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Sleater Kinney

Prepare for a post-punk power surge when LIINES unleashes their kinetic comeback track, Holding On

LIINES

The emotional underpinnings of longing in Holding On capture exactly how LIINES fans have felt while waiting for the new material to surface. It’s been almost three years since the last fix from Manchester’s post-punk revolutionists, now that it’s here, prepare to be overpowered by propulsively kinetic earworm.

From the first lashing of the seething with distortion guitar strings, you know you’ve hit play on a track capable of tearing your soul in two and stitching it back together with threads of adrenaline, desperation and hope. Intensity reaches every aural atom in the light-handed production that allows Zoe McVeigh (vox, guitar, bass) and Leila O’Sullivan to exhibit the raw magnetism of their creative synergy.

Charged with hauntingly emotional potency and driven by a frenetic rhythmic pulse, Holding On unravels with the same catchy lyrical reprises projected through the signature songwriting structure that has allowed LIINES to be a continuation of Manchester’s post-punk legacy, not just a mere mediocre facsimile.

Yet, notably, there’s a heightened sense of vulnerability within Zoe’s stridently pitched searing vocals, ensuring Holding On hits every feasible raw nerve before tearing you away from the articulated agony through the liberation within the exhilarant progressions.

From the release of their 2018 debut LP, LIINES has pushed post-punk into unchartered waters, With their renewed cultivated edge carved by the Sleater Kinney influence that reverberates through the single until the haunting Pixies-esque middle eight that allows the vox to drift from the basslines as they prowl under the optimism searching harmonies, their distinctive volition met freshly honed prowess.

Holding On will be available to stream on all major platforms from June 7th; pre-save the single here, and follow LIINES on Facebook to stay up to date with news of the upcoming EP, due for release in Autumn 2024.

Review by Amelia Vandergast