Browsing Tag

Noise

Thee Spicy Leviathan cut through the ‘Noise’ with their latest alt-rock juggernaut

The latest stoner rock-adjacent single, Noise, from Manchester’s freshly formed outfit, Thee Spicy Leviathan, borrows a few salacious leaves from Deftones’ sonic playbook, scrawling their sonic signature across the pages. Once lured by the seductive rhythmic pulse of the single, subversion sinks in as the euphonic deadpan vocals transition from crooning to screamo snarls, unveiling a vicious sense of duality in the production that mirrors the hypersonic drama reminiscent of Muse. It’s practically the stoner rock equivalent of a horror film jump scare, heightening the immersion in the technically cultivated, tumultuously ingenious track.

It’s been a while since I’ve been able to say that Manchester harbours a new, truly prodigious outfit, but no one can deny the powerhouse is cutting through the nostalgic banality of the scene, blazing a similar trail to Dirty Laces, Deja Vega, and The Virginmarys.

As they gear up for their debut album launch later this year, Thee Spicy Leviathan is poised to ignite the alt-rock genre with their explosive, primal energy.

The official music video for Noise premiered on October 2nd; stream it on YouTube now.

Review by Amelia Vandergast

Conversations in Sound: An Interview with Insomnia on their Artistic Evolution and Ethos

Joining us at A&R Factory today is the band Insomnia, known for their introspective exploration of profound themes through a unique sonic palette. As they continue to expand their influence beyond San Diego, the band share the essence of their sound, marked by a dynamic range and the integration of deeply personal and universal lyrical content. Their approach invites listeners into a reflective auditory experience, resonating with themes of isolation, grief, and morality. This discussion sheds light on how their music serves as a narrative conduit for both the personal and the collective.

Insomnia, welcome to A&R Factory! It’s a pleasure to sit down with you to discuss the ethos and pathos that pulse at the heart of your music and performances. What kind of reputation have you amassed in San Diego and beyond?

Insomnia feels we have ascertained a dependable and influential reputation due to our ability to push boundaries with both our lyrical styling and entertaining performances. Venturing outside of our hometown has brought us success in the form of new audiences that are now excited to see us and Rat Pope take the stage whenever possible.

What’s an essential component of the Insomnia sound?

An essential component of the current iteration of the Insomnia sound would have to be our use of a loud-quiet dynamic to convey the tone of our storytelling within a song.

How has your sound evolved since your debut and what has inspired these shifts? 

Over time, our sound has been able to evolve greatly thanks to the ability to get comfortable performing our music in front of audiences. Their reaction delivers great feedback letting us know what works for them. To coincide with this, their reactions also allow us to understand what boundaries we can push in order to keep things interesting for all.

The lyrical themes in your music scratch far beyond the surface; what do you hope to achieve by exploring introspective avenues in the vein of isolation, grief and morality? 

Insomnia loves to explore what many consider to be “heavier” topics in a way that is accessible and relatable in order to not beat listeners and audience members over the head with it.

In some instances, we’re able to use our instrumentation to covey tone while in other cases we can make those more unsavory topics digestible by using metaphors and/or accompanying them with poppier sounding musical backing as a means to almost desensitize listeners so they’re able to take in the depth and complexity of our lyrics.

How have your personal experiences shaped your lyrical style?

As the lead songwriter of Insomnia, Noah employs many aspects of his personal experiences when creating lyrics for the band’s music. Topics such as fear of death and distaste with overbearing societal expectation are often found within Insomnia’s lyrics as these are struggles that he has had to tackle in his life. Aside from this, Noah loves to base songs around small bits of poetry and/or short stories he has written almost giving them a new life in the form of song. At the end of the day, Insomnia’s songwriting is meant to be almost ambiguous as the group prefers listeners attach their own personal meaning rather than professing their own defined message.

How do you balance personal vulnerability with universal relatability in your songwriting?

In order to make Insomnia’s songs retain their personal vulnerability while also remaining universally relatable, the band makes use of metaphors and double entendre statements as a way to allow the listeners to search for the “true” meaning.

Can you elaborate on the genesis of the rat pope and what the mascot represents in the context of your music?

The Rat Pope was never meant to be a physical being represented at our shows, but rather an idea based on a disdain for religious hypocrisy. The album art for Easter Sunday showcases an animated form of the figurehead which was then adapted to a live mascot of sorts parading around the stage at shows in order to draw relation for the audience between the message and the song itself.

You are known for your intense and emotionally charged live shows. How do you prepare for these performances, and what do you hope your audience takes away from these experiences?

We don’t do much in the vein of preparing for shows. We prefer to approach every show as if it is our last, leaving all the energy we have on the stage showing the audience and other bands sharing the night with us that it is okay to dive head first and have fun. As far as what we hope the audience takes away from the night, we aspire to be memorable and for the audience that night along with our streaming listeners to follow along with our evolution.

What does an idealistic future look like for Insomnia? 

