Browsing Tag

Manic Street Preachers

Sugar the pill with The Elegant Chasers’ aural antidote to modernity, My Medicine

Rock has known many guises throughout the decades; plenty of them can be revelled in with The Elegant Chasers’ latest intensely affecting track, My Medicine. By fusing the soaring soul of Journey, the brashy grit of 90s Britpop, Slash-reminiscent guitar work, and hints of hard rock to augment the rhythmically chameleonic hit to the nth degree, alt-rock’s most debonair solo artist delivered a triumphant tour de force with My Medicine.

Featuring Lloyd Pritchard on skins, the self-recorded and produced release, which was spawned Rembrandt Rooms, Hersham, Surrey, hits a raw nerve towards the outro to deliver an exposition on the plaintive reality of living as a struggling artist in an epoch which only favours legacy artists and novelty, giving listeners plenty to think about, if they can tear their minds away from the Oasis reunion hype.

My Medicine will be prescribed on September 27; sugar the pill of modernity by streaming the single on SoundCloud and Bandcamp.

Review by Amelia Vandergast

The Serenity Club launched an attack of anthemic alt-rock reclamation with ‘Taking Back My Life’

The Serenity Club

With pop-fuelled alt-rock choruses that will be euphony to be the ears of the Foo Fighters between verses that reanimate rugged 90s Britpop swagger, The Serenity Club’s latest single, Taking Back My Life, is an unforgettably emboldening anthem of reclamation.

The high-octane synthesis of volition, redemption and serotonin is set to put the London-based triadic powerhouse on the map ahead of their debut five-track EP, Obsession Submission, which is due for release later this summer. The timely release of the single also means that it incidentally coincides with the General Election; I couldn’t think of a better track to listen to on the way to the polling station.

Hints of 90s-era Manic Street Preachers (think along the lines of Slash n Burn, You Love Us, and Kevin Carter) resound throughout the vivaciously fuelled guitar licks and the razor-sharp hooks that don’t stop at pulling you into the centre of this intensely liberating hit. They open the doorway to one of the most determined-to-embed earworms you’ve ever encountered as they work alongside the unflinchingly dynamic vocals of Mit Inajar.

With an exhilarating sound that Wembley Stadium could scarcely contain, The Serenity Club has exactly what it takes to take their career to stratospheric heights this summer; just try standing in their way.

Taking Back My Life will be available to stream on all major platforms, including Bandcamp, from June 28th.

Discover more about The Serenity Club via their official website.

Review by Amelia Vandergast

The Elegant Chasers explored the trappings and torment of addiction with their maniacal alt-rock hit, The Hungry Ghost

The Elegant Chasers

You’d be forgiven for thinking that Mike Patton had formed a new side project after being exposed to the vocal dynamism and tightly controlled instrumental chaos in the latest single, The Hungry Ghost, from the London-based alt-rock originators, The Elegant Chasers.

The franticly alchemic production which echoes 90s Britpop and grunge entices you in through the urgency as the James Dean Bradfield-esque guitars shimmer and act as an anchor in the tumultuous storm brewed by the rhythm section. The lack of restraint is a conceptual sonic visualisation of the nefariousness of addiction, which the volatile lyrics explore influenced by the work of Gabor Mate.

There was no forgetting The Elegant Chasers after getting acquainted through their previous release, Running Around the Sun, but The Hungry Ghost is a million maniacal miles away from the mash-up of indie, Britpop and Psych Rock. It’s safe to say The Elegant Chasers can stop running because they’ve arrived at exactly where they need to be with The Hungry Ghost.

The Hungry Ghost will be officially released on March 15; stream and purchase the single on Bandcamp.

Review by Amelia Vandergast

The country rock rapture arrived through The Whiskey State’s latest single, Where I Need to Be

In the valleys of Hampshire, The Whiskey State, comprising Tom Stride and Jordan Tate, has distilled a sound that resonates with the soul of country and the riotous heart of rock. Their latest single, “Where I Need to Be,” is a testament to their journey from college companions to creators of exhilaratingly sticky-sweet euphoria.

