Browsing Tag

Pop

Chamber strings go pop in Philadelphia String Quartet’s latest score, Oh My God

Living by their motto, ‘Think Outside the Bach’s’, the classically trained artists of which the Philadelphia String Quartet comprises know no bounds when scoring their pieces and comply to even fewer.

Their recently released piece, Oh My God, is a baroque folk fantasyscape, which wouldn’t be out of place in the prelude in a progressive folk metal track, in the OST of lore lore-filled series akin to The Witcher, or any other setting that calls for the romanticism of chamber strings pulling together in complete coalescent quintessence.

Since forming in 2009, the quartet has been immensely in demand as a wedding band; the performers even go as far as to curate custom playlists for couples. If Oh My God is anything to go by, the airwaves should be equally as inclined to champion the quartet’s quasi-classic spin on pop.

Stream Oh My God on Spotify, and follow the four-piece to ensure you’re the first to know when their live-recorded upcoming album drops!

Review by Amelia Vandergast

Riley Rex took her staunch fanbase to ‘The Shadowy Place’ in her hyper-pop Halloween floor-filler

The dance-pop icon Riley Rex asserted her claim to the LA pop crown with her infectiously flawless Halloween hit, The Shadowy Place. It may just be the biggest Halloween hit since Kernkraft 400 delivered Zombie Nation in 1999. It at least stands up to the debauched decadence in Emerge by Fischerspooner while incorporating the contemporary magnetism of Dua Lipa, Ava Max, and Charli XCX.

By contrasting the dark lyrical themes with the hypersonic textures and upbeat pace in the polished production, Rex extended euphoria to those who need it most with The Shadowy Place, which breaks EDM pop boundaries in definitively sensuous style.

The single, which was written while she was enrolled on a course with One Republic’s Ryan Tedder, is a narration of the escapist ideation which consumes you when you’re stuck in a pit of anxiety and depression. The bass-driven electro-pop hit may not have what it takes to cure mental illness, but you couldn’t ask for a more potent sonic serotonin source.

The Shadowy Place hit the airwaves on October 6; stream it on SoundCloud.

Review by Amelia Vandergast

Snir Yamin genre bends and transcends boundaries with the alt-pop aesthetic in Aftermath

With an eclectic synthesis of pop influences and an ability to weave them into a stunning pop aesthetic, Snir Yamin refreshed the airwaves with his euphoric take on pop-rock when he released his sophomore single, Aftermath.

The power pop licks tend to the wounds inflicted by a bitter-sweet heartbreak where promises were broken and dreams were left unmanifested while the new wave synths bring the track right up to speed with the contemporary curve before his heartfelt authenticity superlatively surpasses it.

The viscerally tender release is the perfect introduction to the indie singer-songwriter’s determination to stir the souls of anyone who ventures onto one of his expertly crafted sonic landscapes. It’s an earworm that you will never want to let go of.

Aftermath was officially released on September 21; stream it on Spotify.

Review by Amelia Vandergast

Matt Wescott orchestrated a nirvana of honky pop rock euphoria with ‘Run Away with Me’

Matt Wescott’s latest single, Run Away with Me is a proposition no retro pop rock fan could refuse. If Elton John’s Honky Chateau was a little more cosmic, the honky tones would be as interstellar as the chord progressions in this piano-led ode to nostalgia that blasts into the stratosphere of futurism.

The rugged odyssey of an earworm stands as a testament to Wescott’s lifelong immersion in the music industry. Before establishing himself in the digital era of music as a solo artist, Wescott performed in multiple bands that were laudable enough to headline Bristol’s Carling Academy, be lavished in equipment by Wharfdale, receive director’s awards from Paramount, and support Newton Faulkner, Razorlight and Alabama 3.

After reminiscing on the glory days with his father shortly before he passed away, Wescott had the epiphany that life is too short not to do what makes you happy, which has seen him release a string of phenomenal singles that defy indie pop rock expectations and lead listeners into 3-minute nirvanas of honky pop rock euphoria.

Run Away with Me officially released on September 27; stream it on SoundCloud.

Review by Amelia Vandergast

Josh Rosenblum Band rhythmically prised listeners from the purgatory of self-scrutiny with ‘Wandering Heart’

Though he has enjoyed spates of success, amassed a loyal fanbase, and become a trailblazing troubadour across the Central Coast, the Cali-hailing singer-songwriter & multi-instrumentalist Josh Rosenblum remains one of the most criminally underrated artists of our time.

His latest album, Love Letter, is yet another testament to his honed ability to echo the old soul of pop, rock, and blues in a way that greets you with familiarity and accommodates you with melodiously reimagined cross-generational sensibilities to prove that there’s no such thing as a sonic bygone era. The door is always left open by artists masterful enough to reignite the same spark ignited by artists whose entry into the hall of fame will never be ephemeral.

His ability to rip a blues riff like it’s nobody’s business is one thing. His talent in delivering consolation through his song crafting, which makes the human experience an infinitely less alienating one, is another entirely.

Take the standout single Wandering Heart as the prime example. By encompassing our universal tendency to self-scrutinise until we’re torn up inside and delivering eloquently rhythmic redemption along with the affirmation we all owe ourselves forgiveness, the sanctity which resounds in the rich harmonic vocal timbre meeting the percussive fingerpicked guitar notes is almost ironically unholy.

With lyricism that gets more profound with every repeat listen for the way the metaphors recontextualise the preceding lines to prise more poetry out of the confessionalism and melodies that never lose their timeless beguile, the single deserves to be equally as revered as the hits in John Mayer and Gary Clark Jr’s discography.

