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Pop

Molly Warburton is Pop Panache Perfection in ‘Overdrive’

Posted on 9 March 2024

Molly Warburton’s latest single, ‘Overdrive‘, is permission to break free from life’s relentless rhythm and sink into a melody that floods into the soul. The alt-electro-pop manifesto will liberate anyone who knows how it feels to be at the mercy of the frenetic pace of modernity, the crucifixions of insecurity and the trappings of romantic complexity.

It is a bold step in Warburton’s evolving discography through its defiance of pop convention; Overdrive draws inspiration from the likes of HAIM, Dagny, and Self Esteem, allowing Warburton to weave a rich sonic fabric that is both nostalgic and forward-looking. The song is a masterful blend of 80s synthpop and 90s dance-pop, infused with innovative vocal effects and harmonic layering that set a new standard in vocal dynamism.

The track’s production is a testament to Warburton’s inventive approach to piercing through the plastic pop veil. The lyrics and melodies intertwine to create a poignantly exhilarating anthem, serving as a powerful reminder to step back and gain perspective on life’s journey.

Having already made her mark on renowned playlists and festival stages, the UK-based singer-songwriter is on a sure-fire trajectory to the top. Be a part of her ascent and hit play.

Review by Amelia Vandergast

millar explored the depths of ‘atlantis’ in her oceanic indie-pop release

Posted on 6 March 2024

With her latest single, atlantis, the London-based singer-songwriter, millar, plunges listeners into the depths of dream pop with a finesse that speaks volumes of her innovative approach as an ethereal architect of sound.

The track, resonant with themes of introspection and emotional depth, is unparalleled in the indie dream pop landscape. millar’s craftsmanship in blending indie sensibilities with ambient leftfield electronica creates a soundscape as expansive as the ocean itself. The synth lines in “atlantis” don’t just play; they oscillate with a rhythm that mimics the ebb and flow of tides, drawing listeners into a melodious undercurrent.

The lyrics of “atlantis” speak of being out of depth, exploring the worlds within ourselves. It’s a theme that resonates deeply, particularly in an era where introspection has become more significant. millar’s voice acts as a guide through this introspective journey. It’s as if she’s leading us through our own emotional landscapes, mirroring the song’s narrative of self-discovery.

And when the song fades, leaving listeners coming up for air, the impact of millar’s artistry becomes undeniable. Just like every time we hear her, we can’t wait to hear what’s next.

atlantis was officially released on January 12th; stream the single on Spotify.

Review by Amelia Vandergast

Welsh Singer-Songwriter, Samuel Evanson, changed the indie anthem game with ‘She Was Blind’

Posted on 5 March 2024

Samuel Evanson’s sophomore single, ‘She Was Blind’, is an intricate weave of sharp instrumental hooks and indie rock melodies that echo the infectious energy of The Vaccines. Yet, Evanson carves his own niche with a vocal performance that is both evocatively charged and endlessly affecting. His voice, rich in vibrato, effortlessly traverses a wide range, carrying the weight of heavy emotion with a finesse that is as haunting as it is exhilarating.

The track is more than just a wounded love song; it’s a raw, emotional outpouring that rages with a fervour akin to Sam Fender’s passionate narratives. His ability to convey deep-seated emotion while maintaining a distinct sonic signature is a clear sign Samuel Evanson has everything it takes to cut through the noise and climb the charts.

As a prelude to his upcoming debut LP, We Are Meant to Break the Rules, which is due for release in June 2024, ‘She Was Blind’ is a tantalising glimpse into Evanson’s artistic soul which was born in the heart of Denbighshire and honed in the vibrant music scene of Liverpool. Evanson’s journey resonates through every note of this emotionally charged anthem.

Watch the official music video for She Was Blind via YouTube or add the single to your Spotify playlists.

Review by Amelia Vandergast

Lizzie Hill put all her emotions on the line in ‘Dirty Laundry’

Posted on 4 March 2024

If you never got over t.A.T.u.’s hit single, All the Things She Said, Lizzie Hill’s latest single, Dirty Laundry, which uses oscillating synth lines and delicately evocative vocals in the same vein, has all the makings of your new favourite perennial pop earworm.

