Browsing Tag

OST

Basil Babychan cast a spectral shadow over his latest filmic score, Insentient Nature

https://soundcloud.com/basilbabychan/insentinent-nature/s-Zo5Ovv7zuQl?si=5165905864934628a4c17bc22fe9047c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Insentient Nature is the latest cinematically sombre neo-classic score from the avant-garde ambient composer Basil Babychan, who has garnered international critical acclaim for his phantasmally affecting work, which entwines futurism with touches of classical orchestration to create profoundly reflective sonic spaces.

The darkly compelling minor key progressions against the spectral shadows cast by the classical strings and glitchy synths lead the instrumental soundscape into a brand-new depiction of dystopia; one which allows you to see the beauty beyond the consternation. Harbingering the age of the machine and a sense of detachment from the organic world, Babychan taps into our fears, while demonstrating everything has its place and a right to belonging and freedom.

Insentient Nature is due for official release on November 10th; stream it on SoundCloud.

Review by Amelia Vandergast

JxPrezzo – A New Home: A Scintillating Exploration of Rebirth

With a touch of the more sombre scores found on the Westworld OSTs and lashings of orchestral beguile, JxPrezzo’s latest ethereal piano composition, A New Home, is a scintillating exploration of rebirth and a reconnection to security.

Four years after finding the inspiration to orchestrate his own compositions upon hearing the piano accompaniment to Echoes of Silence by the Weeknd, the solo artist released his debut score, A Year Later, in 2019.

By exploring his emotions through his always visceral minor-key melodies, each of his elevated works carries the cinematic gravitas of a composer who has dedicated their life to the craft. If you told me he graduated with honours from Julliard or The Royal Academy of Music, I wouldn’t think twice. He doesn’t just hold a candle to Nils Frahm and Philip Glass, he’s equally as luminary and eloquent in his melodies.

A New Home was added to JxPrezzo’s discography on the 7th of July; stream it on Spotify.

Review by Amelia Vandergast

Dig your way into a dystopic landscape with the dark hazy beats in Snakes of Russia’s single, Tunnel

Taken from the original soundtrack from the film, A Brush with Violence, the reworked iteration of Tunnel by the alt-electro producer, Snakes of Russia, is a harbingering descent through droningly dark synth lines and dystopically hazy laments, fed through the unpredictably rhythmic downtempo percussion.

Ambient and arrestingly alluring – to those who find comfort in the obscure – in equal measure, Tunnel is an ambient Avant-Garde work that you will want to burrow into time and time again for the way it paints light tones to cast shadows on the progressions. After all, no tale of horror can be told without holding a candle to humanity and the collective fears that show how precious our mortality is despite our nihilistic inclinations.

Stream Tunnel on Spotify now.

Review by Amelia Vandergast

Lydia Li set an otherworldly score in her orchestral composition, Enchanted Forest

From the first note, you’re down the fantastical rabbit hole in Lydia Li’s composition, Enchanted Forest. The LA-based Chinese composer and orchestrator has crafted scores for just about every form of media. But standing alone, the sense of wonder and emotional celebration of imagined celestial ephemera contained in Enchanted Forest is enough to capture your imagination and aid escapism.

Before composing her instrumental orchestral piece, Enchanted Forest, Lydia Li performed and recorded music across the globe. She provided the soundtrack to the Chinese show Bafan Shenyu, which has garnered over 40 million views. Appropriately matched levels of success and talent are rare to find, but notably, Lydia Li’s heartbreakingly astute melodies could never be over-revered. She’s raised the bar right off this stratosphere.

Visit the Enchanted Forest by heading over to Spotify.

Review by Amelia Vandergast

Discover your new metaphysical playlist staple with Basil Babychan’s ambient composition. Phantasm

Hans Zimmer fans will want to delve into the latest composition by Indo-Dutch artist Basil Babychan which extends his mission to create music from the soul for the soul; the concept behind the neo-classic ambient composition, Phantasm, is a lesson in philosophy. In his own words;

“Coping mechanisms are often subject to debate and scrutiny. They improve mental and emotional well-being by addressing anxiety, depression, and other mental health concerns, derived from painful real-life events. In many cases, one makes conscious or unconscious choices that enhances control over behaviour or gives psychological comfort by creating an alternate reality. Fantasy and Reality often overlap. We need Fantasy to survive our Reality.”