An idealistic future for Insomnia entails the band being able to expand their audience reach beyond their home state. The band aims to test the limits of how the people could categorize Insomnia and evolve their sound and performances to be as impactful as possible.

Are there any new releases lingering in the pipeline?

Insomnia is deep in the works on a new single entitled Garbage Day perhaps hinting at a future larger release. Suffice to say, it’s not so much for us to say what lies ahead, it’s simply for the audience to stick around and find out.

Stream Insomnia’s discography on Spotify.

Connect with the band on Instagram.

Interview by Amelia Vandergast

Dead Of Night: Boston-based rockers Canyons and Locusts shows us inside the Night of the Locust

Roll The Dice by Canyons and Locusts

Steaming through the airwaves with a high-speed release from their recent 10-track album Roll The Dice, Canyons and Locusts return with a raw display to mosh with all evening on their latest single Night of the Locust.

Canyons and Locusts are a Boston, Massachusetts-based alternative noise-rock duo who seem to have rocket fuel simmering inside their veins.

Their recording process took formative conversations between two cities to one studio in Boston where they dug in, found the essence of each song, and then brought it loudly to life.” ~ Canyons and Locusts

Brimming with a confident edge to tell your mates about, Canyons and Locusts are in formidable form and shake our souls awake with an authoritative performance that is quite superb and rather menacing at times.

Night of the Locust from Boston, Massachusetts-based alternative noise-rock duo Canyons and Locusts is a supreme production that is filled with intensity, a real drive, and a hugely desirable output. They are an electric outfit and show us that underground music is certainly where it’s at on this dynamic release. Laced with an ear-tingling vocal effort to turn your head and a delightful energy, this is a track to get excited about.

You will want to turn this one on loud. Neighbors beware.

Listen up to this vibrant tune on Bandcamp and see more via the IG.

Reviewed by Llewelyn Screen

Norman Lampeye feels like his whole soul is plummeting through the motions on ‘Autopilot’

After gloriously bugging our ears to open properly on his debut single called ‘Locust‘ from April 28th, Norman Lampeye senses his creative mind is falling asleep from the limited chemistry on offer with, ‘Autopilot‘.

Norman Lampey is a New York City, USA noise-pop solo artist who swarms the speakers with buzz-cutting effect and is one of the most underrated musicians around.

Song about talking to someone you hardly know on the phone.” ~ Norman Lampey

As she avoids the next call because of that dreaded feeling he knows isn’t good for his soul, Norman Lampey shreds the mic and bolts up our precious spirits away from someone you know you have no future with.

I have really bad anxiety when I talk to people & it’s not face to face for some reason.” ~ Norman Lampey

Autopilot‘ from New York City noise-pop solo artist Norman Lampey is a true story which shows you that sometimes you just don’t have a connection and it can truly startle you. Singing with a supremely inventive style that will have you thinking deeper about that moment when you just knew it would not work out, no matter how hard you tried.

When you think about the way out quicker than expected, you just know you need to fly away before you get stuck in an undesirable nest.

Hear this new single on SoundCloud and see more via the IG.

Reviewed by Llewelyn Screen

Rampaging Metal: California’s Sound Animal brings the scorching heat with ‘Botulism Cafe’

Shredding the walls down one by one with a totally intoxicating ambiance that shall heighten all your inner senses out of any self-enforced slumber, Sound Animal ravages our previously-innocent ears with his latest track ‘Botulism Cafe‘.

Sound Animal is a California-based and self-described experimental noise/drone/desert/doom Instrumental metal solo artist.

Botulism Cafe is Noise Metal. Dirty, farty grit to have fun kicking out walls with. Ballsy dissonance from an apartment bedroom.” ~ Sound Animal

There is a fiery explosion of blaring sounds from a truly possessed artist who is in the prime of his career – with the gusting winds of creativity roaring down on him – like a hungry Lion who needs a snack right now as his belly rumbles furiously. The ear-piercing energy is quite overwhelming at times, with a booming speaker-breaking force that is unlike anything heard so far in 2021.

Botulism Cafe‘ from the experimental dark doom California-based solo artist Sound Animal, is an almost eight minute experience that shall have your over-stimulated mind feeling rather enraptured with this whole experience. This is loud, brash and in your face, with no let ups for a breath at all. Exactly the way it was intended after all.

Hear this wild new track on Soundcloud and see more via the IG music page.

Reviewed by Llewelyn Screen

FEMUR – Misery Express: The lockdown-born No Wave track which perfectly emulates the proclivity of misery

Sheffield’s charismatically abrasive instigators of volatile Psychedelic No Wave, FEMUR, amped up the intensity and visceral fortitude of their sound with their latest release ‘Misery Express’, allowing me to finally experience something more disquieted than my own mind during lockdown 2.0.

With psychedelic melodicism acting as the glue which keeps the savagely caustic tapestry together, Misery Express pairs a tundra of rampantly thrashed over-driven guitars with creeping tones which allow you to sit in anticipation for the next monumental breakdown. It’s heavy enough to give the Berzerker a run for their money, all the while exuding an Avant-Garde noisy edge which has become synonymous with FEMUR’s sound.

