Browsing Tag

Mr Bungle

Play That Funk Metal Music and Hit Play on Master Splinter’s Latest Installation of Clamorous Rancour, Wednesday Night

Posted on 28 November 2023

For their latest release, Wednesday Night, the trailblazing outfit, Master Splinter, which is hell-bent on being the breakthrough outfit out of the year funked up a sludgy and clamorous alt-rock aesthetic reminiscent of Mudhoney, Melvins and Soundgarden while proving once again that Mike Patton isn’t the only one capable of delivering the Mr Bungle effect.

If you’ve ever wondered what it would sound like if a 70s funk rock ensemble had a violent acid trip with instruments in hand while being caught in the throes of lust, indulge in the Portland, Oregon-hailing troubadours of rhythmically tight, face-melting aggression’s latest offering, which punches through hip-hop-inspired drums and uses the devil may ensnare vocal lines to rile up the energy from the searing hot guitars and prowling basslines.

The 2023 Remaster of Wednesday Night hit the airwaves on October 26; stream it on Spotify.

Review by Amelia Vandergast

Velvet Lune spares us of our ‘Gloom’ in their riotously explosive alt jazz infusion

Posted on 1 March 2022

Southern California’s most explosive jazz fusion outfit, Velvet Lune, has released their sultriest Avant-Garde single to date with Gloom. With jazz-punk sax riffs that would give Pete Wareham (Nadine Shah, Acoustic Ladyland, Melt Yourself Down) a run for his money and the cinematically debonair crooned vocal lines wrestling for dominance in the jazz fusion track that is just as volatile as anything off Glenn Branca’s the Ascension, Gloom is anything but what it says on the tin. Any fans of Mr Bungle will undoubtedly want to pay attention.

The official music video, which premiered on February 14th, has already racked up over 28k streams. You can check out the video for yourselves via YouTube.

Review by Amelia Vandergast

Cagri Raydemir bites the hand of ego-greed in his single, Attention Hunger

Posted on 8 January 2022

Attention Hunger is the latest intellectually scathing alt-rock track from the Munich, Germany-based artist, guitar virtuoso, songwriter and producer, Cagri Raydemir. With vocal reminiscences to Serj Tankian and an instrumental atmosphere that carries similarities to Incubus, any true alt-rock fan will allow Attention Hunger to resonate as a smorgasbord of dynamic alt-rock innovation.

It’s been a while since I had a quite literal jaw-drop moment at an instrumental interlude, but the one that brings in the outro in Attention Hunger gives Mr Bungle an Avant-Garde run for their money.

After releasing 12 albums and 3 EPs, Munich Germany-residing alternative artist has discernibly honed in on his craft to the point of peerlessness. It’s beyond refreshing to hear an artist with the ability to catch you broadsided by their talent.

Attention Hunger is now available to stream on Spotify.

Review by Amelia Vandergast

Harry And The Hootenannies and ‘The Scam That Never Ends (Part 1)’

Posted on 26 April 2021
https://soundcloud.com/harry-and-the-hootenannies/the-scam-that-never-ends-part-1

Harry Braswell, Ben Wescott, and Nick Woehrle – aka Harry and the Hootenannies – are all University of South Carolina graduates who met in a bagel shop and – long story short – put together a trio that’s been variously likened to Primus, the Grateful Dead, Rush, and Led Zeppelin. There’s certainly a proggy, psychie, rocky sort of feel to ‘The Scam That Never Ends’, but there’s some serious funk groove too, courtesy of some proper five-string bass grind and jazzy, folk-inspired drums.

‘The Scam That Never Ends’ is upbeat, bouncy, wacky, zany, and disjointed in a totally good way; there’s elements of Fantomas, early Faith No More, and Mr. Bungle in there too, with elements of ska and psychedelia amidst the funk-rock chaos. It’s all damn good fun, with an impressive amount of musical virtuosity and time-signature-changing noise-making (especially for a three piece) on offer here.

You can hear ‘The Scam That Never Ends (Part 1) on SoundCloud. Follow Harry and the Hootenannies on Facebook and Instagram.

Review by Alex Holmes

Nightbird Casino has released their hotly-anticipated sweetly psychotropic earworm, ‘The Town’.

Posted on 23 April 2021

If you’ve found yourself wondering if you will ever hear an alternative track that holds any authenticity ever again, find yourselves pleasantly surprised with the sweetly psychotropic earworm, ‘The Town’, by art-rock Oakland-residing duo, Nightbird Casino.

With elements of artfully composed jazz, grunge, space rock, psych-pop and classical all melting in the alchemically intoxicating pot, you will practically feel the rabbit hole opening beneath you as you listen to the descending cadence of the jazzy improv instrumentals.

The existentialist air to The Town paired with the playfully avant-garde approach to production allows the track to become the ‘everything is burning down around me, and I’m totally fine’ meme, personified. And something tells me that if Bukowski was still around, he would have Nightbird Casino on his playlists; they share the same downtrodden but subversively charismatic appeal.

On this track, you’ll hear dual harmonic vocals from the founding members, James Moore and Don Shepherd. Instrumentally, you’ll hear session musician Nicolas Ocampo (clarinets, flute, saxophone, oboe, bassoon), James on bass and ondes martenot and Don on guitars, piano, organ, and drums.

With their sophomore album, ‘Rusian Carpet‘, due for release this summer, any fans of Radiohead, Sonic Youth or Mr Bungle will want Nightbird Casino on their radar.

The Town officially released on April 23rd; you can check it out for yourselves by heading over to Soundcloud.

Review by Amelia Vandergast