Browsing Tag

San Diego

Conversations in Sound: An Interview with Insomnia on their Artistic Evolution and Ethos

Joining us at A&R Factory today is the band Insomnia, known for their introspective exploration of profound themes through a unique sonic palette. As they continue to expand their influence beyond San Diego, the band share the essence of their sound, marked by a dynamic range and the integration of deeply personal and universal lyrical content. Their approach invites listeners into a reflective auditory experience, resonating with themes of isolation, grief, and morality. This discussion sheds light on how their music serves as a narrative conduit for both the personal and the collective.

Insomnia, welcome to A&R Factory! It’s a pleasure to sit down with you to discuss the ethos and pathos that pulse at the heart of your music and performances. What kind of reputation have you amassed in San Diego and beyond?

Insomnia feels we have ascertained a dependable and influential reputation due to our ability to push boundaries with both our lyrical styling and entertaining performances. Venturing outside of our hometown has brought us success in the form of new audiences that are now excited to see us and Rat Pope take the stage whenever possible.

What’s an essential component of the Insomnia sound?

An essential component of the current iteration of the Insomnia sound would have to be our use of a loud-quiet dynamic to convey the tone of our storytelling within a song.

How has your sound evolved since your debut and what has inspired these shifts? 

Over time, our sound has been able to evolve greatly thanks to the ability to get comfortable performing our music in front of audiences. Their reaction delivers great feedback letting us know what works for them. To coincide with this, their reactions also allow us to understand what boundaries we can push in order to keep things interesting for all.

The lyrical themes in your music scratch far beyond the surface; what do you hope to achieve by exploring introspective avenues in the vein of isolation, grief and morality? 

Insomnia loves to explore what many consider to be “heavier” topics in a way that is accessible and relatable in order to not beat listeners and audience members over the head with it.

In some instances, we’re able to use our instrumentation to covey tone while in other cases we can make those more unsavory topics digestible by using metaphors and/or accompanying them with poppier sounding musical backing as a means to almost desensitize listeners so they’re able to take in the depth and complexity of our lyrics.

How have your personal experiences shaped your lyrical style?

As the lead songwriter of Insomnia, Noah employs many aspects of his personal experiences when creating lyrics for the band’s music. Topics such as fear of death and distaste with overbearing societal expectation are often found within Insomnia’s lyrics as these are struggles that he has had to tackle in his life. Aside from this, Noah loves to base songs around small bits of poetry and/or short stories he has written almost giving them a new life in the form of song. At the end of the day, Insomnia’s songwriting is meant to be almost ambiguous as the group prefers listeners attach their own personal meaning rather than professing their own defined message.

How do you balance personal vulnerability with universal relatability in your songwriting?

In order to make Insomnia’s songs retain their personal vulnerability while also remaining universally relatable, the band makes use of metaphors and double entendre statements as a way to allow the listeners to search for the “true” meaning.

Can you elaborate on the genesis of the rat pope and what the mascot represents in the context of your music?

The Rat Pope was never meant to be a physical being represented at our shows, but rather an idea based on a disdain for religious hypocrisy. The album art for Easter Sunday showcases an animated form of the figurehead which was then adapted to a live mascot of sorts parading around the stage at shows in order to draw relation for the audience between the message and the song itself.

You are known for your intense and emotionally charged live shows. How do you prepare for these performances, and what do you hope your audience takes away from these experiences?

We don’t do much in the vein of preparing for shows. We prefer to approach every show as if it is our last, leaving all the energy we have on the stage showing the audience and other bands sharing the night with us that it is okay to dive head first and have fun. As far as what we hope the audience takes away from the night, we aspire to be memorable and for the audience that night along with our streaming listeners to follow along with our evolution.

What does an idealistic future look like for Insomnia? 

An idealistic future for Insomnia entails the band being able to expand their audience reach beyond their home state. The band aims to test the limits of how the people could categorize Insomnia and evolve their sound and performances to be as impactful as possible.

Are there any new releases lingering in the pipeline?

Insomnia is deep in the works on a new single entitled Garbage Day perhaps hinting at a future larger release. Suffice to say, it’s not so much for us to say what lies ahead, it’s simply for the audience to stick around and find out.

Stream Insomnia’s discography on Spotify.

Connect with the band on Instagram.

Interview by Amelia Vandergast

Insomnia – Fleabag: Demonically Distorted No-Wave Grunge

Insomnia’s latest onslaught, ‘Fleabag’, is a ferocious synthesis of no-wave grunge and unrelenting hardcore punk rhythms. The standout on their LP ‘Idiosyncrasy‘, is a caustic celebration of noise, embodying the spirit of grunge pioneers with a fresh, chaotic twist. The guitars screech with electrifying distortion, while hardcore punk drums thrash out a beat that pummels listeners into submission, offering no respite from the band’s sonic fury.

