Browsing Tag

Melodic Rock

Feeding the Frenzy: Buddy Pease Strikes with the melodic rock resonance in ‘Vampires at the Door’

Baltimore-based artist Buddy Pease dives evocatively deep with his latest single, ‘Vampires at the Door’, introducing a glimpse into a visceral intersection where classic rock riffs meet soul-stirring existential angst.

Opening with steady, euphonic guitar chords, the song ramps up with soaring Slash-reminiscent guitar work that electrifies the production, priming listeners for a soundscape laced with the gritty intensity fans of Soundgarden will instantly recognise.

Pease’s imploringly raw vocal lines add a striking edge to the track, reaching into the psyche as he exposes the shadowy figures of human existence—the ones that lurk like parasites on the fringes of everyday life.

Through each evocative twist in the melodies, ‘Vampires at the Door’ becomes more a revelation of Pease’s ability to capture the unease and silent struggles many of us contend with.

With his new album slated for release in the next few weeks, Pease signals he’s more than just a fledgling in the scene; he’s one to save space for on your radar as he sonically visualises the raw, universal undercurrents of human experience.

The official music video for Vampires at the Door premiered on October 16; stream the horror-esque video on YouTube now.

Review by Amelia Vandergast

MöTT unleashed a frenetic hard rock firestorm with ‘Best Is Yet to Come’

Colorado’s prodigal in every capacity son, MöTT (AKA Martin Epp), unleashed a frenetic hard rock firestorm with their latest single, Best Is Yet to Come. The singer-songwriter, producer and endlessly deft multi-instrumentalist teamed up with a band of rock legends in their own right, Phil X, Billy Sheehan, Jeff Scott Soho and Matt Star, to shake cynicism from the souls of everyone who kneels at the altar of rock.

With touches of Slash in the guitar work superseding the ferociously tumultuous installations of drunk n roll mayhem, it’s impossible to remain steadfast when confronted by the cultivated chaos which attests to MöTT’s ability to carve melodic hooks and catapult his cult following into the eyes of his sonic storm. If you want to hear the definition of hard rock guitar porn, hit play on the ferociously feel-good, timeless rock anthem.

Best Is Yet to Come stormed the airwaves on August 1st; feel the force of the hard rock juggernaut by heading over to Spotify.

Review by Amelia Vandergast

Tariq.B entered the melodic rock pantheon with his single, You Keep My World Alight

Tariq.B joined Eddie Vedder and Chris Cornell in the pantheon of rock evocateurs with his latest melodic rock emotional awakening, You Keep My World Alight, which will unearth feelings you didn’t know lingered in the sediment of your soul.

The song’s title cleverly underplays the vivid romanticism and raw pop-rock melodies that pulse at the heart of this panorama of raw, vulnerable passion which once and for all proves that romance isn’t dead in our era proliferated by strands of superficial connection.

You Keep My World Alight is an undeniable attestation to how the Pakistan-born, Southwest London-residing artist has mastered the art of acoustic sensitivity; every guitar chord hits a raw nerve as the progressions flow with cinematic sepia-tinged imagery and the warm glow of alt-90s tones.

Famed for his live performances across the UK, international airplay and plaudits from BBC Introducing, Tariq.B is well on his way to filling stadiums as wholly as he fuels souls with his sound. He’s a rare artist who instantly makes you feel at home in his honeyed and honed vocal timbre.

You Keep My World Alight is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Sugar the pill with The Elegant Chasers’ aural antidote to modernity, My Medicine

Rock has known many guises throughout the decades; plenty of them can be revelled in with The Elegant Chasers’ latest intensely affecting track, My Medicine. By fusing the soaring soul of Journey, the brashy grit of 90s Britpop, Slash-reminiscent guitar work, and hints of hard rock to augment the rhythmically chameleonic hit to the nth degree, alt-rock’s most debonair solo artist delivered a triumphant tour de force with My Medicine.

