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ARCTISKY Talks Music Therapy in an Exclusive A&R Factory Interview

In this interview, ARCTISKY opens up about how his passion for mental health awareness is deeply woven into his sound. He speaks candidly about his personal experiences, shedding light on the importance of positive self-talk and its impact on mental and physical well-being. His commitment to mental health isn’t just a topic he touches on—it’s the foundation of his music. Through his lyrics and soundscapes, ARCTISKY offers listeners a space for reflection and healing, blending his emotional depth with eclectic influences, creating something deeply personal and powerfully poignant. 

ARCTISKY, your latest single, My Relief, which hit the airwaves on September 6th is inexplicably sublime. We’d love to dig into the emotional underpinnings. Were there any personal experiences which inspired the track?

Yes, definitely! I’ve had to channel experiences from some extremely strange and dark places. Funnily enough, when I wrote this song, I was still in a state of not being able to understand this side of the emotion spectrum fully. Whenever I was dealing with anything, I’d usually work through these things with the help of music ‘cos I felt like self-reflection was what I needed over anything.

We always get bombarded with so many different opinions of how you should treat yourself and others, we usually tend to lose sight of what’s the healthiest thing for our mind, body and soul. This song quite literally came out of two different times I was admitted to the hospital for health complications I faced during lockdowns, where the last visit was close to being a fatal call. These things give you quite a bit of perspective on how you may want to spend your time on earth.

What was the core message of the song?

“Self-talk matters.” Yeah, I cannot emphasise enough how important it is to mind how we speak to ourselves. A lot of us are not mindful of what our internal dialogues are saying to us. If left unchecked, your mind is susceptible to all sorts of hijacking, and it’s quite literally like training a muscle. We must make it a priority to be our own best friend first, otherwise, the mind will absorb fear and doubt from the haters and naysayers around us, and use it as jet fuel for self-sabotage. It really doesn’t help when people around you are enforcing these, even if it’s just mindlessly repeating some things they’ve heard. It’s crucial for us to safeguard what we allow into our minds so that we don’t let others affect our thinking.

We must be able to judge what’s best for our own health and mental well-being. If our minds are getting too overwhelmed, they will manifest into physical illnesses. The mind and body work hand in hand – it’s all connected. You can’t have a healthy mind without a healthy body, and vice versa – it’s ignorant to think otherwise. Once you get your mind and body right, the soul naturally follows. It’s all a flow. We should do our best to eliminate all internal suffering and convert or channel that energy into the positives we can bring to the people around us. Positive self-talk is key.

How important is it for you to advocate for mental health awareness through sound?

I would say it’s what gives these projects their foundational pillars. I grew up in the Maldives, where the concept of mental health has just only started taking off at a rapid speed. I feel like it’s mainly due to the highly conservative side of the population that would shut anything up before it could even be discussed. I always saw a lot of people suffer due to this – where the prison system never treats the mental illnesses of the prisoners, and are run through what’s more identical to a brainwashing program on the weak – which in turn breeds a lot of mentally unstable victims of injustices to be released back into society without the proper care or systems in place to actually heal them. It’s extremely dehumanising, and inhumane in my view. The whole prison system is a wreck, and doesn’t even abide by ‘The Nelson Mandela Rules’. Demonised for basic human shortcomings, and anything that’s not in line with what they say, and all of a sudden you’re… It’s so f**kin’ sad, it’s ridiculous. Like quite literally using fear to bully an entire damn nation, and mental health is scrutinised as a weakness because the people in power are afraid that people may find their way to the knowledge that will help them arm themselves against these political manipulations and further efforts to prime social conditioning.

I honestly do not know where on Earth I’d be if it weren’t for music. Songs have spoken meaning to me, and some of the lyrics I’ve heard over the years have been a therapist to me more times than I can count. I’d always feel a whole lot of relief in my subconscious after spending a bit of time with some of my favourite songs.

What would you say to anyone who struggles to find self-compassion?

You’ve got to stay true to what you know is best for yourself, and then the people you love. Remember, you cannot love anyone else if you don’t love yourself first. The more we seek validation outside of ourselves, the further it gets away from us. The only form of validation we need in this world is our own. Once we can validate our self-worth to ourselves, there really isn’t a lot we need to do except guard our energy from those who may come to steal or drain it. You are going to be a reflection of the 5 people closest to you, so selecting your people wisely is crucial in my view. It’s better to spend time building yourself for a better future and life than trying to impress people you’re not even sure you like in the first place.