In the eye of this storm are the vocals—raw, unfiltered, and dripping with disdain, they transmit a message of ‘we’re all mad here’ vindication for anyone wrestling with the chaos of the human psyche.

Undeniably, Insomnia, hailing from San Diego, has mastered the art of avant-garde obscurity. With the cultivated approach of Glenn Branca’s compositions fused with the brashy energy of Napalm Death, the breakthrough band injects listenability into their sound while ensuring their deliverances of no-wave are unfeigned, unfiltered and unafraid to descend into the sonic abyss. Imagine what Pavement would sound like if they were demonically possessed and you’ll get an idea of what is in store when you hit play.

Stream the Idiosyncrasy LP in full by heading over to Spotify.

Review by Amelia Vandergast

Submerged in Sonic Turmoil: Microplanet’s ‘Painsucker’ is A Grungy Art-Rock Odyssey from Euphony to Agony

Indie art-rock was dragged under a riptide of grungy distortion in the standout single, Painsucker, from Microplanet’s sophomore LP, Submerge. After an intro of euphonically simple guitar chords, Thom Yorke-esque falsetto vocal lines, and tender lyricism, Painsucker quickly descends into a tumultuous onslaught of scuzzed-up rancour to mirror the lyrical transition into self-defecation.

It’s a compelling exposition of how quickly the mind can contort into dark corridors of despair, with the instrumentals exemplifying the agony the mind can inflict upon itself. The seminal release is also a reflection of the expressive talents of the San Diego-hailing band fronted by the multi-instrumentalist, Nathan Wilson. Their unparalleled ability to take personal antagonism and metamorph it into a universal reflection of the human condition via an intimate self-recorded lo-fi production will undoubtedly see Microplanet go far.

Stream Painsucker on Spotify.

Review by Amelia Vandergast

Fatmowf created an odyssey of romantically die-hard soul-pop fantasy with ‘Imaginary Lover’

Get lost in the romantically die-hard soul-pop odyssey, Imaginary Lover, from the up-and-coming San Diego artist Fatmowf, who established himself as a rap artist before wearing his heart on his hazy RnB vocal lines in this pastel-hued daydream of a release.

Just as we constructed imaginary friends in childhood, who helped us to feel more assured and connected in an alienating world, the tendency to create idealised romantic relationships as our needs become more amorous is more prevalent than we acknowledge.

Who can truly say that the mere idea of someone has never created an obsessive tailspin that becomes all-consuming as a perfect future is depicted while the other person is completely unaware that they’re the co-creator of your sticky-sweet fantasies that will never materialise?

We’ve all been there, and we’ve all dealt with the subsequent disappointment when we note the disparity between idealism and realism. Fatmowf is just in the minority of people willing to admit it. The breezy indie R&B euphonic melodicism of the track is just the added bonus to his vulnerably magnetic candour. Ironically, we are now obsessed.

In his own words:

“I made the song after I met this girl at Starbucks. I got her phone number and started daydreaming about her…. a lot. Probably way too fucking much to be honest. But I did. And the crazy part was I barely even knew her! I knew her name, what she did for work (obviously) and the fact that she likes cats. She could have been a serial killer for all I knew but I was so attracted to her. Wrong, I was attracted to the idea of her, and the person I wanted her to be…”

Check out the official video for Imaginary Lover, which premiered on July 7th on YouTube.

Review by Amelia Vandergast

On a Hill: Highline Trail pays the price on that warm summer evening on The Pressed Man

Known best for their award-nominated track from 2022 Emmie, Highline Trail hikes up the torturous mountain and shows us their impressive progression with the top new single to sing with on loud, The Pressed Man.

Highline Trail is a San Diego, California-based indie folk-rock band that fuses infectious soul and funky harmonies which might put all listeners into a trance-like state.

With a hugely extraordinary anthem to forge communities together, Highline Trail looks toward the top of the cliff and has a style that will shake the trees and bellow briskly a message to savour.

The Pressed Man from San Diego, California-based indie folk-rock act Highline Trail is a cinematic experience which takes us into a different world and embraces an old-school mentality. There are so many aspects to love about this fine release, which might put shivers down the spine of all eager listeners.

If you like music with a hauntingly exquisite aura, this is a song like no other.

Listen up on Spotify.

Find out more on IG.

