Browsing Tag

Piano Pop Rock

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

IGOR created a harmonic ode to connection with Alana Diaz in his pop-rock ballad, In This City

The Ukrainian-born, NY-hailing pop-rock chameleonic enigma IGOR closed 2023 with a pop-punk hit that viscerally advocated autonomy. Instead of starting 2024 with a bang, he exhibited the softer side of his talent by unleashing the pop-rock piano ballad, In This City, which sees his evocative range amplified through harmonies shared with Alana Diaz.

Atop the minor piano keys and gentle string crescendos, a panoramic narrative unfolds, inviting you into a world of unfaltering connection. The sense of security depicted in the narrative synchronously painted between IGOR and Diaz as they portray two lonely figures in an inhospitable city is profound enough to deliver consolation to anyone who traverses our imperfectly isolating earth without someone to dispel the disconnection. Woven into the ornately strident release is the affirmation that blood doesn’t always run thicker than water; you can find your family in the soul of whoever is capable of salving the ache of alienation.

In This City was officially released on January 19th; stream the single on Spotify.

Review by Amelia Vandergast

Brigton’s Sadie Nix reached the pinnacle of candourous conviction in her piano pop-rock hit, Oblivious

With the minor piano keys, stridently pensive vocal harmonies, and depth of vulnerable emotion in the lyricism in the latest single from Brighton-based aural originator, Sadie Nix orchestrated a superlatively immersive alt-pop score with Oblivious.

With maturity, confidence and her ability to paint pain through melodies all transcending her years spent as an artist, Sadie Nix is a sensation that cuts through the superficiality of pop-rock while carrying all of the instant accessibility of it. What Kelly Clarkson was to 2004, Nix is to 2023.

Traversing the frustrations of invisibility and unaccountability through a lack of caring, Oblivious is one of the most powerful records we’ve heard this year. On the basis of it, I pity anyone that finds themselves on the wrong side of Nix’s conviction.

Oblivious hit the airwaves on February 3rd. Hear it on Spotify.

Review by Amelia Vandergast

Singer-songwriter [ai] has released their archaically infectious serenade, ‘Love in the Time of Tuberculosis’.

The idea of archaic disease probably won’t leave your heart beating faster in any positive way but the latest subversively amorous single from [ai], ‘Love in the Time of Tuberculosis’, definitely can.

If you can imagine what would happen if Nick Cave’s macabre mind melded with Tim Minchin’s ability to lyrically laugh in the face of mortality and the not so romantic aspects of existence, you’ll get an idea of what is on offer in this uniquely captivating soundscape.

The baroquely theatrical pop track comes with Brian May-style guitar solos, arresting piano-led progressions and [ai]’s ability to pull poetic parallels from across the ages. The single is a poignant reminder that the world has always been full of catastrophe, and it didn’t just start going to pot in 2020, we’ve had 100 years of adversity, no matter how much we feel personally slighted in the present.

You can check out Love in the Time of Tuberculosis for yourselves by heading over to YouTube.

Review by Amelia Vandergast.

Filled To The Brim – Turn Back the Time: Soul-Driven Piano Pop Rock

https://filledtothebrim.bandcamp.com/track/turn-back-the-time

NYC Piano Pop Rock artist Filled To The Brim injected euphoria onto the airwaves with their latest soul-driven single “Turn Back the Time” which was officially released in on May 1st 2020.

Fans of emotive Power Pop definitely won’t want to miss out on the up-tempo, danceable feat of piano-led Rock. With the harmonically poised Pop vocals and the energetic instrumentals, Turn Back the Time is the perfect addition to any feel-good Pop Rock playlists.

The lyrics may revolve around regret yet Turn Back the Time unfolds as an anthemically visceral optimistic track. It provides an olive branch of connection as it offers aural consolation that everyone feels remorse. But ultimately, it proves that regrets don’t always need to be synonymous with lament.

You can download and stream Filled To The Brim’s latest single Turn Back the Time for yourselves by heading over to Bandcamp.

Review by Amelia Vandergast