Most people hide behind masks, and it’s really not that difficult to move forward knowing that almost everyone’s got their own sh*t – so leading with love, respect, compassion and empathy not only makes it easier for yourself, but collectively allows us all to show each other a sense of love and care on a communal level. Always be kind to yourself first. The world is already full of so much suffering, and you shouldn’t be adding more pain and suffering to yourself with your self-talk. Stand up for what’s right, but don’t exhaust yourself in the process of fighting for something you have no control over.

Which artists did you draw influence from while orchestrating the single?

I feel like a bit of that old-school alt-rock/grunge may have influenced this track quite a bit actually. Okay, so here’s a blend of some influences that are in the ballpark – a bit of Daughtry, Pearl Jam, Alice in Chains, Nirvana, Staind, Chris Cornel, Linkin Park, Creed, H.I.M., Lifehouse, Seether, Velvet Revolver. Also slower tracks by Metallica, John Mayer, Bob Dylan, a bit of Johnny Cash and probably a lot of the official soundtrack from the ‘August Rush’ movie – I love all the tracks in that motion picture. The blend’s just full of so many different flavours – I do have trouble pointing out exactly what it is. I feel like it’s just one big blob of everything I grew up listening to if I’m being honest. I’ve lost track!

How did you interplay influence with your own artistic identity?

I just end up blending the sounds to a stage where I get my selected palette of sounds to communicate with one another in the tone of whatever emotion/mood I’m trying to get out of the music. I feel like a lot of the work that I do feels like painting with colours, and looking at sounds through the visual lens really helps me conceptualise what I’m working with.

Other than that, I feel like there is just no way something can’t feel authentic and soulful if it’s a projection of real and authentic experiences. I definitely do my best work when I’m channelling exactly what I was feeling in the moment of the experiences that I write about. It needs to be authentic and real. You need to be able to visualise exactly how you are feeling.

An artist’s own feelings and emotions are their strongest tools for originality, and I live by that. The type of work that I do is really not something I can rush, and I do have to let ideas simmer and even let them marinate for a while before I can treat them more. It’s funny cause I treat my music like they’re my children – it goes through all the stages ’til it grows up and is ready to move out.

We love the tonal juxtaposition the gruff spoken word segment introduces, what inspired you to include this in the track?

I believe it came from wanting to emulate a half-baked numb mood with the music. I ended up wanting to retrograde the chords in that section and still wanted to maintain that washy sound as much as possible. When I ended up reversing some of the guitar layer, and flipped it – it gave the whole section this laid-back and cruisy motion where I got to just throw some light and sexy licks on top. The washy ‘verb tying the guitars together is what really makes this section almost sound a bit wet and slippery, and slightly purple. The message reflects a bit of a questionable dialogue with oneself before going down a very interesting rabbit hole (rabbit holes that open up the doorways of perception-type things).

Who did you work with on the production?

I played everything on this track and produced all of it, like most of the songs on this album (unless I want to have that unique flavour for BVs, unique instrument features, or if it’s a collaborative track). In addition to that though, I always pass my work on to my trusted mixing and mastering engineer, Alex Emrich, who’s based in Canada. I completely trust him to take my tracks to the finish line, and working with him has always been a pleasure.

What’s next for ARCTISKY?

I believe I’m getting ready to take these songs out for live performances soon. Currently, I’m exploring how flexible I can be with the music that’s already written. I’m open to being flexible and reimagining my sound to suit whichever venue I may perform at, and cater that sound to the energy of the venue.

There’s been so much I’ve had to rewire about live performances from the ground up, and I know for a fact I won’t take these songs out to live venues until I’ve tightened up all loose ends on the performance side of things. Obviously, it’s in tiers when it comes to the scale of productions. How you treat one thing is how you treat everything, so yes, I’m definitely not just gonna do it for the sake of doing it! I’m still on the lookout for the musicians who will occupy the spots in my lineup – who will help me fully bring these ideas to life. I’m extremely pumped to see what lies ahead on this journey, and I’m just keeping my eyes on the target, no matter how wavy it may get. So yeah, hopefully a lot of good comes out of all this output!

