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Sarah Shafey

Shadows and Light: Sarah Shafey’s Grunge Resurgence in ‘Don’t Be Afraid of the Dark’

In her standout single, ‘Don’t Be Afraid of the Dark,’ the award-winning Canadian-Egyptian artist Sarah Shafey conjured a maelstrom of emotion and sound, marking a bold new chapter in the legacy alt-rock.

Infused with a hypnotic etherealism seamlessly married to the raw, sludgy aesthetics of grunge, Shafey’s latest single finished what Wolf Alice started. Her singular sonic footprint blazes a trail for a stylised resurgence, one that sinks swathes of substance into style and is layered with sonic transitions from the ferocious growl of grunge to the futuristic shimmer of synth-driven indie rock.

Her latest album ‘The Paper Bag Princess’, from which Don’t Be Afraid of the Dark was taken, draws from the empowering narrative of Robert Munsch’s children’s book, infusing her music with a feminist ethos that puts her in Kathleen Hanna’s lyrical league while vocally allowing her harmonies to drip Shirley Manson-esque seduction.

Shafey’s approach to this album—an eight-song manifesto melding personal revelation with a ’90s grunge backdrop—signals a defiant overturning of outdated norms. As she navigates through a soundscape crafted with chugging guitars and ethereal synths, Shafey not only redefines her musical identity but also challenges the listener to embrace a narrative of strength and self-discovery.

Don’t Be Afraid of the Dark was officially released on November 15th; stream the single on SoundCloud now.

Review by Amelia Vandergast

The gloves are off in Sarah Shafey’s latest indie-electro hit, Competitor

Fans of Shiny Toy Guns, Yeah Yeah Yeahs, and She Wants Revenge will find just as many reasons to get addicted to the heavy production in the Toronto-based singer-songwriter, producer and mixing engineer Sarah Shafey’s latest single, Competitor.

The gloves are officially off in the stylishly fierce indie-electro hit, which is a harbinger of even more visceral things to come from her upcoming fourth album, Blackbox Universe, which is due for release in September 2022. With her tendency to meld genres outside of the electronica spectrum, there’s an immersive tapestry of original layers to her sound, which not only lends itself to the originality, but also to the synapses that will fire upon registering the unadulterated expression that knows very little, if anything of assimilation.

Competitor released in May 2022. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast