Browsing Tag

Pop-Rock

Ami Leigh salved the souls of the romantically jaded with her pop-rock anthem, You’ll Find the One 

‘You’ll Find the One’ is undoubtedly an expression everyone has heard in their darkest hours of romantic despair; yet, with her latest single which carries that mantra, the chameleonic singer-songwriter Ami Leigh augmented the consolation with soul-infused, rock-licked conviction.

By carrying the same artful visceralism as The Last Dinner Party in the pop-rock crescendos which drench the anthem in 80s nostalgia and entwining the high-octane elements with tender echoes of introspective 90s indie pop, You’ll Find the One will leave your heartstrings in knots while liberating you from anxiety and assumption you will die alone without another soul to call home.

You’ll Find the One may be a sonic departure from the artist’s previous hits, but with the same sense of affecting soul running through the veins of the single, it is yet another attestation to Ami Leigh’s ability to unify and heal through sound.

You’ll Find the One hit the airwaves on August 23rd; stream the single on Spotify and YouTube now.

Review by Amelia Vandergast

Natalya Borodulina’s ‘Magic Heartbeat’: A Debut That Pulses with Pop Nostalgia and Power

Natalya Borodulina’s debut single, Magic Heartbeat, wasted no time in making its mark on the pop scene. Fusing 80s pop nostalgia with a modern twist, the track glistens with atmospheric synths and softly lush guitar tones. These elements effortlessly cradle Borodulina’s spiritually spectral, yet powerful vocal range, which brings the energy and emotion reminiscent of the most iconic pop ballads.

The single, with lyrics by Chris Ferrier and Borodulina’s deft composition and performance, doesn’t merely settle into the expected rhythms of a debut. As the intensity builds, the track elevates into a high-octane pop-rock orchestration, with Borodulina’s vocal delivery rivalling the fire of acts like Evanescence and Nightwish. Despite this surge in energy, the track never loses its commercial appeal, holding onto the essence of its pop roots while stepping boldly into edgier territory.

Magic Heartbeat marks both Chris Ferrier and Borodulina as talents to watch as they blaze their way through the industry. As far as first originals go, this single proves that Borodulina has all the hallmarks of an artist who can push boundaries while maintaining mainstream appeal.

Magic Heartbeat was officially released on August 2nd; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Marc Ambrosia rivalled Against Me in his queer pop-punk anthem, We Are Who We Are

For anyone whose true identities are continuously obscured by lenses of prejudice and misconception, Marc Ambrosia’s riff-raw pop-punk anthem, We Are Who We Are, is the definitive cure.

With an augmented-with-frenetic-exhilaration chorus and endless mantras to adopt for authentic empowerment, it is impossible to resist the intoxicating energy in the release which proves that Marc Ambrosia is just as adept at producing high-octane rock hits as he is when it comes to producing perennial pop earworms. And yet, his versatility is only the start of his expansive cross-over appeal which can easily establish the New Jersey singer-songwriter as one of the most essential queer artists of his generation.

Ambrosia’s forthcoming album, Gay & Proud, is shaping up to be as iconic as Against Me!’s Transgender Dysphoria Blues LP. The same visceral punk as fuck energy runs within the liberatingly protestive anthem which attests to how embracing your autonomy and flying your own flag is one of the most revolutionary acts a human is capable of.

In his own words, Marc Ambrosia iterated “It’s a song about individuality and nonconformity. People like to make assumptions about other people’s identities and they’re usually wrong.”

We Are Who We Are was officially released on August 16; stream the single on SoundCloud and visit Marc Ambrosia’s official website for more information on his upcoming album which is due to drop on August 30.

Review by Amelia Vandergast

Drenalin – This is My Night: An Alt-Rock Anthem of Hedonic Liberation

Drenalin, an Emmy-award-winning ensemble from Cleveland, OH, established in 2005, were out to wreak maximum emotional havoc with their latest single, This is My Night.

