Browsing Tag

Pop Singer Songwriter

Mainline that ‘Summer Feelin’ with the soul singer, Beth Macari’s latest single

With her latest single, Summer Feelin, the up-and-coming pop sensation and soul singer, Beth Macari, proved that generic pop couldn’t be further from her aural gene pool.

The singer-songwriter pulled the top down and navigated her sun-bleached melodies on cruise control to deliver a tropic slice of pop served with an Afrobeat twist to the beats and a little bit of funk fed through the guitar chops that efficaciously carved the ultimate summer pop earworm that you will want to turn back to year after year.

The timelessly infectious hit carries hints of 90s pop energy while embracing the future of the genre with sonic boundary-blurring instrumentals that will take you to transcendent heights when the chorus hits and you’re exposed to the sheer soulful dynamism in Beth Macari’s vocal lines.

Summer Feelin was officially released on July 28th, stream the official music video on YouTube.

Review by Amelia Vandergast

Get caught in the melodicism of the ‘Morning Rush’ with Sophia B.’s latest single

You’ve heard of bubble gum pop; prepare yourself for the even more visceral rush of caffeinated pop before you delve into the latest experimentally authentic single, Morning Rush, from the one and only luminary, Sophia B.

However you take your coffee, you will find the notes in Morning Rush more than palatable as Sophia B. creatively tears the monotony from the morning commute and replaces it with a soulfully sticky-sweet buzz. There is a plethora of pop hits that pay ode to the way infatuation hits late at night when you’re left with little but your thoughts, but only the NYC-hailing award-winning composer and lyricist found the opportunity to pay ode to the confusion that brings you to question whether your morning rush is stemming from the sugar in your coffee or the apple of your eye.

With the dreamy chords, the smooth installations of soul, and the aptly hyper touch to the vocals, regardless of your relationship status, Morning Rush will leave you blissfully on cloud nine.

Keep Morning Rush with you at all times by purchasing the track on Apple Music or stream the official music video via YouTube.

Review by Amelia Vandergast

Ell South hit the ground ‘Running’ with her sophomore 80s synth-carved pop single

For her latest single, Running, the endlessly accoladed singer-songwriter Ell South fused ethereal artfulness and synth-carved 80s nostalgia to invite her audience into an aural chamber of honesty, vulnerability, and clarity.

Anyone who has ever known how brutal a battle of wills can be when you are going up against your own mind will see themselves reflected in a crystal-clear mirror when they allow the all-consuming vocal harmonies to take control of their psyche.

The stabbing synth lines with 80s-esque massive percussion and driving basslines give the track the same sense of resilience that radiates from the lyricism, while the lashings of reverb in the poetically illuminating atmosphere will sell sanctuary to the soul – especially the ones weary with ennui.

A certain degree of the authenticity within Ell South’s sound stems from her Welsh and Slovenian roots. She saw music as a right of passage after coming of age in a musical family and clearly came into her own while leaning on an eclectic array of influences.

Since making her debut, her music has featured on BBC Radio Wales, and her debut single launch was performed to a capacity crowd. She’s perceptively on the rise, but something tells us that won’t stop her from reaching out to her fans to lift them when they’re down.

Running hit the airwaves on the 25th of July; you can hear it by heading over to Spotify.

Review by Amelia Vandergast

Gemma Felicity ignited 00s pop nostalgia with ‘Come Back to Me’

Gemma Felicity

Gemma Felicity ignited early 00s pop nostalgia with her latest single, Come Back to Me, which is set to drop on the 4th of August.The muted and choked-up guitars at the start of the single set the tone for a hair-raising feat of pop-punk. But the London-based singer-songwriter chose to run through with a moody slice of synth-pop with reverb-heavy keys and a danceable melody beneath her viscerally soulful vocal lines that will spark an evocative fire between your synapses as you lose yourself in the adrenalizingly progressive single that will leave you simultaneously wanting to hit the dance floor and wanting to drunk text your ex.

Following a mystery illness that left her physically and mentally drained, the songwriter studied for her Masters in Music Performance in Leeds before dropping her first singles, This Place and Better Without You, in 2022. Her upcoming EP was penned to explore her unhealthy romantic relationships and her journey back to herself and self-sourced peace. Keep tuned for it.

Check out Come Back to Me on Spotify and iTunes via this link.

Review by Amelia Vandergast

Jacki Jones – Just See Me: Plaintively Poignant Pop

The up-and-coming Liverpool-hailing singer-songwriter Jacki Jones has unveiled the plaintively poignant alternative version of one of her seminal indie alt-pop singles, Just See Me.

The minimalist instrumentation beneath her melancholically poetic verses makes the intimate introspective pleas for recognition all the more magnetically compelling as the single artfully unfolds to her raw candour.

With the gentle new wave indie guitar chords punctuating her vulnerable vocal lines, which work around the compelling reprise of “just see me”, your soul would need to be paralysed not to stir under the evocative force of Just See Me.

Stream the alternative version of Just See Me on Spotify.

