Browsing Tag

Pop

The guilt of grief locked into the minor-key melodies in The Every Glazer’s most affecting single to date, One More Day

The Every Glazer never shies away from emotive candour, yet, his latest single, One More Day, lays bare the inner turmoil that took hold after he rushed to the hospital to be by his mother’s side, only to arrive too late. The luminous minor-key notes meet the aching intensity of lyrics that detail his regret, as though the track had no choice but to spill from his soul in an attempt to process grief through a poetically intimate narrative.

Mourning rarely translates neatly into language. For some, it’s an alien phenomenon; for others who have firsthand experience, it’s simply beyond expression. The Every Glazer manages to crack that code by stripping himself bare in a score that feels both painfully raw and tenderly consoling.

Anyone who has ever stumbled through the guilt-ridden conflicting emotions of bereavement will find solace in the harrowing yet comforting presence of ‘One More Day’. It’s no easy listen. Even the singer-songwriter admits performing it live remains a daunting prospect. Yet its presence in the world ensures no one needs to bear that emotional weight alone. In under four minutes, The Every Glazer turns the inexplicable into a resonant, empathetic encounter.

One More Day was officially released on November 15; stream the single on Spotify and YouTube now.

Review by Amelia Vandergast

Cecilia’s Debut, Don’t Wanna Cry, is a Disco Ball’s Glow over Retro-Futuristic Reflections

Cecilia’s debut single, ‘Don’t Wanna Cry’, sinks the listener into a rabbit hole of retro-futurism beneath the glow of a disco ball, pulling her listeners’ senses between awe for innovation and comfort from nostalgia-swathed pop hooks.

If you’re weary of modern retro pop revolving around Lana Del Rey’s carbon copies, Cecilia rhythmically shifts away from the fray. Her sound—recorded and produced independently in her Los Angeles home studio—invites her growing following into a seraphic reverie of dreamy alt-pop, all defined by some of the most sublime vocals from a breakthrough pop artist in 2024.

Influenced by the disco era’s warm grooves, modern electronic textures, and soulful classic vocal timbres, she crafts a retro-futuristic hybrid with indie sensibilities. ‘Don’t Wanna Cry’, released on 26th November, layers its introspective lyrics and ethereal melodies to form a kaleidoscope of colourful warmth, while the earworm mantra lingers long after the final note.

By making her debut with such an empoweringly vulnerable release, Cecilia sets a high bar, teasing more hits from an already iconic artist who dares to groove to her own tune.

Stream Don’t Wanna Cry on Spotify now.

Review by Amelia Vandergast

Duane Harden conquered the pop scene with Blind (Pop Life Mix)

After carving a legacy in the confines of the house music scene, Duane Harden has proven his mettle as a pop icon in the making with ‘Blind (Pop Life Remix)’.

Euphoria pulses through the intro, carried by shimmering new wave synths that ignite a rush of sonic exhilaration. As the melodies gain momentum, Harden’s mastery of interwoven complexity becomes unmistakable. This is not the work of an artist content with formulaic hits; instead, Harden layers raw emotion, kinetic energy, and rich textures into his production, crafting an anthem that resonates with bittersweet authenticity.

The track pulls listeners into a trap-tinged world of naïve desire, where the longing to escape emotional vulnerability is laid bare against the Latino guitars and disco-pinched grooves. With each progression, Harden’s hooks tighten their grip, drawing you deeper into the duality of aching euphoria and scarred sentimentality.

By refusing to paint within the lines, Blind (Pop Life Mix) cements Harden’s place as a multifaceted artist capable of shifting seamlessly between genres while delivering emotive, high-energy productions. For his 81k monthly listeners and beyond, this track is an invitation to revel in the alchemy of pop at its most sincere and unflinching.

Be a part of the hype by hitting play on Spotify.

Review by Amelia Vandergast

Ava Valianti’s ‘Wishing Well’ is a Diaphanous Dive into Lost Innocence

At just 15, Ava Valianti has already mastered the art of weaving raw emotion into new-wave indie pop. With her latest single, ‘Wishing Well’, the Massachusetts singer-songwriter delivers a reverie-rich production that captures the ache of growing up and the bittersweet nostalgia for the innocence of youth.