Stream My Relief on Spotify now.

Connect with ARCTISKY to stay up to date with his latest releases on Instagram.

For more info, head to the artist’s official website.

Review by Amelia Vandergast

Interview with ARCTISKY: Exploring Love, Sound Evolution, and Musical Heritage

This week, ARCTISKY sat down with A&R Factory to discuss his latest single, “Unreal Love,” a narrative about the complexity of chemical romance and the importance of self-awareness in relationships. In this interview, ARCTISKY delves into his creative process, the instrumental choices that evoke euphoria, and the evolution of his music since his debut. He also shares insights into his journey from the Maldives to Melbourne, the influences behind his genre-fluid sound, and his ultimate artistic goals.

ARCTISKY, welcome to A&R Factory! Thanks for sitting down with us to discuss your latest single, Unreal Love. What does the single, which narrates a tale of chemical romance, mean to you personally?

Thank you for having me! ‘Unreal Love’ happens to be a confusing tale about an intense romance being ignited while two people find love in a super-charged ‘situationship’. The message is like, “Make sure you both know there could be other factors driving the whole interaction.” It’s about being aware of yourself and taking time away from other influences before wasting anyone’s time.

How did you manage to capture the euphoria of love in the instrumentals and production? 

This track is one of those tracks that stayed in the cocoon stage until I was ready skill-wise to bring it up to speed. Ever since my last release, I really took the time to come up with a sound that truly captures all of my core musical influences. With this one, I believe the live upright piano sounds did the final bit of work in bringing this song to the finish line. Initially, I had a very thin-sounding piano sound, which was fine when I was just writing other instrumentation around it, but it still didn’t give that fuller feel I was looking for. So, later on, I decided to record an upright piano with a pair of AKG c414s, with the help of a couple of my peers. That was the final ingredient to this sound I’d say.

I had written the synth parts years ago, in the early stages of the song, so those spacey-arpeggiator sounds at the back were another factor in capturing that euphoric feeling. I tried to stay true to the sounds that evoked euphoria in me as well. It’s still got that core element of rock & roll, but then those influences from other areas weave through. So this song evolved through quite a few stages to achieve the sounds I was after. I’d say it also had a lot to do with being surrounded by the right people who helped nurture my craft.

How do you want your fans to feel when they hear the single and what do you want them to take away from the lyrics? 

Well, the song is kind of like an unspoken conversation between you and that person you found some sort of crazy love with in the heat of a moment. It doesn’t have to be anyone specific either. It’s just one of those tracks that will help people come to terms with the fact that it’s better to let go by connecting to a song, rather than trying to reach out to an old flame. Never a good idea!

It’s been a while since you made your debut with Losing My Control in 2022; how has the break influenced your music? 

I think I realised I had a bit of work to do to bring my writing to something I was happy with. So, for me, it was more about going back to the sounds that felt most natural to me. That’s actually the main reason why I named this album ‘Roots Vol. 1’ – due to it paying homage to my musical heritage, being the classic rock & roll I grew up with. Unreal Love is the first track from this album and showcases this new sound I’ve been working with the best.

All the songs that will be on this album are what I call “journal songs” – they’re songs that hold more to the lyrical content, and have something listeners can take away and project onto their own experiences. It’s nothing more than a bit of art you may or may not be able to relate to. This stuff is written for the introverted side of people. I know I’ve heard those songs, where I listened to it and the music just helped me come to terms with things I had no idea was bugging me in the first place. Music does such a good job of healing people. I wanted to write some music that could help my audience shed light on some of the things they may be dealing with.

This new sound, with the foundation of rock & roll and the blend of fresh sub-genres, is what I got out of my creative break. This project just feels very fun for me! I’m not taking myself too seriously I’d say. I put a lot of trust into giving this another go, knowing I’m writing and releasing music that I loved writing and enjoy listening to.

You gained a fair amount of notoriety in the Maldives, has establishing yourself in Melbourne been a daunting experience?

