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Orizon

Orizon waxed lyrical on the distorted gospel of twisted faith in ‘thanks/sorry/fuck you’

Orizon

With thanks/sorry/fuck you, a seminal single from Orizon’s sophomore album Unchrist, the Melbourne-based experimentalist crafted an Avant-Garde symphony of conflicted thoughts and chaotic cohesion.

It’s an invitation to stare into the sonic abyss of a mind wrestling with a triality of contradictions and witness how the track builds on drill foundations, brashy boom-bap beats, and jagged synth lines that buzz like electricity sparking between frayed nerves. The track mirrors the unrelenting tension as gospel vocal samples surface intermittently, a warped and distorted reminder of the artist’s roots in Catholicism, where sin and salvation continually collide.

As the track evolves, Orizon’s steady and scarred bars hold their ground amidst unpredictable turns. Breakbeats tear through the production like the rapture battering stained glass windows, while moments of erratic electronica ensure the listener never settles into comfort.  The crescendos may be cinematic, but there’s little resolve to be found here as Orizon stands as a Lynchian figure in the experimental hip-hop sphere.

While his previous projects—Stories of the Supreme and RADIO (INPINK)toyed with loneliness and love, this final instalment tackles religion with raw introspection. Each note feels like an exorcism, but Orizon doesn’t stop at self-purging. He challenges listeners to confront their own faith and struggles with belief.

With thanks/sorry/fuck you, Orizon redefines what experimental hip-hop can achieve—not by neatly slotting into a niche, but by allowing unfiltered creativity to dominate. This is what happens when an artist lets the truth cut deep.

thanks/sorry/fuck you hit all major streaming platforms on December 20th; find your preferred way to listen and connect with Orizon via this link.

Review by Amelia Vandergast

Orizon made his disconcertingly disquiet debut with his avant-garde genre-evasion, WORMNO.1

Orizon’s debut single ‘WORMNO.1’ is a bold, genre-defying escapade that challenges the very fabric of musical norms. This avant-garde piece is a manifesto of Orizon’s unbridled creativity and audacious vision. From the outset, ‘WORMNO.1’ captivates with a cascade of keys, reminiscent of the haunting tones of the ‘Clockwork Orange’ soundtrack. It’s a journey that begins in classical territory but quickly diverges into a realm where hip-hop beats and neo-classical elements coalesce into something entirely new. Orizon’s dark, mantra-like vocals serve as a grounding force amidst the chaos, offering a comforting anchor in this storm of sound.

Listening to ‘WORMNO.1’ is akin to imagining Glenn Branca’s ‘The Ascension’ reimagined with a hip-hop heartbeat. The track is a testament to Orizon’s ability to bend genres to his will, creating a soundscape that is as disquieting as it is mesmerising. The juxtaposition of classical serenity and hip-hop’s raw energy creates a disarming effect, reflecting the tumultuous nature of human emotions and relationships.

Orizon’s debut album, ‘RADIO (INPINK)’, promises to be a journey through love’s many stages, with ‘WORMNO.1’ setting the tone for this exploration through a blend of anarchy, sophistication, and a touch of synth supervillainy.

In ‘WORMNO.1’, Orizon laid down the gauntlet for the future of music. It’s a bold statement from an artist unafraid to venture into uncharted territories. As the final notes fade, one thing is clear: Orizon is not just here to play music; he’s here to change the game.

WORMNO.1 was officially released on the 2nd of January; stream the track on Spotify.

Review by Amelia Vandergast