Phantasm unravels as the perfect soundscape to embrace our true reality, in all of its infinite metaphysical possibility and beauty. In the prelude, the intricate keys start tentatively ascending, as more layers amass in the meditatively textured single; Phantasm becomes a transcendental experience that reminds you, we’re all just energy constrained by our vision of a 4D reality.

Phantasm is due for official release on October 29th; you can check it out for yourselves via SoundCloud.

Review by Amelia Vandergast

The award-winning orchestral rock composer Aldo has released his latest cinematic score, Stem the Tide.

There has been an influx of ambient and easy listening music on the airwaves in 2021; it took the talent of pianist, composer and songwriter, Aldo to prove what difference a prodigal touch to a soundscape can make.

His latest progressively orchestral, rock-tinged single, Stem the Tide, starts around ambient piano melodies and flourishes of Celtic culture; even when the momentum starts to build, the sublime tonal bliss goes untarnished. The Emmy award-winners scores have been on countless TV shows and documentaries. He has still found the time to release six albums, all of them containing the same panoramic flair that he is accoladed for in the film and TV music industry. If any artist has the ability to redefine your perception of talent, it is Aldo.

Stem the Tide is now available to stream on Spotify.

Review by Amelia Vandergast

OSLU sets a sophisticated cinematic score in Goodbye Old Friend.

Jazz fusionist and soundtrack composer OSLU released their latest album, Explaudere, on October 1st. By taking modern film scores and classical music as inspiration, the neo-blues pioneer orchestrates accessible soundscapes that tenderly bind you into the ease of the progressions and the cinematic flair.

The instrumental single, Goodbye Old Friend, uses clean-cut blues guitars, shimmering crescendos and nuanced rock elements to testify to OSLU’s ingenuity when it comes to creating orchestral catharsis. It would be no surprise to see OSLU’s name on a Blockbuster’s roll of end credits. The sheer talent is enough to allow you to question everything you heard on the radio today.

Listen to OSLU’s latest album on SoundCloud.

Review by Amelia Vandergast

 

Sonophonix have released their alternative orchestral bond theme, No Time To Die.

To correspond with the new 2021 Bond film, the breaking classical duo Sonophonix have release their ethereal spin on Billie Eilish’s theme song, No Time to Die.

With Eilish’s rendition becoming the most haunting Bond theme to have ever existed, it was hard to see how more intrinsic beauty could be pulled from the minimalist score. Yet, Sonophonix discernibly succeeded by amplifying the intensity of the soundtrack with far more prominent orchestral strings and a more cinematically sinister edge. I wouldn’t have raised an eyebrow if I was told the composition was Ramin Djawadi’s work.

You can stream No Time to Die for yourselves on Spotify.

Review by Amelia Vandergast

Revel in the petrichor with Lian Kyla’s standout piano composition, After Rain

Lian Kyla

Revel in the petrichor with After Rain, the standout single from producer and composer Lian Kyla’s debut EP, Dream Maker. Each soundscape is an expression of creativity and emotion from the Philippines-based singer-songwriter, producer and author whose work resounds as much on the airwaves as it does onscreen.

The captivating progressions blossom in the tranquil release that introduces you to the artist’s unique neo-classical flair which she carves out through minimalist minor-key notes and delicate orchestral swells. The score brings you closer to nature without you ever having to leave your living room. At the risk of sounding hyperbolic, it has the feel of a modern masterpiece.

Dream Maker is now available to stream in full via SoundCloud. Connect with the artist via Facebook & Instagram.

Review by Amelia Vandergast

Janae Genna takes us ‘Down the Creek’ with her artful folk single featuring Alex Johnston.

Janae Genna

Down the Creek is the latest single to be released by the conceptually expressive singer-songwriter Janae Genna, featuring vocals from Alex Johnston. It was co-written by Janae Genna and Justin Brittain as part of the score for the film, Here Now. The accordant lullaby starts archetypally before the folksy single takes on an eerier tone, progressing almost in the same way as the cult-hit folk film Midsommar – before all the gore.`

Janae Genna’s and Alex Johnston’s layered harmonies give the otherwise minimalist soundscape a panoramically dynamic feel but as the single gears towards the outro, an uneasiness nestles into the release. The sense of anticipation it leaves you with could only be described as immense. You come to expect an ending akin to Nick Cave’s Where the Wild Roses Grow, you’re left with a foreboding unknown.

Check out Janae Genna on Instagram and YouTube.

Review by Amelia Vandergast