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LA Pop

Joyeur – How to Love Yourself and Not Destroy Everything

Joyeur

LA-based electro-pop duo, Joyeur helped their fans get their body beats in their intricately melodic and mindfully quintessential 10-track album, How to Love Yourself and Not Destroy Everything.

With the opening single, Underbelly, which melds Big Black Delta electronic textures with Lady Gaga-level pop supreme style, you are instantly caught off-guard by Joyeur’s ability to shine through the pain lyrically, vocally, and instrumentally. The convergences of genres switch between amalgamations of hip hop, RnB, pop and electro from there on out; the only constant, the artists inclination to vocally shine light on dimmed perspectives.

As someone who knows exactly how it feels to spin a self-destructive narrative and watch the carnage amass around my own spited belligerence, How to Love Yourself and Not Destroy Everything was so much more than just a feat of sonic serendipity.

There has never been such a succinct pop exposition on the necessity of self-awareness and accountability. Joyeur notably has what it takes to draw listeners into a world where they too see the beauty in life’s flaws through music.

The layers of synthetic elements don’t attempt anything all too grandiose between the tracks on the debut LP, leaving plenty of the sonic focus on the sanctity that streams from vocalist Joelle, who found the perfect match with her collaborator and producer, Anna Feller.

Here is what Joyeur had to say on their LP

“The album explores human themes of hopefulness, perseverance, self-acceptance and self-sabotage—experiences that have guided my writing from the beginning

I feel like I’ve torn the veil off my pain, fear, and insecurities to reveal a power that can be used for good. Empowering and accepting myself in this way feels like a gateway to letting love in and stopping undermining my own wants and needs. I can be my own worst enemy.”

The album is now available to stream on SoundCloud and Spotify.

Review by Amelia Vandergast

 

Max Rae proves she’s the total pop package with the massive production in her latest single, March

Max Rae

The LA and Las Vegas quickly-ascending pop sensation, Max Rae, is set to send even more riptides through the industry with her latest stormer of an EDM pop anthem, March, which shares infectiously emboldened perspectives on individuality.

Based on March, and the scorching hot singles before it, Max Rae is the epitome of the triple pop threat. Her vocals that find strength through authentic expression, her hooky lyrics that prove her credibility as a stellar songwriter and the massive production are just three of the facets of her talent that secured her place in the future’s pop charts. That is before you consider Max Rae’s dance skills that she has been honing in on since the age of 3.

You can check out Max Rae via her official website, Spotify and Instagram.

Review by Amelia Vandergast

December Fades has released his ornately anticipatory pop single, Waiting

It is always a pleasure to discover an artist that has broken through their fear of expressive vulnerability, and few do it with as much panache as December Fades in his latest single, Waiting. The LA singer-songwriter and multi-instrumentalist always leaves us guessing what form of pop alchemy will follow the last. Waiting is an ornately passionate score of synths, keys and other ambiently minimal effects that serve as the platform for his effortlessly outreaching vocals.

Lyrically, the single goes so far past the old adage of anything worth having is worth waiting for. Waiting is a stunning reminder that life can’t always be in motion; waiting is just a part of the human experience as another verb.

Waiting will officially release on February 11th. You can check it out for yourselves here.

Review by Amelia Vandergast

Nostalgia and neo-classic nuance drive Seven Layer Piano Cakes’ latest emotionally-charged synth-led indie single, Remy

Seven Layer Piano Cakes

From the first deep dive into the sticky-sweet indie magnetism in Seven Layer Piano Cakes’ latest synth-pop single, Remy, we were hooked. If you fused the cool edges of Interpol onto the retro bliss of Grandaddy, the sonic result still wouldn’t be as sweet.

In the infectiously ardent chorus, you’re caught up in a spacey impassioned bop-worthy feat of synth-pop. In the spaces between, you’re arrested by the cuttingly angular indie guitars that blaze around the consistently evolving synths. From playful polyphonic tones to deep grounding notes, the classically trained pianist and harmonically-blessed vocalist plays with them all in the intricate layers of his complex signature sound.

Each new release, Seven Layer Piano Cakes (Justin Hoyt), leaves us even more assured that he is one of the most exciting names to have entered the LA music scene as an independent artist in recent years. His nuanced neo-classic tendencies paired with his ability to make his music as evocative as any of the most revered ‘emo’ artists is a potent combination. With his humbly affectionate charisma, he’s almost the antithesis to every virtuoso that has existed before him. Naturally, we can’t wait to hear what comes next.

Remy will be available to stream from February 4th. It will be available to stream via YouTube, and Spotify.

Follow the artist via Instagram.

Review by Amelia Vandergast

Embrace the chaos with Aimee Saturne’s alchemically ethereal dark pop single, Edge of the World

Dark pop alchemist, Aimee Saturne, proves that she’s still LA’s supreme in her latest single, Edge of the World, which incorporates her usual sultry air while encapsulating the same sense of trepidation that has been gripping us all a little too hard as of late.

Edge of the World finds an ethereal way to call out to anyone who is feeling trapped on our hell-scape of a planet where we can’t quite escape the unjustness or find an even footing within it.