Inspired by childhood memories, Ava channels her reflections on the fading simplicity of youth into soaring harmonies and sweeping melodies. Thematically, ‘Wishing Well’ resounds with longing and hope, its diaphanous textures sonically illustrating the vulnerability of clinging to the magic of belief. Ava’s lyrical candour doesn’t just invite listeners into her world; it offers them a mirror to their own experiences of inevitable change and loss. Her ability to find clarity in bittersweet moments transforms each note into a visceral connection.

Standing alongside her earlier singles—‘Bubble Wrap’, ‘Middle Ground’, and ‘January’—this track showcases her ability to fuse introspective lyrics with literally and figuratively haunting melodies. With comparisons to indie luminaries like Mitski and First Aid Kit easily and rightfully drawn, her trajectory has been meteoric, already earning her 10k monthly listeners, a nomination for the New England Music Awards’ “Pop Act of the Year,” and praise from over 60 radio stations across the US.

Ava’s music is a force propelling her into the heart of indie supremacy, and ‘Wishing Well’ solidifies her place as an artist who creates vessels of unfiltered soul, poised to resonate with listeners across generations.

Wishing Well was officially released on November 22nd; stream the single on Spotify now.

Review by Amelia Vandergast

Francesca Pichierri painted an Avant-Garde pop prism of the absurdity of reality in ‘Io Sto Bene’

After a beguiling fusion of style, soul and spirituality in her sophomore single, Francesca Pichierri has evolved into an alt-pop Avant-Gardist with her third single, Io Sto Bene. The infectiously obscure piano-driven earworm inches cabaret pop further into the mainstream with the playful panache in Pichierri’s vocals bringing equal amounts of energy as the upbeat staccato piano notes before the mid-way mark hits and sinks the listener into a kaleidoscope of baroque pop experimentalism.

Io Sto Bene pulls you into a rabbit hole of mental disquietness, efficaciously depicting how it feels to try and find stability while everything in your external and internal world feels off-kilter.  Like a rush of acceptance, the outro is a luminous visualisation of ephemeral transcendence away from the tumult of turmoil.

The independent singer-songwriter penned Io Sto Bene inspired by a bitter-sweet memory of her mother waking up from her first ovarian cancer treatment to reassure the family that ‘everything is fine’, and the epiphany of how paradoxical it is to be determined to appear fine in the midst of chaos. This is so much more than art imitating life; the single is a painful prism of the absurdity of reality.

Io Sto Bene was officially released on November 29th; stream the single on Spotify now.

Review by Amelia Vandergast

Jessa Verone became the new queen of coquette pop with ‘My Mind’

Jessa Verone

With My Mind, Sydney-based singer-songwriter Jessa Verone ushered listeners into a lush kaleidoscopic of colour, where dream pop, R&B, synth-pop, and classic pop converge in elegant harmony. Her ethereal vocals, delicately laced with emotive power, serve as a luminous guide through the lush arrangement.

Collaborating with Sydney producer OkayOnly, Verone’s artistry shines as she scribes with a sonic signature far from any other pop artist’s turf. The fleeting familiarity within the track’s layers quickly dissipates as you are drawn deeper into the multi-faceted production.

My Mind toys with its listeners, unravelling themes of love and affection while encouraging a sense of grace and empowerment. Unlike typical lovelorn ballads, Verone’s approach is exploratory and transformative, inspiring listeners to embrace their own coquette aesthetic and let it seep into their worldview. The introspective depth of the lyrics finds perfect synergy with the textured instrumentation, making My Mind an experience of self-discovery as much as it is an indulgence in seraphic sonics.

As a follow-up to her debut single, Blue Moon, the sophomore release proves Verone’s trajectory is only going to pick up more momentum. Her ability to offer such an intimate glimpse into her world through a baroque yet accessible lens sets her apart in the contemporary pop landscape, marking My Mind as a moment of innovation rather than replication.

My Mind will be available to stream on all major platforms, including SoundCloud, on December 6th.

