Browsing Tag

Pop Debut

Natalya Borodulina’s ‘Magic Heartbeat’: A Debut That Pulses with Pop Nostalgia and Power

Natalya Borodulina’s debut single, Magic Heartbeat, wasted no time in making its mark on the pop scene. Fusing 80s pop nostalgia with a modern twist, the track glistens with atmospheric synths and softly lush guitar tones. These elements effortlessly cradle Borodulina’s spiritually spectral, yet powerful vocal range, which brings the energy and emotion reminiscent of the most iconic pop ballads.

The single, with lyrics by Chris Ferrier and Borodulina’s deft composition and performance, doesn’t merely settle into the expected rhythms of a debut. As the intensity builds, the track elevates into a high-octane pop-rock orchestration, with Borodulina’s vocal delivery rivalling the fire of acts like Evanescence and Nightwish. Despite this surge in energy, the track never loses its commercial appeal, holding onto the essence of its pop roots while stepping boldly into edgier territory.

Magic Heartbeat marks both Chris Ferrier and Borodulina as talents to watch as they blaze their way through the industry. As far as first originals go, this single proves that Borodulina has all the hallmarks of an artist who can push boundaries while maintaining mainstream appeal.

Magic Heartbeat was officially released on August 2nd; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Melbourne’s Emma Burt gave a fresh take on heartache in her country-pop debut, 10 Years

Emma Burt’s debut single, 10 Years, brought country-pop right up to speed with contemporary trends while preserving the rich legacy by blending timeless musical elements with a cultivated modern twist Hit play, sink into the vibrant pop-rock progressions, and a panorama of heartache will manifest before you. The euphonic guitars and classic pop piano keys introduce a spectrum of colours and emotions, echoing the freedom and spirit reminiscent of Stevie Nicks, which also filters through Emma’s naturally impactful vocal tone.

The melody, rich with the alchemy one might nod to Fleetwood Mac for inspiring, arrests from the first note in the exposition of how time is also lost with love when the door on a relationship closes. Reflecting on a sharp shock to the system when a decade-long relationship diminished, Emma Burt became a vessel of consolation for anyone who has felt a similar sting. Echoes of resilience reverberate through the release, marking it as an anthem for the heartbroken who are ready to move on.

After setting the bar so high with the catchy refrain and lyrical depth in 10 Years, Burt’s trajectory through the industry is one to watch closely.

10 Years was officially released on June 21; stream the single on Spotify now and follow Emma Burt on Facebook.

Review by Amelia Vandergast

Kennedy Bane confronted heart-wrenching grief with grace in her debut, Pushing Up Daisies

Kennedy Bane, a 15-year-old pop singer-songwriter from Nashville, TN, rendered hearts raw with her debut single, “Pushing Up Daisies.” The debut instantaneously proved her mettle as a heart-wrenching lyricist as it showcased her evocatively immense vocal finesse. The single belies her 15 trips around the sun, as she tackles the tender subject of grief with a maturity that artists with decades in the industry would struggle to match.

The indomitable sincerity within her standing ovation-worthy performance, paired with the achingly ornate indie-pop instrumentals, won’t leave a dry eye in the proverbial house. The solemn gravity within “Pushing Up Daisies” is superlatively affecting. Kennedy’s ability to convey profound emotion through her music is nothing short of extraordinary.

As “Pushing Up Daisies” unfolds, it’s clear that whatever subject Kennedy turns her talent to next will make for an equally impactful journey. Her collaboration with Platinum Grammy Producer Bryan Todd for her first EP of six original songs is naturally highly anticipated after the release of what will become revered as one of the strongest debuts of the year.

Pushing Up Daisies was officially released on May 10th; stream the single on Spotify now.

Review by Amelia Vandergast

Pop plunged to new emotional depths with Bekah Wilbourn’s debut single, Go Numb

Bekah Wilbourn’sGo Numb‘ envelops you in a world where vulnerability meets a sonic revolution. This debut single from the El Paso native is a journey through the heartstrings, plucked and resonated in a symphony of emotion and sound.

The track begins with gentle guitar strings laying the foundation, upon which Wilbourn’s vocals weave a narrative of emotional rawness. As the production escalates, the listener is drawn into a rhythmic stupor, a blend of moodily turbulent synthetics and a compelling backbeat that commands attention.