Imagine extracting the quintessence of The Manic Street Preachers, Bruce Springsteen, and Sam Fender, then blending it into a musical elixir. The result? A flavour profile as affecting as “Where I Need to Be,” a song that pays homage to the sanctity of country surrounds. It’s a track that stirs the soul so profoundly, that you might find yourself questioning if any roots-reverent rock track has ever touched it quite like this before.

The song encapsulates tender homecoming yearning through the guitar chords that wrap you in nirvana and endlessly ensnaring vocal hooks which make it impossible not to want to make The Whiskey State your sonic poison of choice. The songwriting prowess of the duo is as evident as their ability to catapult listeners into the soulful aura of their music.

Few things feel better than returning to whatever constitutes home, but this track comes a close second. With their debut EP “Welcome to…”, The Whiskey State not only showcases their distinctive blend of country and rock influences but also cements their place as one of the most captivating country-influenced rock duos in the Uk and beyond..

Stream the official music video for Where I Need to Be via YouTube.

Review by Amelia Vandergast

Modern Ape blended precision with passion in their rallying rock anthem, Justified

In modern rock, few bands capture the essence of soulful anthems quite like Modern Ape. Their latest single, Justified, is a testament to their unique blend of precision and passion. Hailing from North West England, this three-piece ensemble has crafted a sound that resonates with the spirit of rock blues, yet speaks to all generations.

The instrumentals are meticulously tight, showcasing a mastery of craft that is rare and commendable. But it’s the soul that pours from the vocals that truly sets this track apart. It grips you with a fervour reminiscent of Against Me, while the guitar hooks echo the soul-stirring appeal of the Manic Street Preachers. It’s a heartfelt cry wrapped in melody that you’ll want to turn to every time you want to feel alive, and it is that universally shared craving for visceralism which lyrically propels the track forward.

Modern Ape, with their self-deprecating moniker, might not seem like your typical rock heroes, but their music tells a different story. They excel in rallying cries, and Justified is a clarion call to the masses.

Stream the official music video for Justified which premiered on January 1st on YouTube.

Review by Amelia Vandergast

River Knight extended empathy for politically derived malady in their orchestral folk-rock score, Green and Gold

River Knight’s latest single, Green and Gold, is a socialist orchestral folk-rock masterpiece; with a reprise of “the system is broken and there’s no way back” as a lyrical opening, there’s no deliberation before immersing you into the infectiously empowering assault on late-stage capitalism.

The modern iteration of everyman’s blues keeps an upbeat tempo as the everyday atrocities unravel over the zeal in the instrumental arrangement to create an emotionally well-rounded score that unifies the disenfranchised while vindicating the anger that is breeding within the social tapestry.

With an ear for a compelling melody, an empathy for politically derived malady, and the technical prowess to construct a soul-sating earworm you’ll be humming for days, the UK duo who banded together in 2017 after Darren Knight’s wife passed away have become as essential as the Manic Street Preachers were in the 90s.

Green and Gold was officially released on November 24; stream it on Spotify.

Review by Amelia Vandergast

Jayacus rose from the ‘Wreckage’ in his indie folk-punk debut

With all the magnetism, poetry, and soul of an acoustic B-side by the Manic Street Preachers and all the brashy folk-punk intimacy of Neutral Milk Hotel, Wreckage is a deeply affecting debut from the UK-based indie folk singer-songwriter, Jayacus.

After living a life of loss, alienation, and despair, Jayacus has finally come into his artistic stride with Wreckage which shares the message of resilience and hope while delivering an affirmation that as long as you are still breathing, you have reason to keep your dreams alive and pursuing what ignites your passion.

Following a stint in hospital, Jayacus picked up his guitar and recorded Wreckage in his bedroom; here’s to hoping the sophomore release is already in the works.

Wreckage was officially released on October 20; stream it on all major platforms via this link.