For more ways to listen and connect with the artist, visit Jessa Verone’s official website.

Review by Amelia Vandergast

Detroit Dreampop Diehard Romantic, Jessie Berkshires, Pulled All the Emotive Punches in Her Latest Single, Don’t Let Me Down

With her latest single, Don’t Let Me Down, Detroit-based indie artist Jessie Berkshires carved a new vein into the dream-pop pantheon. Opening with tenderly hammered minor piano notes entwined with a syncopated, trip-hop-inspired beat, the track balances warmth and alienation in bittersweet duality.

Beneath its polished production lies a raw exploration of the paradox of love and its ability to flood your world with light while igniting fears of the darkness of heartbreak. Berkshires’ lyricism pierces with its candour: the tension between vulnerability and the need for reassurance is as gripping as the delicate melodies that carry it. Her ethereal vocal delivery is perfectly framed by an instrumental arrangement that feels both spacious and all-consuming, like staring into a love you want to trust but fear will falter.

The balance of the raw, relatable emotion and the cold visualisations of romantic dissonance in the instrumentals allow Jessie Berkshires to establish herself as an artist who knows exactly how to amplify her lyricism with melodies which may be quiescent, but they know exactly how to pull the evocative punches.

Don’t Let Me Down was officially released on November 22 and is now available to stream on all major platforms, including Spotify.  

Review by Amelia Vandergast

JANAYAH – Sober: From the Bottom of the Bottle to Pop Supremacy

Artistry and addiction have been hand in toxic hand since the dawn of the music industry, yet few artists have been so candid about their relationship with the bottom of the bottle as JANAYAH in her latest single, Sober.

By revealing the myriad of reasons behind her desire to numb herself in the days of her misspent youth in the pop hit through her signature high-octane soul harmonies, JANAYAH exposed how the substance is rarely the problem for those struggling with addiction while acting as a conduit of consolation for anyone struggling to come to terms with their own tendency to hit the self-destruct button.

The balance of 80s pop aesthetics and pinches of contemporary pop ensures Sober stands as a timeless power pop ballad amongst the throwaway pop tracks which litter the airwaves.

As one of the most affecting icons of pop, the London-based artist is well on her way to scaling the charts with her ability to project pitch-perfect emotion through her vocal melodies while wearing her heart on her harmonies.

Sober was officially released on November 15th; stream the single on all major platforms, including Spotify, now.

Review by Amelia Vandergast

‘!! Stand’ by RoBB!EMAC: Reinventing Pop with Y2K Nostalgia and Emotional Cadence

The prolific pop prodigy, RoBB!EMAC, may have only made his official debut in 2023 with the drop of his LP, The Anecdotes of Mr. Songsmith, but he’s already delivered his fifth album, Howling at the Moon, proving that there’s no end to the flow of his creativity or his ability to find fresh alt-pop intersections to explore.

The standout single from his expansive 16-track anthology of pop-hooked vulnerability, ‘!! Stand’ kicks into rhythm through a melodic piano-driven prelude followed by a mash of pseudo-trap, Y2K nostalgia and the twang of alt-country pop; a synthesis which orchestrates a dreamy sense of reverie to drift within as you lock into the vocal cadence which sinks into synergy with the solid backbeats.

If anyone can bring back the trend of putting lighters in the air instead of iPhone cameras, it’s RoBB!EMAC, with his sound that leans into nostalgia while illuminating the path to the pop pantheon which is ready and waiting for his arrival.

RoBB!EMAC, the New Jersey-Hailing, Dallas-based innovator, is far from your average genre-fusionist; he’s mastered the art of ensuring every aesthetic at his disposal lends itself to the mood and meaning of his sound. In ‘!! Stand’, the singer-songwriter strips back all sense of pretence to outpour a vignette that assures the listener that, as we all make our way through the disillusionments of life, we’re all a work in progress, regardless of how perfect our facades appear to be.

Stream RoBB!EMAC’s Howling at the Moon LP on all major platforms, including Spotify.

