Browsing Tag

Metal

The paragons of post-hardcore, Heartbent, gave emo nostalgists more than they bargained for with their seminal hit, House of Mirrors

Emo nostalgists will be in for more than they’ve bargained for when they delve into the third EP, House of Mirrors, from the heretics of post-hardcore, Heartbent. After a melodic pop-punk prelude, the title single lives up to the band’s stake to the claim of being one of the most stylistically unique outfits on the post-hardcore scene.

From start to finish, House of Mirrors is a lesson in hook-rife volition. The pop-punk hooks are balanced between the installations of guttural furore, giving the hit an edge of dualistic Jekyll and Hyde vehemence. With hints of Gallows between the sticky-sweet increments of Rise Against-reminiscent energy, Heartbent found never-before-trodden intersections of hardcore and blazed right through them while bringing House of Mirrors to visceral life.

The way Elle Saulsbury’s backing vox temper Alex Folmer’s scathingly magnetic vocal delivery and the instrumentals thrive on the unpredictability within the progressions proves that Heartbent knows exactly how to tap into their uniquely synchronous dynamism that is taking the East Coast by storm.

The House of Mirrors EP hit the airwaves on January 12th. Stream the fervidly hooked 4-track release on Spotify now.

Review by Amelia Vandergast

Riven By Ravens followed the sound of a siren in their prog-rock odyssey, Trainwreck

The Cali progressive hard rock titans who forged Riven By Ravens from the ashes of their previous project, Ghost Army, exhibited their broad range of influence in their monolithically metal-tinged single, Trainwreck. It will leave you insatiable for the unveiling of the forthcoming 14-track LP, Venerate, which is set to drop in January 2024.

With tension and aggression-fraught breakdowns which echo Machine Head’s Bloodstone & Diamonds LP between the hints of Against Me and cultivated melodic prog rock reverberations that will rhythmically entice fans of Porcupine Tree and Tool alike, Riven By Ravens did more than amalgamate their eclectic array of influences. They found unchartered intersections between them and stamped down their sonic signature to mark their territory.

If you can tear yourself away from the magnetism within the complex time signatures, you can lock into the refraining mantras, which act as a carrion call to tenacity while exhibiting the breakthrough band’s determination to better the world, one track at a time.

After the band was formed in 2022 by Brian Havrilla and Paul Wilson, they’ve been making strides in the prog-rock dominion, it is only a matter of time before they hold the keys to it entirely.

Stream Trainwreck, which crashed onto the airwaves in 2023 via YouTube.

Review by Amelia Vandergast 

Ramener exhibited the agony of empathy in their debut music video for their seminal single, In Her Hands

https://www.youtube.com/watch?v=C6EbjJ0eEyw

With the unveiling of Ramener’s debut album drawing closer, the grungy alt-rock evocators unleashed their first music video to complement their ensnaring lead single, In Her Hands, and draw fans a little closer into their tumultuously provocative world, which is redefining the contemporary nu-metal arena.

With a similar atmosphere and aesthetic to Nirvana’s iconic Smells Like Teen Spirit music video, Ramener succeeded in amplifying the visceralism within their seminal single. The rhythmics of the track mimic a fraught with anxious torment heartbeat in the intro until the single breaks into its first cascade of instrumental candour to complement the complete rejection of inhibition from the vocals, which harmonically tease you into the cacophonous outpour.

If you are yet to see Ramener live, the music video will give you an accurate view of what you can expect from the instrumentally tight outfit which becomes the sum of all parts when they’re using their agony, volition and razor-sharp songwriting chops to seduce you into soundscapes which transcend sound to become immersive expositions into the dark side of empathy. Keep Ramener on your radar. What follows will undoubtedly be just as groundbreaking.

Stream the debut music video from Ramener for their In Her Hands hit single via YouTube.

Review by Amelia Vandergast

Porter – Behind the Banlieu: A Disparaging Sign of Our Digital Disconnected Epoch

Germany’s most tuned-into-the-harrow-of-our-digitised-material-reality progressive alt-rock outfit, Porter, leaned into the disconnect and isolation our instant connectivity has brought us in their aptly dark single, Behind the Banlieu. While no one is living under the illusion that we’re living in the healthiest epoch, Porter’s single is efficacious in its attestation to the damage that is being inflicted on us with each passing day.

