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Pop Singer Songwriter

Unveiling Layers of Reflection: An Interview with Gemma Felicity on ‘AM I TOXIC’ and the ‘Baggage’ EP

In our conversation with Gemma Felicity, we sink into the introspective depths of her recent single ‘AM I TOXIC’ and the overarching themes within her emotionally charged EP ‘Baggage’. Gemma opens up about the process of creating music that not only reflects personal accountability but also challenges the listener to confront their own roles in relationships. With her raw and reflective approach, she reveals how personal experiences have fuelled her songwriting, transforming pain into powerful lyrical narratives. 

Welcome to A&R Factory, Gemma! Thanks for sitting down with us to discuss your latest single, ‘AM I TOXIC’, and the incredible work you’ve been doing with your EP ‘Baggage’. AM I TOXIC is such a powerfully candid tour de force which brings to light how accountability is such a scarcity in relationships and much of life. How did it feel to bring such an intense track to fruition?

Yes, it is so true that accountability can be so rare nowadays, in relationships and in life generally. Many people prefer to put the blame on others so that they do not have to look at themselves and take responsibility for their own behaviours and actions. I think I am quite an intense person and I think deeply about things, so I didn’t even realise it was an intense track. But thank you! And I feel proud to have brought this track into the world, as it has come from such a personal place.

You’ve mentioned that much of your songwriting is self-reflective, and this track certainly showcases that. What was it like to collaborate with Alex Rossiter and Louis Takooree for this single, and how did they help bring your vision to life?

Both Alex and Louis are always amazing to work with. They are both the complete opposite to the type of men that I wrote the song about. I came up with the idea of the song back in January 2022, just after I had been ghosted by a guy who had treated me like a piece of crap for months. I was really upset about this, and thinking to myself, wondering why it was that I always got treated this way. I started to really ask myself why I thought this might be. Did I not think that I was worthy of more than this? I started to put it into a song. I didn’t finish the song, but I just left what I had written on my phone in a voice note for months and months.

I was then lucky enough to meet Alex, my guitarist, in June 2022 of that year. He asked me in around September 2022, if I would like to work on some of my original songs with him. So, we spent a couple of days writing together in a park, taking the clips I had recorded on my phone and turning them into full songs. I was so happy that he was helping me to finally bring my song ideas to life, as it was what I had wanted to do for so long.

When it came to AM I TOXIC, I remember him saying “This is such a banger”, and we made a full demo of it together at his place. He told me he knew the perfect person to work on it in the studio with me. He then introduced me to Louis, and Louis made the songs really pop in the studio. He was just the perfect person to bring it all to life. I am so happy with how AM I TOXIC turned out in particular. It was such a beautiful process of turning the song into what it is today, and I have the boys to thank for that.

How did you approach translating such an introspective song into a visual format for the official music video? 

I worked on the music video with an amazing team called Grizzly Productions. We first brainstormed ideas together – I knew I wanted it to be quite different to any of my previous music videos. I wanted this one to be more performance-based and visually very exciting, rather than storyline-based (which is what my previous music videos were like). I think the music video does a great job of making an extremely introspective song also very exciting and fun.

What led you to centre your EP around the theme of emotional weight being carried into relationships, and how did your personal experiences shape the stories told in each track?

I guess it was just something I was going through and struggling with at the time. I think relationships are great teachers for us, and they can reflect back to us things we need to learn about ourselves. Through every relationship I had, I would realise and learn more about myself, and I would always observe what the experience I had attracted, was teaching me about myself and how I felt within myself, and I found this very interesting. I started seeing a therapist and we worked through some of these issues, and that is when I started writing lots of music about it. I guess all the self-reflection gave me a lot of songwriting content.

You recently headlined at The Troubadour for the second time. How does performing your songs live compare to the process of writing and recording them, especially with such emotionally charged material?

I won’t lie, I find singing my songs live very challenging because they are so vulnerable and personal. As someone who is fairly introverted, I would say, I find it pretty uncomfortable to be so open about myself in front of a huge room of people like that. The songs can often make me feel quite emotional too when I am singing them. But I have learnt how to try to connect to the emotions of the song, whilst still slightly separating myself from the emotional charge that the song has on me naturally.

When I was writing and recording these songs, I let myself be as emotional as I wished to be. But performing is a bit of a different process, as you don’t want to start crying in front of the audience really, so you have to learn how to feel the emotion of the song without getting overly emotional. I find this challenging because I am a very emotional person.

You have started paving the path to international stardom this year with performances in the US and India, what did you take away from these experiences?

Thank you so much for saying that. The performances I did this year in the US and India were so amazing for my confidence in terms of performing and getting out of my comfort zone. The songs we sang in the performances were much more upbeat and party vibes compared to the original songs that I usually sing. It was a completely new vibe for me, and an amazing experience. We also had to dance and truly perform them confidently to the audience, which really put me out of my comfort zone but definitely has helped me to grow. I think you can’t really grow without a certain level of discomfort.

Your lyrics often explore vulnerability and complex emotions. How important is it for you to write from a place of raw honesty, and do you ever feel exposed putting such personal themes into your music?

Yes, I find it extremely difficult and very exposing writing about such personal themes. It is challenging, to say the least, and often feels way too vulnerable. But I always remind myself that there is beauty in vulnerability and expressing the things you don’t find easy to express. As a songwriter, your words will resonate with other people, and you have the ability to really comfort people and make them realise that they aren’t alone in all of life’s complexities. I think there is beauty in music that is so raw and real. I don’t really like superficial surface level music unfortunately – I always tend to go in at the deep end. Sometimes I really wish I could write about superficial stuff, as I wonder if I might be happier if I were to be more of a happy-go-lucky person. I’m a deep thinker though through and through.

Stream AM I TOXIC on Spotify now, and follow Gemma on Instagram.

Interview by Amelia Vandergast

“Melancholy in Music: An Interview with Caitlin Lavagna on Her Latest Single ‘October’ and Beyond”

In our latest conversation, Caitlin Lavagna opens up about her musical endeavours and the emotional depths of her new single, ‘October’. Following the upbeat vibes of ‘Pretty Alright’, ‘October’ is an artfully sombre ballad, rooted in a deeply personal experience of sudden disconnection and the introspective aftermath. This interview explores Lavagna’s songwriting process, which she describes as inherently chaotic and spontaneous, her experiences navigating the challenges of being an independent artist, and her aspirations for the future in both music and acting. With each response, Lavagna shares insights into the therapeutic role music plays in her life and the honest, raw narrative she aims to convey through her songs.

Caitlin Lavagna, you made an enduring impression on us with your single, Pretty Alright, earlier this year. Your upcoming single, October, is a far melancholic cry from Pretty Alright; what inspired the single? 

‘October’ was inspired by an experience I went through this time last year when my career was bursting with excitement and opportunities were flowing. I was performing in a beautiful show I adored, making new friends, traveling to new places and I had someone special, who I felt really saw me, to share it all with. Then I was left completely and utterly ghosted, left behind and vulnerable.

I lost my sense of self, was in shock and couldn’t make sense of what was happening. By beginning to write my feelings down, I began tending to a year of heartbreak and that’s how the song started to form.

It feels like an incredibly vulnerable release; how did it feel to write and perform?

I think the more I let myself go, the deeper I dig emotionally and the more honest and raw I make my songs, the more I fear releasing them. With ‘October’ I really felt scared. It’s personal and touched on exactly what being ghosted felt like for me. I think it’s especially hard because I know people must feel the same things as me, but singing it can almost be more therapeutic for them to listen to than for me to keep re-visiting.

When you’re pausing time, putting lyrics and a melody to heartbreak and then having to consistently perform that heartbreak in front of live audiences, it’s genuinely difficult. As I have said before though, music is my therapy and writing about how I feel helps me process things, whether that’s at the time or on reflection.

What do you hope your listeners take away from the release? 

This is the first song I have given myself proper time and space to write. It follows a year of being ignored by someone who I believed loved me. I suppose releasing it now makes it a cathartic song, attempting to take back my favourite month, a time for me. I want to take the listener on a personal, raw and honest journey of grief and unexplained loss. Quite simply, a brutal end to a beautiful connection.

With your strong passion for lyrics and rhythm which is evident in your music, can you describe your songwriting process?

