Browsing Tag

shoegaze

Shoegaze collides with post-punk in The Silent Era’s latest visceral vortex, Oscillations

With powerhouse vocals that follow in the ethereally haunting footsteps of Desperate Journalist filtering into the monochromatic shoegaze meets post-punk atmosphere, the latest single from The Silent Era will leave you spellbound, scintillated, and desperate in anticipation for their debut album, Wide and Deep and Cold.

The engorging walls of sound, glistens of goth rock glamour, vortexes of kaleidoscopic mesmerism, angular guitar notes and pulsative percussion pull together in the radio edit of Oscillations to pour an alchemic cocktail which may pay ode to pioneers of post-punk and shoegaze, but there’s no mistaking The Silent Era’s own ingenuity within the aching authenticity of the single.

If Oscillations feels this good through headphones, the live experience will undoubtedly leave you kneeling at the altar of The Silent Era.

Stream the official lyric video for Oscillations on YouTube now.

Review by Amelia Vandergast

The renegades of shoegaze revolution, interail, emerged as an unreckonable outfit in their debut single, red

With their debut single, red, the independent alt-rock outfit interail went beyond dropping the first track in their repertoire. The Northwest UK-hailing four-piece collective established themselves as the renegades of rock’s impending revolution, impending under their juggernautical volution.

Undercurrents of grungy shoegaze permeate the artfully chaotic tour de force, guaranteeing that getting swept up in the tides of red is non-optional as piercingly tumultuous percussion punctuates the laments of the distorted guitars beneath the vox, which oscillate between emulating everyone from Julian Casablancas to Thom Yorke to Orlando Weeks before heightening the evocative sting of the unique inflexions as the track gears towards its viscerally intense hardcore-tinged outro.

Not one moment of red allows you to feel comfortable within the progressions; the dynamic chameleon shifts in pace and tone are enough to leave your nerves frayed and your rhythmic pulses in knots.

The bar couldn’t have been set higher with their debut track; if you’re sick of assimilation-driven shoegaze, prepare to be adrenalised by the walls of sound in red.

Stream red on Spotify now.

Review by Amelia Vandergast

Nostalgic Smells shredded through reality with the distortion in his latest single, Unfounded

Nostalgic Smells ventured deeper into shoegaze territory with Unfounded, by constructing oscillating walls of sound that hit with the same force as My Bloody Valentine’s heavier tracks. The distortion pulls you into the undercurrent like a relentless tide as the solo artist’s signature distinctive vocals rise above the chaos, offering clarity through the rancorous sonic storm.

The middle eight introduces a twist of fate for the single, proving Nostalgic Smells can riff with the best of them. The searing guitar solos slice through with white-hot precision, adding new alchemic waves to the tide of this immersive installation of ingenuity which draws influences from Cave In and Mastodon while combining ferocious energy with cultivated songwriting, weaving themes of alienation and displacement into every progression.

Lyrically, the chorus hits a bittersweet note, urging listeners to hold on to life’s fleeting moments – a sentiment that cuts through the digital distractions and empty noise of today, giving the track an edge of sonic and philosophical reckoning.

Stream Unfounded on Spotify now.

Review by Amelia Vandergast

The Every Glazer has unveiled a piercing post-rock depiction of the tragedy of losing autonomy with ‘Running Downhill’

As a drastic departure from his previous releases, The Every Glazer has unveiled a brand-new sonic guise with his latest single. Running Downhill, fuses synth-pop and Slowdive-reminiscent guitars into a downtempo electronic score, underpinned by post-rock aesthetics and a sense of lament which tenderly encapsulates the tragedy of falling away from autonomy.

In a similar vein to Blue October, The Every Glazer pulls you into the emotional nucleus of the single with the emotionally weighted magnetism in his vocal delivery. When the track shifts pace and picks up momentum resulting in a frenetic depiction of the frustration and fear felt when you’re painfully aware of the path of descent you’re taking, the true ingenuity of this release starts to manifest.