Featuring Lloyd Pritchard on skins, the self-recorded and produced release, which was spawned Rembrandt Rooms, Hersham, Surrey, hits a raw nerve towards the outro to deliver an exposition on the plaintive reality of living as a struggling artist in an epoch which only favours legacy artists and novelty, giving listeners plenty to think about, if they can tear their minds away from the Oasis reunion hype.

My Medicine will be prescribed on September 27; sugar the pill of modernity by streaming the single on SoundCloud and Bandcamp.

Review by Amelia Vandergast

Slip away from material reality with the artfully nostalgic escapism in Gaud’s seminal release, Prose for the Cradle

With Prose for the Cradle, the prodigal sons of New England, Gaud, defied temporal boundaries, transporting listeners into a dreamscape where the lines between past and present are synthesised into a seraphic sonic sensation.

Taken from the LP The Singer, the track evokes an ambiguous era of melodic rock, yet resists the urge to be pinned down by any particular moment in music history. Instead, it invites you into a space where emotion takes precedence over all else, allowing you to lose yourself in its all-consuming and consoling atmosphere.

The production carries all the hallmarks of a time when songwriters poured every drop of their hearts and souls into their craft. The melodies, artful and ascending, intertwine beautifully with percussion that feels almost like an additional pulse in your body, leaving your own heartbeat to take a backseat. Gaud’s vocal delivery is nothing short of hypnotic, wrapping you in a vignette where material reality fades away and only the sound remains.

For fans of Father John Misty’s songwriting chops, Prose for the Cradle will undoubtedly strike a chord. Its poignant cuts will leave a lasting impression, sticking to your synapses with a tenacity that makes the track impossible to shake.

Prose for the Cradle is now available to stream on Spotify with Gaud’s LP, The Singer.

Review by Amelia Vandergast

Unleash your demons and dance on the edge of madness with Patrice AorMelodicRock’s future-forward dance rock anthem, Crazy Night

Patrice AorMelodicRock’s new dance-rock anthem, Crazy Night, is an electrifying testament to the enduring power of rock, infused with a futuristic edge that makes every modern rock outfit sound positively antiquated.

With a pop-hooked production so slick it’s hypersonic, the track propels you into a sonic universe where the expansive presence of the vocals, which could lead a rock opera, meets the cutting-edge innovation of bands like Bring Me The Horizon.

The vocals soar just as high as the guitars which blaze through the synthetics of the track, embodying the futurism of a rock scene reimagined a century from now. Imagine what Shinedown would sound like 100 years from now, and you’ll get an idea of what the solo artist achieved with this hit which electrifies the mind, body and soul.

You’ll want to relive Crazy Night time and time again with its intoxicating synthesis of raw energy and sleek production which invites you to dance on the edge of madness and unleash your demons.

How Patrice AorMelodicRock, who started earning his rock stripes in the 80s, isn’t already at the top of the rock charts is one of the great injustices of our era.

Stream Crazy Night on YouTube now.

Review by Amelia Vandergast

Lovers in Sepia: The Hearse Paid Homage to Bygone Eras with ‘AS HOPELESS ROMANTICS DO’

After forming in June 2024, The Hearse is gearing up to gain reverence as one of Manchester’s hottest breakthrough new wave indie rock acts. Filtered through a dreamy, sepia-tinged lens of nostalgia, their sophomore release, featuring the single, AS HOPELESS ROMANTICS DO, melodically strips away the decades which stand between the present epoch and the soul of the 60s and 70s.

With guitar chords which sweep through echoes of Joni Mitchell, vocals which capture the quintessence of dreamy diehard romanticism, authentically orchestrated crescendos of euphonic bliss, and hints of western indie folk breezing through the progressions, AS HOPELESS ROMANTICS DO is a route to the past never taken before.

If their sound is this sweet on record, the live experience will be enough to give you an aural sugar rush.

AS HOPELESS ROMANTICS DO will be officially released on August 30th with the B-side single, I’D LOVE TO BE YOUR GIRL. Stream the single on SoundCloud and connect with the Hearse on TikTok and Instagram.

