Browsing Tag

Retro Wave

Atrionix painted a neon-lit skyline in his synthwave score, Nights

Sinking into Atrionix’s, standout single, Nights, is so much more than hitting play on an instrumental score; it is diving headfirst into a neon-drenched skyline after dusk.

Short, yet undeniably affecting, the retro-futurist single sets a high bar for anticipation of what’s next from the promising artist. With just over a minute of runtime, Atrionix, the stage name of 19-year-old Londoner Rahul Dasgupta, proves that brevity can indeed be the soul of wit—and of intrigue.

Nights sweeps you up in a rush of synth waves, echoing the energy of a city that never sleeps, each note painting streaks of light across the dark canvas of the listener’s imagination.

After earning his stripes as a pianist, violinist and guitarist at a young age, Rahul had naturally progressed into electronic production by 12; his creative ambitions and passion for sound palettes have never faltered. With his sights now set on becoming a hitmaker and his production style as honed as Empathy Test’s, his career path is going to be paved in gold.

Don’t mistake Nights as a short and sweet instrumental, recognise it as a bold statement of what’s to come from one of the most promising up-and-coming artists on the scene today.

Stream Nights on YouTube now.

Review by Amelia Vandergast

Embrace our transhumanist future with Skylnz Ablze’s electrifying synth wave single, Memory Empty

Even though synth wave is all the rage in 2023, the Chicago-hailing songwriter, producer, and engineer Skylnz Ablze, rode his synth lines into a cut above the rest with the seminally animatronic single, Memory Empty, from his sophomore LP, Born from Electricity, which was crafted to exhibit a new perspective on pop.

By taking influence from electronica pioneers The Human League, New Order and Gary Numan and synthesising the new wave pop aesthetic into one that fizzes with oscillating ingenuity, Skylnz Ablze allowed the transhumanist future that awaits us all to embrace the listener from the very first ensnaring 808 kick to the last.

Memory Empty hit the airwaves on October 13th; stream it on Spotify as part of Skylnz Ablze’s sophomore LP, Born from Electricity.

Review by Amelia Vandergast

FanFixion took synth wave into dark unchartered waters with ‘Jackets Domain’

The US-based artist and producer FanFixion surpassed the synth wave trend with his 3-track project, Bleach Bitten, featuring the ensnaringly glitchy standout single, Jackets Domain.

As the emotions run high, the synth lines soak the darkwave score with atmospheric electricity which bridges the gap between new wave synthpop artists such as The Midnight and EBM icons including VNV Nation and Covenant.

With the inventive use of distortion to the hooky vocal melodies to amplify the intrinsic sense of disquietness and rock nuances bleeding into the hit that will leave your heart in your throat as soon as the chorus hits, it is safe to say that FanFixion has been triumphant in his mission to push synth wave into dark unchartered waters.

FanFixion released his 3-track single, Bleach Bitten, on August 11th; stream it in full via Spotify.

Review by Amelia Vandergast

Realer started the simulation with his bass-driven retro wave hit, Turn Me On Again

Turn Me on Again by Realer

The Scottish bassist turned one-man powerhouse Realer started the 80s synth pop simulation in his latest single, Turn Me on Again, which cuts right to the core of our contemporary proclivity to lose ourselves in the dopamine of our favoured procrastination-inspiring time vacuums.

Ingeniously, the reprise of Turn Me on Again can be taken as plugging into the digital domains that are becoming all-consuming, and with the funky 80s pop synthetics at play, it can similarly be deciphered as a cry into the void for a shot of visceralism derived from the real world. It is so easy to tell people to go out and touch grass, but when everyone is too addicted to their phones to venture out and experience verdant pleasures, it’s easier said than done to find connection away from the fake fray of online mediocrity.

Bass solos may not get the rep they deserve in the mainstream consensus, but if anyone has what it takes to advocate for them, it is Realer, with his trailblazing technical rhythms, which disrupt the sticky sweet synths, and are enough to make the most euphoric hits from the Human League sound positively melancholic.

Turn Me on Again is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Endless Wires made his stridently electrifying synthwave debut with ‘Accept to Enter’ featuring Kabelle.

UK-based multi-instrumentalist and producer, Endless Wires (Tom Evans) established themselves as one to watch in the Vaporwave scene with the release of his arresting debut single, Accept to Enter, featuring vocals from Kabelle.

With vocals that will take you right back to the 90s and remind you of the forcefully resounding timbre of Cher, Whitney Houston and Madonna falling into the synthwave reverb-laced soundscape that kicks off with moody synth notes and transgresses into a stridently electrifying aural experience, it is an entrancing and evocative ride from the start. The addition of the classic rock guitar solos in the tense build-up to the highest crescendo was undoubtedly the cherry on the cake.

Accept to Enter is available to stream via SoundCloud.

Review by Amelia Vandergast

Aeropryme – Closer: Bass-Driven Retro Wave

The fact that dancefloors are inaccessible right now got a whole lot sadder after we heard the colossal new drop “Closer” from up and coming artist Aeropryme.

The entrancingly bass-driven feat of retro wave threw us right back to the time when Pendulum was dominating the airwaves, while simultaneously unravelling as an ecstasy-dripping treat for any fans of the Human League.

Yet, you’ve never heard anything quite like Closer, with pops of 80s nostalgia, a progressive nature from start to finish and the masterful production skills of Pandora Nightz, it’s an unforgettable mix that you’ll want to give repeat attention to.

You can check out Aeropryme’s track which dropped on September 26th for yourselves by heading over to YouTube.

Review by Amelia Vandergast