The lockdown-born track perfectly emulates the proclivity of misery; the full-frontal scathing volition and those moments between where you’re able to catch a breath, but your mind is still dizzied by rage.

You can catch the official video on YouTube. Or you can listen via Spotify.

Keep up to date with the latest antics from FEMUR via Facebook.

Review by Amelia Vandergast

Yellow Nymphos give us A Handful Of Something Sticky

https://yellownymphos.bandcamp.com/track/a-handful-of-something-sticky

Yellow Nymphos is Makain Wiginton (guitar, synths, vocals) and Calvin Brown (Bass, Vocals, Synths) from New Orleans – plus drums from ‘The Machine’, of course.

‘A Handful of Something Sticky’ is three minutes of dark, moody alt-rock from their ‘Crooked Inhale of The Bung Donkey’ album, all meandering bassline, deep-spoken vocals, and a ripped-speaker-cones-distortion of a guitar-part for the finale.

Released, appropriately, on Halloween, and coming on like tarmac jelly or jellybean-flavoured crisps, this is disturbing, unsettling indie for people who like their music just a little more left-field than the acres of generic, pseudo-alternative sanitization that passes for the majority of modern rock n’ roll.

‘A Handful Of Something Sticky’ might just possibly be the aural equivalent of waking up post-party to find one of your eyebrows has been shaved whilst you slept, but since when has that EVER been the sign of a bad thing?

Check out Yellow Nymphos on Bandcamp and Facebook.

Review by Alex Holmes

jain – kneading: Eccentrically Volatile Alt Garage Rock

https://jaintn.bandcamp.com/track/kneading

Nashville, Tennessee artist jain released their noisy Garage Rock EP the end of June’ at… the end of June. The track which caught our attention was the discord-spilling riotously angsty single ‘kneading’.

The short and distortedly sweet track incorporates elements of Punk, No Wave, Post Hardcore and Indie and throws in some sonically psychedelic lead guitar work to ensure that you’ve never heard anything quite like this eccentrically volatile release before.

In short, kneading is utter chaos and it can even make artists such as Pavement and Daughters seem middle-of-the-road.

You can check out kneading for yourselves by heading over to Bandcamp where you’ll be able to download and stream the rest of the EP.

Review by Amelia Vandergast

8udDha bl0od – Untitled 1299; L3<3l <3; liv3 4 n0WVL0<3 f0R3<3R:12:42; !! + ii = V; fligh7 0f 7h3 3.:.gl3

https://soundcloud.com/william-orpen/untitled-1299-liv3-4-n0w-l0v3-f0r3v3r

8udDha bl0od’s recently released single “Untitled 1299; L3<3l <3; liv3 4 n0WVL0<3 f0R3<3R:12:42; !! + ii = V; fligh7 0f 7h3 3.:.gl3” is a must for any fans of Sonic Youth and Glenn Branca.

But rather than assimilating Avant-Garde pioneers, 8udDha bl0od weaved in plenty of their own distinction through the use of bluesy, hazily psychedelic atmospheric tones.

The experimental Math Rock notes fall into just the right place to create a rhythmic pull which will lead you through the deftly crafted progressive soundscape. As the track progresses, the rhythms get tighter and tighter until you’re aware that your own rhythmic pulses have become arrested by the hypnotically cutting track.

You can check out Untitled 1299; L3<3l <3; liv3 4 n0WVL0<3 f0R3<3R:12:42; !! + ii = V; fligh7 0f 7h3 3.:.gl3 for yourselves along with 8udDha bl0od’s earlier releases by heading over to SoundCloud now.

Review by Amelia Vandergast

8udDha bl0od – 57rAng3r 7hing5 D0Wn5!D3 Up in the Up5!D3 D0Wn W0rlD

“57rAng3r 7hing5 D0Wn5!D3 Up in the Up5!D3 D0Wn W0rlD” is just one of the most recent releases from Brighton-based Alt Rock 5-piece 8udDha bl0od. You won’t hear another more intensely immersive track on the radio today.

The production has an ambient, light, and dreamy melodic feel, yet, 57rAng3r 7hing5 D0Wn5!D3 Up in the Up5!D3 D0Wn W0rlD isn’t a track which you mindlessly slip into. The striking tones of the ethereal electronic effects and overdriven guitars will make sure every seamlessly unpredictable guitar progression has your full attention.

We often speak of tracks being magnetic, but this time, you almost feel as though you’re being pulled into a Lynchian dystopic aural black hole. Their ability to blend melancholy with transcendental energy is unparalleled.

Naturally, we can’t wait to hear the psychotropic wonders 8udDha bl0od have in the pipeline ready to drop in 2020.

You can check out 57rAng3r 7hing5 D0Wn5!D3 Up in the Up5!D3 D0Wn W0rlD via SoundCloud now.

Review by Amelia Vandergast