Browsing Tag

Nick Cave and the Bad Seeds

Enter the Abyss: Michael Beirne’s Dark Folk Descent in The Doctor.

If you thought dark folk couldn’t get any darker, Michael Beirne’s seminal single, The Doctor., takes the listener to the genre’s most shadowed corridors. Taken from part 1 of his two-part LP The Haunted, The Doctor. is part of a larger chapter narrating an emergence from depressive, anxious, psychotic & sinful patterns of thought into hope & forgiveness.

Drawing inspiration from his Catholic faith, Beirne fuses religious iconography with motifs from avant-garde compositions which echo Glenn Branca, creating an eerily electrifying soundtrack to your darkest installations of introspection.

Vocally, Nick Cave meets Jim Jones to instil intensity around the pseudo-rap cadences which serve as dark sermons, resonating through the brooding production through which Michael Beirne cements himself as one of the most fearless figures in the contemporary alternative folk scene.

His ability to fuse experimental soundscapes with deeply personal themes, all while avoiding the genre’s clichés, shows just how much he’s evolved since his early days of experimentation.

The sombre tones may be all-consuming, but Beirne’s ability to make the descent into the abyss feel like a cathartic act of faith is nothing short of divine.  If this is what Beirne can accomplish while staring into the void, we can only imagine what’s next.

Stream The Haunted Album, Pt. 1 and Pt. 2 in full on Spotify now.

Review by Amelia Vandergast

Mustard Mountain Moving Company lament societal idiosyncracy in their Avant-Garde debut, Make it Stop?

For anyone that can relate to the sentiment ‘stop the world I want to get off’, the debut single, Make it Stop? from Mustard Mountain Moving Company should be considered unmissable.

Far from another lockdown lament, the track has been 18-years in the making from the Pittsburgh scene veterans, proving that ennui-blackened frustration has been viable for almost two decades. Yet, notably, it was a devilishly timely release from the lo-fi Avant-Garde artist, who will enamour fans of Elliott Smith and Nick Cave and the Bad Seeds alike.

While the lyrics put the idiosyncrasies of our modern existence in the spotlight, the playful synths ensure that the light of day isn’t all too harsh. You couldn’t ask for sweeter sugar for the pill of reality. Do yourselves a favour, affix them to your radar.

You can hear Mustard Mountain Moving Company’s debut single for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Find the optimism in existentialism with Bill E Daly’s latest single, ‘All We Have’.

‘All We Have’ is the fourth single to be released by Irish singer-songwriter Bill E Daly, an artist in the habit of shifting perspectives with the lyricism cased in their constantly in-flux sound. The only constant is the assurance that you’ll be drawn in by introspection that dares you to embrace the dark while seeing the light.

By channelling the Doors and Cash into All We Have, it boasts the perfect contrast between tonal accordance and swampy lyrics. The dark folk imagery takes your psyche to a macabre school while Southern bluesy soul reaches out with a touch of compassion.

With their next single ready for official release on April 22nd, it will be more than worth making room on your radar for the singer-songwriter – especially given their tendency to pull optimism out of existentialism.

All We Have is now available to stream via Spotify.

Review by Amelia Vandergast