Browsing Tag

Mercury Rev

Luke Meyn delivered an indie psych dream you’ll never want to wake up from with ‘When It’s Over’

Posted on 24 March 2024

Embark on an indie synth odyssey with the Brisbane, Australia-hailing artist Luke Meyn’s debut single, When It’s Over; finality has never sounded so sweet. Meyn covered the entire spectrum of emotion in this seminally blissful release which proves that endings don’t always need to necessitate bitterness.

The soundscape became the perfect vessel to carry the tenderly expressed emotional themes. The way the psychedelic layers rove through the scintillating cosmos of the production that bleeds all the intimacy of Grandaddy and Yo La Tengo while delivering the same transcendently kaleidoscopic colour of The Beatles and all of the arcane air of Mercury Rev ensures that When It’s Over sonically swallows you whole and transports you to another dimension.

With the promise that no two songs from Luke Meyn are the same, we’re equal parts gutted we can’t anticipate another single in the same vein as When It’s Over and stoked to hear what is to come from the artist who takes a spontaneous approach to song crafting by following his muse, wherever they may roam.

When It’s Over was officially released on March 16th; stream the single on Spotify.

Review by Amelia Vandergast

Dylan Walker drops his debut single, the chilled love-song ‘All I Need Is You’

Posted on 10 April 2021

It’s not often that bible quotes spring readily to mind when reviewing new music, but “when I was a child, I spoke and thought and reasoned as a child. But when I grew up, I put away childish things” could easily be the tag-line for ‘All I Need Is You’, Dylan Walker’s debut self-penned single.

An ex-childhood tennis prodigy and professional player turned musician and songwriter, 20-something Dylan Walker’s opener is a beautiful, gentle mellow little acoustic-guitar-and-vocal-led ballad to love, loss, and the understanding that the important things in life aren’t – as he puts it – ‘…fancy things/ like fast cars and grand clothes and diamond rings’, but the love and support of those close to us. Dylan Walker’s voice is soft, lilting, almost falsetto at times, carrying the message of the lyrics beautifully over the chilled melodic backing. It’s a strong, confident debut, and bodes well for Dylan Walker in the future, with two more singles – ‘Life Began With You’ and ‘We Are Meant To Be’ slated for release later this year on Happy Sloth Records.

‘All I Need Is You’ is out now across all major streaming platforms; you can check it out on Spotify now.

Review by Alex Holmes

Crow Quilled Confessions Release Fascinating Track ‘A Human Being on the Planet Earth’

Posted on 6 October 2017
A Human Being on the Planet Earth by Crow Quilled Confessions

I recently attended a De La Sol set at a festival in Queens. I enjoyed an interlude in which a voice from the trio said that sometimes you just need to let the beat play. It’s always nice to hear how artists feel about the things they make and how they make them. It’s also nice to see how artists whose styles vary greatly can agree on certain sentiments. Such is the case with Crow Quilled Confessions. Their track A Human Being on the Planet Earth perfectly demonstrates a group who know how to let the beat play when it needs to.

For the first half of the song, there are several elements introduced that seem to orbit around the catchy, strongly-mixed beat. You might miss some details along the way if you aren’t careful, but one thing is for certain, you will feel that beat. It doesn’t seem like a drum part that needs much elaboration. It may not have much to say. This doesn’t stop Crow Quilled Confessions from letting it lead the charge into the second half, which quickly but organically reinvents its status quo with fuzzy guitars and a bass that triumphantly makes its presence known.

From here, the track becomes a ride. Suddenly the beat has taken a backseat for the exploration of all the other themes that had previously been allowing it to lead. For such a dramatic change in priority to occur while holding onto the mood and tone of the song is a major challenge. Even as the song fades out in its last 30 seconds, you can’t help but feel the beat play on in your mind. This is a song that leaves the speakers and really does affect your mind for moments at a time. It’s not overly complicated, but it’s certainly a fascinating track.

-Paul Weyer