Browsing Tag

rock

Steven Gravino unleashed the unbridled soul of rock n roll with ‘Beyond the Point of Control’

With a track that rhythmically rolls through the lo-fi garage and indie glamour of proto-punk, Steven Gravino’s single, Beyond the Point of Control, is so more than just a retro-fuelled throwback. Here, the gritty rock licks allow Gravino to explore previously untrodden terrains, conjuring a soundscape where it is easy to envision Josh Homme crooning over bluesy rock jams.

Brash in all the right spots and soothingly melodic where it matters most, the release deserves reverence as an instant rock n roll classic. Steven Gravino, an accomplished musician with a vast repertoire of 42 songs, brings a depth of experience that is palpable in every chord and chorus in Beyond the Point of Control.

Having self-recorded, played all instruments, and delivered lead vocals and harmonies, Gravino’s DIY ethic shines as luminously as his talent which has seen him hit the stage more than 1,200 times, testifying to his enduring passion for and commitment to music.

Stream the official music video for Beyond the Point of Control on YouTube.

Review by Amelia Vandergast

Step into a sanctuary of alt-90s nostalgia with Straw’s debut single, Apartment 3513

With all the seductive appeal of Soundgarden, the debut single, Apartment 3513, from the Panama-hailing solo artist, Straw, allows alt-90s fans to crawl through the corridor of nostalgia before unlocking the door to an affectingly warm earworm which animates through scuzzed vintage tones and deliciously hook-rife vocals.

In spite of the convivial sonic and vocal magnetism in the debut single, Apartment 3513 charts a journey on a road to nowhere, fuelled by anxiety and depression, where the only pit stops made were to score. After 14 years of mental health issues and an attempt to numb them through substance abuse, Straw has turned his life around like a velvet revolver to give sanctuary to anyone who needs to veer from the path of self-destruction.

After studying at Berklee and the Musicians Institute in Hollywood, Straw returned home to Panama where he collaborated with the Nashville-hailing songwriter, Grant van Dijk to bring his debut to life. Through the perfect equilibrium of candid soul and rock n roll swagger, Straw ensured that he wouldn’t find himself short of plaudits – especially if the singles in the pipeline match the intoxicating energy in Apartment 3513.

Apartment 3513 opened itself to the airwaves on August 9th; step in via Spotify.

Review by Amelia Vandergast

Marc Ambrosia rivalled Against Me in his queer pop-punk anthem, We Are Who We Are

For anyone whose true identities are continuously obscured by lenses of prejudice and misconception, Marc Ambrosia’s riff-raw pop-punk anthem, We Are Who We Are, is the definitive cure.

With an augmented-with-frenetic-exhilaration chorus and endless mantras to adopt for authentic empowerment, it is impossible to resist the intoxicating energy in the release which proves that Marc Ambrosia is just as adept at producing high-octane rock hits as he is when it comes to producing perennial pop earworms. And yet, his versatility is only the start of his expansive cross-over appeal which can easily establish the New Jersey singer-songwriter as one of the most essential queer artists of his generation.

Ambrosia’s forthcoming album, Gay & Proud, is shaping up to be as iconic as Against Me!’s Transgender Dysphoria Blues LP. The same visceral punk as fuck energy runs within the liberatingly protestive anthem which attests to how embracing your autonomy and flying your own flag is one of the most revolutionary acts a human is capable of.

In his own words, Marc Ambrosia iterated “It’s a song about individuality and nonconformity. People like to make assumptions about other people’s identities and they’re usually wrong.”

We Are Who We Are was officially released on August 16; stream the single on SoundCloud and visit Marc Ambrosia’s official website for more information on his upcoming album which is due to drop on August 30.

Review by Amelia Vandergast

Steve Schuster – Mercy Me: A Melodic Rock Vision of a Better Future

Steve Schuster’s latest single, Mercy Me, is a melodic throwback to the college radio rock era which carries a revolutionary message of peace and democracy. Amidst the backdrop of increasingly extremist ideologies that surface with each election, Schuster offers a refreshing perspective. Through mellow guitar tones and layered vocal harmonies, he paints a picture of an alternative way to live—one rooted in seeking and creating peace.

