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Pop Singer Songwriter

Nissu – Connection: A Strident Exhibition of the Resilience of the Human Spirit

Nissu

The latest single from the Brazil-born, Dublin-based pop sensation, Nissu, is an explosion of positivity; ‘Connection’ goes nuclear through the sonic combustion of passion and unflinching optimism. As soon as the beat kicks in, you’ll catch the fever of gratitude and be compelled to move.

The hit is a kaleidoscope of nu-disco cuts, modern pop panache, grooving basslines, and snappy snares that help to deliver a dynamic, driving beat and cradle the exuberance in the vocals that project an uplifting ode to love, compassion and human connection. Written during lockdown, Connection urges the listener to look for the strength in themselves and celebrate the beauty in connectivity.

We may be years beyond the dystopia of lockdown, but the lessons we learned from the grounding experience, which forced us to reflect on what truly matters and affirmed the importance of connection, still exist as a silver lining to the chapter of our lives that will always be bitter-sweet to look back on.

The official music video is just as much of a triumph, featuring cameos from Charity Case and Hey Baby of Ru Paul’s Drag Race UK and the trans/neurodivergent advocate Cleo C. As a precursor to Nissu’s debut EP, Memories, Connection, created plenty of anticipation over what Nissu has lingering in the pop pipeline.

Connection will be available to stream on all major platforms from June 21st; the official music video will premiere on the same day on Nissu’s YouTube channel.

Review by Amelia Vandergast

USUALLY MODEST became the biggest free-from-vanity rockstar in pop with ‘Toothpick’

USUALLY MODEST came in red-hot with his latest rock-licked hypersonic pop hit, Toothpick, which blurs genre boundaries through an explosion of high-energy hooks and a sense of unfettered exuberance that becomes infectious from the first progression.

Unravelling like an accelerated sonic lovechild of the Weeknd and the 1975, Toothpick speeds past contemporary trends, arriving safely in the confines of the future of pop, inviting listeners in by laying out a doormat woven by innovation

Just as his moniker would lead you to believe the up-and-coming Switzerland-born-and-raised artist with Ukrainian roots, his free-from-vanity sensibility shines through in Toothpick. The sticky-sweet emotional underpinnings are the cherry on the hyper-augmented sonic cake, which will undoubtedly allow the self-taught singer, songwriter and producer to rack up even more streams.

Since his humble beginnings on SoundCloud in 2017, USUALLY MODEST is well on his way to becoming a viral sensation. In the last three years, he’s racked up over 350,000 streams on Spotify along with 50,000 total views on YouTube. His standout single, Soul Searching, has also been in regular rotation on one of the biggest Swiss urban radio stations, yet, we’re sure that there are far bigger accolades waiting to fall on the revolutionary.

Stream the official music video for Toothpick when it premieres on June 7th via YouTube.

Review by Amelia Vandergast

Teff exhibited the exhilaration of being inside of love in her Latin Pop triumph, Suerte

Teff

Teff, the Latin Grammy-nominated sensation, has returned with a rhythmic explosion in her latest single, Suerte, which attests to the bliss of finding love in an ocean of 8 billion souls. Suerte, meaning ‘luck’, is a celebration of serendipitous romance that has the capacity to transform every moment into a fervent exhilaration.

The song’s production, co-helmed by the illustrious Bernardo Arzola, is a masterclass in blending quality and innovation. Martha Paredes’ percussion, Camilo Rodriguez’s guitar work, and Danny Thomas Gonzales’ bass provide a rich, soulful backdrop that captures the essence of Teff’s upbeat Latin pop style. The synergy between these artists creates a dynamic and infectious sound that radiates positivity and gratitude.

Teff, born in Caracas and raised in the United States, pours her heart into every beat and lyric of Suerte. Her voice, filled with a fiery passion, navigates the listener through the highs and lows of love, ultimately landing on the sweet realisation that true connection makes every bad moment fade into insignificance. The track’s upbeat tempo and quirky lyrics encapsulate this duality of luck, delivering an authentically heartfelt experience.

Every progression in Suerte is laid down with flourishing finesse, while the effervescence of the crystalline production attests to the transformative power of love. It’s a timeless piece that teaches the ultimate lesson in gratitude and showcases Teff at her most candid and uninhibited. For fans of Latin music, Suerte is an essential listen, capturing the vibrant, soul-rich colour that defines Teff’s unique musical journey.

Suerte will reach all major streaming platforms on June 7th.

Discover Teff on her official website, Facebook, and Instagram.

Review by Amelia Vandergast

Candy Rush debuted with her quirky pop revelation, Don’t Even Wanna Know

Don’t Even Wanna Know is the satirically sweet quirky pop debut from the Romanian London-based artist, songwriter and producer, Candy Rush (Elena Ilie). Play it loud and amplify the voice of this generation that is becoming increasingly tired of plastic pop protagonists who shirk autonomy while rattling a begging bowl for commercial success.

The debut is stylistically saccharine enough to implant a voracious sweet tooth in anyone who swims in its honeyed tides of the single which allows idiosyncrasy and autonomy to ebb and flow throughout the avant-garde mix of alt-pop, neo-jazz, funk and soul.

“It feels like an infection to deal with your perfection” is just one of the introspectively enlightening lyrics which embody the lyricist’s ability to move far past the tired tropes and deliver lines that catch you off-guard with the resonant obscurity. Her playful approach to vocal arrangement and unorthodox grooves resulted in a ground-breaking debut which embodied her desire to exhibit the quirks and contradictions of modern life.

With the accessibility of the proverbial girl next door and a talent that could rival HONEYMOAN, Candy Rush will prove to be a force to be reckoned with as she rises up from the alt-pop underground.

Don’t Even Wanna Know was officially released on May 24; stream the single on Spotify.

Review by Amelia Vandergast

Gavin Cole pierced the pop veil with the razor-sharp hooks in his dynamic hit, FRNDS

The hooks in Gavin Cole’s latest single, FRNDS, don’t just impale, they implant an addiction to his vibrantly visceral approach to contemporary pop.

The sharp bursts of rock renegade intensity within the rhythmically dynamic single which synthesises nuances of funk in the guitar lines, galvanises through dance-pop energy in the beats, and keeps the anticipation for the choruses high with the synth-carved layers of indie jangle pop ensures FRNDS will hit the airwaves with maximum impact.

As an artist who always leans into the messy and often hedonistic nature of relationships, Gavin Cole isn’t your average purveyor of unrealistic romantic expectation-imparting pop, he’s as real as it gets, exemplified by FRNDS, which explores how temptation and lust can tear friendships apart.

With an immense vocal presence that allows Gavin Cole to become a supernova in the spotlight and the studio, he isn’t an artist to underestimate. Since his debut, he’s created a community around his music, evidenced by the success of his crowdfunding campaigns.

FRNDS will be available to stream on all major platforms, including Spotify, from May 31st.

Review by Amelia Vandergast

Kennedy Bane confronted heart-wrenching grief with grace in her debut, Pushing Up Daisies

Kennedy Bane, a 15-year-old pop singer-songwriter from Nashville, TN, rendered hearts raw with her debut single, “Pushing Up Daisies.” The debut instantaneously proved her mettle as a heart-wrenching lyricist as it showcased her evocatively immense vocal finesse. The single belies her 15 trips around the sun, as she tackles the tender subject of grief with a maturity that artists with decades in the industry would struggle to match.

The indomitable sincerity within her standing ovation-worthy performance, paired with the achingly ornate indie-pop instrumentals, won’t leave a dry eye in the proverbial house. The solemn gravity within “Pushing Up Daisies” is superlatively affecting. Kennedy’s ability to convey profound emotion through her music is nothing short of extraordinary.

As “Pushing Up Daisies” unfolds, it’s clear that whatever subject Kennedy turns her talent to next will make for an equally impactful journey. Her collaboration with Platinum Grammy Producer Bryan Todd for her first EP of six original songs is naturally highly anticipated after the release of what will become revered as one of the strongest debuts of the year.

Pushing Up Daisies was officially released on May 10th; stream the single on Spotify now.