Review by Amelia Vandergast

Melody Key: The Virtual Girl Group Taking Pop to Rapturous Heights – An Exclusive Interview

With infectious energy and a mission to uplift, Melody Key is redefining what it means to be a modern girl group. Formed virtually in 2022 by Katy “Kitty” Kunberger and Lashnate “Shanti” Johnson, the trio has already made waves with their viral TikTok videos, empowering anthems like Girls Rule, and a dynamic collaboration with UK rapper 0milicu0us. In this interview, they discuss their songwriting journey, their forthcoming debut EP, and their vision for spreading positivity in a pop landscape often focused on despair.

Melody Key, thanks for sitting down with us to discuss your discography and burgeoning pop career. We’d love to know what initially brought you together in 2022. 

Our girl group, Melody Key, was originally a virtual girl group that was founded on May 4, 2022, by me (Katy “Kitty” Kunberger and Lashnate “Shanti” Johnson). A couple of months earlier, I was posting an audition call for members who were interested in joining a girl group. However, I wanted to have a girl group since 2014 but kept it a secret but finally revealed it when I posted the audition call online.

Shanti was the third girl to audition for the girl group after two girls had told me that they could not stay nor continue with the girl group. Since then, we made songs and posted singing videos on social media. We have three members in Melody Key and hope to have one or two more members to make it a total of four or five members.

How does the songwriting and recording process play out between the two of you?

Shanti and I usually write original songs and all of us recorded songs on Bandlab. Bandlab is an app where we record our songs, even remotely. Although, we would like to meet together in person sometime next year whenever we are available to record songs at a studio.

How did it feel to go viral with your dance videos to your original music on TikTok? 

To be honest we felt very honored to have our TikTok videos go viral! It has been part of our dreams to have our TikTok videos go viral, let alone dancing to our original music.

How did you connect with the British rapper, 0milicu0us, for your official debut track, College Groove? 

We met 0milicu0us on Instagram last year! He discovered us and sent us a message requesting that he could rap in a song someday. We accepted his request to collaborate with our song, “College Groove” and then he recorded his rapping verse on Bandlab! We released the song this past January 12th!

Your latest single, Girls Rule, is an instantly iconic lo-fi hyper-pop anthem; what’s the story behind the single? 

The story behind “Girls Rule” is how girls could be anything they want to be, meaning girls could have professions that only boys had once upon a time. For instance, Mary Blair was a female animator back in the 1940s to early 1950s and she worked for Disney. It was not typical for women to be professional animators and often those who were employed took masculine names.

There’s an eclectic mash of aesthetics and genres in the mix, allowing the track to unravel as an infectiously upbeat celebration of feminine power; what do you hope your listeners take from it?

We hope that our listeners will be inspired by the positive message and the upbeat tempo of our songs. Our group has been somewhat dismayed by the numerous pop songs that focus on depressing themes of despair, We believe that life is full of joy and opportunity and we want to inspire young people, especially girls to seize opportunity and live life to the fullest.

Can you tell us a little about your upcoming debut EP? 

Our debut EP has six songs:

  1. Reach the Stars
  2. The Girls and I
  3. Take Me Back to the 90s
  4. Golden Age (Best Years)
  5. Lover Girl
  6. Bright

We do not exactly have a title for our debut EP but we are planning to release the EP this coming May. “Golden Age” is my personal favorite song, but “The Girls and I” will hopefully be our most popular song in our EP and we would like to have our own music video for the song, “The Girls and I”. The mock instrumentals are already made but needed their official remakes. This is our golden opportunity to travel to Los Angeles, California and meet up there in person in order to record our EP and do our music videos whenever we are available.

How does your forthcoming EP fit into your broader ambitions as an artist?

In our forthcoming EP, other members in Melody Key other than myself wrote some of our songs such as “Lover Girl” and “Reach the Stars”. Additionally, all six of our songs have different themes and stories behind them. “Reach the Stars”‘s theme is Zodiacs and Astrology. Whereas, “Golden Age”‘s story about how great and optimistic vintage culture is unlike modern-time media that can cause anxiety and melancholy.

Stream Melody Key on Spotify.

Follow the artist on TikTok.

Interview by Amelia Vandergast