Browsing Tag

Melbourne pop

Melbourne’s Emma Burt gave a fresh take on heartache in her country-pop debut, 10 Years

Posted on 22 July 2024

Emma Burt’s debut single, 10 Years, brought country-pop right up to speed with contemporary trends while preserving the rich legacy by blending timeless musical elements with a cultivated modern twist Hit play, sink into the vibrant pop-rock progressions, and a panorama of heartache will manifest before you. The euphonic guitars and classic pop piano keys introduce a spectrum of colours and emotions, echoing the freedom and spirit reminiscent of Stevie Nicks, which also filters through Emma’s naturally impactful vocal tone.

The melody, rich with the alchemy one might nod to Fleetwood Mac for inspiring, arrests from the first note in the exposition of how time is also lost with love when the door on a relationship closes. Reflecting on a sharp shock to the system when a decade-long relationship diminished, Emma Burt became a vessel of consolation for anyone who has felt a similar sting. Echoes of resilience reverberate through the release, marking it as an anthem for the heartbroken who are ready to move on.

After setting the bar so high with the catchy refrain and lyrical depth in 10 Years, Burt’s trajectory through the industry is one to watch closely.

10 Years was officially released on June 21; stream the single on Spotify now and follow Emma Burt on Facebook.

Review by Amelia Vandergast

Douzey orchestrated a euphonic utopia in her quirky piano-pop hit, Hera’s Song

Posted on 12 August 2023

The up-and-coming Melbourne songstress Douzey wore her anachronistic originality on her sleeve when she penned her latest euphonically utopic single, Hera’s Song. If you thought Barbie was a feminist triumph, wait until you indulge your senses in this ode to the goddess of women.

With neo-classic tendencies that lend themselves to the ornate elegance of the release and contrast the power in Douzey’s Tori Amos-esque vocal lines and the rich-in-sonorous-resonance piano keys, the entire single is underpinned by beguile, class, and perhaps most importantly, authenticity.

The consoling proclivities of the melodies have a cradling effect when the piece of sonic poetry is in motion; as you contemplate bigger phenomena than yourself, you will find yourself solaced by the score that unravels as the epitome of empowering purity.

Hera’s Song will hit the airwaves on August 9^th; stream it on Spotify and Bandcamp.

Review by Amelia Vandergast

Arlo Boe – Eclipsed: One small step for pop, one giant leap for the airwaves.

Posted on 19 August 2022

The Australian up-and-coming pop sensation, Arlo Boe didn’t just go lyrically interstellar with her latest single, Eclipsed. The stratospheric energy resounds just as much through the catchy, spacey 80s synth pop textures, modernised by Boe’s unique futuristic pop vision.

Beyond the spacey intonations, Eclipsed is dedicated to the people who don’t fall into the category of marriage material but are dynamite between the sheets. A bold concept, but with Arlo Boe’s signature cinematic yet casually cool style, it is impossible not to get hooked on the synthy grooves and her vocal dynamism, which asserts her authenticity on the airwaves.

Eclipsed will officially release on August 12th; hear it on SoundCloud.

Review by Amelia Vandergast

Drift away with Milk Bar Gang’s ethereal art-pop lullaby, Ozzie Ostriches Dream

Posted on 8 June 2022

OPEN by Milk Bar Gang

Taken from their debut EP, Open, the Milk Bar Gang’s standout single, Ozzie Ostriches Dream, is an ethereal lullaby; constructed to subdue you into an art-pop trance.

Any fans of Nico, PJ Harvey and Suicide will find just as much to favour in Ozzie Ostriches Dream, which wears influence from the 80s new wave, shoegaze, and cosmic pop as motifs affixed to the sheer originality that has been soporifically poured into this feat of transcendent avant-garde alchemy.

The reverb on the whispered vocals, the ring of the delayed guitars and the glassy aesthetic of the track all contribute to the intricately distinctive appeal that is sure to see the duo go far in 2022 and beyond.

Ozzie Ostriches Dream is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Partimama has made her empowering EDM pop debut with ‘Mamma Loves Ya’

Posted on 4 May 2022

Melbourne-based EDM pop artist, Partimama, has released her riotously catchy empowerment track, Mamma Loves Ya. With more soul than all of Ru Paul’s aural productions combined, it’s hard not to let the wholesomely uplifting anthem sink its teeth and drip-feed serotonin.

With the well-placed horn stabs and disco grooves around the unfaltering pounding bass, Partimama became the queer-celebrating icon we never knew we needed through her infectious extension of unconditional love. Even if you don’t get it from your mother, you’ve got an unlimited supply from this unity inspiring hit.

Like many of her fans, we couldn’t be happier that she stepped away from other people’s music and turned her attention to her own expression.

Mamma Loves Ya is now available to stream on SoundCloud.

Review by Amelia Vandergast

Scarlett Angel brought in the future of pop with her dark and stormy track, C u L8r, featuring Zēo

Posted on 3 March 2022

The Melbourne-based singer-songwriter rapper, Scarlett Angel, has everything it takes to define the future of pop – if her latest single, C u L8r, featuring Zēo, is anything to go by.

With her sweet future-pop-meets-bubble-gum-pop vocals spilling into the dark and moody instrumentals, which start with shoegazey dream pop vibes before transgressing into a stormy pop trap track, the choruses in C u L8r will stick to your synapses like superglue. Whether you want them to or not.

Lyrically, C u L8r is just as emboldening as Taylor Swift’s Shake It Off, Avril Lavigne’s Complicated, and You Oughta Know by Alanis Morissette. But make no mistake, Scarlett Angel is creating her own empowering pop signature sound.

Check out Scarlett Angel via SoundCloud and Instagram.

Review by Amelia Vandergast