In a time when pressure is building around everyone to be the perfect model citizen, Josh Rosenblum debuted an arrestive vignette attesting to the infallibility of us all. Even if you screamed your virtues from the rooftops, it wouldn’t come close to the arrestive credibleness of Wandering Heart.

If you need a pick-me-up following that profound aural experience, tune into the intoxicating zeal of Crazy as Me, which celebrates the celestial experience of falling in love with someone who doesn’t make you want to conceal your idiosyncrasies. The organ-decorated, riff-soaked blues-pop-rock synthesis is a riot of exhilaratingly sweetened romanticism. The euphoria of uninhibited connection and belonging lingers in every sequence of syncopation, crescendo, and soaring vocal note to almost take you as high as the plateau of unconditional love itself.

Stream the latest LP from Josh Rosenblum via Spotify.

Review by Amelia Vandergast

Mara Liddle has unleashed her pretty in pink (tonal hues) pop earworm, All Over the Place

Mara Liddle has lived up to her legacy after laying down a solid foundation for her hyper pop queen supremacy in 2022 and being selected as one of BBC Introducing’s curation of Big in 2023 artists list.

With her latest single, All Over the Place, created in collaboration with JB Thomas, she unleashed an upbeat floor-filler of an exposition of coming-of-age anxiety in a digital age when everyone is watching, and no one is listening.

After Gen Z have routinely been dubbed as the ‘lost generation’, Mara Liddle and her pastel-hued pop productions are a guiding light towards a semblance of sanity and inner security. With a few 90s Euro pop embellishments to the earwormy hooks, the nostalgia will grip you as fervidly as the contemporary resonance in the lyrics.

All Over the Place will be available to stream from September 29; stream it on YouTube.

Review by Amelia Vandergast

Reality is fiction in Rooftop Screamers cosmic pop odyssey, Another Life, featuring Tim Smith

After celebrating critical acclaim in his power-pop band, Throwback Suburbia, the Portland-based drummer and songwriter Mike Collins created his studio project, Rooftop Screamers to showcase his original tracks and create an opportunity to work with local and world-renowned vocalists, musicians, and producers.

Swapping guitar solos for the far more euphonic timbres of synth lines, he orchestrated an interstellar sonic fantasy in his latest single, Another Life, featuring Tim Smith, but those power pop proclivities still worked their way into the sticky-sweet synthesis that will enamour any fans of Butch Walker and Father John Misty.

It is all too easy to affix an ELO reference onto any track that could be branded as a cosmic pop odyssey, but the fusion of Beatle-esque pop, classical arrangements, and futuristic iconography necessitated the reminiscence reference regardless.

Something tells me that Another Life will be an earworm that doesn’t quit until you have pandered to it repeatedly.

Stream Another Life on Spotify now.

Review by Amelia Vandergast

Linn Willner stood at the vanguard of emotionally intelligent pop with ‘Dancing on Roses’

For her latest single, Dancing on Roses, the indie pop enchantress, Linn Willner, melodically pulled on the parallels between blossoming naturalism and the early days of relationships, where we can’t see the thorns for the petals.

The orchestral strings in the indie chamber pop score carved a cinematically immersive atmosphere that evokes notions of romanticism while spurring the listener to remove their rose-tinted glasses and view the full kaleidoscope of betrayal-laden complexity when exploring love and human connection. Life will always find a way to strip away your naivety; it is better to pull back the layers with piano pop expositions on the highs and lows of relationships, which portray vulnerability as a strength.

The 22-year-old Swedish singer-songwriter became an icon of our enlightened times with Dancing on Roses. Beyond her beguilingly evocative vocal lines and command over minor piano keys, she’s at the vanguard of emotionally intelligent pop.

Dancing on Roses will debut on the 26th of September; stream it on Spotify.

Review by Amelia Vandergast

Angel Quintas – Feel at Home: Cosmically Cosy Indie Pop Worth Staying In For

If the Beatles entered their kitchen sink era while picking up a few Ziggy Stardust proclivities, their kaleidoscopically soul-affirming singles would be as cosmically cosy as the latest single, Feel at Home, by the Floridian adult contemporary singer-songwriter, Angel Quintas.

Rather than assimilating 60s and 70s icons, the self-taught musician and producer abstracted influence from their tonal palettes and weaved them into a tapestry stitched with more contemporary alt-indie production techniques to deliver a nostalgic sanctuary with modernist décor.

While it is all too easy to bemoan the lazy days that put few demands on your time, especially with the age of the influencer making you feel guilty for not living the lifestyle of the rich and famous every day despite being neither, Feel at Home, colourfully illustrates that few things can match home comforts while delivering musical theatre akin to the sonic performances of Father John Misty who always goes the extra euphonic mile to leave you fully consumed.

Feel At Home hit the airwaves just in time for Autumn on September 15th stream it on Spotify.

Review by Amelia Vandergast

Bree Gregory cut right to the emotional core with her orchestral ballad, See You Soon

The Adelaide singer-songwriter Bree Gregory captured the bitter-sweetness of impassioned goodbyes and the beauty of uninhibited vulnerability with her latest orchestrally arranged piano pop ballad, See You Soon, which strips the sonorous production right back to her vocals, piano keys and a string quartet.

Between the cutting crescendos and the steady strides in her dynamic vocal register that carries the same sense of beguile as Adele, See You Soon cuts you right to the emotional core.

Moving away from her RnB soul sound, which saw her peak at number 4 in the top 10 AMRAP charts with her single, Waiting, was a bold move, but discernibly, her talents lend themselves efficaciously well to more than one genre. We can’t wait to see where this Billboard & Grammy-worthy exposition of viscerally warm raw emotion takes her. Even greater successes are surely in the pipeline.

See You Soon will debut on September 22; stream it on SoundCloud.

Review by Amelia Vandergast