Browsing Tag

OST

8udDha bl0od – L3<3lV:iVWh0m7h383ll70ll5;7h3F!n.:.l CUR<38.:.ll.:.?;G0.:5g.:.m8l!ngWi7h7h3 g0dD5:H3lR.:.i53R

https://soundcloud.com/william-orpen/l33l-v-4-wh0m-7h3-83ll-70ll5-7h3-fnl-cur38ll/s-2iTQYxoC2pU

While we’re used to beguiling doses of experimentalism when we delve into Alternative artist 8udDha bl0od’s tracks their recently released soundscape was chill-inducing.

If you could imagine the soundtrack to a Horror flick set in a Tibetan monastery, you’ll get a good idea of how their latest intensely atmospheric release L3<3lV:iVWh0m7h383ll70ll5;7h3F!n.:.l CUR<38.:.ll.:.?;G0.:5g.:.m8l!ngWi7h7h3 g0dD5:H3lR.:.i53R unfolds.

The effects used in release L3<3lV:iVWh0m7h383ll70ll5;7h3F!n.:.l CUR<38.:.ll.:.?;G0.:5g.:.m8l!ngWi7h7h3 g0dD5:H3lR.:.i53R would enamour David Lynch himself. 8udDha bl0od’s deft mastery over the art of spatial effects was palpable. From the opulent chiming of bells to what can only be described as akin to the sound of rusted chains being dragged across the floor, you’ll hear it all in this indulgently disconcerting piece.

You can experience L3<3lV:iVWh0m7h383ll70ll5;7h3F!n.:.l CUR<38.:.ll.:.?;G0.:5g.:.m8l!ngWi7h7h3 g0dD5:H3lR.:.i53R for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Kris Vango – These Walls Around My Heart: Glacially Chilling Experimental Electronica

These Walls Around My Heart is just one of the chillingly immersive tracks found on up and coming experimental Electronica artist and producer Kris Vango’s latest album Venus Ritus which dropped on April 28th.

With a prelude which wouldn’t be out of place in a Sci-Fi horror OST, you’re gripped from the start in the glacial yet beguilingly cinematic soundscape.

If you could imagine what it would sound like if Infected Mushroom started producing creepy atmospheric soundscapes, you’ll get an idea of the striking ingenuity which you’ll find in These Walls Around My Heart. After the outro, the haunting tones are left to reverberate around under your ribs affirming you’ve just ingested an overwhelmingly visceral track.

You can check out These Walls Around My Heart along with the rest of Kris Vango’s album for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast

Ryan Douglas Michelsen – Camaraderie: A Profoundly Evocative Neo-Classical Composition

https://soundcloud.com/ryanmichelsen/camaraderie

Strap on a pair of headphones and prepare yourselves to be consumed by Ryan Douglas Michelsen’s recently released orchestral composition “Camaraderie”.

The US-based songwriter and artist has demonstrated their ability to construct intensely emotive soundscapes in the past. Yet, Camaraderie stands as a testament to their virtuosic talent when it comes to making melodies bleed emotion.

With the unpredictable crescendos, expect tension to linger in the ethereally-composed instrumental Neo-Classical work. But with their distinctive improvisational style, the best way to understand Ryan Douglas Michelsen’s epically cinematic work is to indulge in it for yourself. It will probably be in a cinema near you before long. Until then, you can use your imagination to fill in the visual gaps by allowing the orchestral instrumentals to arrest your emotions through the long, tensile notes.

You can listen to Camaradereie for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast

The ÆTHER – Instrumental: The Instrumental Album of the Year

The ÆTHER became one of the most unforgettable emerging artists of the year with the release of their single Alone which featured on their third album Ætherville. No matter how many times I listen to it, it still feels like I’ve had lead injected into my bloodstream.

Their latest 2-hour mammoth project “Instrumental” which consists of 32 tracks affirms that if anyone can be considered the Glenn Branca of our time, it’s The ÆTHER.

By sharing the same avant-garde composing style and the same tendency to experiment with volumes and tones it was never going to be an endurance test. From transcendentally light arrangements to piercingly sharp progressions, to droning guitars, each track swallows your conscious whole.

Rather than taking sole inspiration from other artists, The ÆTHER found inspiration in the work of filmmakers such as David Lynch and Duncan Jones. For the project, they used instrumentals used in their previously released self-produced albums. But with the absence of lyrics, there was no absence of expansive poignancy. The ÆTHER set out to create a new language by creating soundtracks to imaginary films, they more than succeeded. Listening to Instrumental almost feels like a collaborative experience. He’s laid out the explorative soundscapes with easily found aural passages. Then it’s up to find your own narrative.

Instrumental comes highly recommended to any fans of Thurston Moore’s latest extended-release “Spirit Counsel”. The ÆTHER may not currently share the same international acclaim as Moore. Yet his instrumental ability easily sits in parallel alongside their illimitable ingenuity.

You can listen to Instrumental along with their earlier releases on Spotify.

Keep up to date with new releases via Facebook.

Review by Amelia Vandergast

Wesley West – Leaving Earth: Reflectively Delicate Aural Catharsis

“Leaving Earth” is just one of the conceptually resounding singles which feature on Wesley West’s debut instrumental album “You’re Doing Well, Kid”.

With soundtracks being a major influence on Wesley West’s songwriting style, there’s a poignantly reflective air to each of the singles, especially with Leaving Earth. The highly evocative soundscape was inspired by an imagining of how it would feel to lie on a deathbed, moments before you leave your body behind and your soul ascends.

While that may seem like a morbid sentiment, Wesley West ensured that Leaving Earth is anything but melancholic. The delicacy of the lucid notes allows you to explore your own nostalgia while you get a taste of the artist’s through their home recordings of their family.

Leaving Earth is available to stream along with the rest of the album from December 20th via Spotify and Apple Music.

Review by Amelia Vandergast