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Rooftop Screamers

Rooftop Screamers & Randy McStine – Souvenirs: A Mesmeric Prog-Pop-Rock Keepsake of Nostalgia and Emotion

In Souvenirs, Rooftop Screamers, the passion project of Mike Collins, pulled from his well of diverse musical influences and delivered a sonic experience that echoes through the past and present. With Randy McStine (Porcupine Tree) and Mark Plati (David Bowie) lending their talents, the track captures the bitter-sweetness of nostalgic reflection to transmit an affecting ode to the beauty of mementoes and the sorrow of losing touch with people who have shaped your soul.

The choral pop-rock energy of the song, tinged with prog-rock guitar motifs, rises and falls like waves of memories rushing through the psyche. Shimmering 80s chords lift the track into an almost celestial realm, while the melancholic lyrics drag you back to Earth with a gravity that’s hard to shake. You’ll find yourself torn between the elation of the instrumentals and the heaviness of the message which we can all relate to. We’ve all been there as protagonists in the universally resonant vignette after loving in losing, whether that person is no longer with us, or we’ve just shifted with different tides.

Every Rooftop Screamers release reveals a new avenue of Collins’ ingenuity, and Souvenirs is no different. Much like every other triumph in his discography, you’re still led to the same emotionally scintillating destination with the single that hits just as hard as the Christmas song that always knows which evocative triggers to pull. There really is no overstating the impact of this stellar slice of proggy 80s pop rock.

Souvenirs was officially released on October 11; stream the single on Spotify now.

Keep up to date with all the latest Rooftop Screamers singles via Facebook.

Review by Amelia Vandergast

Rooftop Screamers metamorphosed nihilism into euphoria with their power pop hit, Dead in the Water

With angular echoes of Interpol-esque lines feeding into the palpitatingly anticipation-rife instrumental arrangement, the prelude and opening verse in Rooftop Screamers‘ latest single, Dead in the Water, throws you into the depth of the earworm headfirst before the subsequent verses veer from Placebo reminiscence to exuding the fervid electricity found within the Manic Street Preacher tracks that know exactly how to melodically ignite the soul.

It is a significant sonic shift from the sound Rooftop Screamers used to gain our attention earlier this year. They’ve left the dreaminess and romanticism of Another Life behind the anthemic 90s Britpop adrenaline, but you’ll still be enveloped by the scintillating synths as they add colour to the guitar lines which may as well have been riffed by James Dean Bradfield himself.

The track featuring Rob Daiker is an impossible-to-ignore attestation to the cultivated gravitas of the Portland-hailing award-winning singer-songwriter who alchemically metamorphosed nihilism into euphoria for superlative power pop catharsis.

Dead in the Water was officially released on December 15; stream it on Spotify.

Review by Amelia Vandergast

Reality is fiction in Rooftop Screamers cosmic pop odyssey, Another Life, featuring Tim Smith

After celebrating critical acclaim in his power-pop band, Throwback Suburbia, the Portland-based drummer and songwriter Mike Collins created his studio project, Rooftop Screamers to showcase his original tracks and create an opportunity to work with local and world-renowned vocalists, musicians, and producers.

Swapping guitar solos for the far more euphonic timbres of synth lines, he orchestrated an interstellar sonic fantasy in his latest single, Another Life, featuring Tim Smith, but those power pop proclivities still worked their way into the sticky-sweet synthesis that will enamour any fans of Butch Walker and Father John Misty.

It is all too easy to affix an ELO reference onto any track that could be branded as a cosmic pop odyssey, but the fusion of Beatle-esque pop, classical arrangements, and futuristic iconography necessitated the reminiscence reference regardless.

Something tells me that Another Life will be an earworm that doesn’t quit until you have pandered to it repeatedly.

Stream Another Life on Spotify now.

Review by Amelia Vandergast