Review by Amelia Vandergast

Ava Valianti has unveiled her icily intimate indie-pop vignette of heartache, January

Ava Valianti

Even if you’ve put your own January blues behind you for another year, the melancholic chill in Ava Valianti’s third single, January, is worth pulling on a jumper for. The Massachusetts indie-pop singer-songwriter reached her zenith with the intimately composed, expansively produced hit, which dials up the intensity of the artful beguile to seduce you into the relatable pensive introspection.

As the ultimate antithesis of a plastic pop protagonist, Ava Valianti ensured the aura which envelops the release visualises the alienating sensation of loving someone from afar and being left in the cold while tethered to the past and hypothetical outcomes as they fall into the arms of another. If Angel Olsen was produced by Thom Yorke, their collaboration would struggle to hit with the same impact as January, which implants pop hooks in a confession which feels far too personal to be a diary entry.

With her debut EP in the pipeline and ready to drop this summer, and every release being a quintessential triumph so far, the future looks bright enough to outshine her luminous talent.

January will be available to stream on all major platforms, including Spotify, from May 24

Review by Amelia Vandergast

Excavate yourself away from anxiety with Jennifer Jess’ alt-pop tour de force, Evergreen

After hitting the 1 million Spotify streams mark with her debut single, Blue, in 2019 and building a loyal 18,000+-strong fanbase, Jennifer Jess has always been dangerous to underestimate. Yet, there was no anticipating what the Atlanta singer, songwriter and producer would bring with her latest single, Evergreen, which digs deep into how fear is the ultimate inhibitor, especially when it plasters a façade on our authenticity and locks us into the stagnation of paralysis.

The lyrical centrepiece, “I’ve been afraid before but more afraid of fear itself”, is all the more resounding when projected through the visceral soul of Jennifer Jess’ striking delivery which cuts as sharp as the orchestral strings which quiver over the dark and moody electronica aesthetic which sonically visualises the metaphorical storm Jess is breaking free from.

Strident, striking and artfully intense, Evergreen is far more than an aurally powerful alt-pop release; it forces you to accept that no one can help you break away from fear or keep your dog in the fight for you. The hurricane force of the production is formidable enough to convince you to create a defining point in your reality by excavating yourself away from anxiety, and that is exactly why Jess has a legion of fans behind her.

Evergreen will be available to stream on all platforms, including SoundCloud, from May 17th.

Discover more ways to connect with Jennifer Jess through her official website.

Review by Amelia Vandergast

Experience the intimate opulence of Jonathan Thomas Maiocco’s cinematic pop ‘Heaven’

Jonathan Thomas Maiocco’s latest single, Heaven, is a cinematic pop production far too arcane to dissect; each element converges and creates a divine intervention of vulnerability, exhibited with aching sincerity, thematic intensity, and profound artistry.

The distinction within his harmonic inflections, his ability to come across as the virtuoso next door and the progressive ingenuity of Heaven ensures the single reaches the epitome of striking an emotional chord.

Using the afterlife as a parable for the degree of separation following the dissolution of a relationship that leaves you feeling beneath your former significant other is a striking ode to the artist’s ability to tune into meta phenomena to bring profound meaning to the most tormenting aspects of our mortal coil.

Heaven is the ultimate paradox for the way Jonathan Thomas Maiocco fuses chamber pop opulence and drama with the intimacy of introspection with neither aspect diminished by the gravity of the other. The Atlanta-born singer, songwriter and producer’s strong foundation in music composition evidently culminated in this expansive tour de force.

He’s come a long way from his Christian music beginnings to producing for the Grammy-Award-winning artist for KING & COUNTRY to releasing his debut in 2019. After moving to LA in 2020, Jonathan Thomas Maiocco has written for hit Netflix and ABC shows, including Russian Doll and Carol and the End of the World. Yet, if you tune into his new album, Religious Trauma Syndrome, you’ll find that’s his biggest achievement so far. It’s stunning enough to simultaneously tear your soul apart and lead you to nirvana.

Heaven was officially released on the 29th of April; stream the single on Spotify.

Review by Amelia Vandergast