IT’S CHAOS HAHA!! I don’t think I have written a song in the same way, ever. I usually start humming a melody when driving long distances or in the shower. I voice record it when I get a chance and then eventually from free-writing or picking highlighted words or themes from lists or phrases I have documented, I will match them up and begin shaping the melodic idea into a rough structure with lyrics.

I pride myself on being able to collaborate with musician friends on songs I believe they can help shape or will understand and add to creatively and so much of my training through music has been through working with other people, it feels natural to do it that way. I also try not to put pressure on myself in terms of trying to keep a day free to write a song. I write when it comes and wherever it comes. Sometimes it’s sitting at a piano, sometimes I can be shopping or in the middle of a gym session. I will just pause and note down ideas as they come.

What are the main challenges you’ve faced releasing music as an independent artist? 

I think it’s an obvious answer but financially it is almost impossible to be your own PR, Manager, Social Media maker, reel editor, visual planner, music video director, writer, producer, singer, live artist etc. You give SO MUCH for SO LITTLE in return. I have found that to release a single, you HAVE to believe in it. You can’t really afford to release anything you don’t think will sell, which is a shame because not all songs should be made to be Tiktok, Radio and Gen Z friendly. I really didn’t want to cut ‘October’ down for a Radio Edit but I had to give it a fighting chance of stream figures and radio play. For me, the real song is the 5:50 version but at my level, I have to tick boxes to remain relevant and accepted on bigger levels that can propel my career.

As you continue to make a name for yourself both in acting and music, what are your main aspirations for the future? 

I just want to keep writing, releasing and aiming for bigger music venues to perform live with a bigger band. I would love to keep smashing the BBC Radio Wales Welsh A-List and hopefully manage to secure some funding to release my first ever EP. I want to collaborate more with other writers and singers and also keep travelling to new places to experience as much as I can when I don’t have huge commitments personally.

Beyond the release of October, what else does the future have in store for Caitlin Lavagna?

I have already started working on my first EP and want to challenge myself to release a body of work rather than focus all my efforts on singles moving forward. I can say that although there isn’t a release date in mind, I will be busy forming the title, visuals and most importantly tunes to release. I will probably arrange a big launch tour in four beautiful music venues in the Valleys, Cardiff, London and Gibraltar. All places that have formed me as a musician and person.

I also have been recast in ‘Housemates – UK Tour’ which starts rehearsing in January and tours through to April. Busy, but blessed to be thriving both musically and in the actor musicianship world. I’m very excited to get back on the drum kit working with the Sherman Theatre and Hijinx Theatre Company.

Stream October on all major platforms, including Spotify now.

Follow Caitlin Lavagna on Instagram and TikTok to stay up to date with all of her latest releases and news.

Interview by Amelia Vandergast

Sonia Stein became pop’s most scintillating conduit of soul with her single, Blooming Season

When she’s not flitting between Warsaw and London, the icon of soulful pop hooks, Sonia Stein, is honing her sonic signature, which scribes through nuances of RnB, electronica and pop while writing a legacy that the music industry would struggle to lose to history.

Her latest single and the title single for her upcoming LP, Blooming Season, sees her vocally find the middle ground between Swift and Lady Gaga as synth lines strobe beneath her arcane vocal timbre and the syncopated beats kick adrenaline into the mix which is wrapped in an aura of pure scintillation. Equally as affecting as the production by Duit, are the lyrical underpinnings, which explore the bliss of finally letting down your walls and letting love in without the fear of losing everything you’ve emotionally invested in.

My only complaint is that Sonia Stein isn’t sitting at the top of the Billboard charts after unleashing this earworm which even the most rhythmically steadfast will feel themselves melting into.

Sonia Stein’s single, Blooming Season, was officially released on October 8th; stream the single on Spotify.

Follow the artist on Facebook and Instagram to keep up to date with news of the upcoming Blooming Season Part 1 LP.

Review by Amelia Vandergast

Tom Waits Meets Ricky Martin in THE Astrolabe’s pop mood elevator,  Lovers

THE Astrolabe became the superlative king of cosmic pop sex appeal with his latest single, Lovers. If you thought Ricky Martin’s Livin la vida loca was sonically seductive, brace yourself for the affectingly aphrodisiacal energy of Lovers, which alchemises Latino rhythms with Bowie-esque space dust and jazzy grooves, creating a genre-fluid tour de force that sweeps through the soul with maximum volition.

Following a prelude that nods to Kraftwerk, the Athens-hailing innovator’s vocals croon into the mix, allowing you to imagine how Waits’ discography would have unfolded if he was just as adept at wrapping his gruff timbres around pop hooks. In the choruses, the peerless singer-songwriter proves he’s equally comfortable in a more harmonic register as his vocal notes soar with the brass section.

We are officially obsessed with THE Astrolabe and his endlessly uplifting cultivated sound that goes beyond setting a tone; his ability to command your entire mood is second to none. For your own sake, get him on your radar.

Lovers started serenading the airwaves on October 3rd; get hot under the collar with it by heading over to Spotify.

Review by Amelia Vandergast

Red Lips and Chanel Armour: Ches Barrow’s “Parisian Chic” Unveils the Femme Fatale Mystique

Ches Barrow

More Parisian than wearing a red lip and Chanel No. 5, Ches Barrow’s latest single, Parisian Chic, reaches the pinnacle of suave sophistication. With lively piano melodies bubbling beneath Barrow’s demure harmonies, the cabaret pop hit encapsulates a femme fatale’s power and mystique with a striking style befitting the track title.

This single, which sees Barrow return with the Schimmel piano she has composed on since she was 8, exhibits her as an artist who is as style-conscious in fashion as she is in music. Known for her success in the fashion world, collaborating with the likes of Dior and Manolo Blahnik, Barrow fuses her aesthetic with her sonic identity; the results are nothing short of alchemic.

The melody, which remains poised before descending into chaotic beauty in the second verse, mirrors the emotional depth of her lyrics – where glamour masks a world of internal turmoil. Much like her previous hit, Wild, this single is a reflection of Barrow’s talent for capturing complex emotions and translating them into art that scratches far beyond the surface.

With her love of dark, introspective themes clashing against a backdrop of superficial perfection, Parisian Chic sees Barrow at her most raw and empowered. If any single can elevate her status in the alt-pop world, it’s this.

Parisian Chic was officially released on October 9th; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Kimi Nickerson – Boundaries: The Ultimate Dark-Pop Anthem for Self-Reclamation

Kimi Nickerson

For anyone who has felt the desperation to shed the facades worn to appease others and unapologetically don their own unfeigned guise, Kimi Nickerson’s latest alt-pop tour de force is the ultimate anthem for self-reclamation.

Boundaries is an artfully moody electronic pop ballad that quickly breaks away from convention with its dark reverberant synth-driven melodies and bass-punched syncopated beats. As Nickerson layers her vocals to create a one-woman choir, the track takes on an arcane atmosphere that is guaranteed to spill from the soundwaves into your soul.

The production paints a scene of gritty defiance with its cinematic instrumentation and delicate high-end frequencies that purposefully carry the vocal narration. It is a haunting exploration of reclaiming personal power, and if you’ve ever shrunk into yourself to please someone else, Boundaries will scratch far beyond the surface.

Drawing inspiration from NF, Jon Bellion, and BANKS, Kimi fused electronic synths with modern trap and drill drums to create a genre-defying synthesis to platform her raw, thought-provoking lyrics and memorable alternative melodies.

The track is a paradoxical cocktail of soulful spirituality and dark, domineering aesthetics. It’s a juxtaposition that not only underscores the thematic power of the track but also elevates it as a defining moment in Nickerson’s discography.

Boundaries will be available to stream on all major platforms, including Spotify, from September 26th.

Review by Amelia Vandergast

JANAYAH balanced power and vulnerability in her neo-classic pop ballad, Back to You

After JANAYAH stormed our radar with her single, ‘Can’t Get Enough,’ we knew she had her forte in high-octane pop earworms. With her latest release, ‘Back to You,’ she defied all expectations while straying from the trend of breathy, emotionally void pop ballads. This stripped-back outpour of candour sees JANAYAH laying her soul bare over near-frantic, intricately sharp neo-classical piano keys that skilfully underscore her powerhouse vocals.

The achingly sublime track explores the turmoil of trying to emotionally disconnect from a relationship once it has ended, while the mind, in its relentless tenacity, continues to chart paths back ‘home’, even when the door is firmly closed.