I’ve been very lucky to learn and work with some extremely cool people since moving to Melbourne in 2019. I got here and realised I had neglected a lot of important theory, growing up as a drummer, so I had a lot to catch up on. I wanted to make sure I understood music to a certain level before trying to enter the live scene here. I’ve certainly had a bit of work to do to polish my craft before starting live gigs. Melbourne’s already got such a vibrant live music scene, so I want to make sure that what I’m bringing to the table here is going to be something a bit different and adds value. I needed to know that if I were to do live gigs, there were no loose ends in the songs. I want my live performances to bring a high level of energy to the venues here, and I needed time to develop my live-act. Live gigs are something I’ve really had to physically and mentally prepare myself for.

How did your genre-fluid sonic signature come about? 

I grew up with brothers who loved rock music, so it was playing around the house most of the time as a kid. I always heard a lot of Bob Dylan, Santana, Bon Jovi, Bob Marley and all that. Then I discovered Pink Floyd around the age of 18. They have the kind of music that helps you open doors in the back of your mind. Around the time I started this project, I was listening to a lot of Bob Dylan and the ‘Exodus’ record by Bob Marley & the Wailers. They inspired me to get my own messages of love, peace and freedom out with my music – to the individual and to societies. Especially ever since the wars have become a lot more frequent on the news, I wanted to get my message out with these songs. It turned out that when I was writing these “journal songs”, I always wrote music that I felt reflected love, peace and togetherness – “Lead with love and respect,” being the core message. It’s come with trying to strike that chord which resonates with our innate instinct to come together, and to work together and learn from each other.

What is your ultimate goal as an artist? 

My ultimate goal as an artist is to bring my work and artistry to a stage where I can start collaborating with more artists, and to just keep writing and recording music I’m proud of. I want to have songs that my audience can listen to and connect deeply to. I feel like a lot of what I’m hoping to get out of this ‘Roots Vol. 1’ record is to find a true audience that I can take on a new musical journey away from my current sonic blend. Music is such a subjective experience just like any art form. I feel like creating the best art you can do with your abilities and putting it out there is necessary if you have a message that’s greater than what you want to achieve sound-wise. I feel like I’ve been fiddling around with this sound for a while now, but I’m happy knowing this blend was authentic to who I was throughout the writing and recording process. My goal is to story-tell and share some of my crazy experiences with my listeners so that they too can feel and experience those moments. I feel like all my music will have that unique element of ‘me’ in it.

My message is to stay true to yourself no matter what kind of inner demons you may be battling. If you’re still in the thick of that period of your life, I hope some of these tracks I’m putting out can lend a hand.

Listen to Unreal Love now on SoundCloud; find more ways to connect with ARCTISKY via his official website.

Interview by Amelia Vandergast

Royston Vasie – Creeping: A Melodic Renaissance in the Indie Landscape

If you have had your fill of indie landfill, cleanse your sonic palette with the latest release, Creeping, from Melbourne’s most affecting melodicists, Royston Vasie.

With synth melodies sweeter than honey/Grandaddy, soulfully sludgy ennui in the same vein as Dinosaur Jr, sweepingly angular guitar licks that give Johnny Marr a run for his money and a modernist touch as a courtesy of the Jaws and Peace-esque indie accordance, Creeping is a smorgasbord of influence which amalgamates to portray Royston Vasie as one of the most promising up-and-coming artists on the airwaves in 2024.

After releasing their first two albums through Courtney Barnett’s now-defunct label, Milk! Records, Creeping marks a shift in their musical style, which previously oscillated between the garage ethos of Black Lips and the shoegaze of early The Brian Jonestown Massacre.

If the outro leaves you aching for more, mark your calendar for the release of the fourpiece’s upcoming album, Through the Canopies, which will arrive on May 15.

Creeping will inch its way onto the airwaves on February 15; stream the single on SoundCloud.

Review by Amelia Vandergast

Hazel Ray’s Musical Alchemy: Unveiling ‘My Demon’ – A Journey of Empowerment

Hazel Ray, the remarkable pop-soul sensation hailing from Melbourne, Australia, has recently graced the music world with her latest masterpiece, “My Demon,” released in July 2023. Produced by the legendary Steve James, whose illustrious career spans iconic bands like The Jam, Sex Pistols, and The Screaming Jets, this track is a testament to Hazel Ray’s artistry and vision. Accompanied by a visually captivating music video crafted by the talented videographer Jarrod from Ourfolklore, “My Demon” is more than just a song; it’s an introspective voyage of self-discovery, resilience, and empowerment.