Review by Amelia Vandergast

Steady Owl melancholically howled into the cosmos with his orchestrally elevated alt-90s hit, MOONDOG

If anyone has what it takes to reignite the mainstream momentum of indie, it is the melodic fire starter Steady Owl with their debut album, They Are All Bastards Except Us, which is due for release on October 20.

As an appetiser, the alt-indie revivalist revealed the single, MOONDOG, which pays a mellifluously fitting ode to the icons of the 90s Britpop era. The orchestrally elevated melodicism echoes the legacies of Mansun and the Manics while the cosmically compelling single drips in Transatlantic magnetism with the striking reminiscences to the more melancholic work of R.E.M.

It feels as though the entire alt-90s aural ecosystem underpins this gravity-defying release, yet at the same time, the superlative song crafter conjured something completely new to render the hearts of all indie rock nostalgists raw. Lyrically, it will throw you right back to when Pearl Jam broke your heart for the first time with their single, Black, while the cosmos is torn through by the stunning angular guitars, which know which evocative impulses to strike with every pitch and pace-perfected progression.

MOONDOG was officially released on September 14; stream it on Soundcloud.

Review by Amelia Vandergast

MODEL CITISIN – Been and Gone: Manic Street Preachers Fans Will Glue Themselves to This Debut

Proving that time isn’t linear, the London-based outfit, MODEL CITISIN, fronted by Nick Swettenham, brought the 90s Britpop era right back around with their debut single, Been and Gone.

Muso nostalgists are hardly in short supply, but nothing about Been and Gone even comes close to antiquated. The resurgence of the brassy euphoria, psychedelically tined guitar tones, and crescendos carved from violin strings will tempt the souls of the most world-weary indie fans out of repose.

Unravelling as a mash of the signatures of the 90s, with enough room for authenticity in the high-octane melodic hooks that could ensnare a stadium, it’s impossible not to get excited about the foundling outfit’s potential.

With superlatively orchestrated guitar solos that could give James Dean Bradfield a run for his virtuosic money augmenting the sentimentality of the single, which throws in a few Grandaddy-esque synth lines for good measure, Been and Gone is easily one of the most promising debuts I’ve heard in 2023.

Been and Gone was officially released on September 22; stream it on SoundCloud.

Review by Amelia Vandergast

Bullets For Your Brain Today: The Blackheart Orchestra drop well-sung cover of Manic Street Preachers gem ‘If You Tolerate This Your Children Will Be Next’

With their own spin to the much-loved Welsh alternative rock band Manic Street Preachers classic number one track from 1998, The Blackheart Orchestra are on top form with ‘If You Tolerate This Your Children Will Be Next‘.

The Blackheart Orchestra is an award-winning Manchester, UK-based indie electronic prog-folk/alt-rock duo act who have added a new chapter to their story here.

We’ve created a new interpretation of the Manic Street Preachers classic No.1 from 1998 that’s all about climate change. We will be donating a proportion of the download profits to the wonderful JUST ONE Tree who work tirelessly to offset carbon emissions through reforestation. When the song was written it was about the past, but now 23 years later, the words are all about the future. We’ve looked at the song through a different lens and our version and the accompanying video scream for the world to u-turn on the pollution, industrial destruction, planet abuse and self-interest that rules today’s economies with an almost total disregard for future generations.” ~ The Blackheart Orchestra

The Blackheart Orchestra reminds us of a really brilliant single that is cherished by young and old. The lyrics are honest and striking, as they send out a wonderful effort that has terrific production and the eerie soundscape will have you feeling in a rather reflective mood.

If You Tolerate This Your Children Will Be Next‘ from the excellent Manchester, UK-based band The Blackheart Orchestra, is a well-sung single from a vocalist who is at the top of her game. She performs with a gloriously melodic style and reaches notes that might make your whole body shiver in awe of her brilliant technique. This is a song to ponder on, as we wonder where the world is actually headed after many years of greed and poor decisions that will affect us all for many a generation.

Hear this well-performed single on Soundcloud and see more of their vision via IG.

Reviewed by Llewelyn Screen