Blending the etherealism of dream pop with the hooks of a synthpop anthem, Dirty Laundry lays it all out on the line in the intimately electrifying production, which proves that the Cornwall-residing singer-songwriter and multi-instrumentalist’s talents belie her years.

As the lyrics relay a relatable vignette of how friendships can turn sour in a sequence of imbittering progressions, Lizzie Hill projects swathes of morose emotion in her perfectly pitched vocal lines while ensuring Dirty Laundry remains a soulfully euphonic anthem of liberation from the toxic ties that bind you to people determined to diminish your self-worth.

It’s a stunningly creative and affectingly cathartic release through and through and a clear sign that the singer-songwriter has exactly what it takes to dominate the pop domain in 2024.

Dirty Laundry will be officially released on March 1st; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Anxious affection resounds in The Good Neighbors’ synth-swathed synthesis of alt-pop and indie-rock, Room for You

Posted on 4 March 2024

The Good Neighbors borrowed a cup of earmilk from The Strokes for their latest single, Room for You, before pouring it into a synth-swathed production that eclipses the contemporary indie synthwave trend.

After moving away from their syntheses of alt-rock and punk, The Good Neighbors aligned their creative ambitions with their passion for painting across the alt-pop and indie-rock spectrum. Room for You not only exhibits the duo’s softer side; you can FEEL the authenticity, soul and delicious devil-may-care approach to constraint-less fusionism. The seminal single is uninhibited expression in scintillatingly melodic motion.

The jazzy neo-pop middle eight extends the experimentalism to the nth degree to assert the Buffalo, NY-hailing duo as genre fusionists that are a cut above the rest as they regale a vignette of anxious affection and explore the neuroscience of expanding our minds to accommodate people capable of turning our world’s upside down. Hit play and meet your new aural addiction.

Room for You will hit the airwaves on March 1st. Stream the single on Spotify.

Review by Amelia Vandergast

TALK IN CODE injected modernism into the euphonic aura of the 80s with their indie synthpop hit, Something of Nothing

Posted on 2 March 2024

TALK IN CODE’s latest single, Something of Nothing, is effortless to translate. The Swindon-based fourpiece injected modernism into the euphonic aura of the 80s to deliver a perennial pop earworm that will hook you into its core as it laments on people who can’t fight the compulsion to clamour over drama.

As the nostalgically retro synths cascade around the angular indie jangle-pop guitars, the vocals that flow with the new wave of pop pull you deeper into the anthemics of the rhythmically bolstered track that moves beyond stylistic influence.

If you’re sick of wading through the landfill of contemporary indie pop that now monolithically towers over what we had to contend with in the 90s, the cultivation of Something of Nothing will allow you to remember how it feels to get truly excited by a new outfit – you won’t be alone. TALK IN CODE has garnered swathes of critical acclaim from BBC Introducing, Q Music and Amazing Radio to supplement the fervour from their loyal fanbase.

After gracing over 500 playlists and racking up 300k streams across streaming platforms, indie ensembles don’t come much more promising than TALK IN CODE. If you got caught up in The 1975 hype, find a new obsession by hitting play on Something of Nothing.

Something of Nothing will be available to stream on all major streaming platforms, including Spotify, from March 1st.

Review by Amelia Vandergast

Lauren Kidd highlighted the obscurity of modern romanticism in her infectious pop hit, Conversations with Strangers

Posted on 29 February 2024

If any up-and-coming pop artist has what it takes to become the voice of her generation, it is the self-taught Queens, NY-hailing luminary Lauren Kidd with her Conversations with Strangers EP.

The title track begins with a raw, bedroom indie pop prelude before blossoming into an infectious electro-pop earworm with a backbeat that rhythmically compels you to lean in and surrender to the tempo of the anthem. The transition is seamless, showcasing Kidd’s knack for blending intimate storytelling with a broader, more universal pop appeal.

The song’s upbeat tempo belies its deeper exploration of the risks we take in our interactions with strangers, trusting them with our most vulnerable selves. Kidd navigates this paradox with a deft touch, maintaining an energy reminiscent of a Taylor Swift hit, yet layered with a complexity that is uniquely her own.

Whether or not she intended the track to radically transform the way you perceive the danger-fraught trappings of romanticism, she achieved it. It is no surprise that so many pop fans are glued to her playlist staples.

