Africa, and Teen Vogue USA.

The song’s measured pace and layered electronic textures invite listeners to explore the quieter corners of their minds while affirming that there are few voices as essential in the music industry as DemiMa’s.

The official music video for Be Alone premiered on July 26; stream the video on YouTube now.

Review by Amelia Vandergast

Get into an intimate RnB groove with ILL PHIL’s seminal single, Abo(U)T [Cinnamon]

THE MEMOIR by ILL PHIL PRODUCTIONS

The lead single, Abo(U)T [Cinnamon], from ILL PHIL’s EP, THE MEMOIR, which dropped on July 8th, is locked and loaded with vibe-heavy vulnerability. The track opens with an aphrodisiacal R&B intro that instantly locks you into a melodious groove that will leave you out of the proverbial palm of this illustrious artist’s hand.

The candour within the ode to a soul he doesn’t feel worthy of filling invites you to live vicariously through the passion that mused the mellow declaration of unflinching affection. The lush and laidback production that allows hints of hip-hop roots to pull through the soul-swathed melodies is a testament to the dynamic artist’s ability to use his own worldview to create vignettes which reflect wider emotional phenomena. Anyone who has ever felt the inflection of inferiority in the presence of someone who appears to be rendered in perfection will find visceral resonance in every honeyed vocal note in Abo(U)T [Cinnamon].

Hailing from Brooklyn, New York, ILL PHIL is a seasoned producer and artist with over a decade of experience in the hip-hop and R&B scenes. Known for his versatility, ILL PHIL excels in producing, songwriting, beat making, mixing, and mastering, crafting high-quality tracks that resound with creative authenticity. Abo(U)T [Cinnamon] is the ultimate example of how ILL PHIL is holding dominion over the NYC RnB scene.

Abo(U)T [Cinnamon] is available to stream on Apple Music and Bandcamp.

Follow ILL PHIL on Instagram.

Review by Amelia Vandergast

Flames of funk and soul lick JANAYAH’s latest indie rock earworm, Can’t Get Enough

Janayah’s latest rhythmic revelation, Can’t Get Enough, mainlines funk-licked soul into indie rock euphoria through a filter of ’60s and ’70s nostalgia to breathe life into timeless tonality.

Born and raised in Auckland and now based in London, Janayah has graced stages from a tender age and has left lasting impressions with her dynamic live performances. Her sophomore single, imbued with the raw vocal power of Christina Aguilera with moments that oscillate back to old-school soul around rhythmically magnetic melodies is an embodiment of her soul-rock fortitude.

The single, which testifies to the insatiability of desire, showcases her signature style that crosses boundaries from pop to rock and dance, with each genre succumbing to the weight of her powerful vocals. Her previous works, including collaborations with EDM artists and features in prominent music venues, have all paved the way for this riveting return to her roots.

Ironically, every note in Can’t Get Enough promises to leave Janayah’s audience wanting more from the one-woman powerhouse.

Can’t Get Enough was officially released on July 12; stream the single on Spotify now.

Review by Amelia Vandergast

Indie synths drive the soul in ‘Our Story’, the latest chapter in the organically originated artistry of iinz

‘Our Story’ is yet another chapter in the organically originated chronicle of the Alt-RnB trailblazer, iinz. With an innate ability to traverse the lesser-explored corners of RnB and the human experience alike, iinz introduces a fresh, experimental approach to her euphoniously stylised narratives.

Born from a visceral moment of heartbreak, Our Story is a profoundly personal vignette which epitomises the authentic and introspective essence of the independent artist. The single touches on how even if you share the most intimate parts of yourself, that doesn’t guarantee that you’ll share the same reality.

The loungey, pseudo-jazzy rhythms interspersed with indie synthwave touches create a lush, immersive soundscape which testifies to the nuanced sophistication within the artistry of iinz. Her collaboration with producer Taiina elevated the sonic complexity and evocative resonance to the nth degree.

With iinz on your playlists, you’re never short of a refuge of solace and understanding. The LA-hailing Israeli-American soulstress’ ability to find the alchemic intersections between old-school soul and alt-pop is beyond compare. Yet, there’s an aching sense that when it comes to iinz, expression will always be prioritised over competition.

Our Story will be officially released on July 19; stream the single on SoundCloud.

Review by Amelia Vandergast

Chicago soul conduit, JOSÉ, reflected the beauty of human connection in his latest single, This Is

For his latest single, This Is, the soul conduit, JOSÉ, collaborated with guitarist Tim Wu, to deliver his most sublime slice of euphony to date.

With Tim Wu’s melodious guitar lines grooving through the smooth minimalist production, oscillating between staccato chops and intricate lead work, the instrumentals soothe the senses as JOSÉ’ dreamy diaphanous harmonies send sparks of affection through the release which tenderly meditates on a love so pure that it tears at the soul to even think about letting it go.

