Browsing Tag

Melodic Indie

Shared Image Redefines Who Does What on their superb new single.

Soft, jangly indie-pop is overdone at times these days, but ‘Redefined’, the first single from Shared Image’s new album ‘Who Decides Who Does What?’, is a cut above the usual ‘three lads with Telecasters from Crewe’, with a charm and style all of its own.

Shared Image – hailing from Thunder Bay, Ontario, which is a little more exotic than Crewe for sure – have pretty much answered their own album-title question here – this is the brainchild of Craig Delin, a 20 year veteran of bands now forging his own path by writing, creating, performing, and producing ‘Who Decides Who Does What?’ all by himself. So it seems he decides pretty much who does everything, and on the basis of ‘Redefined’, that’s working to extremely good effect.

Vocals, guitars, keyboards, drums and programming, and synth parts are all down to Delin, the whole track sitting together beautifully; there are elements of old school alt-rock indie goodness in the likes of Pavement, a little of Johnny Marr’s guitar work and certainly some Modest Mouse, coupled with a little of They Might Be Giants and maybe a touch of Crowded House in the mix too. That’s a pretty heady mix, and on ‘Redefined’ it works extremely well. Based on this, Delin deciding Who Does What is a pretty sensible plan.

‘Who Decides Who Does What?’ is out now across all major streaming platforms. You can hear ‘Redefined’, and the rest of the album, on Spotify, and follow Shared Image on Facebook.

Review by Alex Holmes

Stükenberg calls for socio-political peace with their idyllically transformative single ‘Blind Unity’

US Indie multi-instrumentalist, producer, engineer and Grammy-nominated songwriter Stükenberg’s latest release “Blind Unity” operates on a celestial level. Hit play and you’ll feel the pure weight of the emotion it contains crawl beneath your ribs as you drink in the idyllic peace-inspiring tone.

The mellow progressions prop up Stükenberg’s resounding vocals as they bring harmony to the conversational lyricism which offers so much imagery Blind Unity becomes so much more than an aural experience.

His succinct way of reflecting reality and commonality back at you is practically unparalleled. Emotion and introspection are fed in fragments, but together, they weave an intricate tapestry which illustrates the frustrations of navigating 2020. Ultimately, Blind Unity is an invitation to put rise above the hysterical partisan ideals and misconceptions which is tearing our society apart more than whoever is sitting in the White House ever could.

You can check out Blind Unity which is part of Stükenberg’s 2020 album Double Plus Panic via Spotify.

Review by Amelia Vandergast

Pinwheel Valley – Take Me Home: A Provocatively Tender Indie Rock Ballad for the Homesick

Indie artist Pinwheel Valley has moved from strength to strength throughout their accoladed career, after quite literally putting their birthplace of Jordan on the map, they’ve started to garner plenty of International hype for their provocatively intuitive approach to production.

With every note placed to sting and draw emotion, their single “Take Me Home”, serves as the perfect introduction to the artist’s tenderly resolving sound.

With hints of Post Punk lingering in the progressive Indie Rock Ballad, there’s a chilling atmospheric air to Take Me Home which collides with the soft, reassuring vocals which use repetition of ‘take me home’ to quiescently emphasise the need to feel familiar ground beneath their feet.

If you’re not remotely teary by the outro, that has more to do with the state of your own soul rather than the talent of this truly exceptional artist who we’ll definitely be keeping on our radar to keep up to date with their progressively powerful aural prowess.

You can check out Pinwheel Valley’s single Take Me Home for yourselves by heading over to Spotify.

Review by Amelia Vandergast