Browsing Tag

Pop Singer Songwriter

SAL delivered a ‘Bullet in the Heart’ in her latest retro pop earworm

It was only a few days ago that Amanda Palmer’s tweet “all I can handle right now is Enya” deservedly went viral; the up-and-coming artist, SAL may just be an exception to that rule with her latest 80s-inspired pop earworm, Bullet in the Heart.

The smooth release is as heavy on the nostalgia as it is on the soul as it moves through the retro synth chord progressions and endlessly cathartic melodies which fuse with SAL’s sweeter than honey vocal timbre that brings a vibrant and vital sense of warmth to Bullet in the Heart. The indie RnB pop nuances also bring yet another intimately hypnotic element to the single that deserves to be on every radio station’s A-list.

Bullet in the Heart officially launched on April 8th. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Kassia B proves that patience is a painful virtue in her progressive dance-pop track, Waited Too Long

‘Waited Too Long’ is the latest progressive dance-pop track from Kassia B, who has been captivating audiences with her evocatively dynamic vocals and prodigal talent from an almost absurdly young age. She was 15 years old when she penned her debut single during the 2021 lockdown. If any artist can prove that artistic maturity doesn’t necessarily equate with how many years you’ve existed on the planet, it is Kassia.

With a few singles behind her, she truly came into her stride with Waited Too Long which gives the teenage perspective of the pandemic through the lyrics and liberates the listener from any sense of lingering morosity with the galvanizingly euphoric build-ups and dizzying crescendos. We can’t wait to hear what follows.

Waited Too Long is now available to stream on Spotify.

Review by Amelia Vandergast

Resonate with the fear in RAIANE.’s woundingly honest indie power-pop single, scared

Rio-born, Brooklyn-based singer-songwriter RAIANE., has recently released her instantly affable indie power-pop track, scared, which unravels as an energised yet intimate exploration of the boundaries between physical and emotional vulnerability.

The searing hot guitar solos blazing around her bubble gum poppy, anthemic vocals make for an electrically alchemic combination. It is only when the short and enrapturing bitter-sweet track fades to a close, you realise just how invested you got in the bop-worthy feat of faultlessly raw pop. By all accounts, it is an exceptionally promising debut.

You can check out scared, along with the rest of the debut LP, shapeshifter, from RAIANE. for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Yajaira Eve has delivered her convectively sweet alt indie-pop track, Lover Like Me

Arizona-based indie-singer-songwriter Yajaira Eve, laid the soul and style on thick in her latest RnB pop single, Lover Like Me, which manages to keep the vibe of the track sweet while wrestling with convictive lyrics that go straight for the jugular on the types that always think they can do better while being hilariously blind to their flaws.

The individuality in the slightly off-kilter indie dance-pop production and the playful polyphonic tones pull together around the stellar songwriting that proves just how the 21-year-old singer-songwriter managed to become a platinum record artist so close to the inception of her career. We can’t wait to hear what follows or see how far she gets with her incandescently authentic talent.

Lover Like Me is now available to stream via YouTube.

Review by Amelia Vandergast

Max Rae proves she’s the total pop package with the massive production in her latest single, March

Max Rae

The LA and Las Vegas quickly-ascending pop sensation, Max Rae, is set to send even more riptides through the industry with her latest stormer of an EDM pop anthem, March, which shares infectiously emboldened perspectives on individuality.

Based on March, and the scorching hot singles before it, Max Rae is the epitome of the triple pop threat. Her vocals that find strength through authentic expression, her hooky lyrics that prove her credibility as a stellar songwriter and the massive production are just three of the facets of her talent that secured her place in the future’s pop charts. That is before you consider Max Rae’s dance skills that she has been honing in on since the age of 3.

You can check out Max Rae via her official website, Spotify and Instagram.

Review by Amelia Vandergast

Brenna Carroll gives us the best of her emboldening soul in her live single Like I Do

Brenna Carroll oozed NYC soul in her single, Like I Do, which features on her EP, loungey pensive soul-pop EP, Living Room. Straight away, the melancholic poise of the mellifluous single grips you as Carroll harmonically grooves through the lyrics that use stark and jarring imagery to get to the root of spurned affection aftershock.

