Browsing Tag

Psychobilly

The Knottie Boys are on unhallowed ground with their horror punk hit, Monster Man

The Knottie Boys came through just in time for Halloween with their horror punk LP, The Weeping of Los Alamos, featuring the ferocious sonic juggernaut, Monster Man.

With The Creepshow-esque vocals, odes to The Misfits’ iconically infectious sonic signature and ska-reminiscent brass for good measure, Knottie Boys haunted the middle ground between psychobilly and horror punk with a tumultuous anthem that sweeps you up in its adrenalised riptide of frenetic energy.

As the third album from the Long Island-hailing alt-punk powerhouse who borrow influences from all across the punk spectrum, The Weeping of Los Alamos is set to skyrocket The Knottie Boys to even greater heights. Their ability to ensure their influences never outshine their ingenuity is on full display in the 15-part installation of cultivated chaos.

The Stream Knottie Boys’ LP, The Weeping of Los Alamos in full via Spotify.

Review by Amelia Vandergast

Gothenburg’s Feral Mind Gave Rock Fans Nowhere to Hide From Their Eponymous Debut LP

If you’ve ever wondered what the Misfits might sound like if they swapped their horror punk theatrics for mature, unfiltered rock ‘n’ roll, look no further than Feral Mind’s seminal release, State of Mind. The standout single from their eponymous debut album has been igniting the global rock scene with its raw power and hints of psychobilly, reminiscent of the Koffin Kats and The Coffin Caddies.

Founded in Gothenburg in 2023, Feral Mind comprises seasoned rockers who have honed their craft both in the studio and on live stages; their uniquely whiskey-soaked sound is grounded in rock ‘n’ roll grooves, with influences spanning from 70s hard rock to funk and prog. Yet, unlike your run-of-the-mill assimilators, Feral Mind is delivering the future of rock, surpassing the banality of pastiche while inviting you into the psyche of one of the most promising acts creeping their way up from the European underground

State of Mind is a powerhouse of rolling rhythms, technical riffs, and seductively rugged croons, which prove that Feral Mind knows exactly how to bring the rough with the smooth.

We can’t wait to hear what follows this flawless LP.

Stream the debut LP on Spotify now.

Review by Amelia Vandergast

Hotel Security reached the pinnacle of euphonic furore in their symphonic pseudo prog rock hit, Forget It

If Eighties Matchbox B-Line Disaster did an 8-ball of speed before falling into the studio, their sound still wouldn’t match the fervour in the latest single, Forget It, from New York City’s most volatile prodigal sons, Hotel Security, who have been trailblazing through the NYC alternative scene since 2020.

With the symphonic keys adding a histrionic edge to the tumultuously tight instrumentals that revolve around the dizzying guitar riffs that rip roar with Psychobilly-esque furore, Forget It would be an all-out attack on the senses if it weren’t for the melodic hooks infused through the catchy vocal melodies that give you a centre of gravity in the chaos of the pseudo-prog rock orchestration. Ironically, Forget It is as brutal as an MK-Ultra operation.

Forget It was officially released on September 15th; strap yourselves in and experience it for yourselves via Spotify. For more info on the self-professed band of music nerds, visit their official website.

Review by Amelia Vandergast

Barnyard Stompers – Punk Rock Girl: A Honkytonk-Punk Rock Antithesis of a Love Story

Barnyard Stompers

I never knew how much I needed a gritty Americana track with psychobilly tendencies about the incompatibility between honkytonk guys and punk rock girls until I heard Barnyard Stompers’ narratively enticing single Punk Rock Girl. If you thought that Nick Cave could weave a compelling set of lyrics, prepare for your idol to be sonically knocked down a peg or two by Barnyard Stompers with their quintessentially country tones and ability to reel you in hook, lyric and sinker.

With touches of desert psych to the rolling basslines in the intro that give way to the definitive twang of Americana guitars and the astute observations about the contrast of the two cultures, “he doesn’t have a clue why you want to burn shit down”, it’s impossible not to get immersed in the antithesis of a love story.

Towards the outro following the Gretschy psychobilly riffs that fade into distorted obscurity away from the solid rockin’ rhythms, there is a twist! The honkytonk man was once a punk rock boy; he liked the new wave, ska, hardcore, psychobilly, and oi but threw away his DMs because there’s nothing punk about punk rock anymore. I can wholly relate.

Punk Rock Girl will officially release on January 13th. Check it out via the band’s official website.

Review by Amelia Vandergast

 

Post-Punk Meets Nashville Rock and Roll in The Rhythm Bullies’ Latest Snarling Triumph, Smoke Rings

The Rhythm Bullies

Just when I thought I was getting to the aurally jaded stage of being unable to drop my jaw at new sonic amalgamations, The Rhythm Bullies came along with their discordant cocktail of 80s post-punk & Nashville rock and roll in their latest single ‘Smoke Rings’.

The bluesy psychobilly-Esque heat meeting the chillier post-punk tones under the Gothically drawled vocals and blisters of surf rock proved to be a viscerally alchemic combination. That’s before you factor in the hedonistic nihilist lyrics, such as “the world is burning baby, so grab a cigarette”. Smoke Rings finds a generously subversive way of saying the world is burning, whether we want to see it or not, so you may as well get accustomed to the noxious air.

With riffed-out solos that make the Black Keys and Bauhaus simultaneously sound pedestrian, The Rhythm Bullies have an immense amount of snarling potential. We can’t wait see what they do with it.

You can check them out via Facebook, their official website and Instagram.

Review by Amelia Vandergast

Dive into Stan Silver and the Brave Puppies’ fervently azure folk-rock single, Cool Water

I never anticipated encountering a band that appease my visceral-emotion-seeking soul quite as well as Tiger Army, Koffin Kats or the Brains. The Hamburg hailing Americana folk-rock outfit Stan Silver and the Brave Puppies surpassed all expectations with their latest single, Cool Water.

There’s plenty of reminiscence to Nick 13’s style in the gristly and shimmering Gretschy tones and in the chorus harmonies around the fervent verse vocals that effortlessly paint a landscape that you want to get lost in. Yet, Stan Silver and the Brave Puppies set themselves apart with the rock licks against the psychobilly-style chugging basslines, and the folky picturesque lyrical escapism.

Cool Water is the first song released from the incredibly promising outfit’s forthcoming album. We couldn’t be more stoked for it.

Cool Water is now available to stream on YouTube and Reverb Nation.

Review by Amelia Vandergast

 

Chris Sunfield has the femme fatale fear in his latest single, Don’t Kill Me.

Don’t Kill Me is the latest single from Chris Sunfield, an artist quickly becoming renowned for his conceptual explorations of classic pop idioms to the tune of snaking, swampy blues-rock that isn’t afraid to go Baroque through symphonic styling.

His radio-ready psychobilly single is probably the most accurate femme fatale depiction I’ve ever heard; what Single White Female is to cinema, Don’t Kill Me is to the airwaves. Any fans of the Cramps, the Brains, Amigo the Devil, Nick Cave, or Mad Sin will find plenty to love about Sunfield.

Don’t Kill Me is now available to stream on Spotify.

Review by Amelia Vandergast

Paul Bidault – Who Do You Think You Are?: Dark Swinging Murder-Folk

If you cranked That Handsome Devil’s sex appeal up to 11, you’d be left with Paul Bidault’s latest swampy, swinging, dark-jazz folk track, Who Do You Think You Are? Which experiments with a more maleficent side of the sound that Tom Waits made iconic.

With swing band percussion rattling around trombones and consistently evolving guitars in the richly dark and eerie soundscape, Bidault’s whiskey-soaked murder-folk vocals that wouldn’t be out of place in the Psychobilly scene have the perfect atmosphere to fall into.

The Paris-born, Mexico-city based artist is one to watch for anyone that gets their kicks from stumbling into tracks that carry familiar themes while completely reinventing them through the artist’s vision.

Who Do You Think You Are? was officially released on August 20th; you can check it out for yourselves by heading over to Spotify or the artist’s official website.

Review by Amelia Vandergast

NIKU – Float Away: Inhibition-Stripping Garage Rock

NIKU

‘Float Away’ is the latest inhibition-stripping garage rock anthem from the Calgary, Alberta based outfit NIKU they formed just before the pandemic hit and discernibly, none of their infectious aural energy was dampened at the time of working on their forthcoming album with the legendary producer, Casey Lewis.

Float Away is the first single released from their upcoming album; I can safely say that I haven’t been as excited by rockabilly guitars since I heard the Brains cover Lovesong by the Cure. The frantic punchy guitar progressions deliver gorgeously rich tones in Float Away while the vocals raucously exude a Jim Jones-style roguish charm. And based on Float Away, If NIKU started a cult, I wouldn’t hesitate in joining it.

NIKU deliver everything that you would want from a breaking luminary alt-rock outfit. The tones are nostalgic, while the energy is a firestorm of optimism despite existential inclination.

Float Away is due for release on July 15th. Check out NIKU via their website and Facebook.

Review by Amelia Vandergast

 

Vogue Villains – The Arsonist & Gasolina: Psychobilly-Infused Alt Rock

From the first raucous notes of the latest single “The Arsonist & Gasolina” from Vogue Villains, I was hooked. Any fans of Mad Sin, the Meteors, or Tiger Army are sure to appreciate Vogue Villains’ frenetic hit just as much as we did.

The gasoline-soaked soundscape offers chugging thudding basslines alongside guitar riffs which soar just as high as the Punk vocals which laced the track with devious swagger. And I wouldn’t be doing The Arsonist & Gasolina any justice if I didn’t point out that it drips with sex appeal. Vogue Villains perceptibly offer everything you could ask for from a new up and coming Alt Rock artist. We can’t wait to hear what pours from their ingenuity next.

You can check out The Arsonist & Gasolina for yourselves by heading over to Spotify now.

Keep up to date with the latest releases and tour dates via Facebook.

Review by Amelia Vandergast