As the song progresses, Wilbourn introduces chamber pop orchestral layers, amplifying the emotional resonance, and elevating the track to an almost cinematic scope. The interplay of 90s pop influences with forward-thinking sonic elements ensures that ‘Go Numb’ resonates with a sense of familiarity, yet ventures boldly into uncharted territories.

Lyrically, ‘Go Numb’ is a poignant reflection on the all-too-human desire to retreat into numbness when vulnerability becomes a battleground. Wilbourn captures this sentiment with raw honesty, offering a mirror to our own experiences of emotional turmoil.

Bekah Wilbourn, with ‘Go Numb’, carved her own niche with a blend of introspection, innovation, and undeniable musical prowess. This single is a bold statement of intent from an artist unafraid to bare her soul and push the boundaries of pop music.

Go Numb was officially released on March 15; stream the single on Spotify.

Review by Amelia Vandergast

Isla de Luca redefined the femme fatale archetype in her provocatively liberating alt-pop hit, I Already Am One

https://soundcloud.com/isladeluca/i-already-am-one/s-2uIRmKUEKZz?si=e1ec91131191412ab7cbbe435a4c3782&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Isla de Luca riotously fucked the gender binary with the launch of her debut alt-pop single, I Already Am One. With the rock licks augmenting the pop hooks and injecting them with adrenaline, the NYC icon staked a serious claim in the pop domain. After ensnaring just about everyone who crosses her on TikTok and Instagram, she’s more than ready to demurely dominate the airwaves with her scintillating synthesis of electronica, pop and rock.

While trad wives are falling over themselves to appease the male gaze as their sole aim in life, Isla de Luca has asserted herself as an indomitable queer pop icon with the refrain “I don’t need a rich man, I already am one”. It’s a subversive twist to die for and to live for. Through her mission to rip up the exploitative tropes around desire and empower others to embrace their provocative power, she stands just as tall as Kathleen Hanna in the feminist landscape.

If you thought femme fatales were all about seduction, feel the vindication cascading from Isla de Luca’s flawlessly electrifying vocal lines and realise the liberation of living as the archetype in their villain era.

For fans of MARINA, Paramore and Sophie, this single isn’t one you want to sleep on.

I Already Am One will be available to stream from February 16. Stream it and follow Isla de Luca on all major platforms via this link.

Review by Amelia Vandergast

Buddy John synthesised retro pop aesthetics with contemporary EDM magnetism in his debut release, Don’t You Give Up on Me

Buddy John’s debut single, ‘Don’t You Give Up on Me’, is a vibrant testament to the enduring spirit of retro pop, infused with the pulsating energy of Euro dance beats, and wrapped in the luxurious fabric of contemporary pop production.

Hailing from Nampa, Idaho, Buddy John has crafted a sound that revives the nostalgic pulse of the 90s and 2000s dance clubs, while injecting the bold energy of 80s synth and rock/electronic rhythms. His declaration of romantic resilience bridges the gap between eras, appealing to both devotees of classic pop and the new generation of EDM pop fans.

The track’s snappy grooves and luxe production are a nod to the likes of RuPaul, yet Buddy John carves out his own niche in the pop landscape. His strident vocal lines don’t just complement the instrumentals; they command attention, oozing fervour and proving that passion is the driving force behind his artistry and everything he does.

‘Don’t You Give Up on Me’ is more than a mere homage to the past; it’s a synthesis of retro aesthetics and contemporary commercial appeal. Buddy John understands the power of nostalgia, yet he doesn’t rely on it. Instead, he uses it as a springboard to launch into a soundscape that will speak to your soul as much as much as your rhythmic pulses. We can’t wait for the sophomore release.

Don’t You Give Up on Me is available to stream on Spotify and Apple Music.

Review by Amelia Vandergast

Hannah Johnson’s Latest Single, Slow Motion, is a Soulful Pop Revelation

American singer-songwriter, Hannah Johnson marked her striking entry into the music world with her debut single Slow Motion. This soulful pop masterpiece deftly subverts conventional pop tropes, introducing a fresh and invigorating sound to the genre.

