Browsing Tag

Noise Punk

Yur Mum – Duality: Unflinchingly Authentic Brazilian Punk Rock

I may be late jumping on Yur Mum’s scuzzy punk rock bandwagon, but after feeling how deep the unique angle to their visceral edge cuts while they played in support of The Battery Farm and witnessing how they can merit the title of their latest LP, Duality, I discovered a duo that’s criminal to sleep on.

The way their Brazilian roots pull through the complex fusion of frenetic percussive rhythms creating a thunderous heartbeat pulsating through rapid and intricate cadences against the snarled basslines incited a riot of distinctly augmented annihilation.

Affectingly authentic to the core and so much more than the sum of their synergistically dualistic parts, Yur Mum is destined for bigger stages; the intuition into each other’s pandemonic energy is evidenced in every antagonised aural atom of their sound.

Two of the standout singles from the duo’s latest album, Anhangá and Hands to the Sky encompass the versatility of the London-based Brazilian duo comprising Anelise Kunz (bass/vox) and Fabio Couto (drums).

Hands to the Sky goes heavy, low down and dirty, and infectiously kinetic with the grooves that leave the rhythmic pulses in a vice grip as the bass lines whip up hypersonic fury around Anelise’s rock reverent vocals. Anhangá hits even harder, orbiting around profane levels of distortion while Anelise uses the gratifyingly discordant noise as the playground for her chameleonically charismatic presence.

Stream and purchase the Duality LP on Bandcamp.

Follow Yur Mum on Instagram or hit their official website for more info.

Review by Amelia Vandergast

Lucas Kurmis – I Thought I Died: Alluringly Dark Avant-Garde

Lucas Kurmis

‘I Thought I Died’ is the forthcoming Avant-Garde Noise Folk Punk single from Plymouth-based artist Lucas Kurmis. It makes Sonic Youth sound tame.

It feels like somewhere along the way everyone forgot that art should comfort the disturbed and disturb the comfortable, everyone apart from Lucas Kurmis. I Thought I Died is confrontational, abrasive, and utterly transfixing. The snarled spoken word vocals float over sporadic drum pounding and cymbal smashing, pulling the mix together is a sparse smattering of reverby electronic effect which nicely completes the minimalistic yet monumentally resounding single.

You’ll have to wait a little longer before you can check out I Thought I Died for yourselves. In the meantime, head over to SoundCloud to delve into their earlier releases.

Review by Amelia Vandergast

 

DR SATSO – Sour Milk: Sonically Frenetic Psych Post Punk

‘Sour Milk’ is just one of the riotously dark and psychedelic tracks to feature on DR SATSO’s debut album ‘A Sour Milk Experience’.

For the non-discerning fans of Psych who stay in the safe confines of the overhyped works of the Beatles and Pink Floyd, the soundscape may be as pleasant as ingesting sour milk, but those with an affinity for truly mind-warping, rhythmically disturbing alternative music will definitely want to delve into this monolithic feat of Psych, Post Punk, Garage Rock and Punk.

As the bouncing frenetic guitars emit enticing similarities to the Oh Sees, the rest of the instrumentals coalesce to bring a cold cutting energy to the galvanizingly pioneering soundscape while the vocals will be a hit with any fans of Poison Ivy, Magazine and SERVO.

While Sour Milk hasn’t done my need to witness fuzzy and frenetically insurgent music live any favours, it did affirm that DR SATSO is undoubtedly one of the most viciously revolutionary artists to hit the airwaves in 2020.

You can check out Sour Milk along with the rest of DR SATSO’s sonically visceral album via Spotify.

Review by Amelia Vandergast

FEMUR – Misery Express: The lockdown-born No Wave track which perfectly emulates the proclivity of misery

Sheffield’s charismatically abrasive instigators of volatile Psychedelic No Wave, FEMUR, amped up the intensity and visceral fortitude of their sound with their latest release ‘Misery Express’, allowing me to finally experience something more disquieted than my own mind during lockdown 2.0.

With psychedelic melodicism acting as the glue which keeps the savagely caustic tapestry together, Misery Express pairs a tundra of rampantly thrashed over-driven guitars with creeping tones which allow you to sit in anticipation for the next monumental breakdown. It’s heavy enough to give the Berzerker a run for their money, all the while exuding an Avant-Garde noisy edge which has become synonymous with FEMUR’s sound.

The lockdown-born track perfectly emulates the proclivity of misery; the full-frontal scathing volition and those moments between where you’re able to catch a breath, but your mind is still dizzied by rage.

You can catch the official video on YouTube. Or you can listen via Spotify.

Keep up to date with the latest antics from FEMUR via Facebook.

Review by Amelia Vandergast