Browsing Tag

Leftfield Electronica

End credits roll for humanity in Timothy and the Apocalypse’s latest alt-electronica release, Ready for the End

Posted on 29 September 2022

For his latest single, Ready for the End, the epochal producer Timothy and the Apocalypse collaborated with the LA-based singer-songwriter 9 Theory to rekindle their alchemic chemistry for the third time.

The end credits for humanity roll in the soulfully sombre timbre of the single, which entwines lament with the last light of humanism that shines through the jazzy complex time signatures. As existential as it may be to consider the demise of everything that you’ve ever known, Timothy and the Apocalypse offers a placative and meditative reprieve from the anxiety in the form of Ready for the End. There is a reason why 46k listeners are glued to his discography. Hit play to find out why.

Ready for the End is now available to stream on Spotify.

Review by Amelia Vandergast

Timothy and the Apocalypse – Voice Like an Echo: Meet Your New Favourite Trip-Hop Raconteur

Posted on 25 August 2022

After racking up hundreds of thousands of streams since his 2021 debut, the fatalistically monikered experimental electronica artist, Timothy and the Apocalypse has unveiled his latest leftfield single Voice Like an Echo.

With his knack of adding soul to synthetic textures, Voice Like an Echo is yet another trippy triumph, which carries the trip-hop gravitas of Portishead and the ardent downtempo allure of Massive Attack’s most grippingly progressive productions.

If the endlessly imploring vocals finding synergy with the mellifluous glitches (yes, I know that should be a paradox, he’s THAT good) don’t move you, you can probably consider yourself emotionally paralysed. Who would have thought end times would sound so sweet?

Voice Like an Echo is now available to stream on Spotify.

Review by Amelia Vandergast

The anonymous electronica collective, Formanteau, detonated a bomb of colorful euphoria in their debut single, In Your Hands

Posted on 17 August 2022

In Your Hands is the debut mellifluously melodic feat of electronica from the collective, Formanteau, headed by a veteran underground music producer who has appeared in multiple film and TV credits for his compositions.

There is something incredibly reassuring about an anonymous electronica collective running in the same vein as 21st-century enigmas, such as Gorillaz and Sault. There is the immediate affirmation that the motivation behind the electro momentum is in no way egotized, and that is exactly how In Your Hand sweetly runs through.

The innocence in the reprise of “my life is only in your hands” made an unforgettable production out of the colourfully euphoric release that runs at the perfect tempo to leave you as invigorated as mellowed.

Get In Your Hands on your playlists by heading over to Spotify.

Review by Amelia Vandergast

Glock-9ne – II Tempo Delle Sirene: A Meditation in Trip-Hop

Posted on 26 July 2022

The independent Italian multi-genre producer, composer, arranger, and graphic designer, Glock-9ne, AKA Mirko, built a flourishing new world with his latest composition, II Tempo Delle Sirene.

The Verona-born and raised artist who founded the GLK Production company switches it up with every new release. This time, he dripped sun-bleached ambience into an artfully upbeat feat of trip-hop, which flirts with the sonic signatures of leftfield electronica and blissfully unravels as easily one of the most meditatively immersive tracks that we have heard this year. Music may only be a competition in our late-stage capitalist world; regardless, his instinctually sublime melodies are a cut above the rest.

The instrumental, II Tempo Delle Sirene, is now available to stream on Spotify.

Review by Amelia Vandergast

The Time Meddler – Folks Want Blood: The Tranquil Trip-Hop Enigma Returns

Posted on 13 July 2022

If you prefer your trip-hop on the more temperately exotic side, The Time Meddler’s latest orchestration, Folks Want Blood, will happily assist in your sun-bleached transcendence.

The cinematic Timothy and the Apocalypse Remix tears away from the electronica mould, before boldly roaming into avant-garde textures, kaleidoscopic tones and a sense of intrinsic soul that brings you right into the tranquil heart of the mix.

You scarcely need the producer’s bio to tell you that he’s been making beats since the 90s. It is written within the mellifluous leftfield gravitas that throws right back to that era.

The Timothy and the Apocalypse Remix of Folks Want Blood is now available to stream via Spotify. Hit play; the cathartic payoff is instantaneous.

Review by Amelia Vandergast

Renowned indie DJ and producer, Paul Allen Wright, went back to his rock roots with the arrestive rhythms in his EP, Voices

Posted on 17 June 2022

The indie DJ and music producer Paul Allen Wright returned to his rock roots with his riff-driven EP, Voices, featuring the standout single, I’m Walking, which has already racked up over 120k streams on SoundCloud alone. The hypnotically tribal guitar-led rhythms leave little room to wonder why I’m Walking has become a fan favourite.