Review by Amelia Vandergast

Steve Schuster – Mercy Me: A Melodic Rock Vision of a Better Future

Steve Schuster’s latest single, Mercy Me, is a melodic throwback to the college radio rock era which carries a revolutionary message of peace and democracy. Amidst the backdrop of increasingly extremist ideologies that surface with each election, Schuster offers a refreshing perspective. Through mellow guitar tones and layered vocal harmonies, he paints a picture of an alternative way to live—one rooted in seeking and creating peace.

Mercy Me is a utopia you can nestle into and be reminded that hope has never been futile. While it may be harder to find optimism within the divisions of society, as Schuster attests, a better way, where peace and democracy are the pillars of civility, isn’t out of the realm of possibility.

The tenderly assuring earworm stands as a testament to Schuster’s ability to tune into societal struggles and offer a salve through his melodically mellow art. It’s a song that doesn’t just evoke nostalgia but also inspires a vision of a future where unity and compassion prevail over division.

The award-winning songwriter, celebrated photographer, and seasoned CEO of Rainier Communication has turned his passion for social justice into a lifelong mission, Mercy Me is an affecting continuation of his unflinching determination to help others envision and materialise a better way of living.

Stream the official music video for Mercy Me on YouTube now

Review by Amelia Vandergast

Make Groovy Shirt Club’s ‘Ultra Violet’ the soft rock soundtrack to your emotional liberation

Groovy Shirt Club’s latest single, Ultra Violet, proves there’s more to their artistic identity than their audacious fashion choices. With echoes of Pixies drifting between the guitars and basslines in the mellowly iridescent progressions, which are heightened by inventive synth touches, the Deep Blue Something-reminiscent vocals have the perfect platform to soar from.

It’s almost impossible to allude to what this emotionally liberated single does to the soul when the emotion-driven earworm is bedding in and making itself home. The sublime melodies are enough to make even the most steadfast sway, attesting to the capacity of sound to transform your entire sensibility.

If you can’t remember the last time you didn’t feel weighed down, make today the day and immerse yourself in Ultra Violet, which pushes a panoramic vision of sun rays hitting ebbing waves. For any discerning rock fan, the first proverbial spin won’t be the last.

The self-professed ‘Champions of the Yacht Rock Revolution’, are quickly making a name for themselves with their ethos to embed real people, real instruments, real music and real lyrics about life into their infectiously cultivated soft rock staples. Ultra Violet captures this quintessence perfectly, blending their signature style with a fresh, emotionally resonant sound.

Ultra Violet is now available to stream on Spotify.

Review by Amelia Vandergast

Changing Tymz eviscerated anxiety by bringing the hard rock hammer down in ‘The Fear is Gone’

https://music.youtube.com/watch?v=NfDpOE5glmM&si=1YFe7soOmWljtAqM

With their seminal single, The Fear is Gone, the breakthrough powerhouse, Changing Tymz delivered a sonic behemoth that firmly established them within the modern hard rock pantheon.

The track ensues from distortion-heavy chugging guitar riffs; an immediate clarion call for anyone who seeks sanctuary within the volition of hard rock. From there, a Metallica-esque aura of power and intensity takes hold of the auditory assault that is cast in introspective gold, encasing the most affecting elements of hard rock and metal.

Meticulous yet menacing, the rhythmically tight and explosive transitions that would leave any hard-rock fan broadsided become the perfect vessel for the deep-penetrating lyricism. By the time the song reaches its tumultuous outro, it has already awakened an indomitable spirit within.

The efficacious melodic hooks work in synergy with the haunting tinges of dark gothic glamour which manifests through the Evanescence-esque vocal stylings, affirming that few hard rock outfits can overpower the juggernautical entity which is Changing Tymz.

With their debut LP, Finish the Race, riling the airwaves, it’s time the world tuned into their cultivated, conscious command.

The Fear is Gone was officially released on July 5th; stream the single on YouTube now.

Review by Amelia Vandergast