The track ensues with fitting-for-Broadway vocal intensity, intertwined with fantastical orchestral elements and playful, carnivalesque twists that would resonate with any Nekrogoblikon fans. As the track progresses, Drenalin evokes the early 2000s metal scene, reminiscent of Drowning Pool, Soil, and Fear Factory, but the transmutations in sound don’t end there.

The song’s structure is meticulously crafted, with each melodic transition pushing the boundaries of emotional catharsis. The interplay of hard-hitting fury and rock opera flair is nothing short of prodigious; the volition is teased through tensile with innovative vision progressions to ensure anyone who bears witness to the anthem of hedonic liberation will feel its maximum force.

It is so rare to say that you’ve encountered an outfit with a sound no one would ever conceive without replication, but clearly, Drenalin is a diamond in the rough of mediocrity.

Stream the official music video for This is My Night on YouTube now.

Review by Amelia Vandergast

Danielle Dennis glammed up blues rock with her latest hit, Fool’s Gold

With her latest single, Fool’s Gold, the rising-through-the-industry-ranks rock phenomenon, Danielle Dennis, proved that when it comes to emotional labour for those with an aversion to accountability, a woman’s work is never done.

If the indomitably raw edge of Hannah Wicklund met the creative conjurings of Stevie Nicks, the meeting point would be the affecting high-octane alchemy in Dennis’ scintillating sonic signature which ensures the singer-songwriter’s ink goes beyond skin deep and permeates the soul.

The San Francisco-born, New Orleans-based artist and producer unequivocally evinced that all of the best people would have been burnt at the stake for Witchcraft in the days of Salem; what she manifested in Fool’s Gold is almost beyond the realms of tangible comprehension.

If you can’t get enough of Fool’s Gold, pin her to your radar and await her forthcoming debut EP which will span all her influences through an amalgamation of gritty blues rock, synth-heavy pop, organic folk, and vibey trip-hop.

Fool’s Gold will be available to stream on all major platforms, including SoundCloud, on August 9th.

Review by Amelia Vandergast

Lori & the Darlings reached nirvana with the alt-90s nostalgia in their Americana rock single, high

Lori & the Darlings’ standout single, High, taken from their 2024 LP, Main Street, is a richly rendered addition to the Americana rock canon. Lori, whose voice is naturally poised for creating instant classics, shines iridescently bright in this emotion-driven vignette, exposing the capacity of connection to lead to transcendence. The instrumentals efficaciously visualise the inexplicably sweet sensation, with shimmering organ tones stretching to nirvana, giving High oceanic depth for listeners to plunge into and swim with the rhythmically resolving tides.

Lori’s vocals deliver the grit of Courtney Love, infused with the soul of Leigh Nash and Meredith Brooks, nestling into the scarcely-occupied middle ground where artists swathe their harmonies with seraphic sentimentality and project potency to amplify evocative intensity.

No review of High would be complete without pouring plaudits on the guitars that make the track such a sense-gratifying listen. The steady ring of the chords pulls you through the euphonically stripped production until they burst in momentum in the middle eight, proving that Lori & the Darlings have earned their place among their Americana rock icons.

With more releases in the pipeline from the Detroit-based four-piece which captures the highs and lows of big-city dreamers in small-town America, do we really need to tell you to give them a follow?

Stream the Main Street LP from Lori & the Darlings on Spotify now.

Review by Amelia Vandergast

Melbourne’s Emma Burt gave a fresh take on heartache in her country-pop debut, 10 Years

Emma Burt’s debut single, 10 Years, brought country-pop right up to speed with contemporary trends while preserving the rich legacy by blending timeless musical elements with a cultivated modern twist Hit play, sink into the vibrant pop-rock progressions, and a panorama of heartache will manifest before you. The euphonic guitars and classic pop piano keys introduce a spectrum of colours and emotions, echoing the freedom and spirit reminiscent of Stevie Nicks, which also filters through Emma’s naturally impactful vocal tone.

The melody, rich with the alchemy one might nod to Fleetwood Mac for inspiring, arrests from the first note in the exposition of how time is also lost with love when the door on a relationship closes. Reflecting on a sharp shock to the system when a decade-long relationship diminished, Emma Burt became a vessel of consolation for anyone who has felt a similar sting. Echoes of resilience reverberate through the release, marking it as an anthem for the heartbroken who are ready to move on.