Review by Amelia Vandergast

ARO’s fierce femme aesthetic picked up luscious vehemence in her moody synth-pop single, Let Me Go

ARO

The LA-hailing singer-songwriter ARO singlehandedly defined the future of pop with her debut evocative synth masterpiece, Let Me Go.

With far more soul than your average earworm and her sonic signature scribing distinction through every succinct progression, this emotionally heated hit is the ultimate moody moving-on anthem.

By painting with light and dark tones, the process of coming into your own away from what no longer serves you was euphonically visualised in Let Me Go. With just as much lyrical depth as Mitski and Louise Dacus paired with an electro-pop score that cushions the blows of the sharp lyricism with lush reverb, it is only a matter of time before ARO is considered LA pop royalty.

“So much of my art is about giving the darker parts of myself a platform. There are these aspects of myself that cannot be tamed, and so instead of beating my head against a wall trying to control them I’ve found that my art allows me to be in relationship with them. When I write I’m not butting in to tell them how they should be, I’m not trying to get them to behave, or do better, or have a positive outlook, I’m just letting that part of me speak freely. And I learn a lot about myself through this process.”

Check out Let Me Go on all major streaming platforms from July 28, or hit ARO’s official website for more info.

Review by Amelia Vandergast

Classic piano pop made a comeback via Dana Powell’s single, Have I Found You

Dana Powell is reflectively resounding in her debut 4-track EP, Mirrors, featuring the standout piano pop score, Have I Found You.

The Canadian, US-residing singer, songwriter, and pianist applied an elevated classic pop touch to her arrestive single, produced by the Grammy Award-winning engineer Philip Larsen, who has also worked alongside the pop legends Lady Gaga, Katy Perry and Kylie Minogue. Clearly, Powell fits right into that iconic triad of pop icons; her songwriting pulls you through the progressions by your heartstrings as the minor piano keys hammer against her evocatively glassy vocal lines and a vignette of romantic malady and euphoria plays out with arresting panoramic colour.

The tentative romanticism which lingers through the lyricism is the ultimate testament to her maturity as a songwriter. Can we agree as a society to stop championing the 18-year-old artists churning out pop tropes about loving someone forever when they’re just experiencing lust and uphold artists in the same superlative pop vein as Dana Powell?

Have I Found You was officially released on July 10th; stream it on Spotify.

Review by Amelia Vandergast

Socha rides ‘The Wave’ in her latest art-pop exhibition

The art-pop innovator Socha is unrelentingly committed to rearranging painful experiences into cathartically playful absurdity; her latest single, The Wave, this the ultimate exhibition of her creativity that revolutionises trauma into euphoria.

From a dreamy prelude which allows you to meander with the chiptune melodies which pay an ode to one of her most endearing influences, Adventure Time, the synth lines take a drastic tonal shift as the grooves emanate the sultry allure that made the Arctic Monkeys’ AM record so iconic.

It is a short and sharp descent down the rabbit hole with the Wave but an enjoyable trip all the same with Socha’s infectiously idiosyncratically bold vocal presence and reminiscences of FKA Twigs and Gorillaz registering in the electrifying mix, which tempts you into embracing your own madness – even if that madness falls outside of the acceptable levels. The Wave is a riot of individualism; other artists should take note and join her at the vanguard of true uninhibited experimentalism.

The Wave will officially release on the 1st of June; check it out on Spotify.

Review by Amelia Vandergast

Jimmy Theo’s latest single, On My Own, is three minutes of pure indietronic pop perfection

The Sydney-born, London-based singer-songwriter Jimmy Theo is fresh from the release of his collaborative debut album, Next Step, featuring the standout single, On My Own, which is 3 minutes of pure indie electro-pop perfection.

With Flowers for Hanna enriching the hit with her magnetic harmonic timbre, which is as just as beguiling as the indietronica attitude that laces Lorde, London Grammar, and Warpaint records with stylish soul, the classic pop songwriting styling is elevated to the nth degree.

As catchy as an ABBA hit yet alternatively scintillating through the synthesised theremin, On My Own is the ultimate pop anthem for anyone who wants to hear the affirmation that regardless of how romantic uncertainty wraps up, you will always be left with the only person you need; you.

On My Own is now available to stream on Spotify.

Review by Amelia Vandergast

Karan Karma has unveiled his scorcher of a sophomore disco-funk RnB pop hit, Dangerous

The Essex, UK singer-songwriter, Karan Karma, turned up the heat enough to trigger another heatwave with his disco & funk-infused RnB pop sophomore single, Dangerous.

His infectiously salacious soprano vocal lines will make him an instant hit with any fans of the King of Pop, The Weeknd, Bruno Mars and Charlie Puth; he comes into his innovative own through the disco grooves, which are as slick and stylish as the ones found in Red Rum Club’s chart-topping hits.

Reminiscences aside, Karan Karma established himself as one to watch through the precision in the balance between commercial appeal and creative autonomy. Using his own voice instead of assimilating another’s, he’s easily one of the most authentic artists in the UK pop circuit. For more slices of soul, slap him on your radar.

Dangerous is now available to stream on Spotify and YouTube via this link.

Review by Amelia Vandergast