Hazel, ‘My Demon’ is a powerful and introspective song. Could you share the inspiration behind the lyrics and what message you hope your listeners take away from it?”

My Demon’ is just as much about a personal journey as it is about the journey of all. Everyone at some point in their life faces the little voice in their heads that tells them that they aren’t good enough or that they won’t amount to anything. For some people these voices become so strong that it can lead them to paths in life that can be destructive to their health emotionally, physically, spiritually and financially. This unfortunately/fortunately was also the case for myself. I say fortunately because it was through facing these inner Demons that has pushed me to live a more fulfilled and inspired life, aligned with my Truth. My Demon is a song of hope and strength, that no matter how dark things become, the light will always prevail. Fear is what cages souls from living their dreams. Face the fears, face the Demon, live your Dreams.

Your collaboration with renowned producer Steve James has garnered attention. What was it like working with him, and how did his expertise influence the creative process for this song?

Steve is an amazing human. Super kind and encouraging. He has one of those minds that must be running with about 50 tabs open at a time. When he is working on your track he gives you all of his attention and is already planning legendary session musos to add flare to different parts of your song from the moment you step into the recording studio. So professional and always willing to explore creative routes.

The music video for ‘My Demon’ is visually stunning. Can you tell us about the concept behind it and your collaboration with Jarrod from Ourfolklore to bring your vision to life?

I came up with the concept for the music video, upon reflecting on what it felt like to have a voice that controlled my every thought and every move. The chess game symbolised the inner fight between the moves that I wanted to make in my life and the way in which the Demon was able to override every decision to make my life a living hell. There is a scene in the film clip where I realise that there are no rules to the game if I don’t want there to be, so I pick up the Queen and place it back in the game. This is the first sign of transformation of control, which puts the Demon on edge. I chose to show the cleansing of the Demon by diving into the ocean, cleaning myself of all those negative thoughts and lack of control. Jarrod did an amazing job capturing the changes between the mental struggle and how the Demon manifests into our reality. He has such a flair for abstract concepts and bringing them to life. I was so grateful for his input and the overall outcome.

Your music has been described as a refuge and a source of healing for listeners. Can you elaborate on how you aim to connect with your audience on a deeper level through your music?

Music that offers healing, answers questions in people that they didn’t even realise they had. It offers empathy in a way that just words can’t. From there the audience feels closer to the artist as for the first time for whatever reason in that particular moment they feel seen and understood. My music can offer this to those who need it. Many of the songs that I write and many of the songs that are yet to be released, discuss the questions of ‘who am I’, ‘why am I here’, ‘what is my purpose’. These very questions are asked by every single human at some point in their life and I hope that my music will be there to guide the future generations as they look inwards to find those answers.

Your sound has been compared to the likes of Adele, Eva Cassidy, and Lady Gaga. How do you feel about these comparisons, and how would you describe your unique musical style and approach?

I am absolutely flattered that people find similarities between my music and sound with these artists. They are definitely inspirations of mine. My uniqueness comes in my very own story and the knowledge that I endeavour to share with the world. For me it’s not just about the music. I have created a unique show called ‘Asleep to Awake’ where I put 10 years of Science teaching, a neuroscience degree, song writing and storytelling together, to invite my audience to explore their true nature and the relationship between Science and Spirituality.

Can you share some insights into your musical upbringing and how it has shaped your career as an artist? Are there any specific influences or experiences from your childhood that have had a lasting impact on your music?

My Grandfather (Ray) was a musician, he played the drums. Sadly, he passed away when I was 10. I really struggled with his passing, which led me down a path of trying to understand death, afterlife. energy, spirit and ultimately how it is possible that I am a soul. I have also had some mental health battles in my life that have taught me so much about who I am and my true nature. These topics of mental health and the spiritual world , for me, overlap and I love exploring their intertwined nature in my songs.

Find out more about Hazel Ray by visiting her website

How Hard Can It Be: Ian Shortall feels his epicentre bypass a nostalgic beat on Chesapeake

Sensing that he was under a special spell by a lovely water-loving human with a heart of gold, Ian Shortall feels sad that they left in the middle of the night on the massively reflective single to contemplate with, Chesapeake.

Ian Shortall is a Melbourne, Australia-based indie country/folk-blues-fusion solo singer-songwriter who learnt his trade back in Dublin in the 90s.