This track is a testament to Porter’s ability to fuse various musical influences, from the raw energy of metal and punk to the nuanced storytelling of indie and singer-songwriter styles. The result is a sound that’s uniquely theirs, mature yet vibrant, complex yet accessible.

Raimund, the band’s new frontman, brings an electrifying presence to the track. His vocals resonate, echoing the power of the pounding drums and the deep growls of the basslines. This combination creates a sound that’s as dark as it is energising, a perfect canvas for the song’s powerful message.

With raw rock riffs which tear through the alchemised atmosphere, there’s plenty of room for contemplation, when you’re not locked into the tumultuous volition of the single that carries all of the elements of an electrifying rock anthem. Consider the single as the first stone cast in a sonic revolution and a fierce declaration from a band that knows its power.

In a world where oppressive ideas are gaining ground, Porter uses their music as a tool for resistance and inspiration. The chorus is not just memorable; it’s a call to arms for those who crave a shift towards democracy and freedom.

Behind the Banlieu is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Denacus delivered a trap metal manifesto of mental disquietness with ‘Dark Days’

‘Dark Days’ is the latest nefariously infectious trap metal track from the up-and-coming artist and enigma Denacus, who is set to snarl his way up from the underground with his darkly domineering edge. With a sound as scintillating as Wage War and $uicideboy$, Denacus emerges as a pioneer in the burgeoning trap metal genre, one capable of crafting a visceral, haunting experience that encapsulates the essence of raw emotional turmoil.

The artist, hailing from a humble farm near Moree, NSW, Australia, brings a unique blend of Ragecore and Horrorcore to the table, elevating the track beyond mere musical expression.

What sets Dark Days apart is its ability to resonate deeply with listeners who have experienced the suffocating grip of mental anguish. Denacus delves into the depths of his troubled past, marked by depression, bullying, and recurrent admissions to psychiatric wards. His journey from a struggling teenager to an experimental recording artist is palpable in every beat and lyric of the song.

The track is a short but intense journey through the darkest corridors of the human mind. It’s a macabre piece that clings to your consciousness long after the last note fades. The lyrics, focusing on themes like nihilism, vengeance, and existential dread, are not just words but a window into the artist’s soul.

Dark Days will be available to stream from January 3rd; stream it on SoundCloud.

Review by Amelia Vandergast

Master Splinter took their stoner rock sound into an arcane new realm in ‘Dragon’s Blood’

Master Splinter, the Portland-based hard rock powerhouse, has unleashed a storming renegade of a track with Dragon’s Blood, which opens the gateway into the realms of arcane fantasy and fiction, a territory where bands like Gwar and Nekrogoblikon have previously ventured, but Master Splinter carves out their own unique path with an anthem of escapism and empowerment.

The powerful and melodic vocals tie the whole ensemble together, creating a sound that is both classic and refreshingly innovative. Songwriters, Mick Arrell and Jason Schauer, have a knack for weaving epic stories, using metaphorical characters and scenarios to express complex emotions and experiences in a way that is both clever and subtle – perfectly exemplified in Dragon’s Blood.

The track itself is a journey through a fantastical landscape, where the tales of prevailing against adversity are enough to psyche up any listener to smite their challenges. It is stoner rock perfection from a band that continues to adorn our radar with riff-charged insanity, and we eagerly anticipate what they will conjure up next.

Dragon’s Blood dripped onto the airwaves on December 15; stream it on Spotify.

Review by Amelia Vandergast

Sunset Cobra replenished their venom for their latest feat of hard rock nihilism, I Remain

Sunset Cobra is back with even more hard rock venom than before with their latest single, I Remain. By contorting genres and influences into a ferociously unique high-octane ride through the landscape of rock and metal, the monolith easily sets itself apart in the contemporary music scene.

From the opening notes, I Remain grabs the listener with a relentless intensity. The band channels the spirit of Velvet Revolver, updating it with a serpentine electro-rock edge. The influence of Drowning Pool is evident in the rancorous energy that permeates the track, while the breakdowns echo the tightly controlled chaos reminiscent of Mushroomhead. Yet, amidst this sonic maelstrom, Sunset Cobra finds room for technical, frenetic riffs and fragments of sunset sleaze.

