Browsing Tag

Neutral Milk Hotel

In Our Sea electrified the airwaves with their rhapsodically eclectic alt-indie single, When You Kissed Me I Went Numb

The third album, Flowers! Swallow Me!, from the inimitably rhapsodic and harmonically euphonic outfit, In Our Sea, has landed, introducing one of the most infectious singles to date from the architects of unpretentious alt-indie.

If you took the jangle pop guitars of Johnny Marr, the sticky-sweet synthy sensibilities of Yo La Tengo, the kaleidoscopic colour of the Beatles and the innovatively rhythmic flair of The Violent Femmes, you’d be left with a soundscape as electrifying as the standout single, When You Kissed Me I Went Numb. The lyrically avant-garde celebration of pure and innocent passion hits as hard as any of the tracks on Neutral Milk Hotel’s In the Aeroplane Over the Sea LP. With the unbridled self-effacing energy that’s poured into the single by the smorgasbord, it is impossible not to fall for In Our Sea, melodic hook, line, and sinker.

When You Kissed Me I Went Numb was officially released on July 5th with the Flowers! Swallow Me! LP; stream it on Spotify now.

Review by Amelia Vandergast

Explore the cosmos with the indie folk-punk Starchild, Charlie Diamond, and his latest single, Magnetic Love Atomic Romance

Charlie Diamond, the self-professed alien on Earth, has shifted sonic form to transmit his latest single, Magnetic Love Atomic Romance.

The rugged and raw folk elements from his previous releases are enmeshed within the release which blends the anthemically augmented aura and massive vocal hooks of The Courteeners with the subversive folk-punk edge of The Violent Femmes. The spacey Bowie-esque middle-eight adds another dynamic to the expansive release. The juxtaposition of the ornate violin strings and cosmic textures allows you to get lost in transmission as you’re prised away from the grip of gravity.

Rather than diminishing the raucous high energy of the release, which signifies that Charlie Diamond is stridently coming into his own, the gritty DIY aesthetic of Magnetic Love Atomic Romance immerses you deeper into the expressively exhilarant release which sees the singer-songwriter stridently wearing his heart on his guitar strings.

If the unfiltered amorous candour of Neutral Milk Hotel never fails to evoke affectionate emotions, prepare to fill your soul with Magnetic Love Atomic Romance which attests to love’s ability to abstract monotony from our mortal coil and liberate us into a higher form of consciousness.

The official music video for Magnetic Love Atomic Romance will premiere on YouTube on June 29th.

Review by Amelia Vandergast

Never look at apocalyptic fiction the same again after losing yourself in McKay’s indie-folk earworm,  Last Man Alive

Staying true to folk roots while not getting entrenched in its antiquities, the Nashville indie folk quartet McKay made the genre relevant for this generation with their larger-than-life rendition of their latest single, Last Man Alive.

If you have ever immersed yourself in apocalyptic sci-fi media and wondered if you would have the determination to endeavour or simply submit to the same fate that removed the majority of the planet, you’ll hear familiar thoughts and questions echoed back at you. But McKay goes even further by touching on all of the ways that we make sense of space and time as society keeps on buzzing away. It’s impossible not to become caught up in a state of contemplation as you listen to the harmonica blow over the raw folk chords and Hudson Haining’s pontificating vocals, which bring you right into the introspective world the promising outfit constructed.

With the evocative pull of Deathcab for Cutie fused with the sonics of Neutral Milk Hotel, McKay’s sound is original as it is intimately affecting.

Last Man Alive will be available to stream on all major platforms from January 28; stream it on SoundCloud first.

Review by Amelia Vandergast

McKay exhibited cybernetic sickness in their indie folk punk single, Plugged

https://soundcloud.com/mckay-608898721/plugged/s-KL9ziCSNpVD?si=96964519eb94489d9d6a39b352cda082&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

If the Beatles psychedelically strode across Pavement’s indie rock obscurity and checked into the Neutral Milk Hotel, the sonic result would groove in the same vein as McKay’s single, Unplugged.

The indie folk punk outpour of raw striking rancour inhibits nothing as the track veers from kaleidoscopic psychedelia to gritty instrumentation and lyrical volition that allows you to feel the inward visceral frustration that encompasses our inability to be a perfect portrait when the landscape that surrounds us warped by increasingly digital dystopia.

I’m pretty sure we can all relate to the exposition of how toxic dopamine habits compel us to stay hooked up to all the wrong lifebloods and leave us at further odds with ourselves. Given the evocative immersion Plugged provides, it is no surprise that McKay has become one of the hottest indie acts in the Nashville scene.

Plugged will debut on September 14; stream it on SoundCloud.

Review by Amelia Vandergast

Slip into the hazy catharsis of No Lonesome’s Indie-Psych-Folk single, It’s

With tones that will do as much for your nostalgia-seeking soul as songs from The Beatles, The Maccabees, and The Violent Femmes, the debut album, Flowers Recomposing, from the Chicago-hailing alt-folk outfit No Lonesome is a Tour De Vintage Force.

Between the blissful timbres of the harmonies and the serotonin that spills from the foggy with euphoria horn stabs, the standout single on the album, It’s, is the perfect introduction to the ingenuity of No Lonesome, which can be tracked through the distinction in the production that melds the quirky intimacy lo-fi with higher fidelity instrumental recordings.