The Chicago-born-and-raised singer-songwriter and producer who made his debut earlier this year is clearly well on his way to carving out a legacy for himself with his uniquely mellow singles which allow affectionate introspection to evolve into universally resonant reflections of the beauty of human connection.

This Is was officially released on July 12th; stream the single on Spotify now.

Review by Amelia Vandergast

An In-Depth Interview with Georgina White on Her Unique Sonic Journey and Artistic Versatility

Georgina White took time away from her versatile artistic career to share how she discovered and refined her unique sonic identity, one that beautifully melds old-school soul with a diverse range of influences—from classical to folk and jazz. The conversation reveals the eclectic nature of Georgina’s music but also her profound connection to her artistic roots and the personal evolution that shapes her craft. From early influences watching her mother perform opera, to her own experiences on the West End stage and her explorations during the pandemic, Georgina’s career is a testament to perseverance and artistic amalgamation. Her narrative offers a fascinating glimpse into how her multifaceted career in music and acting intertwines and influences her creative output and performance style.

Georgina White, welcome to A&R Factory! Your artistic identity appears as fascinating as your eclectic imbued with old-school soul discography. Your sonic signature resonates with a rare authenticity; did finding your characteristic tone come easily to you? 

Hi Amelia! That’s a great question and thank you, that’s a huge compliment… I spent a long time searching for my authenticity and sonic sound; I now believe I always had it within me but it’s taken years of playing various roles, singing in so many different styles throughout my career and using all this experience to create my own authentic sound.

As you said, my style is certainly eclectic – I’ve always sang from the soul but with classical influences from my opera singing mum and folk playing grandparents. Add some sultry jazz/blues, theatrical playfulness and a powerful belt and there’s my signature tone!

You clearly thrive in the spotlight, when did your creative desires start to shape your reality? 

I spent a lot of my childhood watching mum on stage being an absolute vocal powerhouse. I was mesmerised; it was vibrant, exciting and empowering. I knew I had to follow suit – not in opera but performing in many different ways. I was cast in a West End show when I was 15 and it all took off from there.  I started writing a lot of my own material during the pandemic when I escaped to my home studio for peace of mind.

You’ve succeeded in your acting and music career; how do you find these disciplines and talents influence each other? 

They’ve always been incredibly intertwined; I’ve worked consistently as an actor/ musician in theatre since graduating from RADA so it’s influenced the way I think. Words come to me easier over music. I can understand what’s going on in my life a lot more when there’s background music playing!

When acting, I will always do a vocal warm-up before a performance to ensure my voice has its true range and sometimes I’ll sing my lines in practice to find colour and flavour.

Does your ability to embody a wide range of characters as an actress help you to bring your lyrical characters to life more vividly?

Definitely. Each song I now release feels like it’s performed by a different character; a contrasting layer. But they all add together to create something whole. Me.

You’re well on your way to becoming revered in London’s live music scene after performing at Toulouse Lautrec Jazz Club and the Moustache Bar in Dalston, what can your fans expect from your live performances? 

They can expect a very eclectic set! Originals from the heart accompanied by a live band or me on keys. Cover mash-ups going from blues to rock that will make you want to bop and (depending on the show) a variety of musical theatre characters that will make you laugh and cry. I also play sax and bassoon!

You’ve also been quite a hit on the airwaves since releasing your debut single in 2021. In your opinion, what is it about your sound which speaks to a wide audience? 

I sing from the soul and I say it as it is, so hopefully that. I’ve also been around a while, faced a lot of rejection and really worked my ass off. I’ve had 2 number 1s in the UK Chart of Gold with my soul covers which has been a dream come true.

I’ve been told I’m good at atmospheric storytelling and I like to play with vocal styles and tones so hopefully the audience is kept engaged. My more peaceful music has been described as therapeutic too.

I think, perhaps, they don’t know what I’ll do next… Nor do I sometimes! I work with my talented and experienced producers at Creative and Dreams Music Network to figure out what the next step is.

Looking forward, how do you envision the next chapter of your artistic journey? 

I’m so incredibly grateful for everything I’ve achieved and experienced so far. I’m looking forward to more growth as an artist; more writing, experimenting and understanding myself and what I want to say. Being brave. Oh, and an album is on its way!

I’ve been playing at festivals this Summer (Old Town Live is next on 27th July) and I have more theatre coming up later this year too (that I can’t talk about yet!). I’ll be working towards a solo tour of the UK and hopefully internationally too.

Can your fans look forward to more new music from you this year?

Absolutely. I’ve got ready recorded singles up my sleeve, it’s now all about timing. I’ve been on the road for 9 months with theatre productions so having a little rest before it all takes off again! Thank you so much for listening!

Listen to Georgina White’s latest single, LOVE, on Spotify now.

Interview by Amelia Vandergast