The dynamism is not just in its instrumentation but also in its lyrical depth. The song delves into the darker aspects of the human condition with nihilistic poetry that is as compelling as it is confronting. The lyrics hold no prisoners, expressing contempt with a rawness that is both brutal and beautifully articulated.

As listeners eagerly anticipate what Sunset Cobra will unleash next, I Remain is a testament to their potential. It’s a song that will not only resonate with fans of rock and metal but with anyone who appreciates music that pushes boundaries and defies expectations.

I Remain was released via Reclusive Audio Ltd on December 1st; stream the single on Spotify.

Review by Amelia Vandergast

Post-Hardcore goes Pop (Punk) in Secular Era & Drexl Bowie’s single, Master Morality

Two juggnautical entities in their own sonic right, Secular Era and Drexl Bowie, converged to show mere mortals what ‘Master Morality’ sounds like with their latest release. With guitars augmented in the same vein as the hooks in MCR’s I’m Not Okay fused with Slipknot-esque nu-metal percussive proclivities and synthy melodies to keep the down and gutturally dirty track upbeat, Master Morality is an adrenalizing slice of ingenuity that will swallow you whole and spit you out drenched in rancorous euphoria.

While many heavier outfits turn their nose up at the tones of pop-punk, Secular Era & Drexl Bowie saw the potential within it. By using the stickiest and sweetest elements and infusing them into a tumultuously electrifying sequence, they made it impossible to find a track that hits harder while simultaneously keeping their finger on the guilty pleasure pulse. Putting Master Morality into words is no easy feat, but if you can imagine Nena’s 99 Red Balloons fused with Sugar We’re Goin Down and tasked Static X to pay ode to the cross-genre synthesis, you’d get an idea of the engrossing, ingenious, uninhibited insanity delivered via Master Morality.

Master Morality was officially released on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Shrapnel unleashed the meta(l)morphosis of the year with their latest single, In Gravity ft Scott Kennedy

In collaboration with Scott Kennedy (Bleed from Within), the eclectically inspired metal monoliths Shrapnel unleashed the meta(l)morphosis of the year with their latest single, In Gravity.

All the precision, power and prowess that catapulted Shrapnel to acclaim is ensnaringly evident in the fervently cathartic juggernaut, which sonically and thematically moved with the times to acknowledge the pain, tragedy, and isolation collectively endured in recent years and to place the powerhouse at the pinnacle of modern metal.

After breaking through the chains of expectation and obligation to confine themselves to assimilating thrash antiquities, In Gravity is an adrenalized statement of intent. There’s no understating the riled euphoric energy which insurgently courses through the veins of the anthem for optimism where demons are exercised, and the past is forsaken for the present.

Between the exhilarating earworm propensities in the melodically cataclysmic choruses, the brutality of the breakdowns, the relentless dynamism of the guitars, and the flawless production by Jens Bogren (Sepultura, Kreator, Devin Townsend), the new maturity of Shrapnel is priming them to become the orchestrators of the album of the year in 2024.

In Gravity was released on December 7. Add it to your metal playlists on Spotify or stream the official music video on YouTube.

Follow Shrapnel on Facebook and Instagram.

Review by Amelia Vandergast

Play That Funk Metal Music and Hit Play on Master Splinter’s Latest Installation of Clamorous Rancour, Wednesday Night

For their latest release, Wednesday Night, the trailblazing outfit, Master Splinter, which is hell-bent on being the breakthrough outfit out of the year funked up a sludgy and clamorous alt-rock aesthetic reminiscent of Mudhoney, Melvins and Soundgarden while proving once again that Mike Patton isn’t the only one capable of delivering the Mr Bungle effect.

If you’ve ever wondered what it would sound like if a 70s funk rock ensemble had a violent acid trip with instruments in hand while being caught in the throes of lust, indulge in the Portland, Oregon-hailing troubadours of rhythmically tight, face-melting aggression’s latest offering, which punches through hip-hop-inspired drums and uses the devil may ensnare vocal lines to rile up the energy from the searing hot guitars and prowling basslines.

The 2023 Remaster of Wednesday Night hit the airwaves on October 26; stream it on Spotify.

Review by Amelia Vandergast