Every new release from The Every Glazer is a fresh attestation of his talent in visualising phenomena through melody, yet Running Downhill may be one of the most striking testaments to his songwriting chops to date. It’s a release that consumes you within its compassionate handling of the raw and relatable thematics.

Running Downhill will be available to stream on all major platforms from September 1st; watch the official music video on YouTube.

Review by Amelia Vandergast

Lie awake in a psych-pop fever dream with Mope.’s seminal single, Wanderer:

Mope.

Despite the somewhat paradoxical pairing of an artist with the moniker Mope. with a track titled Wanderer, the dissonance fades swiftly, swallowed by the entrancing psychotropic waves of the production.

Wanderer traverses through the sonic landscape with a fluidity that justifies its title, enveloping listeners in a deliciously distorted Shoegaze embrace. The track’s structure is a hypnotic hybrid, part leftfield electronica with its syncopated rhythms and part psych pop fever dream, observed through a kaleidoscopic lens. You don’t just listen to Wanderer—you sink, letting the warm, luminous tides of sound wash over you. The commanding, semi-lucid vocals flow like an undercurrent, pulling you deeper into the aural odyssey few can rival.

The genesis of Mope.’s journey is profoundly personal. Following the loss of his father and the bleak dawn of the COVID-19 pandemic, Brad Steed transformed his grief into art, resulting in the creation of his debut album, An Optimist’s Guide to Self-Destruction.

The album, replete with reflections on his journey from sorrow to fleeting moments of peace, offers a psychotropic escape into love, loss, and electric currents. Created in the quiet corners of Raleigh, North Carolina, each song bears Steed’s intimate touch—written, recorded, mixed, and mastered by the artist himself.

Wanderer will be available to stream on all major platforms, including YouTube, from August 16th.

Follow Mope. on Instagram to stay up to date with their latest releases.

Review by Amelia Vandergast

Distortion as Dialogue: Abandoned Buildings’ Alt-Indie Release, Microdose, Explores the Depths of Desolation

In the borderlands between post-punk, ambient post-rock and shoegaze lies the West Yorkshire five-piece, Abandoned Buildings; their latest diaphanous-in-spite of distortion howl into the void, Microdose, is the ultimate introduction to their unfeigned introspection.

After a quiescent intro of reverb and chorus-laden guitar, the track pulls you into a vortex of thematically affecting instrumentation that embodies the emotional underpinnings as much as the lyrics and vocals which paint a portrait of pain and isolation in strokes of vulnerability which forces you to meet the candour projected through the artfully visceral progressions.

Released ahead of the sophomore album, Eroding Light, which will drop on September 20, Microdose marked Abandoned Buildings as one of the most promising up-and-coming outfits on the alt-indie scene in 2024. Their creative vision which reinvents shoegaze fused with the way they reflect stark realities through the complexity of emotion is unparalleled. Don’t pass up on your Microdose fix.

Microdose will be available to stream on all major platforms from August 9th via this link.

Review by Amelia Vandergast

Chicago’s Sleeps While Walking made their kinetically affecting shoegaze debut with ‘One Trick Pony’

Sleeps While Walking, one of the most promising DIY alt/indie rock outfits to crawl from the underbelly of the Chicago scene has unleashed their kinetically affecting, obsession-worthy debut single, One Trick Pony.

Quite honestly, you’d be forgiven for thinking that Paul Banks has forged a new supergroup to sit alongside Muzz and Interpol for the way the achingly emotional vocal lines cut through the discordant atmosphere of shoegaze synthesised with the sludge of grunge.

As the rough rings of choppy acoustic guitar strings from the intro evolve into windingly hypnotic distorted guitars and start laying the foundation to build an insurmountable wall of sound that is constructed in the middle ground of Deftones and My Bloody Valentine, prepare for heart-in-throat immersion from the soundscape which is underpinned by forlorn grit and gyrating gravitas.