It’s always a bitter-sweet acknowledgement – that someone will never see your real value and then search for more in someone else – but Carroll added plenty of saccharine soul while keeping the level of emboldening conviction level for the duration.

You can check out the live recording of Like I Do from Brooklyn, NYC by heading over to Spotify.

Review by Amelia Vandergast

Berlin’s Raluca brought depth to dance-pop in her latest single, Could I

In the Berlin-based singer-songwriter Raluca’s latest single, Could I, nothing is black and white; melancholy melds with euphoria in the zeal of the orchestrally scored EDM pop progressions.

As the lyricism tackles the vulnerability that comes hand in hand with affection, the 80s and 90s-inspired beats veer through the unpredictable Avant-Garde hooks. It isn’t your average earworm, but with the depth of the lyricism paralleling the intensity of the experimentalism, Could I isn’t a dance hit that is easily forgotten.

Vocally, Raluca made no attempt to hide behind pop archetypes. Instead, she confidently ran with her own distinctively electrifying vocal lines that make Could I. Even at this early stage in her career, Raluca is proving to be one to watch.

Could I is now available to stream on Spotify.

Review by Amelia Vandergast

The prodigal son of impassioned EDM pop HeartMouth has returned with his brand-new single, Get Right for You

Brace your heartstrings for the stridently impassioned soul in HeartMouth’s latest stormer of an EDM Pop track, Get Right for You. There’s nothing more romantic than someone pulling their psyche into a brighter place for the person that inspired the change, which makes this pop track a rip-roaring roller coaster of all the feels.

From folk-pop style harmonies to entrancing beats, Get Right for You seamlessly transgresses through the atmospheric build-ups and high octane full-frontal harmonic pop proclamations of passion. Get Right for You isn’t just radio-ready; it’s Grammy-worthy. 90s pop boybands eat your heart out.

Get Right for You will officially debut on March 18th. You can check it out for yourselves by heading over to SoundCloud or HeartMouth’s official website.

Review by Amelia Vandergast

Future bass goes pop in Andrea’s latest single, All I Want

https://www.youtube.com/watch?v=mlC34Gd1QIk

The London-based singer-songwriter and producer, Andrea, has staked her biggest claim in the UK pop industry to date with the release of her funk-dipped bass-swathed hit, All I Want, which was co-produced by the Grammy-award-winning Andre Lindal.

Even without the club remix, All I Want is a guaranteed floor-filler. You can practically feel the hedonism building around the drops and crescendos, which make Andrea’s latest single addictive from the first hit.

As if Andrea’s effortlessly arrestive vocals and synth-carved hooks weren’t enough, even more admiration can be found within the 20-year-old artist’s MO as a 100% independent artist. She’s currently studying production in London, which leaves her completely autonomous in the male-dominated industry that takes up 96% of the room. She’s following in the footsteps of the icons that paved the way and making room for even more aspiring artists. Just as Courtney Love compelled girls to pick up a guitar in the 90s, Andrea is making a just as revolutionary act in the world of pop production.

You can meet your new perennial pop earworm by heading over to YouTube.

Review by Amelia Vandergast

Gemma Danielle is the Chanteuse of 2022 in Her Latest Cinematic Jazz Pop Single, End Game

With all the class and gravitas of a 1920s Chanteuse, the Nottingham-based singer-songwriter Gemma Danielle filled her latest single, End Game, with a wicked sense of soul. The stormily cinematic single starts as a sultry ballad; it’s the aural equivalent of doe eyes, but as it progresses, Gemma Danielle delivers the parting shot in a relationship that has reached the death roll stage of dissatisfaction and despair.

To parallel her timeless style, Gemma Danielle brought a potent serving of lyrical vindication to the table in the track that hits its sonic sweet spot in the ingeniously jazzy pop-soul-rock interlude, which allows the single to groove to an unforgettable close. If any pop artist deserves to climb the charts in 2022, it is the best chanteuse we could have possibly asked for.

End Game is now available via Spotify.

Review by Amelia Vandergast