Mercy Me is a utopia you can nestle into and be reminded that hope has never been futile. While it may be harder to find optimism within the divisions of society, as Schuster attests, a better way, where peace and democracy are the pillars of civility, isn’t out of the realm of possibility.

The tenderly assuring earworm stands as a testament to Schuster’s ability to tune into societal struggles and offer a salve through his melodically mellow art. It’s a song that doesn’t just evoke nostalgia but also inspires a vision of a future where unity and compassion prevail over division.

The award-winning songwriter, celebrated photographer, and seasoned CEO of Rainier Communication has turned his passion for social justice into a lifelong mission, Mercy Me is an affecting continuation of his unflinching determination to help others envision and materialise a better way of living.

Stream the official music video for Mercy Me on YouTube now

Review by Amelia Vandergast

Drenalin – This is My Night: An Alt-Rock Anthem of Hedonic Liberation

Drenalin, an Emmy-award-winning ensemble from Cleveland, OH, established in 2005, were out to wreak maximum emotional havoc with their latest single, This is My Night.

The track ensues with fitting-for-Broadway vocal intensity, intertwined with fantastical orchestral elements and playful, carnivalesque twists that would resonate with any Nekrogoblikon fans. As the track progresses, Drenalin evokes the early 2000s metal scene, reminiscent of Drowning Pool, Soil, and Fear Factory, but the transmutations in sound don’t end there.

The song’s structure is meticulously crafted, with each melodic transition pushing the boundaries of emotional catharsis. The interplay of hard-hitting fury and rock opera flair is nothing short of prodigious; the volition is teased through tensile with innovative vision progressions to ensure anyone who bears witness to the anthem of hedonic liberation will feel its maximum force.

It is so rare to say that you’ve encountered an outfit with a sound no one would ever conceive without replication, but clearly, Drenalin is a diamond in the rough of mediocrity.

Stream the official music video for This is My Night on YouTube now.

Review by Amelia Vandergast

Shotgun Waltz filtered roots rock through a college radio rock lens in their infectiously Sink or Swim

Single: Sink or Swim by Shotgun Waltz

Boston’s critically acclaimed roots rock revivalists, Shotgun Waltz, fortified their latest alt 90s indie-adjacent single, Sink or Swim, with infectious fortitude, as an invitation to shift to a rendered-with-resilience brighter perspective.

Just one hit and you will want to rip up those invitations to your pity party for one. There’s no room for remorse in the sun-bleached production which uplifts with melodically brashy college radio rock guitar chords that shift to mellow staccato rhythms in the verses, priming the listener for the bursts of euphoria in the choruses.

Shotgun Waltz may be roots reverent, yet their cultivated approach to pushing the genre forward resounds throughout Sink or Swim, which will also feature in their upcoming 10-track LP, which will arrive on the airwaves in Fall 2024.

Fronted by Jim DeTore, the fourpiece possesses a unique ability to reach directly to you as you immerse yourself in their honed synergy which belies the fact that the powerhouse has only been playing together since 2012. The symbiotic harmony between each layer in Sink or Swim pulls you into a vortex of dynamic rhythms and melodic interplays – you can practically feel each member playing intuitively to each other’s cues.

Sink or Swim was officially released on July 29 and is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

A&R Factory Interview: Unveiling the Soul of Lori & the Darlings

Lori & the Darlings

Lori & the Darlings have etched their legacy into the annals of Michigan’s music scene, setting their own standards of artistic authenticity. As we await the release of their EP ‘Side Streets’, the ensemble continues to sketch new musical contours distinct from their previous works. In this exclusive A&R Factory interview, we join them on their explorative journey, where creativity springs from the familiar locales of Main Street. As revealed, the band’s lyrical and melodic evolution resonates through this project, offering a reflective glimpse into their dynamic craft. With a blend of Americana roots and bold experimentation, Lori & the Darlings stand poised at an intersection of past influences and forward-thinking musicality

Lori & the Darlings, welcome to A&R Factory! It’s a pleasure to sit down with you as you gear up for the release of your upcoming EP, Side Streets. Can you walk us through your creative process and how the B-side project thematically connects with and diverges from your last project, Main Street? 