Not one to shy away from outside influences and bring something new to the table, Ian also pulls imagery from the metal world, which is echoed and hinted at throughout his lyrical content.” ~ Ian Shortall

Captivating all alert listeners with something rather special and indelible to be enraptured by, Ian Shortall has brought forth a gem of a song which hasn’t been rushed in the slightest.

Chesapeake from Melbourne, Australia-based indie country artist Ian Shortall might be one of the most beautifully created singles of the year so far. This has been made with complete care. There is affection in droves throughout and we are opened up to a memorable story to cherish for its authenticity.

There is so much to like about such a lovable story with so much emotion and total class, which shall give many hearts an extra beat to help when the lonely nights set in.

Embrace the feeling shine through the curtains on Spotify.

Find out more about live shows and more via IG.

Reviewed by Llewelyn Screen

Memories are frozen in my mind: Kevin Silvester feels the raw emotion on visuals for Be The One (feat. JVCQUI)

Intertwined into a mesmerizing story about finding out about a partner’s devilish infidelity, Kevin Silvester is rather dynamic in a saucy story about a romantic triangle which is cinematic-like on Be The One (feat. JVCQUI).

Kevin Silvester is a Melbourne, Australia-based 20-year-old indie electronic pop artist, music producer and DJ who is joined by the excellent singer JVCQUI.

With the 4th single taken from the much-awaited debut album Sleepwalker, classically trained pianist and cellist Kevin Silvester has dropped a rather exceptional effort on Be The One (feat. JVCQUI) and this is a must-listen for anyone who loves music and visuals with a real sentiment.

Be The One (feat. JVCQUI) from Melbourne, Australia-based electronic pop artist Kevin Silvester is a rather stunning effort from two souls who seem so connected. This is the dramatic story of a romance which seems tilted, as one heart wants it all, and one desires an extra element.

When you want it all, it’s best to see if it’s available before giving everything.

See this hot music video on YouTube.

Reviewed by Llewelyn Screen

Interview: Melbourne’s One More Weekend relieves all pressure on Opportunity

We were lucky enough to have a chat with Connor from One More Weekend recently and he told us all about the new single Opportunity and more. Cruising us through the excellent Melbourne music scene and sourcing where those dirty but edgy local spots are really hiding, we are treated to a wild story about Aunty Meredith and a demon sheep.

Thanks so much for your time today One More Weekend.

Connor: Hi guys! You’re speaking with Connor today, the lead singer and yeah! Absolutely smashing today! Thanks for having me on!

How did you all get involved in this music industry?

Connor: We were all just flung into this industry really, all propelled by the same feeling… that playing live and putting on a killer show is a feeling like no other.

Please tell us more about your new release Opportunity. What was the idea behind the song and how did you know this was the next track?

Connor: Opportunity is about making tough decisions within a small timeframe and feeling that pressure. We essentially tried to reflect that with the music video and how the walls literally close in.

Melbourne is your hometown. What makes it so special and where would you recommend readers to go and watch epic live music in your city?

Connor: Go to all the dirty locals- Cherry Bar, The Tote, The Evelyn, Yah Yahs, The Bendigo, Revs.

Do you remember the first gig the band played and how has the progression developed since then?

Connor:  Yeah look, after 160 shows if we hadn’t improved I’d have called it quits a while ago!

What is your go-to meal before a gig?

Connor: Can’t say I often eat before a show, we do have a two-drink limit though before we play and for me, it’s generally a pineapple vodka followed by the strongest shot they’ve got on the shelf.

What’s the wildest festival story you can share with us?

Connor: The wildest? Let’s just say it involved a very real demon sheep being summoned in the tour bus and uncontrolled time travel back and forth between the medical tent and the dance floor… what a time, thank you, Aunty Meredith 😛

How is the local band scene going in Australia? Do you see it improving or going backwards?

Connor: Compared to what’s being played on the radio the local scene is actually buzzing! There’s some killer bands we’ve shared the stage with recently, go check Sledgehammer Honey, Tudor Club and Lipstereo.

Final question. Where can we find you live next and what are your goals for the rest of the year?