If you were under any illusion that fresh alchemy can’t be squeezed out of amalgamating folk, 60s psych-pop and indie Americana, the seminally sticky-sweet LP will prove you otherwise as soon as you slip into the hazy catharsis.

The debut album from No Lonesome is now available to stream via Spotify.

Review by Amelia Vandergast

McKay versed indie-folk-punk poetry in their latest sardonically scintillating single, Bad Liar

McKay

Bridging the sonic gap between Neutral Milk Hotel, Mumford and Sons, and Bob Dylan is the confessionally exhilarant indie folk single, Bad Liar, from the storytelling four-piece, McKay.

While the vocal melodies prove all too well that McKay know how to hit their harmonised vocal notes with euphonic precision and honed cadence, Bad Liar favours the visceralism of raw spoken word expression, allowing the meta lyrics to hit harder than a candid meteor from space.

With each progression, the single drifts from different eras of folk, while the harmonica timbre will throw you right back to the 70s, the folk-punk energy and massive indie folk choruses fast-forward through the decades at breakneck speed.

The Nashville-hailing outfit may be best known for their passionate performances during live shows, but thankfully, for all of us across the pond, their insightful lyricism and dynamic presence resonate just as well on record.

Bad Liar will hit the airwaves on August 1st; stream it on SoundCloud and follow the affably rogue outfit via Instagram and TikTok.

Review by Amelia Vandergast

Number One Babe Team delivered spiritual salvation in their alt-indie single, The Final Hallelujah

With subversive references to While My Guitar Gently Weeps in the lyrics and a touch of Neil Young to the lightly timbered sentimentality in the vocals, the standout single, The Final Hallelujah, from Number One Babe Team’s debut LP, See You Later, is a euphonic reverie of nostalgia, which more than has its place on contemporary airwaves.

As alluded to by the indie band’s moniker, Number One Babe Team doesn’t take itself too seriously, making their soundscapes, which also incorporate shoegaze-y guitars and touches of Elliott Smith in the songwriting, infinitely sweeter.

If Neutral Milk Hotel honeyed their soundscapes to the nth degree but still maintained the quaint humility, the result wouldn’t be too far removed from the sonic signature scribed by the Salt Lake City premier act, which has become an integral part of the touring circuit since their 2022 debut.

Stream the full LP, which hit the airwaves on June 9, via Spotify.

Review by Amelia Vandergast

Gwac paves the way towards acquiescence in his alt-indie-folk single, Stacks

South Korea-based singer-songwriter, Gwac, unveiled the quiescent alt-indie-folk melancholy in his debut EP, MOHO, on December 19th. Narrating themes of loss, denial, regret and acceptance, the 4-track EP flows through the grief cycle, hitting the most visceral spot on track two, Stacks.

With hints of Neutral Milk Hotel’s In the Aeroplane Over the Sea paired with the monoculturalism-shattering world music motifs, innovation mellifluously spills. The accordance set up by the angular guitar work and woodwind instrumentals fed through torrid effects reflects the storms we weather before we arrive at a state of mind where we break through the listless frustration and arrive at a place of acquiescence.

“Throughout the making of this EP and digging through past experiences, I learned that sadness has a lot of dimensions for me. Some of the saddest memories are sometimes the most beautiful things I know. There’s no need to try and erase them or run from them. By just letting it be, I see a bit of light in my unsettling mind”.

On that note, Gwac’s mind may be one of the most beautiful things I’ve encountered in 2022. His tangible songwriting and instrumentally conceptual talents are one thing; his ability to recontextualise pain and share a brighter philosophical perspective with his listeners is fundamentally requisite in these times.

Stream Stacks on YouTube, Spotify, and Apple Music

Review by Amelia Vandergast

AJ Elkins has released his indie folk meditation, Breathe In Breathe Out

With an acoustic guitar intro that rings with the same evocative timbre as Neutral Milk Hotel’s Two-Headed Boy before bursting into an art-rock arrangement, AJ Elkin’s indie folk single, Breathe In Breathe Out, is an emotionally-charged extension of sanctity.

The Nada Surf-Esque lyricism that sympathises with the trials and tribulations of the modern age becomes efficaciously consoling against the rugged progressions. The US singer-songwriter clearly has a knack for creating connective music; we can’t wait to see where his compassion and songwriting tenacity takes him – he is undoubtedly one to watch.

Breathe In Breathe Out is now available to stream on YouTube.

Review by Amelia Vandergast

Alexander Joseph put us on the right path with his sun-bleached indie-folk serenade, Summertime Compass

The same uniquely captivating feeling that confounded in the raw and confessional sound of Frightened Rabbit and Neutral Milk Hotel can be found in the latest release from the UK singer-songwriter Alexander Joseph.

The acoustic version of Summertime Compass starts with a bluegrassy Americana sun-bleached timbre from the acoustic strings before the summertime serenade builds into an upbeat indie earworm with lyrics that can lighten any perspective on the forthcoming months.

The start of Summer is usually when I roll my eyes with all the trite singles that bubble at the surface of the airwaves but Alexander Joseph definitively proved that there’s some room for endearing originality left in that market after all.

The acoustic version of Summertime Compass will officially release on June 3rd. You can hear it for yourselves via Spotify.

Review by Amelia Vandergast