We are just starting to work on this new project: Side Streets and I am excited to get back into the studio soon!   So far we have had a very successful process when it comes to crafting songs…I write the songs and put them on a scratch track, usually just me and a guitar, and then let the band take some time seperately to get used to the melody and changes and if there is a feel or I have any specific ideas I let them know right away although usually I hand the song right over to them and trust them to find their parts… and they always do! I have a huge collection of songs I have been writing for years…and I still write so there is a never-ending supply to pass on to them.

Our last album Main Street (released in Jan) contains a song Main Street 54.  That song got its name because I usually use my voice memo on my phone to record the scratch tracks on…and my phone labels recordings by location so that song was the 54th recording on Main Street (my address at the time) and we ended up liking that title and kept it.. actually all but 1 song on that EP were written in about 2 months on Main Street which is why I decided to name the album such…side streets is a collection of songs that were written around the same time but not at home. And I like the idea of tying them both together like I did with our first two EPs Gratitude side A and side B.

Are there any new sounds or techniques you’re experimenting with this time around?

This last time in the studio we played around with background vocals and added a lot more keys and even had a wonderful violinist come in and play.. and I would definitely like to build on that and keep making our music bigger.

How have your Michigan roots influenced the sound and storytelling of Lori & the Darlings? 

I consider myself so very lucky to have been raised by a father who found music to be of upmost importance…he too was a writer and musician…and I grew up watching him write so many songs…good songs…and record them using this four track he had bought.  He was so very picky about lyrics…he didn’t like easy or lazy lyrics. And he beat that into me.  Because of his love of music, he seemed to have hundreds of records I was allowed to listen to – artists like Jim Croce, Bob Dylan, and Donovan; artists who had mastered telling stories thru music…I think that had a lot to do with how I write.  He was in bands starting in the 60’s in Detroit..doesn’t get a lot cooler than that…he was an amazing influence and reference for me growing up.

How do these elements resonate within your latest tracks?

So that being said, I always am very careful with the words…I might revise a song 20 times until the lyrics are just right…after that though, I rely heavily on the band to mold the song into whatever it feels it should become.  There is this very cool organic thing that happens once we sit down and start playing a song for the first time….after a couple of run-throughs…things just crazy fall into place…and we all come from such different music backgrounds that there is a little bit of everything coming into each song…I love that…we are generally considered Americana but we have songs that are way more blues and songs that sound almost jazzy…I like not being able to be nailed down tight to one genre

What has your experience of the Michigan music scene been? 

I wouldn’t want to be in any other state doing this right now!  Michigan is amazing for music – whether you love listening to it or playing it!  Lori & the Darlings began a little over three years ago getting our first gig in Saginaw Michigan at this great little venue White’s Bar – they are a real deal venue that has a long legacy, history and a reputation for being huge music supporters and have had nothing but the most positive interactions on every level ever since. The other bands (Amazing bands!) we have networked with doing the same thing, the venues we have played at…and the many radio stations that make a place for indie music on their programs…so much love and support for the music community here! We love it!

Over the course of your musical career, how have you seen your artistic identity evolve? 

I can’t speak for the band but personally I would have to say that I have finally grown into a comfortable place where I am not worried so much about performing or even putting songs I’ve written out there for anyone to listen to as I used to be.  There was a time when I was so worried they weren’t good enough or didn’t say the right things the right way.  These days I write how I feel or what I know with a new confidence. It’s refreshing to not worry about that.

What has been the most significant turning point for the band?

 The band has done a lot of growth since it’s birth. If you listen to our first two albums and then Main Street you will notice a significant change in the production of the album. I think letting someone else in to help with that moved mountains when it came to a final product. I wish that would have been the case with the first two, but it’s a lesson learned. I was very stubborn and protective of the first two albums…I was worried about outside influences changing the songs too much…I’ve come to realize having help in that area is priceless and has taken our music to a new level.

How does the upcoming music video for I Want It So Bad bring the single to life?

Oh man!! I love this video so much!  We hope to wrap up editing this week and have a final product in mid-August. This will be my very first attempt at video work!  I was the director, videographer and editor all in one!  Of course, our lead guitar player Roger Marchbanks is the star of the show.  I took him all over Detroit and filmed him playing the song in front of historic and iconic locations. It’s turning out great so far and matches the song which is a playful fun fast rock n roll song! I can’t wait to release it!

Beyond the release of Side Streets, what are your future plans and ambitions? 

