Browsing Tag

Melbourne Hip Hop

Orizon waxed lyrical on the distorted gospel of twisted faith in ‘thanks/sorry/fuck you’

Orizon

With thanks/sorry/fuck you, a seminal single from Orizon’s sophomore album Unchrist, the Melbourne-based experimentalist crafted an Avant-Garde symphony of conflicted thoughts and chaotic cohesion.

It’s an invitation to stare into the sonic abyss of a mind wrestling with a triality of contradictions and witness how the track builds on drill foundations, brashy boom-bap beats, and jagged synth lines that buzz like electricity sparking between frayed nerves. The track mirrors the unrelenting tension as gospel vocal samples surface intermittently, a warped and distorted reminder of the artist’s roots in Catholicism, where sin and salvation continually collide.

As the track evolves, Orizon’s steady and scarred bars hold their ground amidst unpredictable turns. Breakbeats tear through the production like the rapture battering stained glass windows, while moments of erratic electronica ensure the listener never settles into comfort.  The crescendos may be cinematic, but there’s little resolve to be found here as Orizon stands as a Lynchian figure in the experimental hip-hop sphere.

While his previous projects—Stories of the Supreme and RADIO (INPINK)toyed with loneliness and love, this final instalment tackles religion with raw introspection. Each note feels like an exorcism, but Orizon doesn’t stop at self-purging. He challenges listeners to confront their own faith and struggles with belief.

With thanks/sorry/fuck you, Orizon redefines what experimental hip-hop can achieve—not by neatly slotting into a niche, but by allowing unfiltered creativity to dominate. This is what happens when an artist lets the truth cut deep.

thanks/sorry/fuck you hit all major streaming platforms on December 20th; find your preferred way to listen and connect with Orizon via this link.

Review by Amelia Vandergast

Jay Zayat has released his fieriest RnB Hip Hop track with ‘FACE IT’

Jay Zayat

Melbourne-based alt hip hop artist, Jay Zayat, created the ultimate drunk in love grab the bull by the horns track with his latest fiery indie RnB rap release, FACE IT.

On top of the sun-kissed grooving instrumentals that carry a fair amount of reminiscence to Timberlake’s Cry Me A River, Jay Zayat’s rapid-fire bars drip magnetism as they work through the witty wordplay. Lyrically, the track bounces from hook to hook while the beats make it all too easy to get lost in the grind. It is only a matter of time before Jay and his high vibe style goes viral.

Check out Jay Zayat on SoundCloud.

Review by Amelia Vandergast

Melbourne hip hop artist Prymal tells us ‘When It’s Real’

Prymal is a Melbourne-based hip-hop artist with an eye on story-telling and lyrical flow, rather than aggression or high-impact. Opening up with some chiming tubular bells before deep throbbing bass, fast dotted-note rimshots, and hi-hats and flashes of strings fill in and populate the groove of ‘When It’s Real’, Prymal’s in-your-face attitude given extra weight by the laid-back, nonchalant delivery.

Working with more established rap artists such as Empathy, on whose album ‘Mirror Mirror’ Prymal guests, has clearly paid off, helping the twenty-year-old establish a mature rhyming pattern and delivery and a genuinely solid flow. ‘When It’s Real’ shows some epic promise, and bodes well for Prymal’s forthcoming album ‘Lions Den’, due later this year.

In the meantime, you can check out ‘When It’s Real’ on Spotify, and follow Prymal on Instagram.

Review by Alex Holmes