With roots in Auckland, New Zealand, and a growing career in London, JANAYAH has shown her versatility across multiple genres, from pop and rock to dance and DnB. Her latest single is a stark departure from her previous work, such as the EDM-infused ‘Remedy’ and the dancefloor-driven ‘Nothing To Lose’. ‘Back to You’ serves as a testament to her vocal power and ability to channel raw emotion into her music.

Currently working on her debut EP, JANAYAH is undoubtedly on a trajectory to becoming a household name. Her powerful live performances and ability to connect with audiences have already earned her significant acclaim, including features on the iconic Piccadilly Lights and a recent set at Trafalgar Square. If ‘Back to You’ is anything to go by, we can expect her forthcoming releases to be just as phenomenal.

Back to You was officially released on August 30th; stream the single on Spotify.

Review by Amelia Vandergast

Syd Taylor became the new iconic alt-pop siren with her debut single, Love of Your Life

After breaking away from the twin duo, Stereo Jane, the indie alt-pop siren, Syd Taylor, came into her own with her paradox of a self-produced debut single, Love of Your Life, which haunts with its vintage tones as much as it uplifts and empowers through euphoric pop hooks.

The symbiosis between the brashy, saturated-in-delay lo-fi intimacy and the sleeker aesthetics in the single enabled Taylor to cut away from the monotonous fray of polished with superficiality pop and establish herself as a singer-songwriter and producer in the same league as Angel Olsen and Adrianne Lenker. If you’ve ever known the red flag fear of being the subject of obsessive attraction, Love of Your Life is the ultimate reparation.

As a signifier of how much of a phenomenon Syd Taylor is destined to become, the launch party for Love of Your Life happened between the unhallowed walls of the Viper Room on September 20th. With her debut LP in the pipeline, she’s the definition of one to watch as she works her way into the alt-pop pantheon.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Celine Georgi serenaded her sycophants in her pop hit, Fan of Mine

RnB Pop revolutionist, Celine Georgi, hit the ground running with her seminal EP, Serendipity I. A standout single on the EP, Fan of Mine, is a rhythmically cultivated earworm which exhibits the euphonically evocative power in her ethereal vocal lines and is sure to leave swathes more sycophants kneeling at her altar.

The track kicks off with a wavy, delay-saturated prelude that gently sweeps you into its sonic sphere, followed by Georgi’s cinematic harmonies which seamlessly meld with a solid, rhythmically gripping beat. As you follow the melodies through the narratively rich synth pop tour de force, the beat punctuates pulsative gravity into the track which mirrors the quality of Hollywood Blockbuster. The balance of snare hits and bass drum punches drives the track forward, carrying all the momentum you could hope for in a dance pop hit.

As the music washes over you, there’s a palpable sense of euphoria paired with an urge to hit replay. For anyone chasing the sound of summer, look no further; Fan of Mine will resonate far beyond the season.

Fan of Mine is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Preston Scott Straus became a member of queer pop royalty with ‘For Love’

Infinitely more affirming, affecting and empowering than anything RuPaul has produced in their 15 studio album span, the latest single, For Love, from Preston Scott Straus will hit you in places you never knew music could touch.

To bridge the gap between the ballad and the dance-pop anthem, the Cleveland Ohio-originating singer-songwriter delivered an evocatively-charged synthesis of sincerity and vulnerability into a kinetically euphoric production which doesn’t just carry his lyrics, they amplify the verses which become mantras, ensuring they will stick with you for long after the outdo

After his humble upbringing where escaping into fantasy was the only way to feel free, Straus found music at the age of 12 when he played in the Cleveland Youth Wind Symphony and cut his vocal teeth by singing in the Cleveland Orchestra Youth Chorus.

At 18, Straus honed his songwriting and production talents which eventually helped him to overcome a challenging and homophobic childhood as he pursued love, freedom and creativity away from the church community.

Today, the artist is still endlessly devoted to making the world better for people who are just trying to be themselves, which shines through luminously in For Love which may be a feel-good track, but you’ll have to choke back the tears while embracing the soul of the single.

For Love dropped on the 30th of August; stream the single on Spotify.

Review by Amelia Vandergast