The deeply emotional inflections in the piano-decorated melodies are enough to render your heartstrings raw; with the vocals centrally placed in the chaos of the production pulsating further heartbreak into the debut, Sleeps While Walking became one of the strongest and the most original shoegaze outfits of 2024.

They cut straight through the static of indie landfill with intense precision and challenged my jaded-by-endless-assimilation view of the alt-indie scene. It may be cliché to declare they’re the real deal, but they’re unmistakenly authentic conduits of resonant revolution. Join them at the vanguard.

One Trick Pony was officially released on July 1; stream the single on Spotify and await the debut album which will drop on July 19.

Review by Amelia Vandergast

Nostalgic Smells filtered emo through a grunge lens in his third release, On an Axis

Nostalgic Smells’ latest single, On an Axis, is an ennui-loaded continuation of the sludged-up rancour introduced in his 2024 debut single, Glimmer. The distinction in this third release lies within the tensile textures of grungy, Deftones-esque hooks that tumultuously pull you along with rhythmically infectious progressions reminiscent of My Bloody Valentine.

David Weir, the independent musician behind Nostalgic Smells, showcased his adeptness at weaving visceral, pulsating progressions with lithe guitar lines that wind sinuously around the rhythm section through On an Axis, which alludes to how easy it is for worlds to be knocked out of kilter. His diaphanous voice works in striking contrast to the grungy instrumentation, creating a dynamic interplay that transforms an aural experience into an emotional connection.

Drawing inspiration from legendary bands like Deftones, Hum, Failure, and Quicksand, Weir leverages his 20 years of experience as a drummer to craft a sound that pays ode to pioneers, while charting his own path by following intersections through grunge, emo and shoegaze.

On an Axis became a discordant presence on the airwaves on June 17th; stream the single on Spotify now.

Review by Amelia Vandergast

Sun-kissed memory meets dreamy indie-pop reverie in Suni’s Barcelona

Suni, the 26-year-old Edinburgh-based singer-songwriter, delivered a mesmerising escape with their latest single, Barcelona, the shoegazey guitars and indie dream pop aura craft a lush-with-melancholic-soul atmosphere that drifts you away into the heat of bitter-sweet sun-kissed memories. The harmonies sting with emotional potency, amplifying in resonance with every listen as the production nestles into the euphonic middle-ground of Jaws and Cigarettes After Sex.

Suni didn’t just capture an emotion nestled within a sunlit landscape; with Barcelona, they positioned themselves at the heart of a panache-driven pop revolution. The textures within the track act as a key, unlocking a doorway to the pantheon of indie pop singer-songwriters. It’s a musical experience that transcends mere listening, inviting you to dive into an evocative world where each note tells a story.

For fans of introspective and emotionally charged indie music, Suni’s Barcelona is an essential addition to your playlist. Let the music wash over you, and transport you to a place where the lines between reality and reverie blur, and the only thing that matters is the emotional resonance of sound.

Barcelona was officially released on May 17th; stream the single on Spotify now.

Review by Amelia Vandergast

ander became the paragon of a post-grunge prodigy with ‘accident’

After the pensive melodic intro teases nothing more than an assimilation of Nirvana, ander catches you off-guard with the immense authenticity in the moody synthesis of grunge, emo, indie post-punk, and bruisingly heavy shoegaze within his latest single, accident.

At 17 years old, the solo artist is already putting the majority of artists to shame with his fusionistic outpours of visceral emotion which pull you into their intensity before striking every feasible raw nerve. Rhythmically tensile yet cataclysmically tumultuous, accident is a cultivated earworm which belies ander’s age. The vortex of distorted guitars as they thrash against the haunting narrative of introspection redemption couldn’t be more affecting if Deftones laid down the instrumentals.

With his ability to make most of his contemporaries sound tired, uninspired and as though they are just going through the motions while painting by numbers, we have no doubt that ander has what it takes to cut through the static of sonic banality and rise to the top of the alternative charts.

Accident was officially released on May 10th; stream the single on Spotify.

Review by Amelia Vandergast