Reviewed by Llewelyn Screen

Your presence is costing me: Kiana Flowers is in no mood to have her valuable time wasted by clowns on Get To The Money

Sensing like love is a curse for her right now as she looks for a business model which will give her everything she ever wanted, Kiana Flowers drops a cash-filled track to sizzle up the sauces to gaining so much more than wack minimum wage on Get To The Money.

Kiana Flowers aka Mary Kiana Strayhorn is a San Diego, California-born indie hip-hop artist who grew up in Indy and has a self-motivated attitude which will calm the minds of those who are looking for something real.

Slicing away the nonsense like an angry butcher, Kiana Flowers lets it be known that she understands her value. Sick of big stories and even larger lame egos, she breaks away from anyone who has dodgy energy and races towards the bag instead.

Get To The Money from the motivated Indy-based indie rapper Kiana Flowers is a spirited soundtrack to encourage those who needed a reality check in finance building. Rapped hard and with purpose, we are shown the way through the vault door and away from Brokesville. Brilliant stuff really. An underground rap song at its purest.

Hear this fine single on YouTube.

See her growth on IG.

Reviewed by Llewelyn Screen

Interview: Cheyenne Benton tells us more about her exquisitely Beautiful Chaos

Telling us more about upcoming shows and all the hard work and dedication required to be one of the best around, Cheyenne Benton leads us into her Beautiful Chaos and delivers with one of the most honest interviews we’ve covered so far in 2023. Featuring stress baths, the anarchic nature of the process and how it all started in 2019, this is a brutally eye-opening interview to bookmark forever.

Hi Cheyenne, goodness me we’re so happy to chat with you. How have you been coping with life and how do you usually start your day?

Thanks for having me – I’m grateful to have the opportunity to chat with you! That’s quite an interesting question – how I’ve been coping with life… with bi-weekly therapy sessions, writing new music, and stress baths. My mornings typically begin with being awoken by a boisterous vocal performance from my orange cat, Pony. I suppose lead singer disorder runs in the family.

Please tell us all about the creative process and vision behind your new album Beautiful Chaos.

The creative process was about as anarchic as the album title, if I’m being brutally honest. The ideas for this album came about in early 2019, I knew that I wanted to produce the record myself and I wanted to thematically explore the challenges I was facing at the time – unpacking heartbreak, existentialism, substance abuse, mental illness, self-discovery, and what it means to be a young woman in the western world. The record was tremendously crucial for me in that sense – the entire project itself was self-exploration for me, not only as an artist, producer, writer, and musician – but as a person.
If you listen to this album front to back, it tells the story – the journey from codependence to independence. It’s about everything you lose along the way, and everything you gain when you find the courage to let it go. Sonically, I wanted to explore different micing techniques, different musical influences, different creative ideas – so it really is a melting pot of everything I learned during my time in school for audio engineering, blended with what I was listening to heavily at the time and this new version of myself (both in my artistic life and personal life) I was trying to create.

We love live shows! What do you have cooking for June 1st, June 8th and June 13th for us all to get excited about?

We’re performing the full Beautiful Chaos Live set for the first time! This is a show my band and I have been working hard to perfect, and we are excited to bring these songs to life on stage in a live setting.

We are opening for the band Cub Sport on June 1st at the Casbah (7:30pm), and June 8th at the Del Mar Fairgrounds on the Garden Stage (9pm). Both of these are San Diego shows.
We’ll also be performing as a stripped-back acoustic trio on June 13th at the Hotel Cafe as a part of the Writer’s Block Showcase (8pm) in Los Angeles.

Best piece of advice you’ve ever received?

Back when I used to perform in musical theater as a teenager, I remember one of my directors speaking to the cast at the time and sharing this word of advice – it doesn’t matter if it’s before, during, or after you exit that stage – you are always auditioning.
That has stuck with me and served me in so many ways throughout the years. I think a lot of people, especially in the music industry, forget that others are impacted by your words and actions – both in and out of the studio, on and off the stage. You’re constantly being observed and studied, often by people you don’t even know. So say what you mean, treat people with kindness, and just be aware that whatever you say and do in the dark will eventually be brought to light. If you can’t defend your behavior when the spotlight is on you – maybe there’s character work to be done, maybe it’s time to look inward.

I’m currently 42 and can’t imagine what it’s like being a 20-something inside this confusing world with so much potential. What feelings have been most abundant lately would you say?

I really have been enveloped in an all-consuming rage. Sometimes it’s quiet, and sometimes it’s loud. But it’s pervasive and ever-present. There is an abundance of potential, but also an abundance of injustice that I’ve felt on a universal level, but more recently in ways that have impacted me personally – ways that have been intrusive to my sense of self, my womanhood, and my peace. It’s a bit of a pendulum swing between succumbing to absolute nihilism and working on what is in my control – to be the change the world needs right now.

