Browsing Tag

Progressive Art Rock

Oh doom! orchestrated a sonic dichotomy in their tone-setting post-rock debut, All Our Songs Are Slow and Sad

Oh doom! set the tone for their forthcoming discography with the release of their elegiac debut single, All Our Songs Are Slow and Sad; but given the artistic intensity within the inaugural release, expecting the unexpected would be safer.

The release ensues from an ambient post-rock composition filled with art-rock motifs and reverb-drenched choral guitars that pull textures of shoegaze into the production until the track steadily builds in momentum throughout the extended 8-minute duration.

While attention spans may be waning and artists are churning out 2-minute pop tracks left, right, and centre, Oh Doom! exhibited the beauty of foregoing instant hooks for mind-shattering crescendos, cinematically constructed by distorted walls of noise, powerful enough to reverberate right through you.

The kinetic alchemy within All Our Songs Are Slow and Sad is a visceral attestation to the raw, creative power of Oh Doom!, who have the potential to rise to the same heights as Low and Mogwai. Not pedestrian enough for unoriginated post-rock assimilation, the single broadsides with Grandaddy-esque polyphonic synthetics which infiltrate the paradoxically tender yet monolithic production.  Yet, perhaps the most striking beauty in the single lies in how, regardless of the intensity of the instrumentals, the pensively diaphanous vocals maintain imperturbable innocent serenity.

From the ashes of frenetically-paced projects, Oh doom! banded together to filter hope into despair in their releases which utilise spatial effects to let emotion manifest between the notes. As the first single from the debut EP, set for release on July 26, All Our Songs Are Slow and Sad became an irrefutable sign of even bigger things to come from the North London/Hertfordshire band.

All Our Songs Are Slow and Sad was officially released on July 5; stream the single on Spotify now.

Review by Amelia Vandergast

Gabriel Lucas Music’s seminal prog rock single The Tower is a placatingly electrifying juxtaposition

After the droning guitars veer into their first melodic break, the seminally artful prog rock single, The Tower, from Gabriel Lucas Music, featuring Anneke Van Giersbergen, is an ascension into gravity-defying sheer sonic beguile from there on out.

The alchemy that breathes between the dual-layered harmonies and the soaring guitar solos which bring elements of classic rock into the prog masterpiece registers as a placating yet electrifying juxtaposition. Even when Lucas’ vocals forsake harmony to deliver a raw primal outpour, the arresting catharsis of The Tower refuses to loosen its vice-like grip, which will also compel you into affixing the track onto your staple playlists.

In the same way that Ne Obliviscaris take you on a journey orchestrated to awaken and simultaneously sate the senses for desires you never knew needed satisfying, Gabriel Lucas’ prog sound crafting is a testament to his trailblazing talents.

Stream the official music video for The Tower via YouTube.

Review by Amelia Vandergast