After setting the bar so high with the catchy refrain and lyrical depth in 10 Years, Burt’s trajectory through the industry is one to watch closely.

10 Years was officially released on June 21; stream the single on Spotify now and follow Emma Burt on Facebook.

Review by Amelia Vandergast

Caitlin Lavagna prescribed an artfully amplified pop punk antidepressant with her latest single, Pretty Alright

As you crank up the volume in Caitlin Lavagna’s latest synthesis of art-pop and pop punk, Pretty Alright, the absolution amplifies to the nth degree as the singer-songwriter and multi-instrumentalist fervently strives to let loose the black dog and awaken her listener’s inner power.

The infectiously fiery reprise of “It will take time to feel pretty alright” in the electrifying riff-raw anthem attests to how patience is the ultimate virtue in the process of healing, yet everyone has an active role to play in the reclamation of their serotonin and self-esteem.

With a vocal presence that could rival any of the chart toppers, there’s no denying Caitlin Lavagna’s charisma which acts as a catalyst of resolution and salvation in Pretty Alright.

You just can’t help but succumb to enamourment when your senses are being stirred by her larger-than-material-reality energy and her songwriting stripes which are sliced with more hooks than a butcher’s shop.

Pretty Alright was officially released on July 11; stream the single on Spotify now.

Review by Amelia Vandergast

Marc Ambrosia aurally embodied queer pride with his alt-pop anthem, You Can Tell Me

Pride month may be over, but the perpetual appeal in Marc Ambrosia’s queer pop anthem, You Can Tell Me, is infinite.

The luminously iridescent outpouring of euphoric emotion, inspired by a coming-out story which tore down a barrier in a friendship, explodes as a riotous affirmation that there are few things sweeter than tearing off a façade and tuning into the liberating freedom of living openly and proudly.

The tinged-country pop-rock hit is enveloped by the exhilarating joy that comes as a consequence of acceptance and self-expression while LGBTQ+ allies are celebrated for their profound ability to change worlds simply through understanding and accepting.

Whether the single acts as an inspiration to take that candid leap or you adopt Ambrosia as a confidant while you prepare to write your own coming-out story, there’s no denying that Ambrosia is well on his way to being crowned as a queer pop icon who will be impossible to usurp if the ecstasy in You Can Tell Me is a sign of what is to come.

With his fourth studio LP, Gay & Proud, due for release on August 30th, he’s a visionary you want on your sonic radar.

You Can Tell Me was officially released on July 5th; stream the single on SoundCloud now.

Review by Amelia Vandergast

Samana Rising is radiantly irreplicable in their summer soul-rock anthem, Sunshine

Samana Rising’s summer soul-rock anthem, Sunshine, is a radiant declaration of musical vitality and versatility. This first release since their debut album in 2020 confirms that the Norwegian band hasn’t just been biding time. Between life’s milestones and global upheavals, they’ve refined a sound that shines and erupts with irreplicable radiance.

Recorded at ArtBeat Studio in Bryne, with the adept Bjørn Erik Sørensen at the production helm, Sunshine marries an instantly memorable guitar intro with a reggae-inspired rhythm that’s irresistibly danceable. This track is engineered to lift spirits and coax listeners from the mundane to the magical. Mastered with precision in Nashville by Alex McCollough, every note is crafted to perfection, capturing the essence of pop rock while promising more than typical chart-toppers.

Hanne Sivertsen’s vocals could light up any room, soul or playlist; the immense power in the delivery, paired with the charismatically magnetic proclivity, ensures that this latest sonic triumph resounds with maximum euphoric impact.

Lyrically, Sunshine presents an opportunity to celebrate the people who light up your world as much as solar rays; wherever you play it, you won’t be able to resist its demand to be played LOUD.

Sunshine was officially released on June 21; stream the single on Spotify now.

Review by Amelia Vandergast