With melodies that inch their way into your psyche and refuse to leave, her personality-infused harmonies and the clear songwriting stripes stretched through the progressions, Lauren Kidd is a triple threat in the music industry.

The Conversations with Strangers EP was officially released on February 23; stream the single on Spotify.

Review by Amelia Vandergast

Parker Kay – The Grey: a refreshingly intimate RnB exposition of affection in the age of the iPhone

Posted on 29 February 2024

If artists got to the top of the charts based on the relatability of their lyrics alone, Vancouver’s Parker Kay’s latest single, The Grey, would have shot right to the top of the RnB charts. In a genre that gives Hollywood a run for its money when it comes to setting unrealistic expectations, this definitively modern love story is a refreshingly intimate exposition of affection in the age of the iPhone and awareness of idiosyncratic attachment styles.

Starting with a confession of how he pretends not to light up just as much as his screen when seeing a message and bides his time to give the illusion he’s busy, you can’t help but lyrically lock into the hit as the indie RnB grooves pop in the instrumental arrangement.

The single only becomes more addictive from there on out as Parker Kay bares his romantic scars over the synthesis of electronic synthetics, trap beats, pop hooks, RnB melodies, and soulfully magnetic vocal lines that keep an even-keel while the lyricism drifts from the ache of agony to the dream-like state of infatuation.

The Grey has a fair way to go before it racks up as many streams as Parker Kay’s viral hit, sorry, I like you too, which was created in collaboration with Burbank and garnered over 5 million streams on Spotify alone, but it is more than worthy.

The Grey was officially released on January 26th. Stream the single on Spotify.

Review by Amelia Vandergast

Jessie Berkshires – Enough: An Ethereal Synth-Soaked Lesson in Self-Discovery

Posted on 29 February 2024

Jessie Berkshires’ latest single, Enough, is a masterful blend of alt-pop finesse and 80s nostalgia, wrapped in a neon glow of modernity and soulful conviction. The single opens with Berkshires’ ethereal harmonies which weightlessly drift across the stabbing synth lines.

The intro’s melodic foundation sets the stage for a rhythmically compelling backbeat that kicks against the rest of the reverb-swathed instrumentation to create an immersive experience reminiscent of a neon-drenched dreamscape.

Berkshires’ vocal delivery is a study in artful beguile, echoing the haunting allure of Kate Bush. Her voice, a serene yet strident force, weaves through the track, delivering catharsis and conviction with equal measure. The lyrics, a poignant reflection on independence and empowerment, resonate with a poetic clarity that strikes at the heart.

The track’s production is a deft mix of contemporary magnetism and retro charm. Imagine pouring Warpaint’s style into The Human League’s mould, and you’re close to the unique cocktail that is ‘Enough’. It’s a sound that’s as deliciously poured as it is thoughtfully concocted.

In ‘Enough’, Jessie Berkshires offers a lesson in how to blend past and present, pain and hope, into a track that’s as empowering as it is enchanting.

Enough arrived on the airwaves on February 16. Stream the single on Spotify.

Review by Amelia Vandergast

Post-hardcore went pop in Cosmic Ninja’s latest earworm Stone Cold

Posted on 28 February 2024

Cosmic Ninja’s latest hit, Stone Cold, from the Filth EP, is a Tour De Force of infectiously ensnaring volition and a striking example of genre fusion done right. This track is a scintillatingly assaultive blend of post-hardcore’s raw energy and the catchy, rhythm-driven essence of pop.

The track is a masterclass in electronically augmented dynamic progression, seamlessly shifting from intense breakdowns to infectious hooks. Collaborating with John Mitchell, known for his work with Enter Shikari and Architects, was a stroke of genius. His expertise has helped shape Stone Cold into an earworm that’s impossible to ignore. The track is meticulously crafted, with each element – from the angst-driven raps to the soaring choruses – contributing to its overall potency.

Cosmic Ninja’s songwriting prowess is evident throughout Stone Cold, which unfolds an embodiment of the band’s disregard for genre constraints and their punk ethos. The lyrics are charged with political and social commentary, making the song not just an auditory experience but a thought-provoking protest.

The Filth EP is now available to stream in full on Spotify.

Review by Amelia Vandergast