His aversion to genre specificity gave I’m Walking a similar structural feel to a chilled indie leftfield electronica record. Instead of synths sitting prominently in the mix, Wright opted for acoustic strings to guide the desert-y and sporadically blues-y progressions. With the choice of the Stevie Nicks-ESQUE female vocals, I’m Walking was ethereally complete.

Hear I’m Walking for yourselves on SoundCloud.

Review by Amelia Vandergast

Grant Dudson goes leftfield with their latest EDM release, ‘Taming Tincture’

Posted on 2 April 2021
https://soundcloud.com/grant-dudson-997532712/taming-tincture

UK-based producer, Grant Dudson, has released his latest cinematic EDM mix ‘Taming Tincture’; the melodically leftfield mix teases orchestral nuances but never leaves its gritty urban essence far behind.

For any true aficionados of bold and modernistic electronica, the artist who started their career in RnB and Hip Hop is one for the radar. Everyone’s a producer in 2021, but producers with the ability to evoke so much emotion via electronic sequences are few and far between; Grant Dudson’s sound fills the gap nicely.

You can check out Grant Dudson’s futuristically psychotropic track for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Take a Transcendent Aural Trip with Alt Electronica Artist Taūv’s Ambiently Atmospheric Debut Album

Posted on 22 June 2020

In 2019 Electronic artist and producer Taūv dropped their debut self-titled album. We’re incredibly glad that the intricately layered soundscapes which take you on a transcendental trip to a completely new aural plateau ended up in our ears.

The ambiently psychedelic tones make it all too easy to immerse yourself within the mixes and follow the unpredictable progressions as they seamlessly contort under Taūv’s deft command.

Each of the tracks was atmospherically arrestive, but within the album, you’ll find a dynamic array of sounds. Each mix unfolds as a snapshot of the artist’s psyche when he orchestrated them. In “A Stroll with Birds” you’ll be fed birdsong and tranquillity. In “Losing My Shit” you’ll get a taste of the artist’s shadow side through the phantasmal layers which are weaved into the futuristic mix.

You can check out Taūv’s album for yourselves by heading over to Spotify. Prepare for 34 solid minutes of electronically crafted alchemy.

Keep up to date with the latest releases from the artist via Facebook.

Review by Amelia Vandergast

Mercury Teardrop – Everlight: 80s Post Punk meets Sonically Absorbing Ambient Electronica

Posted on 21 June 2020

Fans of 80s Post Punk will definitely want to greet the chilling atmospheric synths and analogue guitars featured in Mercury Teardrop’s debut album Apparitions of a Dying Moon.

While each of the soundscapes is a finely orchestrated intricately textured feat of escapism, the best introduction to Mercury Teardrop’s sound is undoubtedly the fourth single, “Everlight”.

With tones which tear through you and the absorbingly unpredictable progressions in the extended-length track, listening to Everlight is a full-body experience. After hearing the album at home, I now have a visceral need for Mercury Teardrops’ walls of deftly crafted noise to hit me live.

Mercury didn’t just pay homage to bands such as Joy Division, the Cure, Depeche Mode and Talk Talk with their debut. He reinvented perpetually cutting energy of Post Punk whilst also weaving their love for Ambient Electronica into the sonically blissful mix.

All songs written, performed and produced by Bradley Roger Baum.

You can stream Everlight along with the rest of Mercury Teardrop’s debut album which was released on June 6th via Spotify.

Connect with the artist and stay up to date with future releases via Instagram.

Review by Amelia Vandergast

U.V.P – Spread Your Wings featuring LiBa: Entrancingly Progressive Leftfield Electronica

Posted on 14 June 2020
https://uvpmusic.bandcamp.com/track/spread-your-wings-feat-liba

Bristol, UK-based Electronica artist and producer U.V.P dropped their latest track Spread Your Wings in collaboration with LiBa on June 12th.

The seductively structured feat of artfully downbeat electronica may be slow to start, but the extended mix carries an arsenal of progressive innovation. After building up to an entrancingly danceable sun-soaked soundscape, Spread Your Wings guides you through a myriad of progressions, each is as adrenalizing as the last.

LiBa’s distinctive and almost genre-less vocals found perfect synergy with U.V.P’s deftly crafted beats and allowed collaborative chemistry to drip from Spread Your Wings.

We may not be celebrating summer dance hits in the usual way this year, but whatever mood the Leftfield earworm catches you in, it will definitely be sweeter by the time you get to the outro.

You can stream and purchase U.V.P’s track Spread Your Wings via Bandcamp.

Review by Amelia Vandergast