Where are you based and how is the local music scene in your area?

I’m based in San Diego, California. The music scene is dominated pretty heavily by bands with a lot of hard rock influence, which is neat. I don’t always feel as though I fit in as the feminine indie pop, synth pop, alt rock, flowery little gremlin I am, though. However, this past year or so I’ve felt more embraced by the community than I have in previous years – getting to perform at some really cool venues and even earning a San Diego Music Award nomination for Best R&B, Funk or Soul Song. I appreciate the niche following I am building here, and the local industry veterans who are willing to give my music a listen and a platform.

Last, what are the goals for the foreseeable future and where do you see your sound headed in the next few years?

I’m already underway on my next project – which I can only describe as caustic, scathing, and sardonic. I’m looking forward to leaning into more unpleasant feelings I’ve shied away from sharing in my music. I think I have this habit of always trying to look for the good. I think sometimes, it’s okay to admit that a situation was harmful – it doesn’t have to be wrapped up in a positive bow. I’m excited to embrace that, both lyrically and sonically in this next chapter – and eager for you to hear it.

Listen up and educate the soul on Spotify.

Interview by Llewelyn Screen

Fearless San Diego DJ Erick Diaz drops thrilling 2nd single Closer to Love

After previously spending a year in silence so that he could fully comprehend the power and beauty of a whisper, Erick Diaz thunders in with an emphatic performance to summon all energies back into the light on Closer to Love.

Erick Diaz is an experienced San Diego-based DJ, art director and music producer who is also a much-respected poet, artist and music philosopher.

A veteran DJ of many years, Diaz has shared stages with top DJs and producers of the present and past from Duke Dumont to Test and many more.” ~ Erick Diaz

Replenishing our ears with a new direction from his previous work, Erick Diaz kicks sleepy speakers back into shape and shall create a dynamic spirit within us all. Goodness me this is good. Really good.

Closer to Love from the San Diego-based multi-skilled music maestro Erick Diaz is a seriously fine tune to soak up rather radiantly and with that extra passion needed. Soaked with smooth vocals and taking us back to that first meeting when everything is so new and loving, we find a stunning song to treasure forever and forever.

When there are no fake games, true love is actually possible after all.

Turn this up on Spotify.

Reviewed by Llewelyn Screen

Get your body beat to the blistering hot deep house drop from Freshcobar & Lavelle Dupree, ‘Story of My Life’.

https://soundcloud.com/nosrecordings/sets/freshcobar-lavelle-dupree-story-of-my-life-for-pr-use-only/s-0L2rxpLPmKA?si=a84680ea36c34967aa2c4e9dedb02172&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It may be too early to call the deep house drop of the year, but Freschobar & Lavell Dupree set the bar euphorically high with their body rocker of a bass-drenched earworm, Story of My Life.

Deep House hits that allow the lyrics to bite as hard as the beats are few and far between; clearly, the San Diego DJs and producers Freschobar and Lavelle Dupree sharpened their lyrical teeth before making a meal out of the radio-ready edit and the extended mix.

Prior to producing the cuttingly contemporary track, the two artists who have become staples in the San Diego scene have toured the world, tearing up stages between stamping their passports. We can’t wait to see where they take their dynamic collaboration next.

Story of My Life will officially release via the San Diego label, No Ones Safe (NOS), on March 3rd; check it out here.

Review by Amelia Vandergast

Mike Wilkins delivered riff-driven vindication in his latest hard-rock hit, STRANDED

San Diego-hailing guitarist, vocalist and songwriter Mike Wilkins is back on fervid form with his latest hard rock hit, STRANDED, inspired by the cathartic freedom of cutting toxic ties.

It is a sure-fire hit of vindication for anyone who has had to disconnect from negative bonds. For people who need a little extra convincing to step into their own light away from the shadow of insidious others, the face-melting riffs, reminiscent of the ones carved by Glenn Tipton, George Lynch, and Phil Collen, will give you a positive shove forward with the force of a juggernaut.

With hints of 80s hair metal in the riff-driven hit, the choruses are easy to get caught up within, while the monolithic breakdowns crafted by the one-man powerhouse, who has previously worked with Tim Owens (Judas Priest), bind you even more tightly into this breakneck helter-skelter ride through virtuoso-level talent and relatable emotion.

The official video for STRANDED is now available to stream on YouTube.

Review by Amelia Vandergast