Connor: Ohhhhh we’ll be live next at Summerwave in Kerrang on the 4th Feb, then at Cherry Bar on the 25th Feb for our single launch.
As for goals? Work bloody hard, release two more killer tracks with killer music videos, make some sick merch and jump in the tour bus for a big ol trip around Aus, Yewwww!

Cheers for having us on! Sign up to our mailing list at www.onemoreweekend.com to hear more and stay in the loop for all things OMW!

Hear this fine single on Spotify.

Interview by Llewelyn Screen

Coconut Shy helps us to move on from the past on Water, Water

Made whilst deeply wrapped in a psychology essay that took extra time to write, Coconut Shy shows us fondly inside that memorable corvette that sped away rather quickly on Water, Water.

Coconut Shy is a Melbourne, Australia-based indie folk singer-songwriter who projects his vocals so well that all stress seems to float away.

Seeing that chevy pull up with a smile on his face, Coconut Shy has made an all-time timeless gem for us all to fall in love with. There is so much to be enamoured by inside this truly superb song, which is crammed with a genuine energy to grip us tightly with from all corners.

Sweetly sung and filled with an authentic vibe to gravitate toward, there is nothing you can surely dislike about a release with so much tender care and crisp smoothness for the better absorbed inside.

Water, Water from Melbourne, Australia-based indie folk singer-songwriter Coconut Shy must be one of the more soul-healing singles around. Turning our hearts with caring abandon, this is a stirring track that might get you thinking about that special human who changed your entire mood with one wink.

Hear this fine single on Spotify and check out the IG for more.

Reviewed by Llewelyn Screen

Craving The Attention: Kevin Silvester sees through all the secrets on Crywolf (feat. 99finite)

Following on from his previous singles, Love you Blind and You and I (feat. Julie Zorrilla), Kevin Silvester pumps up the volume on this dance floor winner that shows us deep inside that sneaky Crywolf (feat. 99finite).

Kevin Silvester is a 19-year-old Melbourne, Australia-based indie pop singer-songwriter, music producer, DJ, and multi-instrumentalist.

Crywolf is dedicated to your ride or dies while giving the middle finger to heartbreakers and manipulators.” ~ Kevin Silvester 

Boosting our moods with a mood-altering single to change your perspective, Kevin Silvester is quite fantastic on a track to play loud and proud. Oozing with quality from all ends of the spectrum, this is the type of single you will tell your next-door neighbor about.

Crywolf (feat. 99finite) from Melbourne, Australia-based indie pop singer-songwriter and DJ Kevin Silvester is a supreme performance that shall get your veins popping with delight. Guiding us through the lies and making sure that those who are sincere understand that they are appreciated, this is a speaker-slicing song of note.

When you see people who are rather fake, it’s always best to call them out and ride with the authentic humans instead.

Hear this fine new single on Spotify and see more on the IG music page.

Reviewed by Llewelyn Screen

Spectoral wonders if the intentions are pure on ‘LOVESICK’ (ft. Megadead and Tusanxmi)

After two years of building up his debut album that will feature 15 unique artists, Spectoral shows us what quality music sounds like in 2022 with ‘LOVESICK(ft. Megadead and Tusanxmi).

Spectoral is a Melbourne, Australia-based SlideUp Records-signed music producer and singer who has released 3 EPs and is now taking the next step in his career.

”The plants thrive off the music, and my creativity thrives off the plants, so we have somewhat of a symbiotic relationship.” ~ Spectoral

With soothing vocals, relatable lyrics, and a busting beat that you will inevitably find hard to forget, Spectoral might be one of the most lively artists to come out of Australia for ages. There is so much to like here as our minds are taken to the moment that will determine if we let our heart out of its safe box, or let it fly free like a curious bird looking for a permanent nest.

‘I also consider myself a collaborator at heart, which is why I’ve got so many underground names featuring alongside me on the album.” ~ Spectoral

LOVESICK(ft. Megadead and Tusanxmi) from Australian-Mauritian-Slovakian producer and singer Spectoral is a superb track that will pulse the very core of your veins. A story for all those who have slight trust issues after being let down before is on offer here and shall thud your whole soul awake. Sung with a heightened velocity and filled with excellent features throughout, this is a reminder that we need to be extra careful who we let into our lives.

Sometimes, people want us for their own selfish reasons after all.

Listen up to this hot new single on Spotify and see more news on the IG page.

Reviewed by Llewelyn Screen