Browsing Tag

London Folk

Henry Charles reached the epitome of vulnerable intimacy with his debut, Just One More Time

Henry Charles’ debut single, Just One More Time, is a marker of his ability to construct emotional connections with his audience. Soulful, intimate, and a testament to his patience and vulnerability as a songwriter, Just One More Time is a promising start to what is sure to be an illustrious career.

With a folk timbre reminiscent of Jacko Hooper, the sting of Tom Odell, and the profoundness of Bill Ryder-Jones, Charles carved out his own niche in the British singer-songwriter landscape. From the first strike of the minor piano keys, Just One More Time envelops you in its world. The ripples of reverb set the stage for Charles’ light yet evocative harmonies. Each progression in the song is a revelation, a bittersweet exploration of torment and longing.

The gentle orchestral strings with moody, turbulent electronic synthetics create a stunning auditory contrast. This juxtaposition mirrors the emotional turmoil at the heart of the song – a yearning for connection in a world that often feels vacuous and cold.

The refrain ‘just one more time’ echoes throughout the track, a quiescent plea for reconnection to something visceral and sanctifying. It’s a testament to Charles’ ability to tap into a tender pool of expression, making every note and lyric resonate with the listener’s own experiences of loss and desire.

Just One More Time was officially released on January 31st; stream the single on Spotify.

Review by Amelia Vandergast

Casino Moon boiled the human experience down to birth, sex, and death in their indie folk-rock revelation, Fearless

Casino Moon, the South London-based Americana folk-rock ensemble, has distilled the essence of the human experience into their latest single, ‘Fearless’, which unravels as a journey through life’s most primal elements – birth, sex, and death – wrapped in a melody that’s as infectious as it is profound.

‘Fearless’ grips you with its upbeat folk instrumental arrangement, setting the stage for a musical expedition that’s both exhilarating and introspective. The chorus bursts forth with a fearless tenacity, its lively rhythm a stark contrast to the more contemplative alt-indie verses that invite you to delve deeper into the song’s candid narrative.

Casino Moon’s cultivated sound, recognised by icons like Tom Robinson and Robert Smith, shines through in ‘Fearless’. The band’s talent for transforming untold stories into addictive sounds is evident in every chord, lyric and harmony. The vocals seamlessly switch up in energy, mirroring the dynamism of the instrumentals. From the resonant vibrato in the lower registers to the fervour and zeal in the soul-augmented choruses, the vocal performance is a masterclass in raw, unadulterated emotion.

Consider ‘Fearless’ a blueprint for living life with unbridled passion; the crescendos and echoes of evocative wisdom fuel the listener with invincibility. As Casino Moon continues to garner acclaim, with standout performances at festivals and alongside notable artists, ‘Fearless’ stands as a testament to their burgeoning legacy.

Stream Fearless as part of Casino Moon’s Woody Bay EP on Spotify now.

Review by Amelia Vandergast

Mariele Jankowski sang ‘The Long Song of Mary Green’ in her folky feat of beguile

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The latest single, The Long Song of Mary Green, from the London-based singer-songwriter Mariele Jankowski keeps the true storytelling roots of folk blossoming in blissfully melodic beguile.

Around the vivid imagery that spills over the acoustic guitars, which rhythmically guide you through the release beneath Mariele Jankowski’s timelessly mesmeric vocal timbre that lends itself well to distinction, is a compelling tale that is worth heeding.

As we all embark on endless quests for eternal happiness, and we fail to account for the world’s tendency to throw us curveballs as it turns, upending the promise of eternal bliss. Mariele Jankowski delivers the soulfully resonant reminder that for any real shot of happiness, we need to master the art of letting go and enjoying the journey instead of fixating on the destination.

I can honestly say I haven’t been this taken with a folk artist since discovering Amigo the Devil, and that isn’t an accolade I part with easily. Yet, the euphorically euphonic outro is one that I will delve into this extended release time and time again for.

The Long Song of Mary Green will be available to stream from March 3rd on SoundCloud.

Review by Amelia Vandergast

Layman.TV sings a ‘Harmony Eternal’ in his ethereal indie folk pop single

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Bridging the gaps between Glen Hansard, James Yorkston and Richard Hawley, The London-based singer-songwriter, Layman.TV released his latest ethereal indie folk single, Harmony Eternal.

The flourishing chamber strings against his harmonised spoken word reflections on nature and all the parallels they create within our lives pull together to create a poetically celestial sensory experience in Harmony Eternal. It is almost enough to guilt trip you for not sharing the same romantic lust for life. I say almost; the sublime appreciation for natural phenomena becomes infectious. Especially when the nuanced rock guitars start to bolster the passion in the otherwise graciously otherworldly soundscape.

Harmony Eternal is now available to stream on Spotify.

Review by Amelia Vandergast

London folk hero, The Guv gave neo-folk an exotic twist in ‘December in Istanbul’

Istanbul-born, London-based folk singer & songwriter, The Guv hasn’t lost sight of the muse since making his debut in 2020 – especially on the basis of his most successful single to date, ‘December in Istanbul’. Today, he’s back with new release ‘Love and Joy’.

A decidedly loving and romantic ode to life, and the potential it gives all of us to truly be happy in our relationships with ourselves, ‘Love & Joy’ was mastered by Andy Baldwin / Metropolis Studios who also worked with The Who, UB40, Pet Shop Boys.

While the classical strings cause a drop in the temperature in December in Istanbul, the easy accordance from the acoustic folk guitar progressions will envelop you in the warmth of the timbre. With a chorus that could rival the euphonically anthemic feel of Mumford and Sons paired with the Eastern folk nuances and roots-deep western folk sensibilities, December in Istanbul is an instant timeless classic.

Fans of Queen, Tori Amos and Tim Buckley will want to pay attention to the modernist multinational spin on folk, as well as lovers of high caliber, Decemberists-leaning sensibilities.

As The Guv will be launching new music twice weekly, the Istanbul-born, London-based artist is well worth a spot on your radar. You can check out December in Istanbul without grabbing your passport by heading over to Spotify, where you will also find The Guv’s already-extensive collection of affable neo-folk.

Review by Amelia Vandergast

Nathaniel Graham takes us to ‘Sky Valley’ with his classically-inspired folk single

The breaking folk singer-songwriter, Nathaniel Graham, made light work of establishing himself as one to watch when he made his lockdown debut in May 2021. You only need to listen to his latest ambient work, Sky Valley, to see why so many found comfort and escapist refuge in his timeless, classically inspired composition style.

The simple yet masterful guitar-driven melodies canter along at a tranquil pace as the bright, sun-kissed tones epitomise the serenity of summer days away from the chaos of modernity. Around the classical Spanish guitar influences, you’ll find intermittently bluesy folk twangs that add an incredible dynamic to the Newcastle-born, London-based artist’s soundscape.

With a debut album in the pipeline, it is safe to assume that Nathaniel Graham’s career will be just as bright as his optimistically light singles.

Sky Valley is now available to stream on Spotify.