Browsing Tag

Robert Frost

The melodies leap off the page in Go Metric USA’s installation of folk mysticism, Old Books No One Remembers

 In an unflinching mission to keep the traditions of folk storytelling alive, the Texan ensemble Go Metric USA has unveiled their tribally hypnotic sense-awakening serenade, Old Books No One Remembers. You can practically hear notes of opium drift through the production in the arcanely atmospheric alt-country vignette which allows poetry to acquiesce with seraphic folk melodies.

With an evocative potency which tears through the centuries, Old Books No One Remembers is inexplicably efficacious in its ability to consume the psyche. It is only when you reach the outro in the Legendary Pink Dots-reminiscent production that you realise how intertwined you’ve become in the eloquently enlightening narrative which can hold its own against Robert Frost’s poetry.

Old Books No One Remembers is now available to stream on SoundCloud.

Review by Amelia Vandergast

OCCORO tightened the bond between poetry and RnB with ‘Nothing Gold Can Stay’

OCCORO’s single ‘Nothing Gold Can Stay’ will enamour fans of RnB and poetry alike. From the first offering of nuanced meta lyrical wisdom, attention piques as you prepare yourself to hear more linguistic prowess, OCCORO certainly delivers.

Nothing Gold Can Stay is the title track from the Dallas-born, LA-based singer-songwriter and producer’s debut EP, any fans of Robert Frost will recognise the title, while everyone will get a fresh distinctive sonic experience to indulge in when they hit play. Nothing Gold Can Stay does so much more than just cover the same RnB ground. With almost psychotropic Indie tones in the absolving soundscape, it is as rhythmically transfixing as it is lyrically powerful.

Their lexicon is just as awe-inspiring as their visceral ardent lyrical flow, and as for the production, you couldn’t ask for a more commanding and all-consuming feat of contemporary Indie RnB.

You can check out Nothing Gold Can Stay for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast