Browsing Tag

Progressive House Pop

Duane Harden conquered the pop scene with Blind (Pop Life Mix)

After carving a legacy in the confines of the house music scene, Duane Harden has proven his mettle as a pop icon in the making with ‘Blind (Pop Life Remix)’.

Euphoria pulses through the intro, carried by shimmering new wave synths that ignite a rush of sonic exhilaration. As the melodies gain momentum, Harden’s mastery of interwoven complexity becomes unmistakable. This is not the work of an artist content with formulaic hits; instead, Harden layers raw emotion, kinetic energy, and rich textures into his production, crafting an anthem that resonates with bittersweet authenticity.

The track pulls listeners into a trap-tinged world of naïve desire, where the longing to escape emotional vulnerability is laid bare against the Latino guitars and disco-pinched grooves. With each progression, Harden’s hooks tighten their grip, drawing you deeper into the duality of aching euphoria and scarred sentimentality.

By refusing to paint within the lines, Blind (Pop Life Mix) cements Harden’s place as a multifaceted artist capable of shifting seamlessly between genres while delivering emotive, high-energy productions. For his 81k monthly listeners and beyond, this track is an invitation to revel in the alchemy of pop at its most sincere and unflinching.

Be a part of the hype by hitting play on Spotify.

Review by Amelia Vandergast

Theo Lucas Shook Up Progressive House Pop with a Splash of Summer with ‘Sunset Martinis’

For his latest release, Sunset Martinis, the South London-based, Cypriot queer artist, Theo Lucas, hooked up with the multiplatinum DJ and producer, Lorenzo Cosi to drop the hedonistically hot EDM anthem of the summer.

By putting his own spin on progressive house with intersections of hyper-pop, Lucas crafted a track as intoxicating as the cocktail referenced in the title. The electrifying momentum seamlessly transitions into melodiously sensuous pre-choruses, efficaciously building intensity and anticipation before the bass drops, resulting in installations of pure euphoria.

The sticky-sweet vocal lines can sugar the pill of any hangover; by charging his vocal performance in the earworm with sincerity, it is clear that if Theo Lucas gets any hotter, he’s going to contribute to global warming.

In Sunset Martinis, Theo also embraces his queer identity and Cypriot roots, infusing them into his music with authentic flair as he lyrically compares his lover to Aphrodite, drawing on rich mythological imagery to celebrate love and beauty in its many forms.

So much more than a hit-maker, Theo Lucas is lighting a beacon for diversity and inclusion; his passion for advocacy shines through his work, which has seen him perform everywhere from London Pride to Westminster Abbey. Watch this proverbial space.

Sunset Martinis was officially released on August 15; stream the single now on Spotify.

Review by Amelia Vandergast

MrrrDaisy delivered haunting harmonies and fierce fidelity in ‘Echoes of You

’MrrrDaisy may not be one of the most prolific artists of his generation, but when he does drop a track, he makes a profound impact. With his latest single, Echoes of You, which follows a year-long sabbatical, the Ghanaian-Spanish artist and producer pulled his fans into the spectral shadow side of dance-pop.

As haunting as a Portishead release, as euphorically elemental as a Kygo anthem, there’s an affecting parallel of dualism running through the fierily lush veins of the single which marks a departure from the artist’s overt yet distinct Afrobeat style.

The energy brought by the big bass-swathed beats and stabbing horns may be colossal, yet the vocals match it by seamlessly evolving from a smoky hell-hath-no-fury timbre to vulnerable delicacy to a stridency that belies the vocal style.

Despite the short duration, the affecting aura of the bitter-sweet song endures. The exposition on how memories linger as shadows couldn’t be closer to the mark. For anyone who knows how it feels to find the spectres of lost love everywhere, there are swathes of catharsis to be found in Echoes of You.

Echoes of You was officially released on April 18; stream the single on Spotify.

Review by Amelia Vandergast

ToleX unveiled a fiery reckoning with their hell-hath-no-fury poetic epiphany of an EDM release, Cry Baby

ToleX’s EDM-Chill Step hybrid, Cry Baby, dropped on April Fool’s Day to prove they’re nobody’s fool in the searing indictment of post-breakup epiphanies. Even with the catharsis of the Chill-Step aesthetics, it hits with the force of a hurricane.

From the opening artillery of lyrics, ToleX sets the stage for a raw, unfiltered dive into the emotional abyss left in the wake of lost love. The poetic justice in the lines “It shouldn’t have to be until I leave to make you love me”, and “It shouldn’t have to be the memories that makes you miss me,” doesn’t just create a haunting reminder of love taken for granted; the introspection filters the enraging phenomenon through a brand-new lens.

But Cry Baby is more than a mere lament; it’s a battle cry wrapped in a rhythm. The female vocals, draped over ToleX’s fiery beats, serve as a siren song, luring listeners into a whirlpool of raw emotion and unapologetic truth-telling, resulting in a sonic uprising against the all-too-common narrative of love appreciated too late.

ToleX doesn’t just push boundaries; they incinerate them, offering a track that’s as much a balm for the scorned as it is a wake-up call for the complacent. Cry Baby is a musical inferno, burning away the clichés of heartbreak songs to reveal a core of fierce honesty and emotional depth. This isn’t just another break-up anthem; it’s a revolutionary redefinition of what it means to turn heartache into art.

Stream the single on all major platforms including Amazon Music and YouTube.

Review by Amelia Vandergast

We Architects Synthesised the Sound of Summer with their Progressive House Pop Hit, Light Blue Skies

If your climate isn’t giving you the feel of summer, tune into the sound of it with the seminal progressive house pop single, Light Blue Skies by the cousin duo, We Architects, who have become infamous since their 2014 debut for their infusions of contemporary pop and tropical beach vibes. The stellar production will whisk you away on a holiday you never knew you were going on.

After racking up almost a million streams on Spotify alone, this single which oscillates with serotonin and soul, has become a staple of many who love the anticipation of sun-soaked hedonism and the core memories that follow sticky sweet escapades in the sun.

We Architects gave the progressions superlative intuition by knowing exactly where to take you to ensure you’re always led to euphoria. The rapture in the polished instrumentals juxtaposes the vocal lines which carry a melancholic sting while vibrantly celebrating the sanctity of summer, making them a perfect addition to the emotion-rich production which reaches the epitome of infectious stridency.

Stream Light Blue Skies on Spotify now.

Review by Amelia Vandergast

JBRRMUSIC produced the visceral ‘Feeling of XTC’ in his latest EDM hit

JBRRMUSIC refused to follow in anyone’s footsteps with his latest hit EDM single, Feeling of XTC, which brings everything that it says on the titular tin.

The EDM track which unravels as equal parts progressive house pop and euphoric techno follows a series of critically acclaimed and relentlessly playlisted and airplayed hits from the rising UK EDM producer who always thinks forward and takes his fans into the future of electronica with his innovative approach to alchemising aural ecstasy.

Feeling of XTC broke the EDM mould with its short and exhilaratingly sweet 2-minute duration. The succinct whirlwind of massive beats, build-ups so intense you may forget to breathe, and gravity-defying crescendos created a kinetically electrifying platform for the crystalline-with-soul female pop vocals to allude to the immense power of falling in love.

If anything can come close to the feeling of surrendering to someone completely and the subsequent addiction to the way that person makes you feel, it’s this monolith of an earworm which carries endless cross-over appeal. The sporadic tumultuous touches to the production became an efficacious sonic visualisation of love’s capacity to shake you to your core, leave you head over heels, and out of touch with gravity.

Feeling of XTC was officially released on February 23; stream the single on Spotify.

Review by Amelia Vandergast

Sonic Alchemy: An Interview with KASIA on Weaving Spirituality into Music

In this enlightening interview with A&R Factory, artist KASIA opened up about her latest single, “Heartstrings,” and its deep-rooted connection to her spiritual journey in music. She reveals how her songs, emerging from personal struggles, have become a sanctuary for healing, with a special focus on the transformative power of specific musical frequencies.

The interview promises an intimate glimpse into her artistic evolution and the profound impact of her music on both personal growth and the collective human experience.

KASIA, welcome to A&R Factory! Can you share the story behind your latest single and music video, “Heartstrings”; where did the inspiration come from? 

“The inspiration behind my latest single and music video, “Heartstrings,” comes from personal experiences, as most of my songs do. The lyrics were born out of a pretty bad relationship, where I found myself struggling with difficult emotions. Throughout my life, music has served as my safe place, providing a certain protection from harsh realities. In many ways, music has been my reality, offering a means of expression and understanding in the face of adversity.”

How has music helped to shape your healing journey? And how important is it for you to light the path towards empowerment for your listeners? 

“Music has played a huge role in my healing journey, serving as a powerful form of catharsis and expression. It’s difficult to fully articulate the transformative effect that music has had on me. There’s a certain magic that occurs when you listen to music in specific frequencies. While most modern music is tuned to 440 Hz, which can sometimes evoke a sense of melancholy, I’ve found that music tuned to 432 Hz resonates more harmoniously with the energy of the Earth. Many older pieces of music were tuned to this frequency, and I tend to use it for my own work, including tuning my healing instruments to 432 Hz.

The impact of music extends beyond mere sound waves; it can deeply affect us on physical, emotional, and spiritual levels. For me, creating and listening to music in these frequencies has been a source of profound healing and growth. As an artist, I feel a responsibility to not only share my personal journey through lyrics and music but also to be vulnerable and real with people – hopefully to the effect of empowering my listeners.”

Your goal is to create a spiritual and energising journey through your music. How do you incorporate this intention into your creative process?

“Creating a spiritual and energizing journey through my music is paramount to me. I focus on making empowering lyrics that resonate with listeners on a deeper level. I integrate the ethereal tones of sound bowls into my electronic productions using Ableton. My creative process is deeply intertwined with meditation and spending time in nature, where I find wisdom and inspiration. Through the practice of gnosis, a process of inner exploration and connection with our higher selves and nature, I tap into somewhat hidden creative expression. I want to authentically express myself while offering something meaningful to others on their individual paths. I believe that music serves as a conduit to higher states of consciousness and my goal is to channel that energy and share it with my audience.”

How did you come about developing your unique blend of house, bass house and pop? Were there any particular influences which shaped it? 

“My musical journey has been a fusion of diverse influences. Growing up, I was drawn to pop icons like The Spice Girls and Britney Spears, followed by a deep dive into hip-hop with artists such as Biggie, Tupac, WestSide Connection, Naz, and J Cole during my high school years. As I matured, I became more drawn towards house music. It was during this phase that I connected with the producer of Fan Death, SZAM, who invited me to step in as the lead singer, replacing Dandi Wind. Fan Death’s synth-pop style marked a pivotal moment in my musical evolution.

The more I got to know Vancouver’s music scene, I discovered a blend of techno and house influences. Although I wasn’t initially drawn to techno, I found my niche in Bass House, a genre that merges elements of house, pop, and rap. My journey is driven by a genuine love for music and a desire to create something uniquely mine. Recently, I’ve been particularly drawn to the lyrical style of Caroline Polachek.”

How indicative is “Heartstrings” of what is to come from your debut album? Which other themes does your LP explore? 

“While “Heartstrings” serves as a starting point, it’s just a glimpse of what’s to come with my debut album. I see it as an opportunity to test the waters, to gauge reactions to both my music and the visuals I create. Part of me is inclined to wait until there’s a readiness from the audience, while another part recognizes that significant change often arises from bold actions, regardless of initial readiness. As Theodore Roosevelt aptly said, ‘It’s not the critic who counts.’ So, while “Heartstrings” sets the tone, my debut album will delve deeper into a range of themes, exploring aspects of personal growth, resilience, and the human/spiritual experience.”

Did your transition from being a lead singer in a synth-pop band to becoming a music producer influence your current style? 

“The transition from being the lead singer of a synth-pop band to stepping into the role of a music producer has profoundly shaped my artistic trajectory. Fan Death was my first experience writing and recording professional music. I learnt what a DAW was and how to use it! Fan Death truly served as a pivotal chapter in my musical evolution.

Despite the stylistic differences between synth-pop and my current direction, I owe a great deal to SZAM, the creator and producer of Fan Death. The band imparted invaluable knowledge and skills. Looking back, Fan Death was ahead of its time, and I often reflect on the synchronicities and patterns that have guided my journey towards future endeavors.”

You’ve had your fair share of high-profile live performances; do you prefer writing music or performing and seeing first-hand the effects of your music on your fans? 

“Thank you for the question! It’s a tough call because I genuinely love both aspects. On one hand, there’s nothing quite like the energy of performing live and connecting with fans face-to-face. Witnessing firsthand the impact my music has on them is truly special. But then, there’s also something incredibly fulfilling about being in my element – in the studio, wearing my glasses and hoodie, lost in the creative process of making music. I find joy in every aspect of my artistry, including dreaming up music videos and bringing my vision to life through visuals.”

As a delegate of The Canadian Academy of Recording Arts and Sciences, what insights have you gained about the music industry?

“Just being around other artists pursuing similar goals is such an amazing experience. The most profound insight I’ve gained revolves around the power of community within the music industry. Coming from a small town where artistic pursuits were rare, I often felt isolated in my passion for music. However, being surrounded by other artists who share similar aspirations has been so refreshing. The opportunity to connect with full-time artists who understand the language of creativity has been incredibly inspiring. It’s a reminder that I’m not alone in this journey and that there’s this supportive community, rallying behind each other’s artistic pursuits.”

Stream KASIA’s latest music video on YouTube now.

Interview by Amelia Vandergast

Goshok’s Make It Right is a Tropic House Triumph of Fervid Soul and Blistering Hot Beats

Goshok started his latest tropic house pop hit, Make It Right, with an instant hook to cleanly cut through the layers of sound and instantaneously leave a lasting impression. From there on out, Make It Right is a masterclass in how to arrange tension and release; from the transcendence in the oscillating builds to the bursts of euphoria in the breaks, every progressive twist and turn will lead you further into the genius of Goshok. The scintillatingly curated sonics amplify the visceralism within the lyricism and vocals, which scorch with the heat of an old flame that you can’t bring yourself to reduce to ash and embers.

At 27 years old, the Czech producer, DJ and songwriter has effortlessly surpassed his influences and definitively come into his own as an EDM artist. If he keeps producing tracks in the same flawlessly deeply affecting vein as Make It Right, which will make you move and move you simultaneously, there’s no reason he can’t be bigger than his greatest influence, Kygo – especially as he will continue to drop hits throughout 2024.

The official video for Make It Right premiered on January 5th. Stream the video on YouTube.

Review by Amelia Vandergast

Oscar Hoset serenaded the twilight in his progressive house pop hit, Evening People (A Midnight Rhapsody)

After making a name for himself as a cover artist, the Norwegian luminary, Oscar Hoset, has illuminated the night with his debut single Evening People (A Midnight Rhapsody).  If you want to hear the liberation of hedonism reflected through luscious progressive house pop hooks, hit play and brace yourself for the infectious momentum of the polished production that strides far past the cusp of contemporary dance-pop.

Oscar Hoset didn’t just stay in own lane with Evening People (A Midnight Rhapsody), he entered a completely new stratosphere while appealing to fans of Avicii, Kygo, and Martin Garrix with his debut which could easily be the most promising new entry in the dance-pop arena in 2024. At just 22 years old, he’s already perfected the art of infusing visceral rapture into his productions. We can’t wait to hear what comes next.

Evening People (A Midnight Rhapsody) was officially released on January 19th; stream the single on Spotify.

Review by Amelia Vandergast

Spotlight Feature: The Bermuda House Icon Korie Minors is Infectiously Euphoric in His Latest Hit, The Way We Used to Be, ft. JaySoulO

For his latest polished to the nth degree progressive Afro-house production, The Way We Used to Be, the Bermuda-born, internationally-raised DJ and producer Korie Minors collaborated with JaySoulO to deliver the ultimate hit of tropic indie pop reminiscence.

There are few things as bitter-sweet as taking a retrospective view of someone you never wanted to leave in the rearview mirror. The smooth crescendos in The Way We Used to Be, which runs with a flood of tenderly hued euphoria in the pulsating basslines and indie guitar hooks, will efficaciously take the edge off as the sun-bleached melodicism proves that even when love is lost, that’s no excuse to let optimism fade into obscurity. If you want to supplement your EDM playlists with sonic serotonin, you know where to turn.

Korie Minors said: 

“For The Way We Used to Be, I wanted to create something that exudes cross-over radio-ready appeal while never letting go of what makes my sound unique; the incorporation of my house influences and infusion of guitar melodies and afro percussion into a solid song structure enabled me to fulfil that goal.

The single communicates that sometimes you have to let relationships go for you to grow, regardless of how much it may hurt to make that decision and leave someone behind.”

Korie Minors started his DJ career in the UK while studying architecture, when taking his academic work to Istanbul and Hong Kong, he also shared his gift of making crowds move. In 2015, he became a full-time DJ in Bermuda and was voted Bermuda’s best DJ in 2019. When COVID put the brakes on his DJ career, he started to hone his production skills, which has seen him working with internationally revered artists and filmmakers and affiliated with brands, including Bacardi and Louis Vuitton.

The Way We Used to Be was officially released on September 22; stream it on Spotify.

Review by Amelia Vandergast