From the outset, the track captivates with its killer slap bass, a bold choice that enriches the song’s texture. This element, woven into the intricate mix, creates an intoxicating rhythm that embodies the essence of the song’s theme: how passion can seemingly halt the passage of time. Johnson’s skill in blending this unconventional bass line with the traditional pop structure is a testament to her innovative artistry.

Johnson’s vocals are nothing short of mesmerising. Her smooth, sultry tones glide effortlessly over the exotic instrumentals, creating an auditory experience that is both soothing and exhilarating. The way her voice intertwines with the music evokes idyllic and deeply emotive imagery. This imagery, coupled with the song’s warm melodies, makes Slow Motion an ideal antidote to chilly December nights.

For those seeking a fresh pop sound, Hannah Johnson’s Slow Motion is a must-listen.

Slow Motion was officially released on December 15; stream it on YouTube.

Review by Amelia Vandergast

Berto served an exotic elixir for the soul with his debut single, papi guapi

Berto’s debut single papi guapi is a striking entry into the synth-pop landscape, marking him as a promising new talent to watch in 2024. Hailing from the vibrant locales of Los Angeles and Orange County, Berto brings a refreshing and eclectic sound to the table, one that defies the constraints of a single genre.

The track stands out for its seamless blend of bilingual Spanish and English vocals, which Berto croons with a captivating finesse. His voice, an evocative elixir, gracefully flows over the new wave instrumentals which break free from the monocultural mould. The production is richly layered, featuring reverb-drenched motifs that infuse the track with an exotic 80s-tinged flair.

The track possesses an almost magnetic quality, seducing listeners into a dreamy haze reminiscent of the era’s best synth-pop offerings. Yet, it remains distinctly modern, thanks to Berto’s innovative approach to music production and his skill in blending traditional and contemporary elements. As the final track of Berto’s debut album Relampago Romantico, papi guapi holds a special place in the album’s narrative arc.

Papi guapi is now available to stream on Spotify.

Review by Amelia Vandergast 

Fallyn weaved a cautionary tale into her debut pop track, Love Bomb

Fallyn’s debut single Love Bomb is a masterful blend of nostalgia and modernity, an ethereal journey that bridges the gap between the distinct pop sounds of the 80s and today’s contemporary landscape. The track is a melodious odyssey, laced with dreamy, choral textures that are as captivating as they are introspective.

Love Bomb opens with a celestial ambiance, immediately setting a tone that is both haunting and enchanting. Fallyn’s voice, reminiscent of icons like Mariah Carey and Whitney Houston, carries a delicate power that lures the listener into the intoxicating atmosphere of the single. Her vocal prowess is evident as she navigates through the layers of sound with ease and emotion. The genius lies in the track’s thematic depth. Fallyn delves into the complex phenomenon of love bombs, a manipulative tactic often employed by narcissists at the onset of relationships.

Fallyn and her collaborator, Trenton Michael, skilfully intertwine 80s pop elements with contemporary sounds, creating a track that feels both familiar and fresh with each element, from the ethereal synths to the layered harmonies, meticulously crafted to enhance the overall experience. Notably, she is one to watch.

Love Bomb dropped on December 1st; stream it on all major platforms via this link.

Review by Amelia Vandergast

Dream Baby Dream with Cati Landry’s indie pop installation of etherealism, Mind’s Eye

With vocal lines that hypnotise as they harmonise, Cati Landry’s indie dream pop single, Mind’s Eye, will instantly put you under its ethereal spell. As the lead guitars bend licks of Americana into the notes, the rhythm guitars keep the 90s indie dream alive in their steady spills of instrumental romanticism.

The Canadian singer-songwriter set to create the ultimate anthem for the diehard romantics who find themselves consistently contending with the juxtaposition between dreams and reality; given that she made romantic expectations all the more unrealistic with her butterfly-releasing release, it is safe to say she succeeded in her enchanting record, which deserves to be just as revered as Swift’s latest LP. I highly recommend investing in Cati Landry’s promising career before you have to take out a second mortgage for her gig tickets too.

Mind’s Eye was officially released on July 14; stream it on Spotify.

Review by Amelia Vandergast