The single starts with her smoother than smooth vocal timbre atop muted guitars; when the momentum begins to build in the electro-pop hit, there’s a tumultuous nature in spite of the arrestive pull of the moody melodies. Aimee Saturne deserves to be equally as revered as Billie Eilish, St Vincent, and every other pop visionary that is taking the future of pop into their deft hands. With her debut album currently in production, she is definitely one to watch.

Edge of the World is now available to stream via Spotify.

Review by Amelia Vandergast

Tyler Shamy has already released the breakup track of the year with ‘without a trace’

There are few sadder things than watching the co-creator of your memories disappear and become past tense; the up and coming pop sensation, Tyler Shamy, explored just that in his latest artfully crafted electro-pop ballad, without a trace.

Beyond the sonic finesse, it is the sentiment the single was created with that allows it to resonate as breathtaking from the first hit. With its vulnerability, the single calls all those possessive ‘I will never let you go’ pop singles into question as Shamy gives a far less toxic perspective on mourning an amorous loss. The visceral pain is there, but in place of the bitterness, there’s an acknowledgement of the tenderness in the intimacy that once existed. This gravitas-bursting break-up track should be on every coupled-up person’s playlists – just in case. The LA-based artist is evidently one to watch. Whether he’s scoring for TV and film or creating for the airwaves, he always knows how to deliver the maximum evocative effect.

Tyler Shamy’s latest single, without a trace, is now available to stream via Spotify.

Review by Amelia Vandergast

Sarah Proctor has released her essential LGBTQ+ ballad, Tired

In her latest single, ‘Tired’, Sarah Proctor treated her ever-growing fanbase to a stripped-back world-weary piano ballad that evades heteronormative stereotypes and hyper-normalised queer archetypes to paint a depiction of two women in love.

The semi-orchestral ballad carries all of the tenderness of a single by Bill Ryder-Jones, Tom Odell, Daughter and Bon Ivor. As her gentle, profound vocal timbre resonates above the sombrely minimalist keys, the vulnerability almost starts to feel like gravity.

As a queer woman who often feels ostracised by many facets of LGBTQ+ culture, it is beyond refreshing to find a relatable voice, a sincere artist looking to introduce reality onto the airwaves.

Since making her debut in 2020, the UK artist has garnered over 1 million streams on Spotify alone. Fans from all over the globe are drawn to the UK-born, LA-based artist’s intoxicatingly honest take on romanticism away from hyper-sexual toxic narratives.

The official video for Tired premiered on August 20th; you can check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast

LA Luminary Pop Singer-Songwriter Mariah Counts Has Released Her Haunting Single, Nothing

Los Angeles-based singer-songwriter Mariah Counts has brought her hauntingly connectable presence to the airwaves once more with her latest single, Nothing. The softly downtempo contemporary electropop ballad is dark in an unexpectedly tender way that will leave you utterly mesmerised from start to finish.

With ethereal effects laced around the acoustic melodies and trip-hop beats, the progressive instrumentals take you for an evocatively tumultuous ride while Mariah Counts’ true-to-voice vocals expressing relatable hollowness that love can cause to linger.

It is easy to see how so many have been left enraptured by the luminary artist who has exactly what it takes to define the future of pop. Counts truly proved how out of trend plastic pop facades are with Nothing. With a 250k-strong fan base, it is only a matter of time before she sheds her up and coming status.

Nothing is now available to stream on Spotify.

Review by Amelia Vandergast

LA’s Tyler Garrett shines in his latest album ‘Morning Star’.

Tyler Garrett

Emerging electronica singer-songwriter and artist Tyler Garrett has given us a sneak peek of what is to come in his upcoming album, Morning Star, due for release on June 22nd.

The title track is an intoxicatingly up-vibe mash of future bass, hyper pop, RnB and ambient electronica. The LA-hailing artist discernibly brings the energy, but no part of this visceral mix ever feels over facing. The 33-year-old has already discernibly perfected the balance between groove and aural euphoria.

Previously, his popular tracks have racked up over 1-million streams; it is easy to see how Morning Star will follow. He has a unique way of bringing raw intimacy to massive productions. We are sure it will see him go far in 2021 and beyond.

Morning Star will be available to stream, in full via Soundcloud.

Review by Amelia Vandergast

Kubota got experimental with his indie-pop hip hop single, ‘Nothing for Today’

Kubota

LA-born and raised Asian-American artist Kubota found his signature sound in a fusion of hip hop and indie pop, the perfect introduction to his sound is his latest single, Nothing for Today, that captures relatable apathy, productivity guilt and that inescapable feeling of being over faced by reality.

Trappy 808s may feature in Nothing for Today, but, refreshingly, they are far more than the main course percussion-wise. The trap beats work around 8-bit style chiptune electronica to create a bed for Kubota’s endearingly deadpan vocals.

The Pacific Records signed artist is steadily racking up the streams with his prolific rate of new releases. Nothing for Today is just one of the singles released ahead of his upcoming EP that promises to be an evocatively eccentric playlist staple.

Nothing for Today will officially release on June 4th. Check out Kubota via his website or Facebook.

Review by Amelia Vandergast