Browsing Tag

rockabilly

The New Old Became This Generation’s Answer to the Cramps With ‘Ain’t Dead Yet’

Detroit rock n roll heavyweights The New Old delivered one of the raunchily reverent hits of 2024 with their macabrely infectious single, Ain’t Dead Yet. Accompanied by a cinematically shot Day of the Dead-themed music video, which has racked up over 115k streams to date, Ain’t Dead Yet injects swaggering rock n roll nostalgia into a modernised and stylised production.

If you can imagine what the Cramps would sound like if they spawned in this generation, you’ll get an idea of what the devilishly debauched prodigal sons delivered with this radio-ready anthem that retaliates with resilience as a form of resistance, offering vindication to anyone who has been counted out prematurely.

However The New Old follow this scintillatingly serpentine earworm, it’s clear that they’re a band on the brink of a stratospheric ascent. If any band can stop Stonesy rock n roll from fading into obscurity, it’s them.

Stream the official music video for Ain’t Dead Yet on YouTube.

Review by Amelia Vandergast

Gothenburg’s Feral Mind Gave Rock Fans Nowhere to Hide From Their Eponymous Debut LP

If you’ve ever wondered what the Misfits might sound like if they swapped their horror punk theatrics for mature, unfiltered rock ‘n’ roll, look no further than Feral Mind’s seminal release, State of Mind. The standout single from their eponymous debut album has been igniting the global rock scene with its raw power and hints of psychobilly, reminiscent of the Koffin Kats and The Coffin Caddies.

Founded in Gothenburg in 2023, Feral Mind comprises seasoned rockers who have honed their craft both in the studio and on live stages; their uniquely whiskey-soaked sound is grounded in rock ‘n’ roll grooves, with influences spanning from 70s hard rock to funk and prog. Yet, unlike your run-of-the-mill assimilators, Feral Mind is delivering the future of rock, surpassing the banality of pastiche while inviting you into the psyche of one of the most promising acts creeping their way up from the European underground

State of Mind is a powerhouse of rolling rhythms, technical riffs, and seductively rugged croons, which prove that Feral Mind knows exactly how to bring the rough with the smooth.

We can’t wait to hear what follows this flawless LP.

Stream the debut LP on Spotify now.

Review by Amelia Vandergast

The decades washed away in the latest synthesis of rockabilly and honkytonk country from Kristi Jean and Her Ne’er Do-Wells, ‘Long Haul Lady’

https://soundcloud.com/kristijeanmusic/long-haul-lady-final-master-pg/s-FmQEJX909ZV?si=9babf8887c5243bcbab67a31256d772c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Kristi Jean and Her Ne’er Do-Wells struck a resonantly nostalgic chord with their latest track, ‘Long Haul Lady‘, a vibrant fusion of rockabilly and country that redefines the genre with a modern twist of female empowerment. From the opening verse, the song is a narratively rich journey, weaving a tapestry of vivid imagery set against the backdrop of jive-worthy rhythmic honkytonk finesse.

The upbeat, panoramic release showcases the band’s tight orchestration and Kristi Jean’s commanding vocal presence; The Stray Cat strut pales in comparison to the swagger of Long Haul Lady, a song that not only entertains but also breaks down gender stereotypes with its infectious charm. The feel-good grooves are potent; capable of erasing the past seven decades and bringing listeners into a realm where the old is new again.

The way Kristi Jean embodies the ultimate femme fatale in this song, seamlessly melding masculine strength with feminine beguile, creates an impossible-to-ignore statement of artistic integrity and stylistic flair. You’ll want her pouring through your speakers for days after you hit play.

Long Haul Lady will debut on January 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Marshall Falcon is the Dr Frankenstein of Rockabilly Revivals in ‘Last Stand @ Little Muddy Creek’

The gloves are off, and the gunpowder is packed in Marshall Falcon’s riotous rockabilly hit, Last Stand @ Little Muddy Creek. The rock-tight rhythmics are enough to make The Meteors sound as fierce as a pebble skipping across a pond, but the raucous exhilarant appeal to the inexplicably pulled-together production is just one facet of magnetism.

Falcon’s infectious personality brings the record to life in a way so visceral that he may as well add the accolade of being the Dr Frankenstein of hillbilly music to his long list of achievements.

Prior to working on his debut solo LP, Go West Young Man, which synthesises Tex-Mex fusion, hillbilly rock explosions and country soul, the Rio Bravo, Mexico-born, Houston-raised artist established some of Houston’s most revered bands in the 90s and filled support slots for everyone from Ice-T to At the Drive In. He has also championed other Houston talent with his award-winning indie music label, Broken Note Records and opened a recording studio in Oregon. It’s safe to say he’s left an ever-lasting impression on the music industry, both through his own work and the work he has supported. When his new sophomore LP drops this fall, don’t be surprised if his legacy starts to know few bounds.

For the full Last Stand @ Little Muddy Creek experience, watch the official music video, which premiered on September 20 via YouTube.

Review by Amelia Vandergast

Andrea & Mud are a rocksteady cinematic vision in their honkytonk classic country single, A World Just You and Me

https://soundcloud.com/andreaandmud/a-world-just-you-and-me-master?in=andreaandmud/sets/institutionalized/s-2umq8RxPBvk&si=fb659af527954dcd83a60414667dcbde&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Slip away from the 21st century with the honkytonk classic country single, A World Just You and Me, by the alchemically alluring Atlanta-based duo Andrea & Mud.