We have some amazing festivals lined up at the end of this year and next year as well!  A couple more music videos coming out from Main Street to wrap up that project and talk about adding a new member or two to the band…

Stream Lori & the Darlings on Spotify now.

Follow the band on Facebook to stay up to date with news of future releases & tours.

Interview by Amelia Vandergast

Make Groovy Shirt Club’s ‘Ultra Violet’ the soft rock soundtrack to your emotional liberation

Groovy Shirt Club’s latest single, Ultra Violet, proves there’s more to their artistic identity than their audacious fashion choices. With echoes of Pixies drifting between the guitars and basslines in the mellowly iridescent progressions, which are heightened by inventive synth touches, the Deep Blue Something-reminiscent vocals have the perfect platform to soar from.

It’s almost impossible to allude to what this emotionally liberated single does to the soul when the emotion-driven earworm is bedding in and making itself home. The sublime melodies are enough to make even the most steadfast sway, attesting to the capacity of sound to transform your entire sensibility.

If you can’t remember the last time you didn’t feel weighed down, make today the day and immerse yourself in Ultra Violet, which pushes a panoramic vision of sun rays hitting ebbing waves. For any discerning rock fan, the first proverbial spin won’t be the last.

The self-professed ‘Champions of the Yacht Rock Revolution’, are quickly making a name for themselves with their ethos to embed real people, real instruments, real music and real lyrics about life into their infectiously cultivated soft rock staples. Ultra Violet captures this quintessence perfectly, blending their signature style with a fresh, emotionally resonant sound.

Ultra Violet is now available to stream on Spotify.

Review by Amelia Vandergast

Lori & the Darlings reached nirvana with the alt-90s nostalgia in their Americana rock single, high

Lori & the Darlings’ standout single, High, taken from their 2024 LP, Main Street, is a richly rendered addition to the Americana rock canon. Lori, whose voice is naturally poised for creating instant classics, shines iridescently bright in this emotion-driven vignette, exposing the capacity of connection to lead to transcendence. The instrumentals efficaciously visualise the inexplicably sweet sensation, with shimmering organ tones stretching to nirvana, giving High oceanic depth for listeners to plunge into and swim with the rhythmically resolving tides.

Lori’s vocals deliver the grit of Courtney Love, infused with the soul of Leigh Nash and Meredith Brooks, nestling into the scarcely-occupied middle ground where artists swathe their harmonies with seraphic sentimentality and project potency to amplify evocative intensity.

No review of High would be complete without pouring plaudits on the guitars that make the track such a sense-gratifying listen. The steady ring of the chords pulls you through the euphonically stripped production until they burst in momentum in the middle eight, proving that Lori & the Darlings have earned their place among their Americana rock icons.

With more releases in the pipeline from the Detroit-based four-piece which captures the highs and lows of big-city dreamers in small-town America, do we really need to tell you to give them a follow?

Stream the Main Street LP from Lori & the Darlings on Spotify now.

Review by Amelia Vandergast

Changing Tymz eviscerated anxiety by bringing the hard rock hammer down in ‘The Fear is Gone’

https://music.youtube.com/watch?v=NfDpOE5glmM&si=1YFe7soOmWljtAqM

With their seminal single, The Fear is Gone, the breakthrough powerhouse, Changing Tymz delivered a sonic behemoth that firmly established them within the modern hard rock pantheon.

The track ensues from distortion-heavy chugging guitar riffs; an immediate clarion call for anyone who seeks sanctuary within the volition of hard rock. From there, a Metallica-esque aura of power and intensity takes hold of the auditory assault that is cast in introspective gold, encasing the most affecting elements of hard rock and metal.

Meticulous yet menacing, the rhythmically tight and explosive transitions that would leave any hard-rock fan broadsided become the perfect vessel for the deep-penetrating lyricism. By the time the song reaches its tumultuous outro, it has already awakened an indomitable spirit within.

The efficacious melodic hooks work in synergy with the haunting tinges of dark gothic glamour which manifests through the Evanescence-esque vocal stylings, affirming that few hard rock outfits can overpower the juggernautical entity which is Changing Tymz.

With their debut LP, Finish the Race, riling the airwaves, it’s time the world tuned into their cultivated, conscious command.

The Fear is Gone was officially released on July 5th; stream the single on YouTube now.

Review by Amelia Vandergast