With Setzer-esque winding guitars which resound around the custom-crafted surf-western motifs between trickling piano keys and percussion that was crafted to jive to, A World Just You and Me is a rocksteady cinematic vision which transcends nostalgia by moving into the future of retro.

While Andrea Colburn vocally brings the grace and beguile, Kyle ‘Mud’ Moseley’s baritone vocal soul aches with sincerity, despite the playful tone of the romantically spurred lyrics.

A World Just You and Me will be available to stream and download from September 13th. Catch it on Soundcloud.

Review by Amelia Vandergast

Nina Duschek has released her sultrier than Setzer swinging blues-rock debut single, Married to the Art

There is no love affair like the one an artist can have with their craft. For definitive proof, turn to the sultry, swinging blues-rock proclamation of passion, Married to the Art, by the Italian born and raised singer-songwriter & busker Nina Duschek.

The Setzer-Esque genre crumble knows exactly when to drip a little salacious magnetism before switching it up through the playful reggae-infused guitar rhythms. As for the vocals, Duschek is one of the most beautifully unapologetically authentic artists to have appeared on our radar this year. Her vibrant free-spiritedness is organically infectious. Naturally, we can’t wait to hear what follows.

Married to the Art is now available to stream via Spotify.

Review by Amelia Vandergast

Post-Punk Meets Nashville Rock and Roll in The Rhythm Bullies’ Latest Snarling Triumph, Smoke Rings

The Rhythm Bullies

Just when I thought I was getting to the aurally jaded stage of being unable to drop my jaw at new sonic amalgamations, The Rhythm Bullies came along with their discordant cocktail of 80s post-punk & Nashville rock and roll in their latest single ‘Smoke Rings’.

The bluesy psychobilly-Esque heat meeting the chillier post-punk tones under the Gothically drawled vocals and blisters of surf rock proved to be a viscerally alchemic combination. That’s before you factor in the hedonistic nihilist lyrics, such as “the world is burning baby, so grab a cigarette”. Smoke Rings finds a generously subversive way of saying the world is burning, whether we want to see it or not, so you may as well get accustomed to the noxious air.

With riffed-out solos that make the Black Keys and Bauhaus simultaneously sound pedestrian, The Rhythm Bullies have an immense amount of snarling potential. We can’t wait see what they do with it.

You can check them out via Facebook, their official website and Instagram.

Review by Amelia Vandergast

Dive into Stan Silver and the Brave Puppies’ fervently azure folk-rock single, Cool Water

I never anticipated encountering a band that appease my visceral-emotion-seeking soul quite as well as Tiger Army, Koffin Kats or the Brains. The Hamburg hailing Americana folk-rock outfit Stan Silver and the Brave Puppies surpassed all expectations with their latest single, Cool Water.

There’s plenty of reminiscence to Nick 13’s style in the gristly and shimmering Gretschy tones and in the chorus harmonies around the fervent verse vocals that effortlessly paint a landscape that you want to get lost in. Yet, Stan Silver and the Brave Puppies set themselves apart with the rock licks against the psychobilly-style chugging basslines, and the folky picturesque lyrical escapism.

Cool Water is the first song released from the incredibly promising outfit’s forthcoming album. We couldn’t be more stoked for it.

Cool Water is now available to stream on YouTube and Reverb Nation.

Review by Amelia Vandergast

 

NIKU – Float Away: Inhibition-Stripping Garage Rock

NIKU

‘Float Away’ is the latest inhibition-stripping garage rock anthem from the Calgary, Alberta based outfit NIKU they formed just before the pandemic hit and discernibly, none of their infectious aural energy was dampened at the time of working on their forthcoming album with the legendary producer, Casey Lewis.

Float Away is the first single released from their upcoming album; I can safely say that I haven’t been as excited by rockabilly guitars since I heard the Brains cover Lovesong by the Cure. The frantic punchy guitar progressions deliver gorgeously rich tones in Float Away while the vocals raucously exude a Jim Jones-style roguish charm. And based on Float Away, If NIKU started a cult, I wouldn’t hesitate in joining it.

NIKU deliver everything that you would want from a breaking luminary alt-rock outfit. The tones are nostalgic, while the energy is a firestorm of optimism despite existential inclination.

Float Away is due for release on July 15th. Check out NIKU via their website and Facebook.

Review by Amelia Vandergast

 

Gabrielle Gore served an infectiously euphoric slice of Americana with her single, ‘My Mustang’.

Eighteen-year-old Oklahoma-hailing country singer-songwriter Gabrielle Gore already has 14-years of performative experience behind her, when it came to writing her latest single, My Mustang, she was primed to serve an infectiously euphoric slice of Americana.

With bluegrass folk meeting crawling rockabilly rhythms, and a few pop elements thrown in for good measure, My Mustang crosses genres while staying true to each style borrowed from. The distinction doesn’t end with the instrumentals either; the rich and resonant vocal projection brings a vibrant energy to the up-tempo track that will transport you to the heart of Nashville before the chorus hits.

My Mustang is now available to stream via SoundCloud. 

Review by Amelia Vandergast